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* Piranesi (Giovanni Battista). Veduta dell"avanzo de Castello, c. 1780, double page uncoloured etching, 400 x 605 mm together with another three double page and six single page etchings of capitals, columns and architectural reliefs, very occ. marginal soiling. The etching is "signed" Piranesi Architetto, others are signed Cavalier Piranesi. The paper is laid and the watermark appears to indicate paper made in Rome in c.1762. Good dark impressions with no sign of re-working to the plates. (10)

* Prints & engravings. A mixed collection of approx. three hundred engravings, lithographs and prints, mostly 19th century, including architectural engravings, topographical, genre and classical scenes after JMW Turner, and approx. 175 folio colour prints from The Graphic, The Illustrated London News and Paris Illustre, various sizes and condition (approx.300)

A late 19th century French brass and champleve enamel cased mantel clock, of architectural form, decorated with reeded columns, the top decorated with four flaming vases and pineapple finial, the eight day movement by Japy Freres, striking on a single gong, height 36 cm, with pendulum.

A Wedgwood "Etruria" part Dessert Service (retailed by Maple & Co), and the borders printed with scenes of English Architectural Landmarks, interspersed by floral panels and the centres with a basket of flowers design, and comprises square Dish, circular Dish, six circular Plates, and a Comport

Gents & Co. Pulsynetic electric master clock, the 6" black circular dial within a mahogany glazed case surmounted by an architectural panelled arched pediment, 60" high

French gilded metal and porcelain panel mounted two train mantel clock, the movement signed Howell James & Co, to the Queen, London and Paris, striking on a bell, the 3" white dial within an architectural porcelain panelled case surmounted by a cherub, 16" high

French gilded spelter two train mantel clock, the movement with outside countwheel striking on a bell, the 3" white dial within an architectural pierced case surmounted by a rearing horse and rider, 15.5" high

French brass two train mantel clock, the movement with outside countwheel striking on a bell, the 3.25" cream dial within an architectural pierced case surmounted by an urn, 20" high

Walnut and brass mounted quarter strike ting tang mantel clock, the 6" square dial with matted centre within an architectural stepped case applied with mask and foliate mounts, 18" high

German oak ting tang mantel clock, the 6.5" square brass dial within an architectural carved stepped case with triangular pediment, 16.5" high

Mahogany three train mantel clock, the Junghans movement striking and playing on five rods, the rectangular brass dial with silvered chapter ring and matted centre within an architectural stepped case surmounted by a carved bell top and urn finial, 22" high

Good rosewood triple fusee boardroom clock, the W & H movement striking on one gong and chiming on eight gongs, the 6.75" arched dial with three subsidiary dials to the arch for slow/fast, chime/silent and chime on eight gongs/chime on four gongs, over the matted centre, within an architectural pillared marquetry stepped case surmounted by an arched pediment, 23.5" high

Oak thirty hour longcase clock, the 12" painted square dial signed Jonas Barber, Winster, with floral painted spandrels and calendar dial, the movement with partly latched pillars, the case with long moulded edged door and surmounted by an architectural moulded broken arch pediment and brass ball and eagle finial, 85" high

A late Victorian black slate mantel clock of architectural design having classical column decoration

Two framed etchings depicting a canal scene, possibly Venice with classical architectural building to the foreground. Signed top right, Appian and dated 1878, the other depicting Zaandam (Hollande) dated 1877. Signed lower left, Lalanng, with French inscription to base. 9 by 6ins and 9¼ by 5¼ins. In oak frames with overlapped corners (af).

Architecture - Willis, Rev. Robert. Architectural history of some English cathedrals. Chicheley, 1973. 8vo, 2 volumes, original cloth gilt; Richardson, James S. The Mediaeval stone carver in Scotland. Edinburgh, 1964. 8vo, original cloth, dustwrapper [torn]; Macauley, James The gothic revival 1745-1845. Glasgow & London, 1975. 4to, original cloth, dustwrapper; London Report... for post-war reconstruction in the city of London 1944. London, 1944. 4to, series of folding maps, original cloth gilt, rubbed, ex-library stamp on title; Whyte, Ian Boyd Bruno Taut and the architecture of Activism. Cambridge, 1982. First edition, 8vo, presentation copy from the author, original cloth, dustwrapper; Alberti, Leone Battista Ten books on architecture. London, 1965. 8vo, original cloth gilt; Lomax, Edward, et al Nicholson`s dictionary of the science and practice of architecture... London, [no date]. New edition, 4to, 2 volumes, contemporary half calf gilt, rubbed at edges; Wren, Sir Christopher Parentalia... Farnborough, 1965. Folio, facsimile of 1701 edition, original red cloth gilt; and 25 others (35)

Cescinsky, Herbert & Gribble, Ernest. Early English furniture and woodwork. London, 1922. Folio, 2 volumes, contemporary green morocco gilt, some slight rubbing at corners; Lenygon, Francis Decoration in England 1660-1770. London, [1914]. First edition, folio, original red cloth gilt, some staining to outer edge of boards, and a second impression copy; [Idem] Furniture in England 1660-1760. London, 1920. Second impression, folio, original red cloth gilt; Latham, Charles In English homes. London, 1904. Folio, volume I only, original green cloth gilt; Small, Tunstall & Woodbridge, Christopher Architectural woodwork of the 16th, 17th & 18th centuries. London, [no date]. Folio, 20 plates, loose in card folio, ribbon ties; [Idem] English brickwork details 1450-1750. London, [no date]. Folio, 20 plates, loose in card portfolio, ribbon ties; and 6 others (13)

Edinburgh Architectural Association. Details of Scottish domestic architecture. Edinburgh, 1922. Folio, plates, original buckram gilt, t.e.g.; Small, J.W. Scottish market crosses. Stirling: E. Mackay, 1900. Folio, number 314 of 500 copies, plates, original buckram, waterstained at end, binding badly dampstained; [Idem] Scottish architectural details. Stirling: E. Mackay, 1901. Folio, plates, original cloth, binding soiled; Paton, J., editor Scottish history & life. Glasgow: J. Maclehose, 1902. Folio, number 186 of 320 large paper copies, original cloth, t.e.g., lightly faded; Butler, D. The ancient church and parish of Abernethy. Edinburgh, 1897. 4to, plates, original cloth; and c. 20 others including 15 volumes of the Pelican History of Art, mostly in their original boxes (quantity)

Hussey, C. The work of Sir Robert Lorimer. 1931. Dust-jacket; Greenwood, W.E. The villa Madama Rome. 1928; Jourdain, M. English interiors in smaller houses. 1933; Weaver, L. Small country houses of today. 1922. 2 volumes, dust-jackets; Small, T. Houses of the Wren & early Georgian periods. [n.d.]; Architectural Press The smaller house. 1924, dust-jacket; Weaver, L. Small country houses. 1904. Dust-jacket; Richardson, A.E. The smaller English house of the later Renaissance 1660-1830. 1925. Dust-jacket; Whitney, C.S. Bridges. New York, 1929. Dust-jacket; Lloyd, N. Building craftsmanship. 1929. Dust-jacket; Adams-Acton, M. Domestic architecture & old furniture. [N.d.]; Nervi, P.L. The works. 1957. Dust-jacket; and 4 others, architectural, some with personalised dust-jackets protecting the original dust-jackets (17)

Gilpin, W.S. Practical hints upon landscape gardening. London: Cadell, 1835. Second edition, 8vo, 16 lithographed plates, original cloth, some spotting, slightly soiled; [Tattersall, G.] Sporting architecture. London: H.G. Bohn, [1845]. 4to, engraved title and 19 plates, original cloth, spotted, worn; Smith, A. An inquiry into the nature and causes of the wealth of nations. Glasgow, 1805. 3 volumes, 8vo, worn, joints split; Wethered, H.N. The architectural side of golf. 1929. 8vo, original cloth, somewhat spotted, endpapers browned, binding rather soiled; and 1other [Hume] (8)

[Doyle, Charles Altamount]. An album of 49 original illustrations thought to be by Charles Altamount Doyle, c. 1868-76, including series of 25 illustrations entitled The seasons, a series of 6 illustrations entitled The story of the wonderful pig that was (to have been) sent to Miss Juilet Reeves as a Christmas gift, a poem and illustration entitled Miss [Antoinette] Stirling ode to the very young gentleman who showed her such devoted attention at a small tea party, a collage of David Livingstone [ink with pasted on engraving of character`s face], an ink sketch of a meeting held in Committee Room No. 1 at the House of Commons on 31st March 1876 [discussing the Caledonian Railway], a series of 5 illustrations entitled A song about tea, an ink sketch of an evening service on Good Friday 1876 at St. Ann`s in Soho, ink illustrations in the majority pasted onto leaves, various sizes from 10 by11.5cm (at smallest) to 15 by 20cm (at largest), contemporary cloth gilt, rubbed at edges. Note: Charles Altamount Doyle [1832-1893], artist and illustrator, was the father of the author Arthur Conan Doyle. Born in England in 1832 he grew up in artistic surroundings: his father, John Doyle, was the famous political cartoonist "HB" while his older brother, Richard Doyle, was a prominent illustrator. Charles was unable to make a living from his work and in 1849 he moved to Edinburgh to join the Scottish Office of Works as an architectural draughtsman. Charles suffered from depression and alcoholism throughout his life, having a great effect on his physical and mental health. In June 1876 Charles lost his job at the Scottish Office and in 1881 he was committed to a mental institution. Charles would go on to spend the remaining 12 years of his life in various institutions. It was during this period that Charles produced some of his most significant work, with distinctive fantasical and macabre themes. This album contains various ink stektches from his final years at the Scottish office, including a sketch of a House of Commons meeting regarding the Caledonian Railway in 1876 that Charles attended in his role at the Office of Works. Other illustrations included various short series all captioned in his distinctive block letters [for comparison see The Doyle Diary, published in 1978]

A George III mahogany stick barometer, 17.5cm silvered register inscribed Gaffurio, broken pointed architectural cornice centred by an urn, the case outlined with boxwood stringing, turned cistern cover, 97cm high, c.1810. Guiseppe (later Joseph) Gafurio [sic] was of Sheffield and is recorded as working 1810-1830

A late 19th century walnut bracket/shelf clock, the 16cm rectangular lacquered brass dial with silvered chapter ring, Arabic numerals, chime/silent and slow/fast dials to arch, three winding holes, eight-day movement, chiming and striking on a coiled spring and four straight gongs, the case of architectural design, fluted pilasters, stepped base, 46cm high, c.1870

A George III oak long case clock, 32cm circular brass dial inscribed Cooper, Derby, Roman numerals, subsidiary date aperture, twin winding holes, eight-day movement, striking on a bell, the hood with broken architectural pediment, turned columns, shaped door to waist, plinth base, 206cm high

Architectural Salvage-a set of four mahogany stop-fluted half columns, angular capitals, 190.5cm high, c.1910-1925

A George III oak bureau, fall front enclosing an architectural interior with central covers flanked by secret drawers and an arrangement of smaller drawers and pigeon holes, above four long graduated cockbeaded drawers, brass swan neck handles, bracket feet, 93cm wide, 107cm high, c.1800

A German Biedermeier secretaire cabinet, of architectural design, the pointed triangular pediment above an arrangement of three doors with gilt metal mounted Doric columns, concave drawer to frieze, the fall front enclosing an arcaded mirrored interior with secret compartments, drawers and gilt metal mounted columns,above three drawers, flanked by turned columns, blocked feet, 115cm wide, 215cm high, c.1830

An early 19th century Dutch mahogany and marquetry escritoire, moulded top above a long frieze drawer above a fall front enclosing an architectural interior fitted with a central mirrored arched rectangular door, shelves and an arrangement of small drawers and pigeon holes, above three long graduated drawers, flanked by fluted canted angler, decorated overall with fanciful birds, masks, flowers and scrolling foliage, outlined throughout with boxwood stringing, brass handles cast with rams head masks, urns and swags, tapered feet, 144cm high, 89.5cm wide, c.1830

Merciere - French canal scene with figures and barge, oil on canvas, signed, 43.5 x 53.5 cm (a/f) to/w architectural watercolour study of scrolling acanthus leaf decoration, 68 x 47 cm (2)

Two large framed architectural plans - `The Concrete Prize for 1929 An Open Air Theatre`, and `Headquarters of An Air Transport Company`, the latter with applied information, watercolour, 43 x 66 cm (2)

Kipling, Rudyard, A Song of the English 1st edn. in this form, Hodder & Stoughton, London, n. d. [1923], illus, by W. Heath Robinson; Roe, F. G., Sporting Prints of the Eighteenth and Early Nineteenth Centuries (Connoisseur Ltd., 1st edn., London, 1927) 48 plates Ill. in colour, 2 monochrome; Wailes, Rex, Windmills in England, 1st ed., London, the architectural Press, illus in b.& w., d. w; Whitaker, D., Some Important Works by Sir Thomas Lawrence PRA, George Romney & John Masquerier (very limited edn., Privately Printed for Walter Beresford; Annesley, 7th Earl Annesley (1861-1934) of The Homestead, Theddingworth, Leics., of paintings formerly in Castlewellan, Co. Down, 1931) 6 plates, bound in blue leather with gold lining, armorial, box; Low, David, Ye Madde Designer 1st edn., Studio Ltd., London, 1935, large octavo, d. w. (5)

A cast iron architectural fire back, a fire grate and a pair of andirons (4)

A late 19th century mantle clock, the ivorine dial with visible escapement in a slate and variegated marble case of architectural form, h. 31 cm

A 19th century Vienna Regulator-style wall clock for the Arabic market with silver chapter ring in an architectural walnut case, h. 80 cm

A Victorian bracket clock of 18th century design, the silvered dial with three train striking movement and silent option, enclosed by an arched door in an ebonised and gilt metal mounted case of architectural form, h. 73 cm

A three piece French garniture comprising a mantle clock with painted enamel dial and a veined marble and gilt metal mounted case of architectural form, h. 40 cm, together with a pair of two branch candelabra

A RENAISSANCE STYLE TABLE ALTAR of architectural design, the interior inset with reverse paintings on glass of the crucifixion, with rock crystal, coloured stone, agates and intaglio mounts, 18" high. See illustration

G DAVY (20th century) British. A portfolio of architectural drawings, circa 1930s including designs for a Public Library in Leeds, Monument to Lord Byron, a Lakeside Open Air Theatre and Bandstand, a Holiday Home, a Peace Memorial Building, Composition of Greek Detail and others in Art Deco and classical style, signed and stamped College of Art: School of Architecture, Leeds, 63cm x 98cm approximately

A Victorian shell Etui decorated with print panels depicting architectural scenes

An early 19th century mahogany library bookcase of architectural design, circa 1830, 224 x 45 x 187cm (87 x 17 x 72in) Provenance: By repute from a sale receipt dated 18th November 1988. The Marquis and Marchioness of Sligo, Westport House, Co Mayo, Ireland

A large quantity of Architectural Drawings.

A mahogany stick barometer, the rectangular silvered register signed `William Watkins, St. James Street, London`, under an architectural pediment, the enclosed mercury level, behind a mercury thermometer, over a circular cistern , 101cm tall

A mahogany bookcase cabinet, early 20th century, the bookcase cabinet of narrow proportions with an architectural pediment over a husk swag moulded frieze above a single glazed cabinet door and canopied shelf on a glazed two door cabinet base standing on a skirting plinth, 80cm wide, 235cm high, 36cm deep

A Martin Brothers stoneware architectural tile incised with a foliate panel in shades brown unsigned, chips, 11.5 cm. wide.

An oak inlaid mantel clock architectural form, the front inlaid with pewter and wood sunrise motif, circular dial with Roman numerals unmarked 28.5 cm. high

Six architectural glass panels one signed Clare Stratton, each panel cast in relief with a figure one signed 21.5 x 18.5 cm.

A late 19thC French mantel clock of eight-day movement striking on a bell, the enamelled dial with cartouche chapter painted to the centre with birds and flowers, signed Marti Japi Rous in an oak architectural case, the back plate signed Japy Frere

A 19thC black slate clock clock garniture, the French eight day movement striking on a gong, two part enamelled dial with Arabic numerals within a gilt bezel, the architectural case of temple design with fluted columns flanking the dial on deep set plinth base, 33½ cm high, 53 cm wide, the pair of pedestal busts with fluted columns, 29 cm high.

A 19th century Black Forest mantel clock, traditional square brass dial with silvered chapter ring, movement striking on a gong, in architectural oak case, 17in. high - with key and pendulum

A 19th century French onyx and alabaster clock garniture, dial signed Schnerb, Paris, dial with painted garlands, architectural case with brass mounts, columnar underframe, eight day movement, count-wheel striking on a bell, sunburst pendulum, accompanying urns on square bases, clock 20in. high

AFTER GIUSEPPE ZOCCHI A pair of hand coloured architectural engravings of `The Veduta del Ponte a S.Trinita, della Chiesa di S.Trinita, e della Colonna Inalzata da Cosimo I` and `The Veduta della Badia Fiorentina, e del Pallazzo del Potesta presa della Piazza della Chiesa de PP. dell`Oratorio`, each 11" x 15 1/2"

THOMAS SHOTTER BOYS (1803-1874) Watercolour, Architectural stone study, signed, 3.5" x 2", framed.

A pair of Indian carved hardwood architectural columns, late 19th/early 20th century,196cm high. Visit www.dnfa.com for condition reports.

An antique gold Jewish wedding ring, of traditional design, incorporating a pointed architectural motif, flanked by mask and scroll decorated shoulders, with traces of enamelled decoration, 12g

VICTORIAN SLATE MANTEL CLOCK the circular dial with Arabic numerals set in architectural case with Corinthian column supports

A pair of Victorian carved limestone architectural elements carved with mythological beasts circa 1860 each 23cm.; 9ins high

A Fine Late 19th Century Satinwood and Painted Cabinet, the architectural top painted with an urn amongst scrolls and with oval mirror, the corners with foliate decoration above a glazed red velvet jewellery case, the lower section with central drop door with oval crossbanding, the centre painted with musical instruments amongst bows and swags and with lower alcove raised upon square tapering legs with spade feet, 106cms wide x 200cm high

A GEORGE III MAHOGANY LINEN PRESS, crossbanded in rosewood and with boxwood stringing, the architectural pediment above a pair of panel doors enclosing sliding trays, the base having four graduated long drawers, on turned and reeded feet, possibly the Channel Islands, 130 cm wide See illustration

A black marble mantel clock in an architectural case, fitted an eight-day movement, 29cm (11.5") high and an American mantel clock, 50cm (19.75") high

A 19th Century slate mantel clock with eight day movement striking on a bell, the white enamel and gilt dial with Roman numerals and visible escapement, the case of architectural form, on a rectangular base.