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French - Late 19th Century Large and Impressive Black Marble / Slate Architectural Design 8 Day Striking Mantel Clock, of Excellent Form and Very Heavy. The Central Clock Dial Set Between Two Columns with Mythical Classical Scenes, Above and To Each Side of Dial. The Classical Scene Above The Dial, Features - Heracles Wrestling The Cretan Bull, The Clock Movement Is Marked S.F, Strikes on a Gong, Wonderful Condition and Working at Time of Cataloging. Height 12.5 Inches - 32 cm. Height 12.5 Inches - 32 cm & Width 18.75 Inches - 46.5 cm. Please See Photo.

A 19th century Victorian Coalbrookdale style cast iron stick stand of architectural form having ebonised painted finish. Measures: 70cm high x 37cm wide x 18cm deep.

The Second Danish Pamir-Expedition. Old and New Architecture in Khiva, Bokhara and Turkestan. Published at the Expense of the Church Ministry and Carlsberg Fund. Copenhagen: Gyldendalske Boghandel Nordisk Forlag, 1904 - Folio. Original sand buckram, title in brown to front board spine. 26 half-tone plates from photographs. First edition of this important architectural study from the two Danish Pamir Expeditions. 36cm-high 28cm-wide. 

An early 20th Century H A C mahogany bracket clock of architectural form, enamel and gilt face with roman numeral chapter ring,  14 day strike movement, with applied makers label todoor reading ' H A C 14 Day Strike. Made In Wurttemburg ' 40cm-high 27cm-wide 15cm-deep. 

A good collection of vintage postcards dating from the early 20th Century, to include vistas, churches, architectural, tribal etc.

Pair of Antique Moroccan Metal and Glass Lanterns. Architectural form with pierced surface. Measures 28-3/8" H x 15" W. Condition: Wear, oxidation, rubbing Domestic Shipping: Third party Min Est. $200.00 Max Est. $300.00

FERRARIO, Pietro; Giovanni Giacomo DE' ROSSI. Palazzi di Roma. [1696-1702], [WITH] Insignium Romae templorum prospectus exteriores interioresque a celebrioribus architectis inventi, 1684, 72 engraved plates (including title) [BOUND WITH] isegni di vari altari e cappelle nelle chiese di Roma con le loro facciate fianchi piante e misure de piu celebri architetti. [c.1713], engraved title by Pietro Antonio de Pitri after Ciro Ferri and 49 engraved plates showing plans, sections and elevations. Rome, de' Rossi, 1696-1702; 1684; n.d. circa 1713. 2 vol. bound together. Large folio (c. 49.5 x 36 cm). 18th-century Roman mottled brown calf richly tooled in gold to a rococo design with curling leaf tools, fan-shaped tools, flowers, palmettes and fleurons, spines gilt in compartments with a large rose tool; German library label in each volume on front paste-down, a little light dampstaining, going into the top of image of vol. 2, just into the blank upper margin of vol. 1. Superb examples of the art of the bookbinder.These volumes have bindings almost identical to those found on similar de' Rossi plate books, indicating that they were most likely made for the publisher; for example, see the Franklin Kissner Collection of Books on Rome, Christie's, 3 October 1990, lot 447.De' Rossi was one of the leading publishers of architectural works on Rome in the late XVII century. As well as buying up existing copperplates from other publishers and the heirs of artists, he also commissioned new engravings by artists such as Castiglione, Bartoli, and Aquila. De' Rossi not only documents the classical architecture of Rome from the renaissance onwards, but also groups them by building type. The lack of text puts the images in pride of place and the choice of images constitutes the sole editorial contribution of the author and publisher.

Robert Houston, by, Glasgow University, A View from the Banks of the River Kelvin, signed in pencil to margin, etching, 12cm x 15cm; others, early 20th century architectural etchings (5)

A JW Benson black slate and rouge marble mantel clock, architectural case, white dial

A German Cuckoo clock, architectural turreted case, open aperture, cream dial, twin bellows movement; another smaller Elliott timepiece (2)

A 925 silver pill/trinket box, relief decorated with figures seated within tavern interior, ale jug and barrel behind, stamped AR1 Z60 925; another, architectural, stamped Z60 (2)

Railwayana. Box of approximately 644 photographs, mostly 8½ x 6½ ins. Mostly locomotives, some architectural studies of station and other buildings. Doncaster, Derby, Leeds, Sheffield, Nottingham etc. Many duplicates.

Railwayana. Box of approximately 570 photographs, mostly 8½ x 6½ ins. Mostly miscellaneous including Architectural, country shots, scrap yards, old rolling stock, signal gantries etc.

[Jacobus Philippus de Bergamo. De claris mulieribus, edited Albertus de Placentia and Augustinus de Casali Maiori, Ferrara: Laurentius de Rubeis, de Valentia, 29 April 1497], 175 (of 176) leaves, lacks A1 (xylographic title-page with full-page woodcut to verso, photocopies supplied), 45 lines and headline in Gothic type, printed marginalia, a1v full-page woodcut depicting eight scenes from the life of the Virgin within architectural border, a second border framing first text page (a2r), 172 woodcut portraits, including 116 repeats, printed from 52 blocks, ornamental capitals, printer's device at end, A2 variant with 'Prologus' centred on fourth line and signed 'A', A4 bound after a1, scattered old ink marginalia and annotations to several woodcut portraits, occasional spots or light browning, s2 soiled on recto and with two small archival paper repairs with slight loss of lettering affecting first four lines of recto and verso, the robes in woodcut portrait to recto and corner of woodcut initial and a few letters of lines 9-10 to verso, all edges gilt, modern blind-stamped brown morocco with four raised bands, folio (300 x 200mm) BMC VI, 613 (IB. 25752); Goff J-204; HC *2813; Hin, History of the Woodcut, pp. 510-12; Ink-120; ISTC ij00204000; Lippmann, Wood-Engraving in Italy 153; Oates 2246; Polain (B) 1497; Proctor 5762; Sander 915. Collation: A4[-A1] a-e8 f6 g-p8 q6 r8 s6 t8 v6 x8 y-z6. First edition of one of the finest and most beautiful early Italian illustrated books and the first to attempt life-like portraits. An Augustinian monk, Giacomo Filippo Foresti da Bergamo (1434-1520) draws here from Boccaccio's own 'De claris mulieribus', but develops a different approach, choosing lesser-known female figures to 'rediscover' them for posterity. The women portrayed include numerous saints and historical figures such as Joan of Arc, Margaret Queen of England and Mary Queen of Scots. The final seven portraits were contemporaries of the author and are of recognisable likenesses. Unlike other woodcuts in the book, those used for them were not repeated. Five of the seven have been identified as Bianca Maria Sforza, Catherina Countess of Forli and Imola, Leonora of Aragon, wife of Ercole d'Este, Danisella Trivulzia, and Cassandra Fidelis. The artist of these fine woodcuts has not been identified, but several engravers probably contributed to the illustrations. (1)

Garner (Thomas & Stratton, Arthur). The Domestic Architecture of England during the Tudor period, 2 volumes, 2nd edition, 1929, numerous black and white illustrations, uniform original gilt decorated red cloth, boards and spine slightly rubbed, folio, together with Lloyd (Nathaniel), A History of the English House, 3rd impression, The Architectural Press, 1951, numerous black and white illustrations, original green cloth, front board slightly marked, spine lightly faded, large 8vo, and other modern architectural reference and related, mostly original cloth, some in dust jackets, G/VG, 8vo/folio (4 cartons)

A VINTAGE JUNGHANS ARCHITECTURAL STYLE MANTEL CLOCK A/F

A Victorian black slate mantel clock, in architectural case, with fixed pedimented top, raised above a 11cm dia. dial flanked by columns on a rectangular base, decorated with scrolls and flower heads, 29cm H, 34cm W, 14cm D.

A late 19th Century black slate and marble architectural mantle clock with Brocot escapement, height 34cm.

A Victorian oak cased aneroid barometer by Short and Mason with 10” silvered dial below a barometer in architectural case with fluted ionic columns, 117cm high

A BOX OF MODERN PRINTS TO INCLUDE ARCHITECTURAL EXAMPLES

Manwood (John). A Treatise of the Lawes of the Forest: Wherein is declared not onely those lawes, as they are now in force, but also the originall and beginning of forests... Also a Treatise of the Pourallee... Collected, as well out of the common lawes and statutes of this land, as also out of sundrie learned ancient authors, and out of the assises of Pickering and Lancaster, 2nd edition, 1615, woodcut initials and ornaments, black letter, lacking front and rear blanks, G7 with small marginal repair at foot, occasional small worm and burn holes, some light soiling, early owner signature at head of title, front hinge breaking, bookplate, contemporary limp vellum, laether ties, some soiling and rippling to covers, small 4to (ESTC 17292; Kress 345), together with Coke (Edward), The Fourth Part of the Institutes of the Laws of England Concerning the Jurisdiction of Courts, 1648, engraved portrait frontispiece (laid down), title within woodcut architectural border, maintext in black letter, some toning and marginal water stains, 18th century signature of James Cullen? and annotations to title, modern morocco, spine faded, folio (2)

A George III mahogany line inlaid bureau with architectural fitted interior to include two pilaster column hidden columns over a two over three drawer base with swan neck handles on ogee bracket feet, width 108.5cm. CONDITION REPORT No obvious signs of woodworm, original brass work though one swan neck bale missing, some losses to the finish on the ogee feet.

An Edwardian mahogany bow front display cabinet with architectural backrail and three panel curved glass front with two velvet lined mahogany shelves the lower panel of the door decorated with swags and festoons, all supported on line inlaid square tapering legs to spayed feet, height 170cm. CONDITION REPORT Width 95cm, depth 43cm.No obvious signs of woodworm.

Dante Alighieri. Dolce stil novo. Rime di diversi antichi autori toscani in dieci libri raccolte. Venezia, Giovanni Antonio Nicolini da Sabbio, 1532.In-8° (mm 150x99). Segnatura: A-S⁸ T⁴. 148 carte. Carattere corsivo. Al frontespizio titolo inquadrato da cornice incisa su legno figurata a motivi architettonici. Legatura antica in pergamena su piatti in cartone, titolo manoscritto al dorso. Esemplare in ottimo stato di conservazione. Note di possesso manoscritte al frontespizio.Celebre e rarissima antologia poetica, che ripropone i testi, con qualche correzione, accolti nell'edizione giuntina del 1527, e la dedica di Bernardo Giunta a «gli suoi nobelissimi gioveni amatori de le toscane rime». L'edizione rappresenta una rarità filologica e tipografica di fondamentale importanza per i poeti del "dolce stil novo". Mambelli, 996; Gamba, 800.8° (150x99 mm). Collation: A-S⁸ T⁴. 148 leaves. Italic type. Title-page framed within an architectural woodcut border. Early vellum over pasteboards, ink title on the spine. Ownership inscription on the title-page. A reprint of the Giuntina collection of Rime antiche, published in 1527, with the dedication of Bernardo Giunta to "gli suoi nobelissimi gioveni amatori de le toscane rime". This printing is of great importance for all poets of dolce stil novo. Mambelli, 996; Gamba, 800.

A LATE VICTORIAN BLACK SLATE MANTEL CLOCK OF ARCHITECTURAL FORM, black and gilt dial with Roman numerals, (key and pendulum), height 46cm approximately

Ø A FINE AND RARE SAILOR-MADE WHALEBONE AND MARINE IVORY SILVER-MOUNTED ARCHITECTURAL WALKING STICK, CIRCA 1860 the tapering four-stage shaft finishing with a box with barley-twist inner shaft and inlaid with ebony and silver motifs, terminating in a marine ivory Turk's head knot -- 36½in. (92.5cm.)

A large black marble mantel clock of architectural form, the case with gilt detail and gilt metal mounts, two-piece white enamel dial, visible escapement and drum movement, 46cm high.

An early 20th Century Continental mantel clockThe circular face with white enamel chapter ring and Roman numerals to a brass eight day movement, striking on a coil, fitted with a mercury pendulum, fitted into an architectural bevelled glass and brass case with urn mount and swept feet, height 40cm. An early 20th Century Continental mantel clockThe circular face with white enamel chapter ring and Roman numerals to a brass eight day movement, striking on a coil, fitted with a mercury pendulum, fitted into an architectural bevelled glass and brass case with urn mount and swept feet, height 40cm.

A late 19th Century bracket clockThe arched brass and silvered face with circular dial with Arabic and Roman numerals and three subsidiary dials, marked chime/silent, fast/slow, chime on eight bell/Westminster chime, the brass eight day movement striking on bells and coils, fitted in a oak architectural case with carved foliate and scale decoration set on a stepped plinth base, approx height 65cm. A late 19th Century bracket clockThe arched brass and silvered face with circular dial with Arabic and Roman numerals and three subsidiary dials, marked chime/silent, fast/slow, chime on eight bell/Westminster chime, the brass eight day movement striking on bells and coils, fitted in a oak architectural case with carved foliate and scale decoration set on a stepped plinth base, approx height 65cm.

Two folding Black Forest carved wall shelves, one in the architectural style with bevelled glass mirror, 85 cm x 42 cm, the other with naturalistic design, 45.5 cm x 29 cm

Early twentieth century French green onyx mantel clock of architectural form with exposed escapement and mercury pendulum, 35cm wide CONDITION REPORT Dial cracked, not working

Edwardian oak mantel clock in lancet shaped case with silvered dial, late Victorian slate mantel clock, a Victorian architectural mantel clock and a further alabaster clock with lion surmount (4)

19th century Continental walnut table cabinet of architectural form, with arrangement of drawers and cupboards, 57cm

Eastern prayer mat, segmented field with stylised tree and architectural motifs in geometric borders

Early twentieth century Continental green onyx and gilt metal mounted clock garniture of architectural form with presentation plaque, 33cm high

Eastern part silk rug, ochre field with two panels of architectural ornament in geometric borders, 100cm x 80cm

Antique Eastern prayer rug, the aubergine field with foliate mihrab and architectural ornament in geometric borders, 125cm x 60cm, together with another antique Persian rug (2)

20th century British School, architectural study, pencil drawing with watercolour, H.47cm W.32cm

A SET OF FOUR HADDONSTONE TYPE SCROLLING ARCHITECTURAL CORBELS each 41cm wide x 52cm high x 15.5cm deep (4)

A LARGE ROUND MARBLE TABLE TOP 129cm in diameter approximately and another smoked glass table top 134cm and five pieces of decorative marble architectural elements (7)

French Louis XVIII period table regulator in classical architectural gilt bronze portico case, in the Napoleonic taste. Dated 1818 on the mainsprings and signed 'Dartois Fils a Paris'. Ex: Clocks of Yesterday, 44.5cm high, 25cm wide approx

A group of six large 20th century photographic architectural prints, framed and glazed, (6).

A George III mahogany and boxwood outlined stick barometerUnsigned, circa 1800With an architectural pediment, glazed silvered scale with thermometer, above the trunk with moulded edge and domed cistern cover99cm high

A group of five large 20th century photographic architectural prints, framed and glazed, (5).

Italian School (17th/18th century), An architectural capriccio, oil on canvas, 101cm x 126cm. Illustrated.

A Rare and unusual mahogany and boxwood outlined wall regulatorInscribed R. J. Catons Improvement, Second half 19th CenturyThe architectural case with nine glazed panels, the hood enclosing the giltmetal engine-turned bezel, with 8 3/4 in. white enamel dial inscribed R. J. Catons IMPROVEMENT, with seconds subsidiary, the weight-driven movement of fine construction contained within sealed backplate, with deadbeat escapement and thumbnail beat adjustment to the crutch, fine wheelwork and maintaining power, the reverse of the restored enamel dial inscribed 'Stanley' and with modern restorer's date, with large brass-bob wood rod pendulum145cm high

A pair of George II style parcel gilt mahogany pier glasses, each with broken architectural cornice above in-stepped rectangular frames, 67cm wide x 112cm high, (2).

A group of six large 20th century photographic architectural prints, framed and glazed, (6).

A group of six large 20th century photographic architectural prints, framed and glazed, (6).

Henning Norgaard style teak architectural coffee table with rectangular glass top, 110cm x 56cm, H40cm Condition Report Click here for further images, condition, auction times & delivery costs

An antique walnut & ebonized single-door music cabinet with inlaid decoration, the architectural columns with gilt metal terminals, gilt metal galleried top, 60 x 95cms (faded) Condition Report: please request* *Condition is not stated in this type of auction with description and must be obtained by email prior to bidding as items are otherwise are purchased 'as seen'

A good antique mahogany architectural style table-top chest of three drawers, concealed behind cupboard doors Condition Report: please request* *Condition is not stated in this type of auction with description and must be obtained by email prior to bidding as items are otherwise are purchased 'as seen'

EBONISED METAL MANTEL CLOCK, two train eight day movement by Ansonia, white enamel chapter ring with Roman numerals, architectural case with spelter mounts, on front scrolling bracket feet, 26cm high

A 19th Century Mahogany Wall Mirror Of Architectural Form, 88cm by 103cm

A XIX Century Black Slate Mantel Clock, of architectural form, shaped arched pediment with applied embossed brass plaque depicting cherubs holding an urn, ivory chapter ring with Roman numerals flanked by mask heads, and twin brass handles, plinth base with marble highlights, 48cm high.

A 19th Century oak corner cupboard of architectural form

A Victorian black slate striking mantel clock of architectural form

Pair of engraved white metal rectangular plaques, each decorated with a classical architectural window, framed and glazed Condition:

Late 19th Century black slate cased architectural style mantel clock, brass movement striking on a gong Condition:

Late 19th Century black slate and marble cased architectural style mantel clock, the dial with off-white chapter ring having Arabic numerals, French brass movement striking on a gong Condition: