We found 35023 price guide item(s) matching your search

A late 19th Century French black slate cased mantel clock by Japy Freres, No. 19507, the 5ins diameter cream chapter ring with Arabic numerals and with visible escapement, to the eight day two train movement with mercury compensated pendulum striking on a bell, contained in black slate case of architectural design, set with green veined marble panels and with bronzed reeded columns to front, 18.75ins high

A late 19th Century Continental stained as walnut cased "Vienna Regulator", the 5.25ins diameter white finished paper chapter ring with Roman numerals, to the two train spring driven movement, striking on a gong, contained in ornate stained as walnut case of architectural design, with split turned columns to door, 27ins high

A late 19th Century Continental stained as walnut cased "Vienna Regulator", the 6.25ins diameter silvered chapter ring with Arabic numerals, to the two train spring driven movement striking on a gong, contained in case of architectural design with ornate cresting surmounted by a carved figure of a goat, and with split turned columns to door, 45ins high

An early 19th Century mahogany cased wheel barometer and thermometer by P. Maspoli of Canterbury, with 8ins diameter silvered dial, and alcohol thermometer, the body inlaid with shell motifs, and with architectural pediment and brass finial, 39ins

William Delamotte (1775-1863) - Four pencil drawings, figure studies, framed as one, 13.75ins x 18.25ins overall, and an 18th/early 19th Century pen and ink architectural drawing of a palladian villa after the Villa Rotunda, 18ins x 23.5ins, framed and glazed

A Terracotta Clock Surround of Architectural Form, 28cm High

A French Black Slate Mantle Clock of Architectural Form with Eight Day Movement, 40.5cm Wide

A traditional cast iron stick stand of architectural design

A pair of prints, architectural panorama studies, London, 19th century, each 10in x 8in

A Georgian silver sugar bowl of shaped oblong form having gadrooned rim, reeded decoration, architectural and quill handles, quadrafoil bun feet and gilt interior, London 1810, William Bennett, approx 289g

A Georgian silver sugar cream jug of shaped oblong form having gadrooned rim, reeded decoration, architectural and quill handles, quadrafoil bun feet and gilt interior, London 1810, William Bennett, approx 187.2g

An HM silver dress ring of stylised architectural form designed by Ian Lawrence, size L

A continental architectural form oak eight-day two train table clock, circa 1910, the Winterhalder & Hofmeier (W&H) movement striking the quarters and hours on twin spiral gongs, the brass dial with subsidiary seconds, 56 cm high overall

A 19th century German oak architectural cased 8-day mantel clock, the two train movement striking on a twin hammer spiral gong, with gilt and silvered dial signed John B Jackson, Fareham, 48 cm h 

* CHARLES OAKLEY (1925 - 2008), UNTITLED mixed media trompe l'oeil hinged triptych of architectural form 21cm x 31cm (21cm x 15cm closed)Mounted and framed (could be freestanding or hung)Lot includes 1984 Pyms Gallery London exhibition catalogue of Charles Oakley's work.Note: The Fine Art Society (London) staged a major exhibition "The Worlds of Charles Oakley" in February 2015. "Oakley was an artist of enormous originality whose work possesses imagination, beauty, charm and wit as well as insight into the nature of art and the human experience itself – a tall order in any circumstance. The imagined worlds he created within the contained spaces of his box pieces are sometimes deep ruminations on the tension between mankind’s ambition to explore and conquer and the potential for failure. Other pieces examine the meaning and methods of artists as diverse as de Chirico, Magritte, Winslow Homer and Uccello and through the mastery of his technique, common to all is the playing with perception, making us question the act of looking and understanding itself. Indeed Oakley is notable for the exacting techniques that he employed. Like theatre sets of the imagination, these scenarios create illusion and magic. The fastidious technique of his painting – minutely detailed, to render in miniature the famous masterpieces of Stubbs or Winslow Homer – is often combined with the complex perspectives of imaginary galleries or architectural settings."

A late 19th century Continental oak settle, having an arcaded back with applied mask carvings, architectural scroll arms to a boxbase with hinged top over twin panelled front, w.212cm, d.61cm, h.96cm Condition Report / Extra Information Probably Flemish.Split to seat.Some knocks and dents, particularly to corners, consistent with age.Split and possible replacement base board.

A late Victorian black slate cased mantel clock, of architectural form, having enamelled dial with Roman numerals, eight day movement striking on a bell, h.30cm

A 19th Century unframed oil on canvas depicting Architectural Cappriccio unsigned work, 51cm x 76cm

A large Victorian black slate mantel clock of architectural form, 45cm high

Victorian Slate Mantle Clock of Architectural Form

A brass architectural skeleton clock, cased

RICHARD BEER (1928 - 2017) - A quantity of pen and ink and pencil drawings to include architectural studies and life studies, approx. 30.From the estate of the late Richard Beer

RICHARD BEER (1928 - 2017) - An Italian facade, architectural study, ink and wash drawing, signed, unframed, 57cm x 36cm, also various other architectural drawings by the same hand approx. 30.From the estate of the late Richard Beer

RICHARD BEER (1928 - 2017) - 'Rialto', etching with aquatint, signed and titled in pencil, artist's proof, unframed, 60cm x 45cm, also nine other architectural etchings by the same hand (10). From the estate of the late Richard Beer

RICHARD BEER (1928 - 2017) - 'Isola San Giorgio', etching with aquatint, artist's proof, unframed, 45cm x 60cm, also nine other etchings by the same hand, the majority architectural drawings (10).From the estate of the late Richard Beer

RICHARD BEER (1928 - 2017) - 'Parma', etching, oval, signed in pencil, artist's proof, unframed, 31cm x 39cm, also nine other architectural and landscape etchings by the same hand (10). From the estate of the late Richard Beer

RICHARD BEER (1928 - 2017) - 'Hackney Empire', etching with aquatint, signed in pencil, numbered 15/25, unframed, 56cm x 30cm, also nine other various etchings with architectural interest (10). From the estate of the late Richard Beer

RICHARD BEER (1928 - 2017) - 'Tuscan Village', etching with aquatint, signed in pencil, numbered 1/10, unframed, 32cm x 18cm, also nine other etchings with architectural interest (10). From the estate of the late Richard Beer

RICHARD BEER (1928 - 2017) - 'Marseille', etching with watercolour, signed and titled in pencil, numbered 1/10, unframed, 54cm x 28cm, also nine other various architectural studies by the same hand (10). From the estate of the late Richard Beer

RICHARD BEER (1928 - 2017) - 'Quattro Canti', etching with aquatint, signed in pencil, artist's proof, unframed, 60cm x 45cm, also three other monochrome architectural etchings by the same hand (4).From the estate of the late Richard Beer

RICHARD BEER (1928 - 2017) - 'Ca Rezzonico, Venice', lithograph, signed in pencil, artist's proof, unframed, 77cm x 41cm, also six similar copies from an addition of 50 and seven other architectural studies (14). From the estate of the late Richard Beer

A Victorian Black Slate and Marble Mantle Clock of Architectural Form, the enamel dial with Roman numerals and single train movement

19th century oak mantle timepiece with an 8 day single train fusee movement, the 8" silvered dial engraved with roman numerals and BARRAUD & LUNDS, 49 CORNHILL, LONDON 4867, in architectural case, height 18.5" 

Architectural Victorian bronze figure of a harpy or siren

A Vienna regulator style wall clock, late 19th century, the walnut and ebonised architectural style case with a broken pediment and urn capital, having half round ring turned, fluted and foliate carved pilasters, the enamel dial with Roman numerals and subsidiary seconds, the twin train movement striking on a gong, 143cm high.

English binding.- Cicero (Marcus Tullius) Officiorum libri tres. Liber de amicitia. Liber de senectute. Liber paradoxorum, collation: AA10 a-z8 A-D8 E6, title in red and black and within woodcut architectural border, woodcut decorative initials, woodcut printer's device to final verso, lacking 2 preliminary ff. and f3, contemporary blind-stamped panelled calf over wooden boards, signed 'T.P.', panel formed by a roll bearing cherub's head and Renaissance ornament, remains of metal clasps, spine ends and edges worn, rubbed and stained, 4to (254 x 172mm.; binding 265 x 181mm.), Paris, Simon Vincent, 1527.⁂ A rare example of a sixteenth century English binding by the anonymous binder 'T.P.'. For a similar binding see Oldham, Shrewsbury School Library Bindings, Oxford, 1943, D.VII.14. Provenance: 'Tho. Bennett' (early ink signature to title).

Erotica.- Baffo (Giorgio) Raccolta universale delle opere di Giorgio Baffo veneto, 4 vol., engraved portrait frontispiece, each vol. with engraved architectural title, some spotting or staining, contemporary mottled calf, spines gilt and with dark green leather labels, rubbed, [Gay-Lemonnyer III, 777; Enfer de la Bibliothèque Nationale 93], 8vo, Cosmopoli [i.e. London or Venice ?], no printer, 1789.⁂ The complete works. The Raccolta was published at expense of the Earl of Pembroke, was a great admirer of the poet, along with many other British travellers of the period. A number of Baffo's poems had an anonymous manuscript circulation, and have remained unpublished until today. It seems that in the last years of his life he also destroyed a great many of his papers.

Edwardian black slate and marble mantel clock within an architectural case, 11.5" high; mahogany two train arch mantel clock, 9" high; together with a French brass carriage clock, the dial signed H.A Connell, 5.5" high including the handle (3)

Fine Flemish ebonised cabinet on stand, Antwerp 17th century, the rectangular hinged top enclosing a paper lined interior and painted panel to the reverse, above a pair of panelled doors with painted panels to the reverse, enclosing a fitted interior with raised ripple mouldings, comprising ten drawers with sperate interior linings around a central colonnaded cupboard door enclosing an architectural mirrored interior with eight further small square drawers and an ivory and ebony parquet floor, with pull-out to reveal three secret drawers, over a single long drawer and upon the later ebonised stand, the cabinet 36" wide, 33" high, 17.25", 57.5" high overall **The Cabinet is decorated with fourteen inset panels depicting Landscapes with Figures comprising, a Hunting scene with Figures on Horseback, Hounds nearby, 8.5" x 25.25"; two further Landscapes with Figures and a Dog beside a Lake, also Figures on Horseback on a Country lane with a Windmill in the distance, each 14" x 10", ten further smaller Landscapes, one with Figures on a Stone Bridge approaching Classical Ruins, each 4" x 9" and lastly another small oil on panel depicting three Figures beside a Rocky Waterfall, 5.5" x 7.5" **The style of the work is reminiscent of Joos de Momper, however there were Flemish and Dutch workshops in the 17th century who were producing works of this type for inclusion into such pieces of Furniture *** Provenance - from a private estate

A GOOD PAIR OF 19TH CENTURY STAINED AND PAINTED WINDOW PANELS of pointed arched shape, decorated with architectural and floral designs. 3ft 6ins high x 1ft 8ins wide.

A CAST IRON ARCHITECTURAL OUTDOOR FIRE ENCLOSURE WITH STEPPED COVER. OVERALL H.125cms.

A PAIR OF 19th.C.PAINTED PINE ARCHITECTURAL WALL BRACKETS. 53 x 50 x H.64cms.

HERCULES BRABAZON BRABAZON. (1821-1906) ARCHITECTURAL STUDY, INITIALLED PENCIL. 10 x 15cms.

A COLLECTION OF NINE ANTIQUE POTTERY SPILL VASES AND PASTILLE BURNERS OF ARCHITECTURAL FORM. H. OF LARGEST 28cms.

A PAIR OF VICTORIAN BLACK SLATE AND MARBLE GARNITURE STANDS TOEGETHER WITH VARIOUS FLOWER DECORATED ARCHITECTURAL FITTINGS.

A GROUP OF 19th.C.CARVED OAK ARCHITECTURAL ELEMENTS. (QTY)

A GROUP OF SEVEN PHOTOGRAPHS OF THE ACTRESS ELLEN TERRY, SOME INSCRIBED TOGETHER WITH A SMALL RED LEATHER ALBUM CONTAINING VINTAGE IMAGES OF ARCHITECTURAL BUILDINGS, MONUMENTS AND CONTINENTAL SCENERY.

AN 18TH CENTURY ITALIAN WHITE MARBLE ARCHITECTURAL CARVING of pierced foliate design 48cm high 71cm wide 12cm deep

A LARGE LATE 19th CENTURY FRENCH GILT BRASS REPEATING CARRIAGE CLOCK of architectural form with decorative columns to the front and stepped pediment enclosing a bevelled glass panel with engraved monogram, the 2.5" gilt engine turned masked porcelain dial with Roman numerals fronting an eight-day spring driven Striking/repeating movement on a gong with original silvered lever escapement 21cm high to top of handle - comes with original Moroccan leather carrying case

AFTER J. RAMMEL IN WIEN. A VIENNESE LATERNDLUHR STYLE MONTH DURATION REGULATOR WALL CLOCK the elegant architectural flamed mahogany case with boxwood inlay and sliding hood enclosing a skeletonised 8" porcelain chapter ring with subsidiary day/date/month dials to the centre fronting a circular plated month duration weight driven movement with dead-beat escapement, long steel rod pendulum with large brass bob and oval brass cased weight 140cm high

A LATE 19th CENTURY BLACK FOREST MUSICAL CUCKOO CLOCK the architectural carved case with hung fox and pheasant above game bag surrounded with carved oak leaves, the 6.5" dial surrounded by a hunting horn having porcelain Roman numerals fronting a three train weight driven movement with skeletonised brass plates and Swiss music barrel playing on the hour after gong strike and cuckoo 60cm high

A LATE 20th CENTURY ELECTRIC MAHOGANY LONGCASE CLOCK having an architectural pediment above glazed door flanked by turned columns on slim trunk with paneled and glazed door on box base, the 9" square dial fronting a brass plated movement driven by a heavy wooden rod pendulum with cylindrical brass bob powered by an electrical impulse 190cm high

BARNSDALE, LONDON. A MID 19th CENTURY MAHOGANY CASED LIBRARY TYPE MANTEL CLOCK having architectural case enclosing a 5" painted Roman dial fronting a good quality eight day chain driven fusee movement with anchor escapement and signed back plate 32.5cm high

A MINIATURE VIENNESE LATERNDLUHR STYLE REGULATOR WALL CLOCK the slim architectural mahogany and boxwood inlaid case inset with nine glass panels enclosing a 4" enamel dial with gilt brass engine turned surround fronting a weight driven latch-on movement with dead-beat escapement, steel rod pendulum with brass bob and brass cased weight 64cm high

J FINNEY, EDINBURGH. A GEORGE III SCOTTISH MAHOGANY STICK BAROMETER having a architectural pediment above glazed hinged door enclosing a calibrated silvered brass dial with sliding vernier and mercury thermometer, the centre with mercury barometer tube running down to a turned cistern cover 97cm high

Patrick Scott HRHA (1921-2014)Silver Painting (10/90)Tempera and silver leaf on canvas, 122 x 122cm (48 x 48'')Signed and inscribed versoProvenance: The collection of Brian and Anne FrielPatrick Scott began his trademark Silver and Gold paintings on unprimed canvas as long ago as the early 1970s. The great orbs in silver or gold emerged from similar painted forms that were assumed to refer to the sun and the moon. This was especially the case when planet earth seemed to be threatened by destruction through nuclear activity following the bombings at the end of World War II, and in Ireland, proposals to build a nuclear reactor in County Wexford. Scott though, despite a consistent interest in the environment, was even more psychically connected to the basic forms of circles, squares, cubes and combinations of these architectural and geometric elements.Self-taught as a painter, his professional training was in architecture and design and led straight to an appointment in the offices of Michael Scott and Robin Walker, where his design skills were immediately put to effective and varied use in projects such as Bus Aras, theatre designs for the Abbey Theatre, uniforms for Coras Iompar Eireann, and Christmas lighting for Grafton Street.Scott was an idealist. His art has been dedicated to the sublime and the elemental - the perfect geometric forms that he, like Plato, believed to lie beneath every aspect of our world. For Scott, that also meant the materials used to embody those forms. Looking to the Italians of the Early Renaissance on the one hand and Japanese Zen design on the other, he magicked landscapes out of elemental forms, using real gold, silver or palladium leaf which he attached to pure, unprimed canvases so firmly that he could take the garden hose to them without damaging their glittering surfaces.Silver painting 10/90 was made in 1990, the same year in which he painted Sun Window andMoon Window. All three share the same square format, the same dimensions and the simple combination of an orb hovering seductively above an architectural element. Everything is in its proper place. Nothing remains to be said.Scott won numerous awards during his long career, was elected Saoi of Aosdana and his work can be found in all Irish major collections as well as in the Museum of Modern Art, New York, The Joseph H. Hirshhorn Museum, Washington, the European Parliament, Strasbourg, the Mitsubishi Bank, Tokyo and many national and international private and corporate collections.Catherine Marshall,August 2018

Quality burr walnut breakfront library bookcase in the Georgian style, late 20th Century, having a broken architectural pediment over four arched moulded panel doors opening to adjustable shelves, over a base fitted with three feather banded drawers and four moulded panel cupboard doors over a blind base, width 183cm, height 221cm

An imposing heavily carved 19th century oak sideboard, of architectural form, with large overhanging cornice above back panel, with sideboard base with frieze drawers, all carved with grotesque masks and geometric style carving. 91 " high and 91" wide. Removed from large Dorset country house, mirror plate missing. Would make an ideal bar.

A 19th century black marble and gilt bronze mounted architectural style table clock decorated with a classical maiden leaning on a pillar, 23" tall

An early 20thC polished brass mantel clock, the architectural case holding a 7cm dia. Roman numeric dial fronting a keywind movement on compressed supports.