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A William IV mahogany architectural pedestal cupboard, the top with a moulded edge above a leaf carved and baton frieze drawer fitted with a substantial brass handle, above a panelled door enclosing a shelf, flanked by leaf and scroll carved corbels on a conforming plinth base, 96.8cm high, 78.7cm wide, 41.9cm deep.
A large reproduction architectural mahogany bookcase, with a broken pediment over a broken alignment of hinged glazed panelled doors with moulded borders flanked by fluted pilasters, over a base fitted centrally with a pair of cupboard doors flanked by two banks of four (eight) drawers, 224 cm high, 204 cm wide, 49 cm deep (maximum).
A 19th Century ivory Dieppe carved figure of an angel, standing with hands together in prayer, upon an architectural style support, with intricately carved moveable wings. Length 14cm. Dieppe in Northern France arose as a site of artisanal carving due to the towns trade links on the 17th Century spice route, ensuring a profitable supply of ivory
A REPRODUCTION OAK 5FT FOUR POSTER FULL TESTER BED, the headboard formed of three seperate panels, the upper panel carved with intertwined scrolls surrounding two blank rectangular cartouches, the middle panel carved with two scenes of Adam & Eve flanking a vase of flowers within an archway, the bottom section of four panels, plain side rails, the two section canopy formed of thirty panels and embellished to the exterior with three carved crests (one named Wilson) over a fluted cornice and acanthus corbels, the foot end supports with fluted and stop reeded decoration and cup and cover pedestals above a freestanding medieval style figure within an open architectural plinth, external dimensions height 224cm x width 182cm x length 241cm
A partially green glazed Mediterranean urn of waisted form, with applied detail, approx 56cm high x 61cm (2ft) diameter This pot was originally the property of Alvilde & James Lees-Milne, James Henry Lees-Milne was an English writer and expert of country houses who worked for the National Trust from 1936 to 1973. He was an architectural historian, novelist and biographer. His extensive diaries remain in print. Alvilde Lees-Milne (nee Bridges 13 august 1909-1994) was a British Gardening and Landscape expert. The pot was a gift to Robert Parsons (1920-2000) from the Lees-Milne's. For many years the pot was in the conservatory of Newark Park in 2011 and the pot is now being offered for sale.
A pair of square-sectioned baluster vases with famille verte decorationKangxi marks, late Qing dynasty Each vase painted in the typical palette with figures in architectural or landscape settings drawn within shaped reserves on the neck and faceted walls,bearing six-character marks written in underglaze blue (bases drilled). 21in (53cm) high (2).
Scratch- and Kit-built Finescale O Gauge Buildings and Scenic Accessories, including two station buildings, one in red-brick finish, the other timber-framed and rendered, both with GWR and other adverts, a very fine GWR coaling stage (in the style of that at Didcot), a stone-based signal box, resin-cast 'pagoda' and arc-roofed iron shelters, a boxed 'stone' goods shed by Highland Architectural Castings, and unmade plastic kit Factory by Top Link (ref 1414), unchecked, various unpainted figures by Slater's, a US army half-track vehicle by Hart models and other items, mostly G-VG, made-up buildings with some minor damages (qty in 3 boxes)
A 9ct Gold Cigarette Case, London hallmark dated 1926, mm P & F LTd, approx 100 x 85mm, approx 130 gms, the cigarette case having an engine-turned finish and engraved 'A.W Martyn Esq, a token of esteem and affection from his boys', with three signatures S. Parker, C.A Denley (company secretary) and G.F Learner.Note: Alfred Willie Martyn was the son of H.H Martyn who established the well-known and respected Cheltenham based company H.H Martyn & Co. The role of managing director was handed to the then 30 year old Alfred and the partnership of H.H & A.W Martyn and H.A. Dutton was established on 28th May 1900.The company were specialists in architectural decoration and were renowned for carving in wood, stone and marble. Other mediums included modellers of decorative plaster enrichments,wrought iron, stained glass, casters in bronze and other metals. Notable works include St Paul's cathedral pulpit, Cambridge University library entrance, a life-size bronze of Robert the Bruce, wood panelling and carving at Balliol Library Oxford, cast bronze of Sir Winston Churchill and The Marble Arch Gates which took a team of 80 to manufacture. Other notable orders from abroad such was the company's reputation included a pulpit for Brisbane cathedral, wood and plaster work for the Maharajah of Lal Baghs palace, carving and bronze work for Peles Castle Romania, King Farouk's royal train amongst many of our nations grandest homes and institutional buildings. Martyn's was also responsible for the fitting of more than 100 ocean liners including the Titanic, Lusitania, Queen Mary and the QEII. Later the company moved into the aviation field and was involved in the establishment of the Gloster Aircraft Company. This cigarette case was a small token of affection to A.W Martyn from three colleagues who clearly held him in the highest esteem and affection.
A GEORGE III MAHOGANY BUREAU BOOKCASE, the architectural top with broken triangular pediment and key pattern dentil moulding, above twin mirrored doors, the base with pull-out writing surface and four long drawers, each with brass drop handles, raised on bracket feet. 207cm high, 90cm wide, 48cm deep
Concrete, acrylic, spray paint and inkjet on canvas 56cm x 51cm David’s subject matter, ranging from near life-size suburban house-fronts to monumental tower-blocks, allies him with the avant garde; so too does his frequent use of real architectural materials like concrete or wallpaper. David was born in 1935 and he studied at Camberwell School of Art and the Slade. In the 70s he exhibited in solo exhibitions at the Serpentine and the Whitechapel and in important group exhibitions internationally. His work is to be found in a number of important Public Collections including, Tate Gallery, London, Museum of London, The Arts Council, British Council, Museum Boymans-van Beuningen, Rotterdam and the Victoria and Albert Museum in London. Kindly donated by David Hepher courtesy of Flowers Gallery.
FLETCHER (H), CHANGING LONDON (SECOND SERIES) - A BOOK OF SKETCHES BY HANSLIP FLETCHER, comprising thirty nine prints and frontispiece in cord bound folio, with an introduction by Prof. A.E. Richardson, reprinted from the Sunday Times, London, Cassell And Company 1925, with BERESFORD CHANCELLOR (E), ORIGINAL VIEWS OF LONDON AS IT IS, BY THOMAS SHOTTER BOYS, 1842, London, The Architectural Press 1926, THE TIMES ATLAS, 1895 (at fault), travel guides to Hong Kong and the Rhineland and a set of vintage postcards from Moscow (6)
A collection of continental Architectural prints, to include, as aspect of the springing vault in 'Burgos Cathedral', Spain, signed 'Walter Richards', 50cm x 36cm, an exterior aspect of a cathedral, portraying Gothic pinnacles and flying buttress, signed 'A. H. Haig', 37.5cm x 74cm and other examples (6)
J.W. Benson of London - a mid-Victorian mahogany library clock, the architectural case with twin turned pilasters flanking re-painted dial (dial for restoration), having three winding holes for a chain driven triple fusee musical movement striking on nine bells, engraved backplate, the case with gilt brass and silk-lined fret panels, h.69cm
An early 19th century mahogany and boxwood strung stick barometer, the silvered scale signed M.Woller of Birmingham, the case with architectural pediment and turned brass finial, with typical lower turned circular cistern cover, h.98cm.With mercury, but air has entered tube.Otherwise good condition.
An architectural print, The New Mental Hospital At Runwell For The County Boroughs Of East Ham & Southend, the oak frame fitted an Elcock & Sutcliffe Architects plaque, 103 cm wide, and three other architectural plans, for the same architects, for various buildings in and around London (4)Report by GHThese are all prints not originals
A late 19th century mantel clock, the 16 cm square brass dial signed Jameson, Dublin, with a silvered chapter ring and with Chime/Silent & Slow/Fast subsidiary dials to the spandrels, the movement striking on a gong, in a simulated rosewood architectural case, 41.5 cm high See illustrationReport by RBPart of fret panels missing to side, with a pendulum and a key.

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35023 item(s)/page