We found 35023 price guide item(s) matching your search

An eight day ebonised Vienna wall timepiece, late 19th/early 20th century, the architectural case with bobbin turned pillars flanking the glazed door and 18cm enamelled dial, applied with Roman numerals, centred with a subsidiary second dial, enclosing the single train movement, 112cm high, with key, pendulum and brass coated weightKey succesfully winds however working order is un-tested 

A late George III honey oak and mahogany crossbanded longcase clock signed William Evans, Shrewsbury, the architectural hood with freestanding fluted pillars flanking the 32cm painted square dial, with subsidiary second dial and date aperture, signed with the makers name, the two train movement striking on a saucer bell, the case with conforming quarter pilasters and shaped door, upon a plinth base with integral bracket feet, 232cm high, with key, two weights and pendulum

A Victorian brass eight day fusee skeleton clock, of Gothic architectural form, with overhead saucer bell above the 16cm silvered fretwork dial applied with Roman numerals, all upon an integral oval marble plinth base, with conforming glass dome, key and pendulum, clock 60cm high

A German oak cased eight day mantel clock, by Junghans, early 20th century, the architectural case with fluted pilasters flanking the 14cm silvered and gilt metal dial, and enclosing the two train movement, stamped with the makers name, striking on a coiled gong, 39cm high, with pendulum and key

A reproduction oak cased Admiral Fitzroy wall barometer, 20th century, the architectural case enclosing the paper register, bearing the registration number '367 815', along with a mercury filled barometer, thermometer, and atmosphere gauge, 107cm high

TWO SIMILAR COMPOSITION STONE ARCHITECTURAL ELEMENTS 20TH CENTURY Possibly corbels or keystones, each modelled with mouth agape slight size variance but approximately 30cm high, 29cm wide, 20cm deep

A giltmetal mounted onyx architectural mantel clock, with enamel dial, pendulum, 29cm h x 23.5cm w and a brass inlaid onyx desktop timepiece with lever escapement, 10 x 13cm (2) Mantel clock with repair to one front corner, numerous chips and nibbles. Desktop timepiece good condition

A vintage alabaster cased mantel clock with a pocket watch movement. Inscribed 'J. Byfield, London, 4150'. With floral and architectural details, gilt spelter dial, black painted Arabic numerals. H28cm

Local Interest - an Edwardian striking mantel clock. Double gong. Brass dial with silver chapter ring, Arabic numerals and spandrels. In a wooden case, carved architectural features and a presentation plaque 'To Mr Sampson, by Wells City AFC, 1904'. H43cm

A vintage Ansonia USA black painted metal cased clock. Striking to a gong. With a gilt metal dial, painted Arabic numerals and minute markers. Architectural features to case with gilt floral and scroll decoration. L42cm x D19cm x H30cm

A Doulton Lambeth tobacco jar and cover, impressed marks to underside, no.1881, 13cms high; together with a salt glazed tobacco jar (lacking cover); a Staffordshire architectural pastille burner; and a Staffordshire character jar and cover. (4)

A 19th Century French brass mantel clock, the gilt Arabic dial within an architectural case with faux pillar supports, with Medaille D’Argent 1889 stamp to brass movement, 29cms high.

early 20th century, the triple rectangular plates within an architectural frame,150.5 x 57.5cmCondition ReportOxidisation to plates, one with losses.Knocks scuffs and losss to gilding.Fading to ebonished sections.

c.1830, the architectural frieze over seven drawers and twin panelled doors flanked by fluted pilasters,258cm wide68cm deep214cm highProvenance: Bonhams, 26 May 2000, lot 246.Buying this wardrobe at auction could save up to 0.46 tonnes of CO2e compared to buying new.Condition ReportAppears re-finished and re-polished with some loss of colour. General knocks, wear and scratches throughout commensurate with age and use. Some losses to moulding in places. Two pulls lacking, with others misshapen. Pulls appear later. Shelves lacking with later hanging fittings. Drawers run generally smoothly, with a couple of splits and areas of wear to interiors. Joints sound and solid. Overall in fair cosmetic and good structural condition and very usable in its current state.

A box of mixed collectibles including cigarette cases, silver cut glass dish, architectural instruments, modern carriage clock, silver plate spoons, half penny cufflinks etc

ONE BOX OF CIGARETTE / TRADE CARDS & POSTCARDS in four albums and loose, cigarette card manufacturers include W.D. & H.O. Wills, John Player, Lambert & Butler, Godfrey Phillips, Gallaher and Brooke Bond, featuring full, part sets and odds including a collection of 'Silks' the postcards date from the early - late 20th century and feature topographical, architectural, artistic and general 'tourist' type examples from Britain and Europe, the lot also includes empty cigarette packets and a 2022 Cigarette and Trade Card Catalogue

A SMALL QUANTITY OF PRINTS ETC, to include a Alan Kennedy limited edition etching 'Isle of Islay', approximate size including margiuns52cm x 55cm, four vintage Enrique Serra prints, six reproductions of etchings depicting scenes in London including architectural details of Westminster and St Paul's, a watercolour painting depicting an Asian coastal scene, three prints depicting scenes of Malaysia dated 1989, two vintage Asian straw pictures, etc

Zaha HADID (1950-2016) Four Planetary Architecture II Exhibition Posters Publicising an exhibition held 18th November - 17th December, 1983 at the Architectural Association in Bedford Square, London. 100cm x 60cm (rolled). Postage for this lot is available to the UK for £21.76.

ARCHITECTURAL GARDEN GATED MIRRORS, a pair, Georgian style, aged metal frames, 180cm high, 76cm wide. (2)

A Victorian black slate eight-day mantel clock, of architectural form, having an enamelled dial showing Roman numerals, h.39cm

A Victorian black slate eight-day mantel clock, of architectural form, the chapter ring showing Roman numerals, having visible anchor escapement, w.49cm

Group of four pictures to include an antique BVRSA engraving featuring a architectural courtyard scene with latin annotations, French print depicting St Petersbourg by Jacotett et Aubrun, Michael Frith limited edition print featuring the deck of a boat (signed, 26/750) and a large unsigned original abstract painting. Largest measures 108 x 115cm.

A mixed woods Mercury stick Barometer with light and dark-wood rope-style strung decoration and engraved "Bulgarani Fecit" and having a small glazed door giving access to the thermometer and the adjustable vernier type scale pressure-reader slide and having an architectural design pediment with a turned brass central finial. 38 1/2" high overall.

GLYNN BOYD HARTE; 'Temples of Power', a sequence of sixteen hand drawn coloured lithographs of power stations in London, illustrated introduction and architectural notes by Gavin Stamp and a forward by John Betjeman, one of 250 numbered copies this being 227, published 1979.

A Victorian Slate Mantel Clock, of architectural form with gilt mounts and having spring barrel movement striking on a gong, together with a similar marble and slate example striking on a bell (2)

A selection of architectural studies from the University of Cambridge architectural department.

A Victorian walnut arch top architectural style mantel clock with pillar supports and silvered Art Nouveau spandrels, 48cm tall

A large selection of architectural themed books

Architectural salvage - a triple Louvre buff coloured chimney pot, 73cm high x 35cm wide; a square-shaped chimney pot, 61cm high x 34.5cm wide, (2).

A Chinese ebonised architectural pagoda-form table-top cabinet, 88.5cm high, 114cm wide, 33cm deep

A large late George III pine corner cabinet with fitted shelves and architectural interior. Circa 1800-1820. 116x59x224cm

A good quality architectural themed tapestry.

Architectural Salvage - 19th Century  carved wooden capitals of scrolled form having acanthus leaf decoration. Measures approx. 93cm x 18cm x 23cm. All lots in this auction are part of a private collection of antique furniture and smaller effects. The collection having been amassed over a 30-40 year period by an ex-furniture restore who's eye for a good piece shows through in this auction. Items in this auction may have defects or signs of repairs. Please ask for condition reports at conditionreports@auctioneum.co.uk.

A collection of 19th century architectural salvage wooden architrave embellishments. Scrolled form with reeded detailing, some with grape and vine decoration, floral and acanthus detailing. Measures approx. 98cm long.  All lots in this auction are part of a private collection of antique furniture and smaller effects. The collection having been amassed over a 30-40 year period by an ex-furniture restore who's eye for a good piece shows through in this auction. Items in this auction may have defects or signs of repairs. Please ask for condition reports at conditionreports@auctioneum.co.uk.

A 19th century Victorian carved mahogany architectural pillar. The pillar of tall form with reeded column raised on a circular plinth base. Measures approx. 143cm x 28cm diameter. All lots in this auction are part of a private collection of antique furniture and smaller effects. The collection having been amassed over a 30-40 year period by an ex-furniture restore who's eye for a good piece shows through in this auction. Items in this auction may have defects or signs of repairs. Please ask for condition reports at conditionreports@auctioneum.co.uk.  

A 20th century carved stone architectural clock case. Arched form with central clock center and stepped plinth below with roundels and dated 1903. Measures approx. 35cm x 32cm.   All lots in this auction are part of a private collection of antique furniture and smaller effects. The collection having been amassed over a 30-40 year period by an ex-furniture restore who's eye for a good piece shows through in this auction. Items in this auction may have defects or signs of repairs. Please ask for condition reports at conditionreports@auctioneum.co.uk.

Undated, circa 1932 - Morris Singer Company Architectural Metalwork Catalogue - containing a dedication bookplate from the company to Ernst Freud, Esq., as well as a letter from sales director R. Hudson thanking Freud for an interview. Richly illustrated with black & white photographs of the company's work. Measures approx. 37.5cm x 25cm. The son of psychologist Sigmund Freud and the father of artist Lucian Freud and ironmonger Stephen Gabriel Freud, Ernst Freud was a reputable Austrian architect who settled in London following the rise of the Nazis in 1933. Morris Singer was founded in Frome in 1848 and is considered the oldest fine foundry of its kind in the world. A scarce catalogue of 1930s British Art Deco architectural feats, with an interesting association to the Freud family.

An Edwardian architectural oak mantle clock, having a white dial with arabic numerals fitted a eight day movement, striking on a bell, 33cm wide.

A 19th century Indo Persian architectural carved hardwood box and cover in the form of a elongated rectangular temple, 22cm long Condition ReportBoth ends of the lower section have vertical age shrinkage cracks

A Doulton Lambeth Stoneware mantel clock of architectural form in the manner of George Tinworth, the white enamel dial with arabic numerals, signed JW Benson, 25 Old Bond Street, London, 25.5cm high Condition Report The clock face has some hairline cracks to the enamel and a small chip to the edge at 9 O' Clock. The case has been restored around the top edge of the movement and both front corners and has a hairline crack on the upper rim of the case as per photos

An Indo Persian / Ottoman painting on marble depicting horseback riders hunting an elephant beside an architectural arch, within a painted border simulating inlaid marble, framed, 28cm by 32cm.

A William De Morgan red lustre tile, by 'Architectural Pottery Co, Poole, Dorset', 15.5cm square.   

English School, early 19th century, an interesting group of ten architectural watercolours, to include: 'Stockwell Chapel, Vauxhall'; 'Workhouse between Wimbledon & Kingston'; and Philanthropic society, largest 14.5 x 18.5cm. (10)

Julian Opie (British, b. 1958)  Pleated skirt, 2019 Printed for On occasion of Julian Opie at Gerhardsen Gerner, Oslo 2019 21 x 15cm (8 1/4" x 23.5") Julian Opie was born in London in 1958, and studied at Goldsmiths College of Art from 1979 – 1982. He lives and works in London. Opie's early works are narrative: irreverent, tongue-in-cheek sculptures based on famous works of art, of everyday objects such food, furniture and books, made from cut and painted steel. Later works, also made from steel but with an entirely different surface finish, suggested the cool precision of domestic appliances and 'white' goods. His work developed an architectural presence with sculptures made from metal or wood, which recall offices, houses and the architectural detailing of public spaces, combined with references to geometric abstract art and reduced to their most basic elements. Over the past decade he has consistently pursued painting with a strong graphic and pared down style. Drawing from influences as diverse as billboard signs, classical portraiture and sculpture, to classical Japanese woodblock prints, Opie 'paints' using a variety of media and technologies which enable him to make three-dimensional explorations of his subjects. An example of this is Suzanne Walking (2005) which portrays one of Opie’s most commonly featured muses. The use of a lenticular print gives the illusion of depth and movement, bringing Suzanne to life as the viewer walks around the work. Opie’s graphic portraiture style and use of computer aided design has seen him move easily between the fields of contemporary art and commercial design. In 2000 he was commissioned to design the cover of an album for British band Blur, and in 2006 created an LED projection for U2’s Vertigo world tour. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Julian Opie (British, b. 1958)  White Zipper, 2019 Printed for On occasion of Julian Opie at Gerhardsen Gerner, Oslo 2019 21 x 15 cm (8 1/4" x 23.5") Julian Opie was born in London in 1958, and studied at Goldsmiths College of Art from 1979 – 1982. He lives and works in London. Opie's early works are narrative: irreverent, tongue-in-cheek sculptures based on famous works of art, of everyday objects such food, furniture and books, made from cut and painted steel. Later works, also made from steel but with an entirely different surface finish, suggested the cool precision of domestic appliances and 'white' goods. His work developed an architectural presence with sculptures made from metal or wood, which recall offices, houses and the architectural detailing of public spaces, combined with references to geometric abstract art and reduced to their most basic elements. Over the past decade he has consistently pursued painting with a strong graphic and pared down style. Drawing from influences as diverse as billboard signs, classical portraiture and sculpture, to classical Japanese woodblock prints, Opie 'paints' using a variety of media and technologies which enable him to make three-dimensional explorations of his subjects. An example of this is Suzanne Walking (2005) which portrays one of Opie’s most commonly featured muses. The use of a lenticular print gives the illusion of depth and movement, bringing Suzanne to life as the viewer walks around the work. Opie’s graphic portraiture style and use of computer aided design has seen him move easily between the fields of contemporary art and commercial design. In 2000 he was commissioned to design the cover of an album for British band Blur, and in 2006 created an LED projection for U2’s Vertigo world tour. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

A LARGE FRAMED ARCHITECTURAL PRINT 'DESIGN FOR A PALACE IN THE COUNTY OF OXFORDSHIRE', 28 X 89 CM (IN OFFICE)

An Edwardian overmantel mirror, of architectural design with flat pilasters and fret cut decoration incorporating an octagonal central mirror flanked by two picture frame panels, incorporating watercolours of shop frontages, 94cm wide.

A late 19thC Neo-Gothic architectural oak cased wall clock, possibly Black Forest inspired by Johann Beha, with carved spires and turret top, foliate carving and carved pediment dragon, the brass dial with Roman numerals and open work scroll decoration, with striking movement, 67cm high, 32cm wide, 23cm deep.

A late 19thC Gothic Revival oak hanging cupboard, the drawer stamped L W Collmann 2572, of architectural form, with sloping 'roof canopy' above an open shelf, with three turned column supports, the cupboard below enclosed by two doors with marquetry inlay and central panels painted with boughs of blossom, and with brass scroll strap hinges and shaped bracket supports below, 107cm high, 90cm wide, 25cm deep. 

An extensive collection of architectural drawings and prints, contained in three folio folders and multiple rolls.

A large Edwardian mahogany architectural cased mantle clock with presentation plaque ‘To Mr A W Preston’, by the employees of The Ilford Bon Marche on the occasion of his marriage, Feb 4th, 1902, 53cm high, 43 x 15cm

A small late 19th century German mantle clock, architectural form with inlaid case, 42 cm high, 23 cm wide, with pedulum and key

An antique architectural stone pinnacle section (possible inverted and later used as a garden ornament weathered and moss encrusted) 50cm high x 60cm diameter approx

Extensive collection of Bristol interest, historic, architectural and local interest, etc (100+)

An early 20th Century continental Winterhalder and Hoffmeier mantel clock set in an architectural case with brass face and brass movement striking on two coiled gongs, 53cm high

After Colen Campbell (Scottish, 1676-1729), architectural engraving from Vitruvius Britannicus, 39 x 26cm

A late 19th Century/early 20th Century Junghans mantel clock, of architectural design, having a silvered Roman dial, two train movement, and housed within an oak case, measuring 40cm tall

A late 19th Century JW Benson of London mantle clock with bronzed architectural case, the white enamel dial set with blue Arabic numerals and inscribed "25, Old Bond Street, London", the case set with blue and white tiled panels, 24 cm high

Old Kingdom, Ca. 3000-2345 BC.An alabaster bowl featuring a rounded base, and smooth corsetted walls that gracefully curve into an everted rim. The Egyptians considered alabaster to be a precious material associated with divine symbolism and luxury. It was commonly used in the creation of various art forms, including bowls, vessels, statues, and architectural elements. Size: 40mm x 110mm; Weight: 265g Provenance: Private UK collection; From an old London collection formed in the 1990s.

New Kingdom, 18th Dynasty, Ca. 1353-1336 BC.A pottery funerary cone end stamped with the name of the tomb owner. These cones were employed as architectural embellishments, and adorned the upper edges of private tomb facades, forming orderly rows. For a type, please see National Museums Liverpool, 36.119.10.Size: 65mm x 65mm; Weight: 95g Provenance: Property of a private UK collector, acquired pre 2000.