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A 19th century walnut Vienna style wall clock with circular two-part cream enamel dial marked with Roman numerals, eight day two-weight movement striking on a gong, in a glazed case with architectural pediment flanked with finials, 130cm high

Victorian black slate mantel clock with eight day French movement striking on a gong, white enamel dial with Arabic numerals and gilt floral filigree centre. Architectural case of classical form with bronzed Corinthian columns and classical pilasters, the caddy top with classical frieze and four urn finials surmounted by a figure of Minerva, the lower part of case with engraved presentation plaque, 53cm overall height

His Master's Voice wind-up table gramophone with tapered brass arm and architectural case

Victorian black slate clock with eight day movement in a classic architectural case with six fluted columns, surmounted by three domes and a classical chariot racing frieze

ORIGINAL MASSACHUSETTS STATE HOUSE COLUMN CAPITAL - Charles Bulfinch Designed Corinthian Column Capital from the Massachusetts State House (built 1795-1797), Boston, in white painted pine, replaced with iron versions in the 1960s, roughly 33" x 40" x 22", weathered, bits missing, some leaves re-glued. A unique piece of American architectural history. From the Marvin Sadik Collection.

QUARTER-CAPITAL FROM MASSACHUSETTS STATE HOUSE - Carved Wood Corinthian Quarter Capital from the Massachusetts State House in Boston, the original Charles Bulfinch design, built 1795-1798, these pine components replaced with iron in the 1960s, 31 1/2" tall, 21 1/2" square, weathered, cracked, bits missing. Still, a unique piece of American architectural history. From the Marvin Sadik Collection.

CARVED ENGLISH OAK PANEL - 17th c English Oak Carved Architectural Panel, with carved angel above two raised panel, all wood peg joinery, possibly part of a chancel pew backing, 34 1/2" x 25 1/2", losses to nose and hair of carving.

OOB - `City of Suzdal; Architectural Monument` by Aleksey Alekseevich Shishin (Russian, 1924-1986), signed lr and dated `80, inscribed verso in Cyrillic, and with English translation, depicting the Antipius and Lazarus Church in one of the oldest towns in Russia, in gold molded frame, SS: 11 3/4" x 15 1/4", OS: 15 1/4" x 18 3/4", fine condition.

(2) OLD MASTERS INK DRAWINGS - Architectural Ink Drawings with Washes, including: Ancient Dungeon with Two Figures, in walnut molded frame with gilt liner, matted and glazed, SS: 7" x 10", OS: 12 3/4" x 15 1/2", good condition; PLUS Studies of Three Corbel Cartouches, in single gold molded stick frame, with three-window French-lined mat, glazed, SS: 3" square each, OS: 16 3/4" x 8", stained corners from mounts.

(2) TIBETAN SILVER ALTAR ORNAMENTS - Both 19th c, in repousse, including a flame framed disc on plinth and a temple architectural layered crown, on matching plinth, 11 3/4" (29.9 cm) & 10 3/4" (27.3 cm) tall, 5 3/4" (14.6 cm) & 3 3/4" (9.5 cm) wide, good condition.

MONUMENTAL BRONZE SCONCE - Magnificent Belle Epoch Solid Bronze Winged Gargoyle Architectural Mount, fitted with a gas jet in the mouth and having a curled tail to hold a flagpole, in remnants of the original gold finish, excepting the nipples and teeth, roughly 38" x 30" x 14", some corrosion, verdigris, nice age patina.

BRONZE BAS RELIEF - `Monday` by Glenna Goodacre (NM/TX, 1939 - ), depicting a nude young woman laying on her stomach, resting on her elbows with her legs bent upwards, her head turned towards the viewer, signed on the architectural ledge, dated 1995, marked 30/50 on end and on back, titled on back, 11 1/2" x 11", 2 3/4" deep, patinated in verdigris, fine condition.

BRONZE BAS RELIEF - `Friday` by Glenna Goodacre (NM/TX, 1939 - ), depicting a nude young woman reclining on one hip, facing the viewer, resting on her elbow with her lower leg folded back, her left hand resting on her thigh, signed on the architectural ledge, dated 1995, marked 33/50 on end and on back, titled on back, 11 1/2" x 11", 2 3/4" deep, patinated in verdigris, fine condition.

BRONZE BAS RELIEF - `Thursday` by Glenna Goodacre (NM/TX, 1939 - ), depicting a nude young woman sitting with one heel up on the ledge, her elbow resting on that knee, curled hand to her mouth, signed on the architectural ledge, dated 1995, marked 33/50 on end and on back, titled on back, 13 1/4" x 11 1/2", 2 3/4" deep, patinated in verdigris, fine condition.

MONUMENTAL LITHOGRAPH - `Geta and Caracalla`, 1907, by Lawrence Alma-Tadema (Dutch-English, 1836-1912), the Victorian Romanticist made famous by his depictions of Classical Roman life, pencil signed lower left, printed by Stiefbold & Co of Boston for Arthur Tooth of London, depicting the brothers who co-ruled Rome at the Colosseum. Housed in the original magnificent gilt architectural frame, with dimensional mat, glazed, image size: 25" x 31", OS: 46 1/2" x 49", fine condition, small loss to cornice on left side.

A micro-mosaic oval floral plaque, 45 x 37mm, together with a pair of further micro-mosaic plaques each depicting an architectural scene and a floral mosaic brooch (4)

A small brass case mantle clock, the pierced and moulded case of architectural form with an attendant figure

"Mahogany cased Vienna regulator clock, architectural pediment with vase finials and lily motif"

A Regency mahogany over mantle, having architectural cornice above a plain rectangular plate within half turned reeded pilasters on inverted break-front plinth.

Bernard Picart (French, 1673-1733) A pair of architectural plans of lavish entrances and stairs, showing the front on view as well as birdseye layout, dated 1719, each double page black and white engravings, each 12 ¾" x 18 ½"(2)

Chevotet (French, 18th Century) A set of four architectural views of French Buildings, hand coloured engravings (4)

A VICTORIAN MAHOGANY STEREOSCOPE AND PHOTOGRAPH VIEWER with fret-work card holder, the removable stereoscope viewer and hinged magnifier on a hinged adjustable platform. 29cm x 17cm; sold along with thirty nine stereoscope cards. (Niagara Falls, architectural, interiors etc) Viewer generally in good condition for age, cards with foxing and discolouration.

AN EDWARDIAN SLATE MANTEL CLOCK of arched architectural form, the circular dial with Arabic hours flanked by fluted and reeded columns, the brass movement with circular laurel wreath stamp, the plinth base with applied brass presentation plaque `Presented to Miss Hannah Sewell by a few friends on the occasion of her marriage 5th Nov 1903`. 31cm(h) x 39cm(w) x 15cm(d)Small corner and edge chips throughout but generally ok.

ARCHITECTURE. A collection of printed and manuscript architectural elevations relating to Terence Carr and W.D. Caröe, the majority early 20th Century. - And a book of related interest.

A collection of twenty Crummles & Co enamel boxes with oval lids decorated with architectural views

Presentation onyx and gilt metal mantel clock, of architectural form, gilt dial, the movement striking on a gong, labelled - South Nottinghamshire Hussars Point to Point Race.

* A collection of late Victorian photographs of various views to include Guatemala, Spain, architectural scenes and cathedrals, (a lot). VAT charged on hammer price

A large Onyx and silver plated clock, 19th century, of architectural form, the gilt metal and fret work dial enclosed by columns and pillars, raised upon rectangular plinth base, the whole surmounted by domed architectural roof and bust of a classical male, width 35 cm.

A North African mother of pearl inlaid easel, 19th/20th century, of carved architectural form, with inlaid star motifs, height 134 cm.

A Victorian oak cased architectural Mantle Clock having column detail to the front and moulded cornice and moulded plinth base. White metal and brass face with Roman numerals. 8 day movement.

A FRENCH BELGIAN SLATE ARCHITECTURAL STYLE CLOCK, AND A PAIR OF CONTEMPORARY BRONZE METAL VASES

A 19th Century Continental oak coffer, the rectangular top with moulded edge over a two panel front with carved egg and dart decoration, one panel inscribed "88S-IS", the panels interspersed by twin architectural columns and chevron banding raised on stile supports

A late 19th Century French slate mantel clock, the architectural case housing a circular dial to an eight day striking movement (ILLUSTRATED)

A circa 1920`s oak cased drop dial clock, the circular dial with Arabic numerals flanked by barley-twist supports in an architectural style case

SEVEN WORLD WAR I POSTCARD SILKS, To My Dear Sister a COLLECTION OF LOOSE EARLY 20TH CENTURY POSTCARDS mainly architectural and seaside greeting approx 175 pieces together with PHOTOGRAPHIC SOUVENIR OF ROME and WILLS CIGARETTE CARD ALBUM `GARDEN HINTS`

TWO EARLY 20TH CENTURY ALBUMS OF POSTCARDS MAINLY COLOURED PHOTOGRAPHIC of varying types but mainly architectural and topographical more unusual items include six WWI large Rota; Navy ships and eight other ships, Three Royal Family embossed and applied with silver glitter, actresses, comic and World war I approx 274 cards in total (2)

A pair of William IV 'Day's Patent' brass table top fire screens of Gothic architectural form, each containing a fan, one bears paper label, 24cm high.

Manner of Rex Whistler; an architectural arch with a stately building, peacock and abundant fruit, pencil drawing, unsigned, unframed but rolled in an 'On His Majesty's Service' tube, 35 by 25cm.

A Victorian dark wardrobes with architectural style cornice, fitted with a single mirrored door and drawer to base - height 22 cm width 121 cm depth 49 cm

A hand tinted etching of a classical architectural scene signed by Artist in gilded mount and frame

"Hand coloured lithograph, The Parish Church of All Hallows Bread Street and St Michaels in Wood Street B Cole SC and two Dutch architectural prints, c1870, and another architectural picture (4) "

An early 20th Century German Mantel Clock, with steel and brass dial, gong strike in architectural style oak case. 16" (42cms) high.

Brass and black japanned pocket architectural level by W. Watson & Sons Ltd., London, 10cm wide

Pair antique architectural oils on boards, in asymmetric frames - Trompe l'oeil studies of corbels with female marks, 35cm x 22cm to widest point

Eight day lever Westminster and Whittington chime bracket clock with engraved brass dial, angel spandrels and silvered chapter ring, in an architectural-style walnut case with caddy top and central carrying handle, 33cm overall height to handle

Late nineteenth century French ormolu cased fountain clock with gothic architectural tower and lion's head fountain spout with glass revolving tube, with musician surmount to side on gothic base, the silk suspension movement signed Alibert a Paris, 31cm

Good quality mid-nineteenth century bronze and ormolu Gothic cased cathedral clock by Le Pauti a Paris with striking movement in architectural case, 58cm high

An early 20th Century oak cased bracket clock in the Georgian style, the architectural cornice above pilaster supports and an acanthus carved frieze, with brass dial with a silvered chapter ring and movement stamped W&H Sch.32cm wide and 44cm high. ILLUSTRATED

An early 20th Century small inlaid mahogany wall hanging corner cupboard in the Georgian style, the architectural cornice above an inlaid foliate frieze and glazed door, 58cm wide by 105cm high.

A GERMAN STAINED WOOD MANTEL CLOCK, THE BRASS BREAKARCHED DIAL IN ARCHITECTURAL CASE WITH REEDED PILASTERS

* Chevalier d`Eon. Charlotte - Genevieve - Louise - Auguste - Andree - Thimothee d`Eon de Beaumont, c.1780s, a pair of uncoloured engraved head and shoulders portraits of the Chevalier d`Eon engraved by J.B. Bradel, each on laid paper with an engraved title and architectural border, one showing him dressed in the uniform of a dragoon, the other dressed as a woman, the former trimmed to image, each 35 x 22cm (13.75 x 8.75ins), contained in double window mount. The Chevalier d`Eon (1728-1810) was a French diplomat, soldier and spy who lived the final 33 years of his life as a woman. (2)

* Prints & engravings. A mixed collection of approx. 400 prints & engravings, mostly 18th & 19th century, engravings and lithographs including British & foreign topography, caricatures, portraits, classical, genre, biblical and architectural, with examples by Shepherd, Nutter, Macpherson, Valentini, "Art Journal` and Shiavonetti, various sizes and condition (approx.400)

Der Architekt, 12 original issues, pub. Vienna, January to December, 1906, half-tone photographic illustrations and architectural diagrams, includes many art nouveau influenced designs, original printed wrappers, some edge fraying, folio (40.7 x 31.5cm), loosely inserted in orig. publisher`s cloth portfolio (split to spine), together with other art nouveau architectural portfolios including Architektonische Monatshefte and Architektonische Rundschau (4)

Taylor (G.L., and Cresy, Edward). The Architectural Antiquities of Rome, 2 vols. in one, 1821-22, 129 eng. plts. (complete), some occ. spotting, a.e.g., 20th c. calf gilt, folio. (1)

Turner (Laurence). Decorative Plasterwork in Great Britain, 1st ed., Country Life, 1927, numerous b & w illusts. from photos, orig. cloth gilt, a little rubbed and faded, folio, together with Parkinson (James and Ould, E.A.), Old Cottages, Farm Houses, and other Half-Timber Buildings in Shropshire, Herefordshire, and Cheshire, 1st ed., Batsford, 1904, 100 half-tone plts. from photos by Ould, orig. cloth, a little rubbed, 4to, and others of architectural interest (3 cartons)

Willis (Peter). Charles Bridgeman and the English Landscape Garden, reprinted with supplementary plates and a catalogue of additional documents, drawings and attributions, Newcastle upon Tyne, Elysium Press, 2002, colour frontis., numerous b&w plts., orig. cloth gilt in d.j., 4to, VG, together with Leach (Peter), James Paine (Studies in Architecture series), 1st ed., pub. Zwemmer, 1988, numerous b&w illusts., orig. cloth in d.j., 4to, VG, plus MacDougall (Elisabeth Blair), Fountains, Statues, and Flowers, Studies in Italian Gardens of the Sixteenth and Seventeenth Centuries, Washington, Dunbarton Oaks, 1994, b&w illusts. etc., orig. cloth in d.j., 4to, VG, and Crook (J. Mordaunt), The Dilemma of Style, Architectural Ideas from the Picturesque to the Post-Modern, 1st ed., 1987, b&w illusts., orig. cloth in d.j., 8vo, VG, plus others on the history of architecture, garden design, art and antiques. (6 shelves)

A 19th century slate-cased mantel clock of architectural form

An antique architectural weathered carved stone shield cartouche 56 cm high good overall although some minor losse

A Victorian black and variegated red marble mantel clock, of classical architectural form, with visible escapement, apex shaped top and gilt metal dial enclosed by rectangular black marble case with columns to the side, raised upon rectangular base, width 37 cm.

WARNER, Rev. RICHARD. An History of the Abbey of Glaston:, Bath 1826. 4to., qtr. calf uncut, one of 250 copies. 20 engraved plates at end (plates stained, uncut edges browned). With a worn copy of J.H. Parker. Illustrations of the Architectural Antiquities of the City of Wells, 1866 and 3 vol set of Somerset Domesday. Editions Alecto., 1989. (5)