We found 35023 price guide item(s) matching your search

A Victorian oak boardroom bracket clock with triple fusee and chain movement, chiming and striking on gongs, the silvered dial with subsidiary 'slow/fast' and 'strike/silent' dials above Roman numerals and inscribed 'Spiridion Cardiff', all surrounded by engraved foliate scrolls, the architectural case with fluted columns flanked by pierced fret panels on a pedestal base, height approx 59.5cm.

A late Victorian slate clock garniture, the clock of architectural form with arched top above six columns, on a pedestal base, flanked by a pair of portico ornaments.

Sydney R. Jones - Architectural View with Cars and Figures, early 20th Century monochrome etching, signed.

A 19th century onyx architectural mantel clock with brass mounts and dial, 8 day French striking movement, height 11.5"

A late 19th century Arts & Crafts walnut mirror back side cabinet with architectural pediment, turned finials and columns, fretted galleries and carved panels, the back with 2 glazed cupboards, the base with frieze drawer, double glazed cupboard, 2 panel cupboards and undershelf, width 57.5"

An Arts & Crafts oak "Bishop's Throne", with architectural high back, green leather seat, arms and back, on square legs

An oak snakewood and ebonised chest in two parts Dutch late 17th century with architectural detailing including pilasters dentils and triglyphs the upper section with two long drawers the base with a pair of doors enclosing three long drawers h.127cm. w.119cm. d.65cm. W

Giovanni Battista Piranesi (1720-1778) - Pair of engravings - Architectural views of Rome, 18ins x 28ins (somewhat discoloured and marked), in gilt moulded frames and glazed

A 19TH CENTURY FRENCH ROSEWOOD PILLAR CLOCK, by Breguet of Paris, the architectural case with foliate inlaid pediment on four spiral pillars, enamel face with gilt metal casing and pendulum, on bead moulded inlaid stepped base. C1830. 17.5" High.

AN EARLY 20TH CENTURY WALNUT TWO WEIGHT VIENNA WALL CLOCK, having architectural pediment, white enamel face, brass lyre pendulum and two brass weights. C1910. 44" High.

A Charles Meigh York Minster Jug, typically moulded with religious panels and architectural designs etc, the base moulded with registration diamond and also dated November 12th 1846 (spout chips), 8 ¼” high

A late 19th Century walnut cased Vienna style Wall Clock, the architectural pediment set with a classical mask flanked by urn shaped finials, over half turned columns, to a cushion base, to a two part Roman enamel dial with outside minute track and black painted steel hands to a spring driven movement with anchor escapement and strike on a coiled gong, height 21”

A 20th Century mahogany Stick Barometer, the architectural pediment centred with a cast brass urn, to a herring bone trunk with visible tube, to a domed cistern cover, with a single glazed door enclosing a silvered dial with scale of 27 to 31 and flanked by a single scale alcohol thermometer, height 37”

A mid 19th Century Skeleton Timepiece with passing strike, the architectural plates set with three spires, united by four tapering gun barrel columns and raised on four waisted feet to a painted and pierced Roman chapter ring with black painted hands, the movement with four spoke gears and anchor escapement, strike on a bell, the whole mounted on a white marble plinth base with four bun feet and contained within a glass dome, (A/F), total height 18”

A scrimshaw baleen stay bust probably early 19th century decorated with ships architectural views and landscape images 33cm long possibly North American

Renaissance style Victorian over mantel, the arched canopy above open niches, previously fitted with doors, flanked by two 'blind arched niches' of architectural form each between carved pillars and over areas of blind fret work detail, 188 cm wide, also present parts of a cupboard which was to one side of the fireplace when in situ note; from the Dumbarton home of Denny's ship yard owner, later Keil School

Edwardian mahogany fire surround, the moulded cornice above a shelf and on supports carved with architectural detailing, 168 cm wide

Typed Press Hand Out, detailing a history of Lanark Rifle Volunteers formation of a football team (1872), another detailing the seventeenth century beginnings of 6th/7th Bn.The Cameronians (Scottish Rifles); three Lloyd's of London Accident Policies for Third Lanark Athletic Club; five lawyer drawn up documents relating to cases/deeds involving the club; architectural plans and literature including plans for a Proposed New Stand dated to 1960 another for a Proposed Coffee Stall at the ground, a large 'Plan as Existing' showing the siting of a Proposed New Sub Station; a book hand annotated with records of Ground and Stand Season Ticket Holders from approximately 1951-1958 and a similar one detailing Season Tickets Holders of the same period, and a copy of Scottish Daily Mail, Thursday, December 13th, 1962 with front page photo story titled 'George Young Quits Third Lanark' and with image of Mr James Murray and George Young leaving their last Shareholders Meeting having resigned over issues surrounding a 'Take-Over' produced by the intensive share buying by Mr Bill Hiddleston. provenance: as lot 101

A 19th Century Bohemian ruby flash painted clear crystal footed tankard decorated with two engraved panels detailing townscapes and architectural views with titles below within ruby line borders and above a band of fruiting vine, height 4.75’,S/D.

A 19th Century Bohemian ruby flash painted and clear crystal footed posy flute decorated with engraved architectural views with deer and landscape scenes all within foliate scroll borders, together with a similar waisted tankard and a small facet tumbler decorated with fruiting vine, tallest 6.5’, S/D.

GOOD VICTORIAN QUARTER STRIKING HONEY OAK BRACKET CLOCK, the reverse break front architectural case with broken pediment, free standing Corinthian columns and pierced sound frets, the shallow arch silvered brass dial with retailers plaque, Morath Bros., Liverpool, with chime/silent and Whittingham/Cambridge provision in the arch, substantial three train spring driven triple fusee movement, quarter striking on eight bells and a gong, complete with original bracket. 59cm

FRENCH 19th CENTURY GILT-BRASS, ALABASTER AND BLACK ONYX PORTICO CLOCK, with platform base supporting two architectural pillars and movement drum, circular 3.75" (9.5cm) white enamel dial (with crazing to edge and chipped to right winding hole), two train going barrel spring driven movement with outside count wheel strike and "silk" suspension. 30cm

A Coloured Architectural Drawing, of a church window with laverett tracery and stained glass, 45 x 27 cm

Winkles (H. & B.). Winkles's Architectural and Picturesque Illustrations of the Cathedral Churches of England and Wales, 3 vols., 1835-42, addn. eng. titles to each vol., 177 eng. plts. & plans, occ. minor spotting, contemp. half morocco, gilt dec. spines, slightly rubbed to extrems., 8vo (3)

Moule (Thomas). Winkles's Architectural and Picturesque Illustrations of the Cathedral Churches of England and Wales, 3 vols., [1836]-42, additional engraved title to each vol., numerous engraved plates and maps, orig. blindstamped blue cloth gilt, a little marked and faded to spines, large 8vo (3)

AFTER BENCE DEVISE ETC, PACKET OF TWENTY 19TH CENTURY BLACK AND WHITE ENGRAVINGS, French architectural and topographical plates, each approximately 11” x 16”, unframed

Three Victorian black slate cased Mantel Clocks with architectural design and coloured details

Plaw (John) Rural Architecture, or Designs, from the Simple Cottage to the Decorated Villa, 1794, sepia aqua. frontis., sixty-one sepia aqua. plts. and eng. plans, complete as list, some old waterstaining to first few leaves, 4pp. pubs. folding cat. of architectural books at rear, contemp. half calf gilt, worn, 4to (1)

French Architectural Guides. La nuit des temps, 25 vols., pub. Zodiaque, c.1970s, numerous col. and b & w photo. illusts., orig. cloth in d.j's, mostly contained in card slipcases, 8vo, VG (25)

Three chromolithographic prints depicting images by William Lionel Wyllie and others within architectural borders, each s. 37.5cm x 27.5cm

Charpentier after Cochin Architectural views; three plates Each hand coloured engraving Each p. 36cm x 22cm

Billings, Robert William. The Geometric Tracery of Brancepeth Church in the County of Durham, London 1845. Rubbed half morocco, foxed, plates, folio plus Archaelogical Institute of Great Britain and Ireland. The Ecclesiastical and Architectural Topography of England. Diocese of Oxford, Oxford 1850.Worn half morocco, foxed, 8vo plus others related.

An Edwardian mahogany display cabinet, with an architectural pediment over a pair of glazed doors and a base of shaped outline on slender supports united by an undertier decorated in classical taste

A late 19th Century Continental regulator style wall clock having circular dial with gilt centre, contained in rectangular wooden case with architectural pediment and pilasters flanking the dial door, 96cms

AN 18TH CENTURY RECTANGULAR GILT FRAME WALL MIRROR having architectural broken arch and cartouche crest with scrolling foliate corner decoration and original plate, 104cms x 57cms max

A gilt metal wall bracket, a slate cased mantel clock of architectural form, an Indian carved wood cigarette box, and various other items (a lot).

A 19th Century, Regency style, rectangular gilt composition over-mantel mirror of architectural form, 91cm wide, (af).

A Regency style, mahogany finished, rectangular wall mirror of architectural form, and four other mirrors various, AF, (5).

An early 19th century Staffordshire pearlware figure of a reclining ram with bocage, 15cm (6in) high, together with an architectural pastille burner (2)

A pair of 19th century pierced and carved architectural columns, gesso and gilded, the ornate design emanating from an urn at the base, with full bloom flowers, terminating in a classical capital with acanthus tongues, possibly Indian or Goanese, 94cm (37in)

A French pine cupboard, 19th century, the dentil moulded cornice, over a pair lozenge fielded panelled doors, within architectural pillars, above conforming panels, on bun feet, 202x164cm.

A 19th Century mantel clock having an architectural ebonised case with gilt metal mounts and Lenzkirch drum movement with gong strike, 20" high.

A R.A.F. Officer's Mess mantel timepiece with architectural oak case, silvered dial with Roman numerals and Elliott signal fusee movement (no glass), 14" high; together with a Kundo 400 day clock, an Omega military issue wristwatch, four pocket watches and a travelling watch.

A panelled oak overmantel, the architectural pediment with mask mount above a central mirror, 85" wide.

Seventeen oak and mahogany snooker/bowls club sign written winners boards, thirteen with architectural pediments with dates ranging from 1878-1994.

A WALNUT VIENNA REGULATOR STYLE WALL CLOCK dial white enamel annular, movement striking on a gong, case architectural, 50in. (127cm.) high

A MAHOGANY MANTEL TIMEPIECE dial cream painted, movement with shouldered plates, case of Gothic architectural form, 16in. (41cm.) high

AN EARLY GEORGE III MAHOGANY CORNER CUPBOARD enclosed by a pair of arched fielded panel doors of architectural form, 53in. (135cm.) x 37in. (94cm.) wide

A walnut corner desk by Alfred Waterhouse 1872-73 of semi-octagonal free standing form with a panelled reverse with an inset tooled leather writing surface flanked by two frieze drawers the turned legs joined by an undertier on brass casters 110cm. high by 165cm. wide by 92cm. deep Exhibited Architect - Designers Pugin to Mackintosh exhibition catalogue May 1981 The Fine Art Society Ltd. with Haslam & Whiteway Ltd. pp. 24-25. Literature Stuart Allen Smith 'Alfred Waterhouse Civic Grandeur' in: Jane Fawcett (ed.) Seven Victorian Architects Hampshire 1974 pp. 92ff for an extensive essay on Waterhouse and his life and work. Colin Cunningham and Prudence Waterhouse Alfred Waterhouse 1930 - 1905 Biography of a Practice Oxford 1992 pp. 23 146 224. Waterhouse was commissioned to turn Blackmoor Farm House in Hampshire into a mansion by supplying designs for functional buildings and furniture which he carried out between 1866-73. He employed Henry Capel in the Blackmoor project knowing that he could rely on his hi h standards. Although a dedicated reader of Pugin's and Ruskin's writings and producing many study sketches of their work Waterhouse never hesitated to embellish his Gothic designs with features from other historic styles and hence developed a distinct architectural language. He studied the historic styles during his 'Grand Tour' through Europe (1853-54) and was excited about the variety of possibilities. He remarked very poignantly: "Returned home much disgusted with English architecture. We want size light and shade and colour in our buildings - and in ourselves more good humour and good manners - cost of journey £11.6.1.5." W

A late 19th Century carved walnut table top Cuckoo Clock, the architectural case with a carved and applied naturalistic detail, comprising: two tree trunks with interwoven branches and leaves over a pierced frieze and raised on a similarly decorated plinth base, to a 6” Roman chapter ring with applied composite Gothic Roman numerals and carved bone hands, to a wooden twin fusee movement with anchor escapement and strike on a coiled gong and bellows, height 22 ½”

A LOUIS XVI WHITE MARBLE AND ORMOLU ARCHITECTURAL MANTEL CLOCK the movement contained within a cylindrical case, striking on the hour and half hour and with white enamel dial, signed Barancourt ˆ Paris, urn finial, laurel leaf surround and on oval plinth supported by six tapering columns, Sun King pendulum and cherub mounts ( Pierre Michel Barancourt is recorded as working in Paris circa 1783-1789), 20 1/2" overall

A VICTORIAN POLLARD OAK CISTERN BAROMETER by Negretti and Zambra, farenheit/centigrade thermometer and barometric pressure dials 10am yesterday and 10am today, the case with architectural pediment and square panel base, 42 1/4" high overall *Henry Negretti (1880-1879) and J W Zambra (1822-1888) were in partnership from circa 1850 onwards.

A LOUIS XVI ARCHITECTURAL PINE OVER MANTEL MIRROR decorated polychrome flowers with shaped cornice and later bevelled plate, 64" x 49"

ACKERMANN, R. 'The Microcosm of London or London in Miniature', Methuen, 1904. 3 vols. Cold. illus. by PUGIN & ROWLANDSON. Bds. scuffed and worn. Tog.with HOLDEN,Dr. C.H. & HOLFORD, Prof. W.G. 'The City of London. A Record of Destruction and Survival', Architectural Press, London, 1951. cl. worn. x4

An early 19th Century bracket clock with architectural top to the case and with brass ring handles and grilles to the sides, the plain white dial restored, fitted an eight-day repeater movement by John Peterkin, London, 40.5cm (16") high, complete with bracket

A 19TH CENTURY ONYX MANTEL CLOCK of architectural form with gilt brass mounts and pine cone finials by Halfhide & Co of Wimbledon, 14" high

A mid 19th Century mahogany linen press, with architectural cornice over a pair of cupboard doors flanked by baluster turned columns, enclosing five drawers above two short and two long graduated drawers, on scroll front supports, 153cm wide x 230cm high.

After Boieldien, 16th Century architectural interior designs, a set of fifteen prints.

After Fox, Brighton Suspension pier, print; after R. Noyus, The Grand Stand, Wolverhampton Racecourse, print and a quantity of architectural prints of country houses, castles, churches, bridges etc, all unframed.

After Manisky, Study of a Lady, pen and ink; 19th century school, bust portrait of a lady in a hat, pencil, initials 'PC'; S.Gosse, study of a lady dancing, pen and ink, another of a lady reading; John Gollard, a Minstrel, pencil; Dutch school, study of two men in period dress, pen and ink and four architectural pencil drawings.