We found 35023 price guide item(s) matching your search

A golden oak letter box,20th century, of architectural form, 23cm wide15cm deep39cm high

Large 19th Century English blue and white transfer printed bowl decorated with architectural scenes, 35cm diameter, together with a matching bowl (at fault), two pairs of Staffordshire pottery figures of seated spaniels and another similar

Four Artworks to Include: Ann Dunn - 'Cottage by Sea' (1976), pen and ink architectural study, signed and dated, 61 x 48 cm; Violet Snow - 'Devon Landscape', oil on canvas, signed lower right with label verso, 35 x 51 cm; R. Kingman - Free Jazz, oil on board, signed; Coastal Landscape, oil on canvas board, unsigned (4)

A Victorian black slate and marble mantle clock, the case of architectural form enclosing an eight day time piece with presentation plate

A contemporary stick barometer with silvered dial set beneath an architectural pediment

A Georgian barometer in walnut with paper dial, tapering column supports and architectural pediment

English Topography - various counties, together with architectural interest, natural history, etc, 35 volumes approximately

Four black and white prints of Chinese Junks, signed S P Jorgensen, a framed architectural Chinese cork carving and blue and white Chinese plate

Architectural Salvage Interest - A group of twelve painted cast iron scrolling stairway mounts, each measuring 94cm long approx

AN IRISH 19TH CENTURY INLAID MAHOGANY WHEEL BAROMETER,signed Jas. del Vecchio Dublin, with silvered dial and regestir, headed with an architectural pediment. 100cm high

A pair of whitewashed pine architectural pilasters45cm wide x 22cm deep x 122cm highQty: 2Used condition, with marks, dents and scratches consistent with age and wear.

A 1960's architectural model with wooden outer case, inscribed Darwen ATE, modelled by Anthony J. Sanders dated August 1961

THREE BOXES OF Antiquarian BOOK titles mostly from the Victorian / Edwardian era or early 20th century and mostly comprising of Geographical, (national and regional) titles to include Steilers Hand Atlas 1905, The Times Atlas & Gazetteer of the World - Selfridge Edition, The M.P. Atlas 1907, five Lett's Atlases, The British Imperial Atlas 1885, Wales Illustrated In A Series of Views, The Reference Atlas of the World published by R.W. Forsyth, King Edward VII & His Empire, two volumes of The History And Antiquities of Staffordshire, Architectural Sketches Eccleastical Secular and Domestic of Worcestershire and its Borders, three volumes of Phillip's County Atlas of England, The Biblical Annual 1833, Manual of Geography by William Hughes 1878, Salter's Guide to the Thames, Phillip's Hand Atlas of the Counties of Ireland 1885, The Pictorial Handbook of London and many others including miscellaneous non Geographical titles, please note; many of the titles are in need of restoration or have extensive foxing

TWO BOXES OF EPHEMERA AND TREEN, to include a Victorian architectural form black slate mantel clock with amber marble decoration, key and pendulum, height 30cm x 21.5cm, a Swiss metronome, a wooden jewellery box with mother of pearl inlay, width 28cm x 20.5cm, a desk globe, a collection of ladies fans, three pieces of an ebony dressing table set, an ebonised desk top pen box, an ebony maritime parallel ruler marked Hudson & Son Greenwich 30, length 38cm, a plaster bust of Beethoven, a handmade wooden photo frame dated 1914 decorated with a fuchsia design, arts and crafts style mirror, a souvenir postcard album of Torquay, a 1930's needlework sample book, a collection of Edwardian postcards, to include 'Anyway Fido Loves Me' by Mabel Lucie Attwell, 'The Introduction' by Louis wain, 'Mixed Bathing' by Mabel Lucie Attwell, etc. (s.d) (2 boxes + loose)

Literature - 'Bolton Wanderers, A History From 1923', 'War History of 6th Battalion The Cheshire Regiment', architectural and other plans, together with other publications including 'Everybody's Pocket Cyclopedia'

A Victorian black marble mantel clock of architectural structure, with etched detailing and bevelled glass door with enamel face, flanked by two columns.

A 20th century reproduction Victorian style mantel clock, having architectural style.

ARCHITECTURAL WALL MIRROR, 150cm x 70cm, twelve paned bevelled mirrors in black frame.

ARCHITECTURAL STYLE WALL MIRROR, 170cm H x 90cm W x, gated design, metal frame.

Berenice Abbott (1898-1991) was an influential American photographer known for her remarkable contributions to documentary photography and her dedication to capturing the changing urban landscape. She is particularly recognized for her project titled """"Changing New York,"""" which documented the transformation of New York City during the 1930s. Abbott began her career as a sculptor in Paris, where she became acquainted with renowned artists and intellectuals of the time, including Man Ray and Marcel Duchamp. However, she soon turned her attention to photography, influenced by the avant-garde movements and the work of Eugène Atget, a French photographer known for his documentation of Paris. Upon returning to the United States in 1929, Abbott embarked on her most significant project, """"Changing New York."""" Commissioned by the Federal Art Project, a branch of the Works Progress Administration (WPA), the project aimed to visually record the city's architectural and social changes. Abbott captured the contrast between old and new structures, neighborhoods, and everyday life in over 300 photographs, providing a comprehensive and valuable documentation of the city's evolution. Abbott's photographic style was characterized by her use of straightforward compositions, sharp focus, and attention to detail. Her images often revealed a deep understanding of light and form, transforming mundane subjects into captivating scenes. She believed in the importance of objectivity in documentary photography, striving to represent the essence of her subjects accurately. Beyond """"Changing New York,"""" Abbott also made significant contributions to scientific photography, particularly in her collaboration with physics professor Harold Edgerton. Together, they developed innovative techniques to capture scientific phenomena and produced groundbreaking images. Berenice Abbott's work has had a lasting impact on the field of photography, inspiring subsequent generations of documentary photographers. Her dedication to preserving and portraying the urban environment continues to be recognized as a valuable historical record and a testament to her artistic vision and technical prowess. Measures 9 x 12 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Ryuji Miyamoto is a Japanese photographer known for his architectural and urban photography. He was born on May 29, 1947, in Yokohama, Japan. Miyamoto gained recognition for his unique approach to capturing architectural structures, often focusing on the interplay between light, shadow, and geometric forms. Miyamoto's photographs have a distinctive style, characterized by meticulous compositions and an emphasis on detail. He often explores the relationship between built environments and the natural world, creating visually striking images that showcase the harmony or contrast between architectural elements and their surroundings. Throughout his career, Ryuji Miyamoto has published numerous books featuring his photography, including "Architectural Apocalypse" (1996) and "Tokyo: City of Strangers" (2001), among others. His work has been exhibited in galleries and museums worldwide, showcasing his talent and unique perspective on urban landscapes. Miyamoto's contributions to architectural photography have garnered him critical acclaim and established him as a prominent figure in the field. His images offer a captivating and thought-provoking glimpse into the built environment and its impact on our perceptions and experiences. Measures 10.27 x 7.01 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

"Hiroshi Sugimoto (born 1948) is a Japanese photographer and architect known for his minimalist and conceptual photographic works. He was born and raised in Tokyo, Japan, and later moved to the United States to pursue his artistic career. Sugimoto's photography often explores themes of time, memory, and the perception of reality. He is renowned for his ongoing series titled ""Seascapes,"" in which he captures vast seascapes with a long-exposure technique, resulting in images that have a serene and ethereal quality. Through this series, Sugimoto seeks to evoke a sense of timelessness and transcendence. Another notable series by Sugimoto is ""Theaters,"" in which he photographs movie theaters and drive-ins using a large-format camera and long exposure. These images capture the duration of an entire film screening in a single photograph, reducing the cinematic experience to a single frame. Throughout his career, Sugimoto has also explored other subjects, such as architectural landmarks, museum dioramas, and Buddhist sculptures. His work often blurs the boundaries between photography, sculpture, and installation art, and his meticulous attention to composition and technical precision is a hallmark of his style. Sugimoto's photography has been exhibited internationally and is part of numerous public and private collections. He has received numerous awards and honors for his contributions to the field of contemporary photography, and his work continues to be highly influential and widely celebrated in the art world. Measures 6.52 x 8.24 Printed circa Verso is blank.Mounted to archival quality paper. "

Sally Mann is an American photographer known for her intimate and evocative images, particularly portraits of her children and landscapes of the American South. She was born on May 1, 1951, in Lexington, Virginia. Mann gained critical acclaim with her series of photographs titled """"Immediate Family,"""" which she captured during the 1980s. These black-and-white images depicted her three children growing up in rural Virginia. The series sparked controversy due to its depiction of childhood nudity and explored themes of innocence, vulnerability, and the complexities of family life. Mann's work often focuses on the connection between humans and the natural environment. She has produced notable landscape series such as """"Deep South"""" and """"Mother Land,"""" which showcase the Southern landscape and its historical associations. These photographs often feature atmospheric and poetic qualities, reflecting Mann's deep connection to the land and its cultural heritage. In addition to her exploration of personal and regional themes, Mann has ventured into other subject matters. She has photographed decaying architectural structures, landscapes affected by the Civil War, and intimate portraits of her husband, Larry Mann. Mann's photographs are characterized by her use of large-format cameras and traditional photographic techniques, resulting in richly detailed and nuanced images. Her work exhibits a contemplative and introspective quality, inviting viewers to reflect on the passage of time, memory, and the fragility of existence. Sally Mann's photographs have been widely exhibited and published internationally. She has received numerous awards and honors for her contributions to photography, including a Guggenheim Fellowship and the International Center of Photography's Infinity Award. Her work continues to captivate audiences and is considered a significant contribution to the field of contemporary photography. Measures 8.26 x 7.25Printed circa 1990sVerso is blank.Mounted to archival quality paper."""

Ryuji Miyamoto is a Japanese photographer known for his architectural and urban photography. He was born on May 29, 1947, in Yokohama, Japan. Miyamoto gained recognition for his unique approach to capturing architectural structures, often focusing on the interplay between light, shadow, and geometric forms. Miyamoto's photographs have a distinctive style, characterized by meticulous compositions and an emphasis on detail. He often explores the relationship between built environments and the natural world, creating visually striking images that showcase the harmony or contrast between architectural elements and their surroundings. Throughout his career, Ryuji Miyamoto has published numerous books featuring his photography, including "Architectural Apocalypse" (1996) and "Tokyo: City of Strangers" (2001), among others. His work has been exhibited in galleries and museums worldwide, showcasing his talent and unique perspective on urban landscapes. Miyamoto's contributions to architectural photography have garnered him critical acclaim and established him as a prominent figure in the field. His images offer a captivating and thought-provoking glimpse into the built environment and its impact on our perceptions and experiences. Measures 10.27 x 7.01 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Berenice Abbott (1898-1991) was an influential American photographer known for her remarkable contributions to documentary photography and her dedication to capturing the changing urban landscape. She is particularly recognized for her project titled """"Changing New York,"""" which documented the transformation of New York City during the 1930s. Abbott began her career as a sculptor in Paris, where she became acquainted with renowned artists and intellectuals of the time, including Man Ray and Marcel Duchamp. However, she soon turned her attention to photography, influenced by the avant-garde movements and the work of Eugène Atget, a French photographer known for his documentation of Paris. Upon returning to the United States in 1929, Abbott embarked on her most significant project, """"Changing New York."""" Commissioned by the Federal Art Project, a branch of the Works Progress Administration (WPA), the project aimed to visually record the city's architectural and social changes. Abbott captured the contrast between old and new structures, neighborhoods, and everyday life in over 300 photographs, providing a comprehensive and valuable documentation of the city's evolution. Abbott's photographic style was characterized by her use of straightforward compositions, sharp focus, and attention to detail. Her images often revealed a deep understanding of light and form, transforming mundane subjects into captivating scenes. She believed in the importance of objectivity in documentary photography, striving to represent the essence of her subjects accurately. Beyond """"Changing New York,"""" Abbott also made significant contributions to scientific photography, particularly in her collaboration with physics professor Harold Edgerton. Together, they developed innovative techniques to capture scientific phenomena and produced groundbreaking images. Berenice Abbott's work has had a lasting impact on the field of photography, inspiring subsequent generations of documentary photographers. Her dedication to preserving and portraying the urban environment continues to be recognized as a valuable historical record and a testament to her artistic vision and technical prowess. Measures 7.52 x 9.49 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Ryuji Miyamoto is a Japanese photographer known for his architectural and urban photography. He was born on May 29, 1947, in Yokohama, Japan. Miyamoto gained recognition for his unique approach to capturing architectural structures, often focusing on the interplay between light, shadow, and geometric forms. Miyamoto's photographs have a distinctive style, characterized by meticulous compositions and an emphasis on detail. He often explores the relationship between built environments and the natural world, creating visually striking images that showcase the harmony or contrast between architectural elements and their surroundings. Throughout his career, Ryuji Miyamoto has published numerous books featuring his photography, including "Architectural Apocalypse" (1996) and "Tokyo: City of Strangers" (2001), among others. His work has been exhibited in galleries and museums worldwide, showcasing his talent and unique perspective on urban landscapes. Miyamoto's contributions to architectural photography have garnered him critical acclaim and established him as a prominent figure in the field. His images offer a captivating and thought-provoking glimpse into the built environment and its impact on our perceptions and experiences. Measures 10.27 x 7.01 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

"Bridget Riley is a British artist known for her pioneering contributions to Op art, short for Optical art. She was born on April 24, 1931, in London, England. Riley's works are characterized by their geometric patterns, precise compositions, and optical illusions that create a sense of movement and visual vibrations. In the early 1960s, Riley emerged as a prominent figure in the Op art movement, which explored the visual effects of optical illusions and perceptual phenomena. She experimented with various techniques, such as contrasting black and white lines, repetition, and color interactions, to create mesmerizing visual experiences.Riley's paintings often employ simple geometric shapes, such as squares, rectangles, and circles, arranged in intricate patterns. These patterns produce optical effects that can create the illusion of movement, depth, or pulsation, captivating the viewer's perception. Her groundbreaking work challenged traditional notions of painting and perception, emphasizing the viewer's active engagement with the artwork. Riley's art aimed to elicit an immediate and visceral response, exploring the dynamic relationship between color, form, and visual perception. Over the years, Riley's work has expanded to include a variety of media, including prints, murals, and even architectural commissions. She has received numerous awards and honors for her contributions to art, including the International Prize for Painting at the Venice Biennale in 1968 and the Praemium Imperiale in Painting in 2003. Bridget Riley's art continues to be exhibited worldwide, and her influence on contemporary art and the Op art movement is widely recognized. Her works can be found in major museums and collections around the world, and she is regarded as one of the most important and influential artists of the 20th and 21st centuries. Measures 9.26 x 9.24Printed circa 2000sVerso is blank.Mounted to archival quality paper.

Berenice Abbott (1898-1991) was an influential American photographer known for her remarkable contributions to documentary photography and her dedication to capturing the changing urban landscape. She is particularly recognized for her project titled """"Changing New York,"""" which documented the transformation of New York City during the 1930s. Abbott began her career as a sculptor in Paris, where she became acquainted with renowned artists and intellectuals of the time, including Man Ray and Marcel Duchamp. However, she soon turned her attention to photography, influenced by the avant-garde movements and the work of Eugène Atget, a French photographer known for his documentation of Paris. Upon returning to the United States in 1929, Abbott embarked on her most significant project, """"Changing New York."""" Commissioned by the Federal Art Project, a branch of the Works Progress Administration (WPA), the project aimed to visually record the city's architectural and social changes. Abbott captured the contrast between old and new structures, neighborhoods, and everyday life in over 300 photographs, providing a comprehensive and valuable documentation of the city's evolution. Abbott's photographic style was characterized by her use of straightforward compositions, sharp focus, and attention to detail. Her images often revealed a deep understanding of light and form, transforming mundane subjects into captivating scenes. She believed in the importance of objectivity in documentary photography, striving to represent the essence of her subjects accurately. Beyond """"Changing New York,"""" Abbott also made significant contributions to scientific photography, particularly in her collaboration with physics professor Harold Edgerton. Together, they developed innovative techniques to capture scientific phenomena and produced groundbreaking images. Berenice Abbott's work has had a lasting impact on the field of photography, inspiring subsequent generations of documentary photographers. Her dedication to preserving and portraying the urban environment continues to be recognized as a valuable historical record and a testament to her artistic vision and technical prowess. Measures 8.27 x 12 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

"Hiroshi Sugimoto (born 1948) is a Japanese photographer and architect known for his minimalist and conceptual photographic works. He was born and raised in Tokyo, Japan, and later moved to the United States to pursue his artistic career. Sugimoto's photography often explores themes of time, memory, and the perception of reality. He is renowned for his ongoing series titled ""Seascapes,"" in which he captures vast seascapes with a long-exposure technique, resulting in images that have a serene and ethereal quality. Through this series, Sugimoto seeks to evoke a sense of timelessness and transcendence. Another notable series by Sugimoto is ""Theaters,"" in which he photographs movie theaters and drive-ins using a large-format camera and long exposure. These images capture the duration of an entire film screening in a single photograph, reducing the cinematic experience to a single frame. Throughout his career, Sugimoto has also explored other subjects, such as architectural landmarks, museum dioramas, and Buddhist sculptures. His work often blurs the boundaries between photography, sculpture, and installation art, and his meticulous attention to composition and technical precision is a hallmark of his style. Sugimoto's photography has been exhibited internationally and is part of numerous public and private collections. He has received numerous awards and honors for his contributions to the field of contemporary photography, and his work continues to be highly influential and widely celebrated in the art world. Measures 5.52 x 9.5Printed circa Verso is blank.Mounted to archival quality paper. "

Sally Mann is an American photographer known for her intimate and evocative images, particularly portraits of her children and landscapes of the American South. She was born on May 1, 1951, in Lexington, Virginia. Mann gained critical acclaim with her series of photographs titled """"Immediate Family,"""" which she captured during the 1980s. These black-and-white images depicted her three children growing up in rural Virginia. The series sparked controversy due to its depiction of childhood nudity and explored themes of innocence, vulnerability, and the complexities of family life. Mann's work often focuses on the connection between humans and the natural environment. She has produced notable landscape series such as """"Deep South"""" and """"Mother Land,"""" which showcase the Southern landscape and its historical associations. These photographs often feature atmospheric and poetic qualities, reflecting Mann's deep connection to the land and its cultural heritage. In addition to her exploration of personal and regional themes, Mann has ventured into other subject matters. She has photographed decaying architectural structures, landscapes affected by the Civil War, and intimate portraits of her husband, Larry Mann. Mann's photographs are characterized by her use of large-format cameras and traditional photographic techniques, resulting in richly detailed and nuanced images. Her work exhibits a contemplative and introspective quality, inviting viewers to reflect on the passage of time, memory, and the fragility of existence. Sally Mann's photographs have been widely exhibited and published internationally. She has received numerous awards and honors for her contributions to photography, including a Guggenheim Fellowship and the International Center of Photography's Infinity Award. Her work continues to captivate audiences and is considered a significant contribution to the field of contemporary photography. Measures 6.02 x 7.76Printed circa 1990sVerso is blank.Mounted to archival quality paper."""

Bridget Riley is a British artist known for her pioneering contributions to Op art, short for Optical art. She was born on April 24, 1931, in London, England. Riley's works are characterized by their geometric patterns, precise compositions, and optical illusions that create a sense of movement and visual vibrations. In the early 1960s, Riley emerged as a prominent figure in the Op art movement, which explored the visual effects of optical illusions and perceptual phenomena. She experimented with various techniques, such as contrasting black and white lines, repetition, and color interactions, to create mesmerizing visual experiences.Riley's paintings often employ simple geometric shapes, such as squares, rectangles, and circles, arranged in intricate patterns. These patterns produce optical effects that can create the illusion of movement, depth, or pulsation, captivating the viewer's perception. Her groundbreaking work challenged traditional notions of painting and perception, emphasizing the viewer's active engagement with the artwork. Riley's art aimed to elicit an immediate and visceral response, exploring the dynamic relationship between color, form, and visual perception. Over the years, Riley's work has expanded to include a variety of media, including prints, murals, and even architectural commissions. She has received numerous awards and honors for her contributions to art, including the International Prize for Painting at the Venice Biennale in 1968 and the Praemium Imperiale in Painting in 2003. Bridget Riley's art continues to be exhibited worldwide, and her influence on contemporary art and the Op art movement is widely recognized. Her works can be found in major museums and collections around the world, and she is regarded as one of the most important and influential artists of the 20th and 21st centuries. Measures 9.26 x 9.24Printed circa 2000sVerso is blank.Mounted to archival quality paper."

Charles Sheeler, born on July 16, 1883, in Philadelphia, Pennsylvania, was an American artist and photographer associated with the Precisionist movement. He is recognized for his unique style, which combined elements of realism and abstraction, and for his iconic depictions of industrial landscapes and modern technology.Sheeler initially trained as a painter and studied under renowned American painter William Merritt Chase. However, he developed a keen interest in photography, which heavily influenced his artistic approach. Sheeler began incorporating photography into his artistic process, using it as a tool for capturing the precise details and geometric forms that would become characteristic of his work.In the 1920s, Sheeler produced some of his most notable paintings and photographs, often depicting industrial subjects such as factories, machinery, and architectural structures. His compositions emphasized clean lines, sharp edges, and a meticulous attention to detail, reflecting the influence of his photography background. Sheeler's works captured the essence of modernization and celebrated the beauty and aesthetics of industrialization.One of Sheeler's most famous paintings is "The Artist Looks at Nature" (1943), which combines elements of landscape and still life, showcasing his distinctive style. Sheeler's ability to transform ordinary, everyday objects and scenes into captivating and visually striking images solidified his reputation as a leading figure in American modernism.In addition to his painting and photography, Sheeler also ventured into the world of filmmaking. He collaborated with photographer Paul Strand on the avant-garde film "Manhatta" (1921), which combined poetic imagery with modern urban life, further highlighting Sheeler's fascination with industrialization and the urban landscape.Charles Sheeler's work has had a lasting impact on American art. His ability to merge the precision of photography with the expressive qualities of painting created a unique visual language that resonated with audiences. Sheeler's contributions to the Precisionist movement and his exploration of industrial subjects continue to inspire artists and art enthusiasts today, cementing his place as a significant figure in the development of modern American art.Measures 23.75 x 30.

Late XIX Century Black Slate Mantle Clock, of architectural form with marble insets and metal corinthian columns, Ansonia 8 day movement, 41.5cm wide.

An early 20th century French Continental copper & brass architectural street oil lamp light shade. The shade of conical shape with brass top crown in the form of castles & brass pierced surround below. Measures approx. 26cm tall x 43cm in diameter. 

Of Russian architectural interest - A nineteenth century hand drawn & watercolour shaded architectural plan from the Stalingrad Academy of Art. The plan depicting an ecclesiastical building of Palladian style with Corinthian style composite columns and an interesting starburst style frieze atop, believed to be a Russian Orthodox cathedral. Complete with aerial view plan to bottom. Measures approx. 67cm x 47cm, 82cm x 60cm to include frame.

SET OF SIX SILVER JAPANESE SPOONS modelled with floral decorated bowls and with architectural, figural and other terminals, stamped Sterling, cased Light scratches, nicks and tarnish but no particular damage or issues to note; 10.5cm long each

20th century Continental School, abstract architectural composition, mixed media on board, indistinctly signed with labels verso, 60cm x 44cm, framedGood condition

A GEORGE II STYLE PINE BREAKFRONT BOOKCASE IN THE MANNER OF WILLIAM KENT the upper section with a broken architectural pediment centred by an urn finial, glazed cupboards beneath, the lower section with panelled cupboards opening to shelved interiors, on an egg and dart moulded pedestal base, 225cm high x 163cm wide x 44cm deep

19th century brass and champleve enamel cased architectural mantel clock, the case flanked by 4 enamel Corinthian columns, 8-day movement striking on a gong, case height 27cmCase in good condition, no damage to the enamel, with key and pendulum

Two antique Kentish ragstone staddle stone caps and an architectural concrete ball. Well weathered. Caps 45cm & 48cm diameter. Ball 28cm diameter.

AN ARCHITECTURAL PINE SHELVED NICHE.

EDWARD ARDIZONE A PENCIL SIGNED LIMITED EDITION PRINT OF CHARTER HOUSE SCHOOL. 40 x 56cms TOGETHER WITH A CHALK DRAWING OF A ARCHITECTURAL VIEW BY A DIFFERENT HAND (2)

A pair of probably late Dresden porcelain figural wall brackets, late 19th century, each with putti swags of encrusted colourful flowers and architectural scrolls in tones of pink and blue, the upper section painted with flowers and bearing a conjoined AR mark. 21 cm wide x 16 cm deep x 24 cm overall height.One bracket cracked

A Louis XVI-style white marble and ormolu 8-day clock garniture, early 20th century, fitted with a silvered Societe Clusienne S.C.A.P.H. Cluses movement with outside countwheel and chiming the hours and half hours with a passing strike and fitted a mask of Helios" pendulum and slightly convex white Roman dial with swags of flowers and gilt hands, the case is of architectural drum head form and is accompanied by slender two-handled urns. 23 cm wide x 10 cm deep x 41 cm overall height of the clock case.

MACNAUGHTON AND WATSON, FOLIO OF ARCHITECTURAL PLANS/DRAWINGS CIRCA 1930s approximately one-hundred sketches for private and retail properties from the Glasgow area, most inscribed firm's name and dated

TESSELATED STONE-EFFECT PILLAR IN THE MANNER OF FORNASETTI LIKELY ITALIAN, CIRCA 1970-89 lacquered and decorated with repeated monochrome architectural pattern96.5cm highSome small surface losses, chips around the foot, please note updated item description, height 96cm

Architectural Salvage - a unusually large pair of gilt composition two-branch wall lights, in the Rococo taste, fluted urnular sconces and drip trays, acanthus leaf and scrolling bracket supports, a/f, 42cm high, 59cm wide

A late 19th century mahogany architectural easel photograph frame, turned bone finials, 31cm x 16cm; an Edwardian Mahogany inlaid easel photograph frame, ovel aperture, ebony and boxwood stringing, 31cm x 23cm; a pair of arched treen photograph frames, oval apertures, 21cm x 14cm (4)

A 18th century mahogany serving table, with a rectangular top above a thumb moulded frieze raised on architectural inset legs, 161cm wide 83cm deep 82cm high.

Architecture Interest - a comprehensive portfolio of 19th century classic architectural book plates and original to-scale technical drawings

Regency engraving in circular gilt frame depicting the departure of Lucius Tarquinius Priscus' widow, Tanaquil. After a long reign Priscus was killed in 579BC. Lucius Tarquinius Priscus or Tarquin the Elder, was the legendary fifth king of Rome and first of its Etruscan dynasty. He reigned for thirty-eight years. Tarquinius expanded Roman power through military conquest and grand architectural constructions. His wife was the prophetess Tanaquil

Early 20th century black slate and marble two train architectural; mantle clock with ceramic Roman face having exposed escapement. 34cm high approx. (B.P. 21% + VAT)

Group of assorted architectural etchings, an engraved prospect, study of a moonlit bridge and MOT vehicle poster 'Is Your Vehicle Safe to Drive?'. (7) (B.P. 21% + VAT)

Early 20th century black slate two train architectural mantle clock, the case surmounted by minarets and having ceramic Arabic face with reeded pilasters. 39cm high approx. (B.P. 21% + VAT)

French gilt spelter and Sevres style porcelain Gothic taste clock, 19th Century, with two female figural mounts, flanking an architectural style case, white enamel dial, Roman numeral chapter ring, key and pendulum, 50cm high

Joy Moore (20th century). A folder of 18 drawing and paintings, mostly figurative with some architectural and still lives. Some signed and dated. Various mediums including charcoal, gouache and mixed media, all on paper. Smallest 59 x 42m, largest 74 x 57cm. All unframed

An Edwardian oak aneroid barometer, the case with ornate architectural case, 124cm high

David Lewis-Bale (British school) - 'Summer Sun, Lower Camden Terraces, Bath' - a 21st century print depicting a Bath architectural scene in shades of yellow, orange and green. Depicting Lower Camden Place in the Lansdown area of the city, beside Camden Crescent. Signed and dated 13/10/07. Measures approx. 33cm x 15cm. 

A large collection of vintage 20th century hand painted doll's houses decorative & architectural pieces. The lot comprising furniture decorative pieces & building pieces.

An early 19th century German wooden architectural 15 pieces building set. The set comprising instruction sheet together with various cards for building options. Kept within Victorian wooden box. Box measuring approx. 5cm x 13cm x 15cm.