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An R.M.S. Queen Mary commemorative booklet for Cunard White Star, printed in full colour with tipped in illustrations of Art Deco works and architectural friezes within the ship, printed in 1936.

AN EARLY 20TH CENTURY TEAK LIBRARY BOOKCASE of Classic form, the pediment with numerous mouldings above four architectural columns enclosing six lead lighted glazed doors, standing on a box plinth, (AF). 130 by 312 by 30cm

United States, Spanish-American, Argentina, Brazil, and Italy. An additional grouping of Architectural and Academic medals presented to Leopold and Leopoldo Arnaud. Medals -- U.S. The American Institute of Architects - Fellow. Neck Badge, 1950. Sterling. Medallic Art Co., NY. Accompanied by AIA Award Document, March 22, 1950; Small University of Pennsylvania Bicentennial Medal on ribbon; Columbia University, Interclass Fencing Medal, 1915 (unnamed). By Dieges & Clust, NY; Order of Cellar Rowgues. Gilt AE; American Institute of Architects Centennial Medal, 1957. Bronze, 69 mm. Medallic Art Co., NY; Haney Medal, School Art League of New York City, 1933; Spanish-American. Liceo de America, Madrid - Confraternidad Hispano Americana. Silver medal, 31 mm. Columbus bust left/Twin crowned globes flanked by crowned pillars. Engraved L. ARNAUD on scroll (likely Leopoldo, the father); Argentina. Academia Nacional De Bellas Artes Medal. Gilt Silver, 24 mm. Argentine Arms/Legend. Engraved: ARo. LEOPOLD ARNAUD/ACADÉMICO/CORRESPONDIENTE. In Constante Rossi, Buenos Aires, box of issue. Accompanied by Award Document, April 15, 1945 and related correspondence; Brazil. City of Belém Medal. Gilt and enamels. Given for Academic Lectures. With Award Document, Belém, April 24, 1961;Italy. University of Pisa Centennial Medal, 1948. Bronze, 55 mm. High-relief Mossotti bust/Liberation scene. Given for lecturing; also Medallic Art Company 50th Anniversary Medal and Leonardo Da Vinci NY Exhibition Medals, 1940 (2). Very Fine-About Uncirculated. (17)

Three various design sketch albums, mainly furniture, by G.T.Rackstraw of Worcester, including architectural (altars, fireplaces etc) bureaux, beds, wardrobes, chairs etc

Art Deco coffee table (probably Heals & Co) in honey oak with quarter veneer top and squared architectural base.

An Isokon bent-ply Long Chair designed by Marcel Breuer, with padded cushion seat applied Isokon label, regd number 812856, 130cm long Literature Christopher Wilk, Marcel Breuer Furniture & Interiors, Architectural Press, page 128-133

A Liberty & Co Sigurd terracotta jardiniere designed by Archibald Knox, cast in low relief with a band of entrelac, four loop handles, Impressed Liberty mark , chips 64cm. diam. Provenance Garden Statuary & Architectural Items Sotheby`s 20th May 1998 lot 903. Literature Stephen A Martin Archibald Knox ARTMEDIA, page 276 for a comparable example Veronica Franklin-Gould Archibald Knox & Mary Seton Watts, Arrow Press, page 20 for an original photograph from Yuletide Gifts catalogue reproduced.

A late 19th Century George III style mahogany architectural hall bell of octagonal cupola form, the pierced arched top containing a bell above turned columns and a moulded plinth, height approx 35cm.

An 18th Century architectural carved wood mount and two African carved wood masks.

An early 20thC mahogany sideboard, of architectural form, with stepped back to drawers and cupboards below, on small cabriole legs, 181cm wide, 132cm high, 60cm deep.

LATE VICTORIAN MAHOGANY WINTERHALDER AND HOFMEIER BRACKET CLOCK of architectural form, with brass Roman numeral dial, the striking on a gong, 42cm high Good condition.

EARLY 20TH CENTURY FRENCH BRASS BRACKET CLOCK of architectural form, with cherub finial above a circular enamel Arabic numeral dial, the cylinder movement striking on a gong, on lions paw feet, 43cm high Good condition.

(École flamande) - NADAL, Jérôme dit Natalis.- Adnotationes et meditationes in Evangelia quae in Sacrosancto Missae Sacrificio toto anno leguntur: cum eorundem Evangeliorium Concordantia [...]. Antverpiae, ex officina Plantiana, apud Joannem Moretum, 1607. In-f° : 2 titres gravés-[8]-636-[7] pp.; 153 h.-t. (ex. très lég. bruni, qqs pp. ou pl. relativement plus fortement, qqs mouill. marg., une plus grande à la pl. cxiiii, pl. lxii déplacée, qqs déch. marg., qqs pet. rouss. ou piqûres, pet. perforation marg. p. 127, décharges de coul. marg. dues aux tranches). Rel. de l`époque : pleine basane marbrée, plats sertis de filets à froid, dos à nerfs sertis de filets dorés, tr. vertes jaspées de rouge (us., épidermures, plus importantes au plat inf., taches, coupes et coins émoussés). Est. : 600/ 800 € Suite complète de cette oeuvre magistrale sur la vie de Jésus figurée en 153 tableaux situés dans un décor architectural de style Renaissance flamande ou dans des paysages italianisants. Retirage (1er tirage : 1593) des planches réalisées d`après les dessins du peintre romain Bernardo Passaro et de Martin de Vos, gravées par les frères Wierix, Jean et Adrien Collaert et Charles de Mallery. Troisième édition (éd. orig. : 1594) du texte donnant des commentaires et pensées sur les Évangiles par le jésuite espagnol Nadal (1507-1580). Les planches présentent une double numérotation : en chiffres arabes comme dans l`édition de 1593 intitulée "Evangelicae historiae imagines ex ordine Evangeliorum" (titre gravé relié dans notre exemplaire) et en chiffres romains pour l`édition avec le texte de Nadal. Très bon tirage des cuivres. no. Mauquoy-Hendrickx, 1989-2121; no. Funck 367 (tirage non mentionné); no. De Backer-Sommervogel V-1518; no. Insolera 44-45. ▲ Provenance : bibliothèque de Grimbergen (mention d`app. ms.).

(Religion, Bible) - Biblia Sacra Hebraice, Chaldaice, Graece, & Latine. Antverpiae, Christoph. Plantinus excud., [1568 [- 1573]]. 40 parts in 8 vol. in-f° : [95 engraved title and 2 front. incl.]-[1 bl.]-743-[1 bl.], [10 front. incl.]-720 [i.e. 743]-[1], 213-[2]-[1 bl.], [2]-1/83-[1 bl.], [28], 73/679-[1 bl.], 130-[2 bl.], [4 front. incl.]-919-[1 bl.], 141-[1]-[2 bl.], [16 front incl.]-499 [i.e. 501]-[3 bl.], 566-[1]-[1 bl.], [2]-24, 382-[2], 54/1 [printed according to Oriental tradition]-[1]-[1 bl.], [2]-59/1 [id.]-[1], [4]-12/1 [id.], 197/1 [id.]-[1]-[2 bl.], [24/1 id.], 141/1 [printed according to Hebrew tradition]-[3], [8]-191-[1 bl.], [8]-147/1 [id.]-[1 bl.], 186/1 [id.]-[2 bl.], 114/1 [id.]-[1]-[1 bl.], 166/1 [id.]-[1]-[1 bl.], 24, 122-[6], 26-[2], 19-[1 bl.], 13-[3], 7-[1], 10-[6], 16, 7-[1 ill.], 8, 22-[1]-[1 bl.], [60], 31/1 [printed according to Oriental tradition]-[1], [8], [12],11-[1 bl.], 33-[2]-[1 bl.] pp.; 15 plates (some lvs or plates yellowed or browned, some weakened due to exhibiting, dampstains mostly in the margins, some marginal tears without loss, some marginal holes, some corners lacking, multiple errors in pagination, some mould spots, rare handwritten notes, last quire of the preliminary lvs [i.e. pp. 97-108] missing in vol. I, half-title remounted, marginal tears in first lvs repaired, first lvs of quire "i" unbound and break after quire "h" [1 lf. unbound] in vol. I, break after quire "Aa" [p. 565 partly unbound] in vol. IV, title-page of vol. VII underlaid with tears repaired, 1 tear without loss in its design to the browned world map browned, "Candido lectori" in vol. VIII missing). Modern binding : full natural pigskin blind stamped with Renaissance-like pattern, boards with frames of fillets forming lozenges and fleurons in the crossings, ribbed spine with fillets, gilt edges (some joints partly split, spine of vol. I and vol. IV partly broken, turns ins and edges slighlty damaged or faded, some small traces of use, tear at the upper fly leaf in vol. V, traces of tape on the boards of vol. VIII). Est. : 30.000/ 40.000 € First edition of Plantin`s Polyglot known as the Antwerp or the Royal Polyglot. The text of the Old (vol. I-IV) and of the New Testament (vol. V) is disposed as follows : on the left pages the text in Hebrew with the Latin Vulgata translation by Saint Hieronymus and underneath the Chaldaic (i.e. Aramaic) paraphrase in Hebrew type, on the right pages the text in Greek with the Latin translation and underneath the Latin translation of the Chaldaic paraphrase. Vol. VI-VIII consist in the "Apparatus" which is a series of treatises, dictionaries (Greek, Hebrew, Syriac), grammars and text-editions. Our "Apparatus", with a mix of versions A and B of the treatises (cfr Voet), contain some variants compared to the "Ordo librorum" bound in volume I : the "Hebraicorum bibliorum Veteris Testamenti Latina interpretatione" and the "Novum Testamentum Graece" are inverted in vol. VII,- the "Communes et familiares Hebraicae linguae idiotismi" is not bound at the end of vol. VII but at the beginning of vol. VIII,- the "Candido lectori. Guid. Fabr. Bod. in titulorum totius Novi Testamenti Syriaci" is missing but as Voet says "in some copies a treatise may even have been dropped". Our copy, with wide margins and entirely ruled, is illustrated with : vol. I : the engraved title by Petrus A. Merica or Van der Heyden, the allegory of the "Pietas Regia" (i.e. Philip II) also by the same at the back of the engraved title and the "Allegory of the Authority of the Pentateuch".— Vol. II : the frontispiece by Jean Wiericx figuring the crossing of the Jordan by the people of Israel.— Vol. IV : the frontispiece of the workers in the vineyard of the Lord.— Vol. V : the frontispiece with the "Baptism of the Christ".— Vol. VIII (15 illustrations instead of 16 as our copy has the version B of the "Tubalcain" in which the representation of a "sicla" has been dropped) : the world map on double page in version B (without the typographical text "Orbis tabula. Ben Aria Montano auctor" on the recto of the world map), the map of Chanaan, the map of the "Terra Israel", the "Arca Noe", 5 plates of the Tabernacle, one plate figuring the camp of Israel, one of the ground-plan of the Temple Jerusalem and 2 other plates representing parts of it, the full-page figuring a Hebrew Great-Priest and the plan of Jerusalem on double pages. Furthermore, there are four typographical titles in an architectural frame comprised in the pagination ("Pentateuch", "Prophetae", "Hagiographoi Sancti" and "Prophetae posteriores"). Plantin`s Polyglot Bible in five languages (Latin, Greek, Hebrew, Chaldaic or Aramaic and Syriac) "may considered to be the largest typographical enterprise of the 16th Century" (cfr Voet) and is a fantastic technical, philological, scientific and exegatical prouesse. Plantin took as a model the "Complutesian" or "Ximenes" Polyglot of Alcalá de Henares (1514-1517, 6 vol.) but "with many corrections, addition of the Syriac text and numerous treatises in the "Apparatus" (cfr idem). Benedictus Arias Montanus (1527-1598), one of the most learned Oriental scholars who accompanied the Bishop of Segovia to the Council of Trent and chaplain of Philip II, "was the leading force of the gigantesc enterprise" (cfr idem). He was assisted by Plantin`s son-in-law, Franciscus Raphelengius and by Guido and Nicolaus Fabricius Boderianus. Most of the treatises in the "Apparatus" are written by Arias Montanus, R. Raphelengius and G. Boderianus but the scholars Andreas Masius, Guilelmus Canterus and the Cardinal Sirlet made also contributions. Plantin`s proof-readers Cornelis Kilianus, Theodoor Kemp and Antoon Spitaels as well as the theologians of Leuven University Augustinus Hunnaeus, Joannes Harlemius and Cornelius Reyneri Goudanus supported this major project printed at 1.213 copies, financed and encouraged by Philip II. no. Voet I-644; no. Darlow & Moule 1422; no. Shirley 125. ▲ Provenance : Seminary of Rouen (handwritten mention). ¶ Édition originale de la Bible Polyglotte de Plantin, patronée par Philippe II et menée sous la direction de son chapelain, Benito Arias Montanus. Ex. à grandes marges, entièrement serti de filets à la plume d`encre rouge, illustré d`un titre gravé au volume I, de plusieurs frontispices, de 15 pl. dont la célèbre mappemonde, d`une pleine page figurant un Grand-Prêtre juif et de titres dans des décors architecturaux. Gigantesque prouesse technique, philologique, exégétique and scientifique pour son époque. Pleine peau de truie naturelle moderne avec un décor dans le style Renaissance (dernier cahier des ff. prélim. du vol. I et "Candide lectori" au vol. VIII manquants, qqs pp. ou pl. lég. brunies ou jaunies -certaines rel. plus fortement-, qqs déch., le plus souvent marginales, parfois restaurées, déch. dans la carte du monde sans manque, qqs lég. us. aux dos...).

(Religion) - Missale ad usum dyocesis Monasteriensis. Noviter impressum ac emendatum. Colonie, [Wolfgang Hopyl], (in alma Parisiorum academia impressum. Impensis Francisci Byrckman et Goffredi Hector), anno Domini 1520. 2 parts in 1 vol. in-f° : [8]-clx, xcvii-[1] lvs (numerous wormholes, large ones in the title-page, some tears and margins repaired, marginal dampstains in the beginning and in the end, first lvs remounted, marginal handwritten notes at lf. Liiii). Hybrid binding : calf on wooden boards, ribbed spine, brass clasps, button-like guards (binding successively repaired : original sides partly conserved and stuck on the boards renewed, spine, edges, corners, parts of clasps and fly lvs renewed). Est. : 1.200/ 1.500 € Postincunabulum in a neat gothic typesetting on two columns and musical scores in 4 reaches, all in black and red. Copiously illustrated. The title-page presents an architectural decor divided in three registers : the Virgin Mary on a throne with Jesus and some characters, Saint Ursula of Cologne with the Eleven Thousand Virgins and the 7 Maccabees with Hannah praying in a basin heated by a fire. In the upper corners, the coat of arms of Cologne and one with the printer`s mark. At the bottom, Hopyl`s motto "Fortuna opes aufferre : animum non potest". Also illustrated with a large woodcut figuring the Mass of Saint Gregory, 122 vignettes in texto and 1 full-page with the Crucifixion; text with ornamental and decorated initial letters (some dotted). no. VD16 ZV 25950; no. not in Adams, Soltész, Machiels. ▲ Provenance : Nordkirchen (emblazoned ex-libris). ¶ Typographie soignée en rouge et noir. Joli titre gravé figurant Marie, Sainte Ursule avec les 11.000 vierges et les 7 Maccabées priant avec Hannah dans une bassine. lllustré également de la messe de Saint Grégoire, de vignettes in texto et de lettrines. Plein veau sur ais de bois hybride (div. phases de restaurations à la rel., nombr. gal. de vers, certaines restaurées).

(Auteur de l`Antiquité) - SENECA, Lucius Annaeus.- Opera quae exstant omnia; a Justo Lipsio emendata et scholiis illustrata. Editio quarta [...]. Antverpiae, ex officina Plantiniana Balthasaris Moreti, 1652. In-f° : [16 dont front. et titre gravé]-xxxvi-911 pp. (ex. +/- bruni, qqs rouss.). Rel. armoriée de l`époque : plein vélin, plats sertis de files dorés avec armoiries dorées au centre et dans les angles, dos fleuronné doré à nerfs, tr. jaspées de brun (lacets de fermeture part. manquants, un coin lég. émoussé). Est. : 500/ 600 € Quatrième édition plantinienne (éd. orig. : 1605) donnée par Juste Lipse (1547-1606) avec ses commentaires mais la première revue et complétée par Libert Froidmont. L`ouvrage contient l`"Apocolocyntosis divi Claudii" (ou transformation de l`empereur Claude en potiron !), ouvrage satirique particulier dans l`oeuvre du grand philosophe. Illustré, souvent par Corneille Galle, d`1 frontispice représentant le portrait de Lipse en médaillon, d`1 joli titre gravé avec les portraits en médaillons de Sénèque, Épictète, Zénon, Cléanthe, Hercule, Athéna et Ulysse dans un décor architectural, de 3 portraits de Sénèque (dans une bassine, en buste et in texto dans le "De vita et scriptis") et d`1 in texto représentant des os de chien et de bovin. Texte orné de lettrines et culs-de-lampe. no. BB V-135-136; no. Graesse VI-348; no. Brunet V-276 (éd. de 1652). ▲ Provenance : livre de prix de la ville d`Amsterdam (supra libros armorié); Jos. Bosmans (mention d`app. ms.); bibliothèque E / P (cachet).

HAMPTON COURT PALACE BRONZE LIMITED EDITION COMMEMORATIVE PROOF MEDALLION FOR EUROPEAN ARCHITECTURAL HERITAGE YEAR 1975, in case, 18CT GOLD PLATED METAL INGOT PENDANT TO COMMEMORATE THE QUEEN`S SILVER JUBILEE, 1977, TWO GOLD PLATED AND ENAMELLED RAF WINGS BROOCHES, a CROWN STAFFORDSHIRE CHINA COASTER, `Rangoon` pattern, (boxed) and a PAIR OF MINTON CHINA `MARLOW` PATTERN COASTERS (boxed) (7)

CHINESE LACQUER GAMES BOX of octagonal form, the lid and interior decorated with gilt figural and architectural motifs, the interior fitted with numerous compartments and small gaming trays, 39cm long, 30cm wide Several cracks to the wood and chips to almost all edges, losses and fading to the gilt and colour on the exterior

LARGE CHINESE CELADON STYLE VASE with trumpet neck and globular body, decorated with figures in an architectural landscape scene, on carved wooden stand, 40cm high (excluding stand) Chip to rim and hairline crack running from the chip for c.3 inches

CHINESE CARVED WOOD WALL MIRROR with carved frieze section above and below the mirror depicting figures in an architectural landscape setting, and with carved border all round, 116cm high, 52cm wide Good condition overall very light surface marks

WALRUS TUSK BRIDGE CARVING with figures in an architectural mountain scene, on wooden stand, 27cm long A few pieces of carving missing and some repairs

CHINESE IVORY CARVING the cylindrical tusk carved in detail with figures in an architectural mountain landscape setting, 20.5cm high, 9cm diameter (at the top) There are two area of carving missing of note to the top section of the piece

CHINESE IVORY BRIDGE CARVING carved with figures in an architectural landscape setting, 30cm long, 14.5cm high A section of carving is missing, glue repair to a section near where the piece is missing

JAPANESE ARITA CHARGER of shaped octagonal form, the interior decorated with an architectural river scene, the rim of the charger decorated with floral motifs, 36cm diameter Chip to rim, chip to inner rim (the floral decorated section decoration)

MIRROR, Architectural style, in distressed metal finish, 205cm x 109cm.

MIRROR, Architectural style, in distressed metal finish, 205cm x 109cm.

A Smith and Co. part dinner service, late 19th century, printed with views of architectural scenes in garden landscapes, bearing printed marks for W Smith and Co, with impressed marks for Wedgwood, comprising soup plates, smaller side plates, oval dishes, a soup tureen and sauce boat with stand ( a lot)

Peter Weaver RI, British b.1927- Circus Family, (recto), "Mammut Amer", (verso); oil on unstretchered canvas, 74x91cm: Peter Weaver RI, British b.1927- Picnic by the river, (recto), town square, (verso); oil on unstretchered canvas, bears inscription on the salvage, 69x89cm: together with ten further studies in oil on unstretchered canvas by the same hand, to include nudes, townscapes, landscapes, architectural studies, many double sided, maximum size 94x56cm, (12) (rolled) (may be subject to Droit de Suite)

* A collection of architectural plans, 20th century, to include plans of interiors, such as hallways, stairs and rooms, (a lot).

A late Victorian walnut mantel clock by Camerer Kuss, of architectural form and having German movement, the dial signed, 29cm high x 25cm wide.

A late 19th century wall clock, the brass base with ivorine dial supporting a twin train striking movement in a walnut architectural case, h. 64 cm CONDITION REPORT: lacking drop finial, otherwise good condition, no guarantee as to working order

A late 19th century wall clock, the gilt dial with geometric boss and ivorine chapter ring in an architectural walnut case, h. 110 cm CONDITION REPORT: Case lacking cresting, otherwise ok

Cast Iron Book Press. Decorative 'architectural' arch and base platform. Dimensions at extremities : 43cm. x 36cm; Open height 38cm. Maximum width between plates 7.5cm. Reinforced base.

RAILWAYANA ARCHIVE II. A substantial collection ( in excess of 40 items ) of original, linen-backed, architectural plans and drawings (some tinted), dating from the late 19th.C. relating to locations on the London & North Western Railway. Locations and plans featured include : Passenger Stations Ashbourne and Buxton Railway C.1898; New Ladies Waiting Room & Parcel Office, Ashborne 1899; Road Diversions and Sidings at Croft 1899; Ashbourne & Buxton Railway, Public Road Bridge at 9 miles and 34 chains, 1893; Tissington Station plans 1898; Stour Valley Line, No.71 Bridge 1891; Hartford Branch - alterations/extension to existing bridge 1868; Bridge over the River Soar 1899. Many of the items have official's signatures, annotations and official stamps. CONDITION REPORT: Though obviously a little browned most are in vg condition. All items have been rolled. SEE ADDITIONAL IMAGES

Two boxes containing a 1930`s oak cased mantel clock, a painted wooden mantel clock of architectural form and a Bakelite mantel clock and another

A slate and marble mantel clock of architectural form, tog. with a 1930s Art Deco mantel clock

An early 20th century onyx mantel clock of architectural form with presentation plaque

A LATE 19TH C BELGIAN BLACK MARBLE AND BRASS MOUNTED ARCHITECTURAL STYLE MANTEL CLOCK

A BELGIAN BLACK MARBLE ARCHITECTURAL STYLE MANTEL CLOCK AND A SIMILAR CLOCK IN EBONISED WOOD

A GERMAN WALNUT ARCHITECTURAL MANTEL CLOCK WITH TRIANGULAR PEDIMENT AND TURNED FINIALS

RACHEL NEWLING. Banksia Serrata, colour linocut, signed, inscribed and numbered 25/50, and three other monochrome reproductions depicting Garden and Architectural subjects; four (4)

ENGLISH SCHOOL. Outside the front of a House, signed with initials R.C.W., pen and ink sketch, 11 x 15 in; and two framed reproductions depicting architectural subjects; three (3))

A Victorian triple-fusee eight-day presentation mantel clock with a carved oak Gothic Revival case of architectural form, with brattished parapet and trefoil lancet arches with figures including the Blessed Virgin and Child and apostles, with crocketed piers at the angles, the movement chiming on a main bell and a further rack of four bells, the dial with applied silver chapter ring, the matted centre bearing the Latin inscription Qui Habitat in Adiutorio Altissimi and the date AD 1901, the clock door carved with In Manibus Sortes Mea and each bracket foot with a Gothic letter, 58cm (23in) high overall. Note: This clock, cased by John Hardman & Co, was presented to their chief designer John Aloysius Pippet (1841-1903) on his retirement

A George IV mahogany bow front three drawer side table with central kneehole, raised on square tapering supports, 97cm (28in) wide, together with an Arts and Crafts style oak towel rail of plain form, with broad architectural block feet, 96cm (37 3/4in) and two other towel rails

A George III mahogany breakfront library bookcase, with broken architectural pediment, the base fitted with flame grained blind panel doors, raised on a moulded plinth base, 252cm (99in) wide

An Edwardian mahogany wall clock, with eagle finial above architectural case, with 8 day movement, full glazed front panel, and Roman Numerals to face

A Regency style Edwardian mantle clock, the architectural form housing a small drum movement, with pendulum and key

A LATE 19TH CENTURY FRENCH BLACK STYLE MANTEL CLOCK, the moulded architectural case in black painted wood, the mechanism 8-day Japy type with exterior locking plate strike on gong, faced by a Roman calibrated enamel dial, 35cm high

A mantel clock, in a black slate architectural case, 30 cm high Condition report Report by NG Pendulum present at time of cataloguing Report by JB General wear present to case. General marks scratches, knocks and nicks throughout, most noticeably to corner sections. The feet sections look as though they have been repaired in the past. Gilt decoration to top section is worn, it looks like supporting pillar decoration has been touched. Dial unfortunately displays noticeable cracks, mainly around 1 o'clock, 7 o'clock and 11 o'clock, along with a slight tinge of discolouration. Hands also appear to be slightly bent. Discolouration and general marking present to bezel. Back door worn with some holes to cloth covering. Movement would appear complete as far as we can see. However, it does not appear to currently run. Pendulum would appear original (see extra illustrations for confirmation)

A mantel clock, in a black slate architectural case, 41 cm high Condition report Report by NG Pendulum present at time of cataloguing

A late 19th century mantel clock, with Roman numerals, in a black slate architectural case, 37.5 cm high

AFTER FRA ANGELICO (1400-1455) A triptych showing the Virgin Mary and Jesus flanked by angels, on a gold ground, within an ornate architectural frame, late 19th/early 20th century, 21" high overall, contained within a glazed wall case Provenance: Dr. Cooper of Lyme Regis, gifted to Miss Isabel Jacob (1895-1983), and thence by descent.

Jones (Owen) The Grammar of Ornament, 1868, Quaritch, folio, 111 (of 112) litho plates including title, lacking the additional plate 54*, a.e.g., original cloth gilt; Bankart (George P.), The Art of the Plasterer .., nd., Batsford, 4to., original cloth; Weale (John), Monograms, Old Architectural Ornament, Sacred Illustrations .., nd., folio, litho plates, remnant binding; Polisch (Charles), Motifs de Decoration Moderne, 1881, Paris, folio, 24 (of 25) loose plates, boards lacking spine, four earlier W. Kent plates loosely inserted; with one other (5)

Topham (John) Some Account of the Collegiate Chapel of Saint Stephen, Westminster, nd, folio, fourteen engraved plates, original boards with later half calf repairs (fire damage to upper board and text pages); Mackenzie (Frederick), The Architectural Antiquities of the Collegiate Chapel of St Stephen, Westminster, the Late House of Commons ..., 1844, large folio, engraved frontis and eighteen plates, remnant half morocco (worn defective binding, pages loose); Aine (Duchesne), Musee Francais Recueil des Plus Beaux Tabeleaux, Statues, et Bas-Reliefs qui Existaient au Louvre Avant 1845 ..., Vols 1, 3 and 4, nd., Paris, folio, numerous engraved plates, morocco gilt (worn, fire damaged) Lasinio (Carlo), Affreschi Celebri del XIV. E XV. Secolo incisi dal Cav.Carlo Lasinio sui disegni del Cav.Paolo suo Figlio, 1841, Firenze, folio, 31 (of 32) engraved plates, half morocco (worn); Manuscript, single folio-sized sheet with rubricated manuscript front and rear (8)

Pair of 19th century oak carved buffets in architectural form, each 51 x 61 x 30in. (130 x 155 x 76cm)

Indian watercolour miniatures on ivory depicting the Taj Mahal, architectural Indian views, and four Indian portraits probably Shah Jahan, Mumtaz Mahal and two of their daughters, all mounted in a gilt frame

Bronze architectural plaque commemorating the 260 men and 71 women who served their country and who worked for Cornhill Insurance In World War II, Sculpted by D. Gilbert NOTE: VAT PAYABLE ON THIS LOT 47 x 24in. (119 x 61cm)

A Staffordshire model of a zebra, a horse and a flatback architectural vase, (3).

An Edwardian gilt framed over mantle mirror, with architectural crest flanked by turned spindles over a reeded frame.

A TWENTIETH CENTURY "ELLIOTT", LONDON, BRASS SKELETON CLOCK, the 4" (10cm) roman dial with silvered chapter ring, powered by a fusee movement, with architectural frame, under a glass dome and raised on a green onyx base, 13 ½" (34.3cm) high