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Fabrica dei Fratelli Manardi ad Angarano 1669 - 1705 Venice with raised edge depicting a man with a club on a pedestal standing in an architectural landscape in the colours manganese ochre and blue diameter 31 cm. restored

Architectural reclamation, two leaded and stained glass windows with wooden frames

Architectural antique, large wall basket for a beacon light of scrolling metal frame with leaves and a cast iron boot scraper

Architectural cased black slate and marble mantel clock

ARCHITECTURAL WALL MIRRORS, a pair, Italian style with distressed painted frames, 72cm W. (2)

ARCHITECTURAL GARDEN PANELS, a set of three, in metal with palm leaf decoration, each panel, 120cm H x 60cm W. (3)

ARCHITECTURAL GARDEN PERGOLA, Regency style metal, 300cm H x 225cm W x 225cm

Ansonia Clock Co. of New York - A late 19th century slate mantel clock of architectural form, the dial with black Roman numerals, with Corinthian columns to either side, approx 40cm tall x 38cm wide

A Belge Noir architectural cased mantel clock

A 19th Century American Ansonia architectural cased mantel clock

IKONE "Darbringung Christi im Tempel", Russland, wohl Moskau, um 1800 bis 1820, im Hintergrund Architekturkulisse, Bezeichnung in Kirchenkyrillisch, Tempera und Vergoldung über Kreidegrundierung auf Holztafel (mit zwei Rückseitensponki), HxB: ca. 29x24 cm. Alters- und Trocknungsspuren, Craquelée, part. leichte Randschäden. ANBEI EXPERTISE Galerie Viktor Puch, Deisenhofen.| ICON ‘Presentation of Christ in the Temple’, Russia, probably Moscow, c. 1800 to 1820, architectural backdrop, inscription in church Cyrillic, tempera and gilding over chalk ground on wooden panel (with two reverse ponki), HxW: c. 29x24 cm. Signs of age and drying, craquelure, some minor marginal damage. BY EXPERTISE Gallery Viktor Puch, Deisenhofen.

An architectural coil spring skeleton clock, by William Smith of Musselburgh, fitted a single fusee movement, on a marble and wooden base under a glass dome, 50 cm high

Latham (Charles), In English Homes, 3 vols., and The Architectural Review, July-December 1913, bound (4)

the Rev. Alfred Suckling: 'The History and Antiquities of the Hundreds of Blything and part of Lothingland. In the County of Suffolk; With Genealogical and Architectural Notices of their Several Towns and Villages', London, printed for the author, 1847, hand coloured lithograph frontis + 23 lithograph plates as called for (of which 3 part hand coloured/tinted), plates depicting churches, monumental brasses, country houses of the nobility etc., list of subscribers at end, 4to, original quarter cloth over printed paper covered boards, later respined, printed title label on spine

(China, Qing dynasty, Tianjin, British Military, Boxer Rebellion aftermath.) A photograph album containing approx. 70 mounted monochrome photographs of Northern China circa 1910, the images mainly Tientsin (now Tianjin) and Peking (now Beijing), the album compiled by one Private H. Brown, The 1st Battalion The Royal Inniskilling Fusiliers, with his ownership inscription at head of inside front cover "8596 Pte. H. Brown. H Coy 1st Bn. Rl. Innis. Fus. Tientsin. N. China. 1910", the photographs in the album of the British military in Northern China in the early 20th Century in the wake of the Boxer Rebellion give a fascinating insight into both colonial and local life, the first image in the album being a memorial to 3 British soldiers, with m/s caption beneath by Pte. H. Brown "PTE Shanks, Sgt Smith, BM Green who died in Tien-tsin North China on the 7th, 11th & 14th September 1910 respectively", the following images include funeral procession captioned "Mourners at Sgt Smiths funeral", the following 6 photographs variously depicting Sgt. Smiths grave, further photos Sgt. Smiths funeral, grave and tombstones of other soldiers Royal Inniskillings who died at Tianjin 1909-10; other images depicting mounted infantry 27th Inniskillings; band, drums and machine gun team 27th Inniskillings; party of Roman Catholic's; Roman Catholic's church parade; views in mountains of North China showing British military camp and parts of Great Wall; "Signalling Station Shan-Hai-Kuan North China"; two photographs Hong Kong comprising King Edward VII monument, and military parade, Murray parade ground/barracks; Chinese funeral; various architectural and topographical views including Peking observatory; band stand Victoria park, Tientsin; Peking street scenes; image captioned "Tower Nanking", (possibly Tiger Hill Pagoda, Suzhou?); north east corner of the wall of Peking; the aforementioned 26 images all aprox. size 11 x 15cm and mounted to recto of the album's concertina folding leaves; the following 52 images mounted to verso of the concertina leaves, these images all approx. 8 x 14cm, including several documentary style photographs of American, Russian, Japanese, French, Italian, Indian and Chinese soldiers and police stationed in the area, which give an indication of the political situation in Northern China during the period, the various foreign concessions, the political tensions (and camaraderie) etc; further various images Peking including city walls, water gate, British legation, panorama of city showing coal hills, forbidden city Peking, ministers quarter's, "Hata-Man Gate. Peking", "Chien-Man Gate Peking", image of another city gate captioned beneath "where the first European was killed at the commencement of Boxer rising 1900 Peking"; British barracks Peking; "Peking to Tien-Tsin Railway"; "Road to Forbidden City Peking"; Coal Hills Peking"; "Camel Transport Peking"; two images Temple of Heaven and Bell Tower, Peking; "Shan-Hai-Kuan Village"; "Beach Temple Hotel Shan-Hai-Kuan"; other images beginning of the Great Wall and fort/barracks, Shanhaiguan district; "Chinese Shoemaker"; British soldier's at leisure fishing; a few images various British military sporting achievements and sporting events including images captioned beneath "Pte Halls winning the half mile race", "Mop Melee", "Three-legged race", these images also captioned in the negative "Regt. Sports 27th Inniskillings, Tientsin, China"; others main gate Peking, Russian and British monuments, Tientsin, etc etc, the album containing a total of 78 photographs, approx. 70 as mentioned Tientsin, Peking, Northern China, Hong Kong, remaining images include German Royal yacht in the Grand Harbour, Malta, 1909, and a few other group photographs British Military of the Inniskillings in Malta including "H Coy Inniskillings 1897". The 1st Battalion The Royal Inniskilling Fusiliers arrived in Tientsin in North China in November 1909, having sailed from Malta in HM Troopship Soudan almost two months earlier. Battalion Headquarters was at Tientsin with one company immediately dispatched to guard the British Legation in Peking in the wake of the Boxer Rebellion (1900-1901). All images with contemporary manuscript pen & ink captions in the hand of the compiler, Pte. H. Brown, the album itself contemporary decorative Chinese black lacquered covers, illustrated with a lady in a rickshaw, boards approx 16 x 20cm

A photograph album circa 1900 relating to HMS Terrible containing 100+ mounted photographs of various places HMS Terrible served during the period, including images of South Africa during the Boer War, Russian battleships attacked at Port Arthur, China (the start of the Russo-Japanese war), various views and images St Helena, China, Japan, Hong Kong, group photographs of the ships Officers etc, the majority of the images with contemporary manuscript title or caption beneath, the album possibly appears to have been assembled slightly later. HMS Terrible was the second and last of the Powerful-class protected cruisers built for the Royal Navy in the 1890s. She served on the China Station and provided landing parties and guns which participated in the Siege and Relief of Ladysmith in the Second Boer War in South Africa. A few months later she did much the same thing to help suppress the Boxer Rebellion in China. During this time, her captain was Percy Scott, who trained his crew to a high standard in gunnery and had his training methods adopted by the entire Royal Navy. Images include: photograph of Lady Randolph Churchill with Captain Percy Scott and two other serving personnel aboard deck of Terrible, approx. 11 x 15.5cm; image of Winston Churchill and John Churchill (Jack Churchill), as well as Captain Percy Scott and others on poop deck of Terrible, 1900, approx. size 9 x 11.5cm). During the South African War, Lady Randolph Churchill ("Jennie" Churchill) raised money for and staffed and equipped a hospital ship, the Maine, which did valuable work in South Africa. Listening to Jack Churchill's dramatic account of the fighting whilst he was on board the Maine only served to increase Jennie’s desire to visit the war zone. She wrote to Winston to this effect, and he got a few days leave and joined them, and they went to Chieveley. Also there, was Captain Percy Scott, the Commander of HMS Terrible, who had invented a gun carriage, which enabled the 4.7 naval gun to be taken up country to the front. Scott named the gun the Lady Randolph Churchill, and it was Jennie who historically fired the test round; other images include Simon's Bay near Cape Town; "H.M.S. Terrible making 12 inch gun carriages for the relief of Ladysmith"; entrance to Durban Harbour; Main Street Durban, Natal; various images artillery guns in the field, South Africa War; "H.M.S. Terrible's picket boat"; "Terrible's anchor broken at Durban 1900"; other images Boer War including armoured train in Natal, 1900, guns being unloaded and assembled etc; a few images Hong Kong, including Terrible entering Hong Kong harbour, 1900; large photograph 1904 race meeting, Happy Valley Hong Kong (20.5 x 27cm); H.M.S. Terrible dance, Hong Kong, 1901; Golf Club Happy Valley, Hong Kong (21 x 27cm); H.M.S. Terrible in Hong Kong bay decorated with words "God Save the King" to side of hull for the Coronation of King Edward (21 x 27cm), etc; several images China Station/Treaty Ports including large photo Wei-hai-wei from the island (21.5 x 29cm), others smaller Wei-hai-wei street and architectural scenes, "H.M.S. Leviathan 1903 Soccer team at Wei-hai-wei" (21 x 27cm), another of HMS Leviathan hockey team China Station, 1905, similar size, etc; several images Russian battleships, Russo-Japanese War, including "Russian battleships after the escape from Port Arthur 1905", "Russian cruiser 'Varyag' sunk at Chemulpo", another of Russian gunboat sunk at Chemulpo + a few others similar, "Chinese cruiser ashore at Elliott Island (China Sea)"; other views etc St Helena, Mauritius, Halifax, Nova Scotia, Johore, Suex Canal, various Japan hand coloured photos each approx. 20 x 25cm, group shots H.M.S. Terrible officers, a few photos relating to H.M.S. Leviathan and Sirius, etc etc, oblong folio (28 x 38cm), contemporary half calf gilt, later rebacked, 3 contemporary passports for one George William Alcock, hotel proprietor, loosely inserted

Henry Avray Tipping & Christopher Hussey: 'English Homes - Norman & Plantagenent; Early Tudor; Mediaeval & Early Tudor; Late Tudor & Early Stuart; Late Stuart; Sir John Vanbrugh & His School; Early Georgian; Late Georgian.', London, Country Life, 1920-1937, 9 volume complete set, volume 3 (Periods I and II, vol.II, Medieval and early Tudor, 1066-1558) 1937 reprint, all others first editions 1920-1928, covering most country houses of importance built in England before 1820, each volume lavishly illustrated with fine photographic views of exteriors, interiors and their contents, folio (40 x 27cm), original blue cloth gilt. Henry Avray Tipping FSA (22 August 1855 – 16 November 1933) was a French-born British writer on country houses and gardens, a garden designer, and Architectural Editor of Country Life magazine for 17 years. Christopher Edward Clive Hussey (21 October 1899 – 20 March 1970) was one of the chief authorities on British domestic architecture of the generation that also included Dorothy Stroud and Sir John Summerson. This major venture was a collaboration between Hussey and Tipping, his mentor and predecessor at Country Life magazine. (9)

Sydney Buckley (1899-1982)A view of a church, possibly Cartmel Priory, its iron gate flanked by trees and its open door awaiting visitors, watercolour, signed, in double card mount and moulded frame under glass, 56 cm x 71 cm overall[Buckley was a painter and printmaker interested in the Lake District and architectural subjects. The artist had a studio in the Cartmel Priory gatehouse, Cumbria, with his sister, who was a weaver.]

A vintage 20th century Jacqmar silk scarf neckerchief. With architectural building to central panel, with a thorn style border. Measures approx. 87cm

A 20th century stained glass terrarium. The terrarium being of architectural form with wooden base. A/F. Measures approx 42cm x 38cm x 34cm. 

A pair of good framed and glazed architectural prints. COLLECT ONLY.

A FRENCH GILT METAL AND PORCELAIN MOUNTED THREE PIECE CLOCK GARNITURE, 19TH CENTURYthe mantle clock of architectural form, surmounted with pointed finials, the face panel painted with garden landscapes and roman numeral ring, with winding apertures and blued steel hands, with further painted panels to either side, 39cm high The urns similarly decorated, within gilt reserves against a silvered ground, each 32cm high (3)

AN ARTS & CRAFTS WALNUT DESK BY GUSTAVE SERRURIER-BOVY, STAMPED 'SERRURIER LIEGE',the solid rectangular top with moulded edge, above four short drawers and knee hole space, on squared tapering legs, slatted end panels, 75cm high, 224cm wide, 99cm deepGustave Serrurier-Bovy (1858–1910) was a pioneering Belgian architect and designer, often regarded as one of the key figures in the Art Nouveau movement. His work is characterized by its organic forms, innovative use of materials, and attention to detail. Serrurier-Bovy's designs were not just aesthetically pleasing but also highly practical, making him a significant figure in the evolution of modern design.Gustave Serrurier-Bovy's work spans a variety of architectural projects, furniture designs, and interior decorations, showcasing his Art Nouveau style with a focus on functional aesthetics.He designed a number of house in his hometown of Liège, Belgium, most notably The Villa l'Aube. This house is one of Serrurier-Bovy's most famous architectural works, incorporating his signature use of natural forms and materials, blending organic elements with the building's structure. Condition Report: Very good overall condition Some surface wear, scratches, cup marks Slight split in timber to right hand side of the top Drawers clean and smooth opening Split to the base of one spindle on the right hand side, see images Stamped to underside of top, image available on our website 99cm deep, 75cm high, 224cm wide See additional images

A CONTINENTAL MAHOGANY AND MARBLE INSET ARCHITECTURAL FRAME,with broken pediment, surmounted by a bronze figural statue. 66 x 68cm overall; and 29 x 44cm inside Condition Report: Please see all additional images

AN ARCHITECTURAL WATERCOLOUR PAINTING ON PAPER DEPICTING A TOMB WITHIN A RUINED CATHEDRAL, WITH A SEATED MAN AND A SHOVEL, 42cm x 32cm Mounted in a gilt wood frame and glazed. 66cm x 56cm

HOUSE OF KNOWLEDGE BISCUIT TIN, WILLIAM CRAWFORD AND SON LTD, CIRCA 1939 modelled as a cottage, with decoration including architectural features and the night sky, with zodiac motifs, an owl and stars, with coin slot to the hinged lid.Provenance: The Lewis Collection. 19.5cm wide Refer to images.

TWO CHINESE VASE BISCUIT TINS, HUNTLEY & PALMERS, CIRCA 1928 each modelled in the form of a Chinese octagonal baluster shaped vase, decorated with panels of Chinese figures in architectural landscape scenery.Provenance: The Lewis Collection 25.5cm high each. Qty: 2 Refer to images.

Theodore Alexander: a mahogany architectural model of a case of spiral stairs, in the style of the Loretto step, with moulded banister and balustrade, 46 cm diameter x 115 cm.Good structural condition. Some surface pitting and marks in places, but nothing unsual.

A French Empire flame-grained bowfronted mahogany salon sofa with architectural scroll cresting above stuff over striped silk upholstery, loose squab cushion, and stylized parcel gilt carved dolphin arms embellished with gilt metal mounts. and supported by short splayed sabre legs,142 cm wide x 70 cm deep x 97 cm overall height, 45 cm height to the seat.

A pair of large architectural green-patinated bronze wall lights in the form of burning torches with opaline flambeau diffusers (af).

In the manner of Francois Duquesnoy, a pair of late grand tour white Carrara marble busts of infants modelled contra posto, on geometric architectural bases figured marble. bases. 37 cm overall height. The collection of the late Robert HicksonRobert was a noted London antique dealer for over 40 years. Robert started in the Silver departments in Garrards in London at the age of 15 and by the age of 20 he had risen to manage Brompton Gallery in Knightsbridge. Robert had a long and successful career within the antique trade and had a particular passion for Silver and antique Eccentricities, his passion and connoisseurship are reflected in his collection.

A 1930s French, green Algerian onyx pedestal lamp standard of square architectural form the thick top over four turned Corinthian columns and a stepped sub-base, The collection of the late Robert HicksonRobert was a noted London antique dealer for over 40 years. Robert started in the Silver departments in Garrards in London at the age of 15 and by the age of 20 he had risen to manage Brompton Gallery in Knightsbridge. Robert had a long and successful career within the antique trade and had a particular passion for Silver and antique Eccentricities, his passion and connoisseurship are reflected in his collection. Dimensions 114 cm high x 38 cm wide x 37 cm deep

After Etienne Henri Dumaige, a patinated bronze figure of an Athenian maiden on a veined black marble socle, seated partially disrobed on an architectural plinth, 23 cm wide x 38 cm overall height.

Architectural salvage - a set of four Victorian cast iron brackets with pierced gothic tracery detail reclaimed from a green/summer house (af)

A tall and impressive puginesque 19th century continental gothic thirteen light floor-standing candelabra, with scrolling arms adorned with acanthus sprigs, cradling pierced rounders, raised on a stepped architectural tabernacle base, with cast acanthus supports, 97cm high From the private collection of a Cotswold gentleman

Architectural salvage - 80 reclaimed blue engineering bricks

A large, decorative Moroccan built antique birdcage of architectural form, in the form of a grand palace, 72cm high, 70 x 35cm.

Architectural salvage - a small collection of reclaimed terracotta ridge tiles of varying design, some stamped (10) (af)

Architectural salvage - pair of antique reclaimed fan light casement windows enclosing glazed leaded light panels with later painted finish, 83 cm high x 140 cm wide x 10 cm deep

A Regency mahogany longcase clock the architectural case with ebony string inlay, enclosing a circular painted dial and eight day striking movement with weights and pendulum

Architectural salvage - a quantity of floor tiles (3 sizes), the largest examples 23 cm square

Architectural salvage, a reclaimed early oak lintel 18 cm high x 202 cm (full length) x 30 cm wide approximately

A 19thC black slate mantel clock, the brass circular dial bearing Roman numerals for William Johnson, eight day movement, the case of architectural form, 29.5cm high.

Cyril W. Edwards - an early to mid 20th century portfolio of original watercolour paintings, sketches, architectural designs and artworks. The lot including a watercolour painting in sepia presented in a frame, and a paper portfolio containing approx. 30 topographical sketches. All unsigned. An interesting archive collection. Measures approx. 49cm x 39cm. 

A Framed W. Oulton Architectural Coloured Engraving, Signed, Subject 29x20cm

A Framed Print, Architectural Ruins, Signed, Subject 18x28cm

Two framed pairs of late 19th century French architectural photographs, each image 36xm x 27cm; 61.5cm x 82cm over-all.

A set of twenty-two clear glass architectural bricks, 19.25cm square x 10.5cm deep, part w.a.f.

Late Period, Ca. 664 - 332 BCEgyptian stone architectural element in the shape of pillar, inscribed with hieroglyphics and a kneeled woman holding two long plants. Under her, there is a depiction of a sphinx facing right.Size: 60mm x 35mm; Weight: 90gProvenance: Private UK collection; Ex. French collection, 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 700 - 900An Early Medieval rectangular relief panel, finely carved from bone with a composition depicting the Virgin Mary holding Jesus and wearing voluminous robes with copious drapery folds. Their faces are rendered with static features characteristic of the Byzantine/early Medieval period. Mother and Child are beautifully framed by an architectural monument probably an early medieval church. Size: 80mm x 40mm; Weight: 16.5gProvenance: Private UK collection; From an old British collection formed in the 1990s.

ARCHITECTURAL GARDEN MIRRORS, a set of three, arched metal frames, 160cm H x 67cm W. (3)

**Comprehensive Scale Model and Boxed Collectables of Coronation Street** This lot features a detailed scale model of a row of iconic terraced buildings from the fictional Coronation Street, including key landmarks such as the "Rovers Return Inn" and the "Corner Shop." The model intricately showcases various shop fronts and residential properties, complete with architectural elements like doors, windows, chimneys, and shop signage, reflecting the charm and character of Britain's beloved street. Accompanying the model are eight boxed items labelled "At The Street" and "Coronation St. Classic Collectables," promoting "Exquisite Reproductions of Britain's Most Beloved Street." Each box is illustrated with scenes of terraced houses and chimneys, enhancing the nostalgic appeal for collectors.

**Hawthorne Village Thomas Kinkade’s Lamplight Village Collection Assorted Collectibles** This remarkable collection features detailed miniature ornaments from the esteemed Thomas Kinkade’s Lamplight Village series, produced by Hawthorne Village and Media Arts Group, Inc. Each piece is meticulously crafted and authenticated by Thomas Kinkade, known as the Painter of Light™, encapsulating the charm and nostalgia of quaint village life. Highlighted within this assortment are the following pieces: 1. **Wiltshire Pastry Shop (Sculpture No. B9426, ©2000)** - This intricately designed stone building showcases a detailed exterior with floral arrangements, a cobblestone pathway, and a large display window filled with pastries. 2. **Lamplight Inn (Sculpture No. D084, ©2000)** - A charming inn featuring authentic architectural elements and a circular opening for a light bulb. 3. **Windermere Church (Sculpture No. G4932, ©1999)** - Depicts a picturesque church with fine details and authorized by Thomas Kinkade. 4. **Stonebrooke Inn (Sculpture No. E6910, ©1999)** - Known for its distinctive inn design, perfect for enhancing any village display. 5. **Falbrooke Florist (Sculpture No. 14427, ©1999)** - Captures the essence of a small-town florist with meticulous attention to detail. 6. **Lamplight Bridge (Sculpture No. H43267, ©1999)** - Features a scenic bridge setting with a Certificate of Authenticity. 7. **Lamplight Fountain (Sculpture No. 22800, ©2000)** - This fountain is a statement piece, adding dynamic elements to the collection layout. 8. **Lamplight Village Sign and Olde Village Carriage (©2001)** - Complements the village scene with signage and a historic carriage motif. 9. **Lamplight Tea Room (Sculpture No. D8364, ©2000)** - Showcases a quaint tea room ideal for adding a cozy atmosphere to the village. Additionally, the collection includes a selection of tree-shaped ornaments such as "Spring Elm," "Crimson Maple," "Spring Maple," and "Pine Forest," each marked with unique registration numbers ensuring authenticity. Collectively, this ensemble captures the enchanting essence of Thomas Kinkade's art, bringing idyllic village life to your living space. Each piece is designed with careful attention to detail, making them treasured additions to any collection or display.

Wedgwood Bone China Chinese Legend Collection This esteemed collection features several pieces of Wedgwood bone china adorned with the intricate "Chinese Legend" pattern. The set includes a variety of items, each meticulously decorated with oriental motifs such as pagodas, trees, birds, and boats, rendered in vibrant colours and fine detailing characteristic of Wedgwood craftsmanship. The pieces in this collection are: 1. **Oval Platter** – This large serving piece is perfect for displaying and serving dishes, its stylised design making it a standout item in any dining set-up. 2. **Cylindrical Vase** – An elegant vase with flared top, showcasing a detailed Chinese landscape, excellently suited for an ornamental flower arrangement. 3. **Small Round Lidded Box** – A charming container with ribbed sides featuring a detailed lid design including buildings and ornamental elements, though it has a slight chip on its rim. 4. **Rectangular Dish** – An elegant dish ideal for serving appetisers or showcasing as a decorative piece, adorned with traditional Chinese architectural elements. Though exact dimensions are not provided, each piece represents the elegant tradition of Wedgwood bone china, combining both utility and artistic heritage. For precise measurements, manual evaluation of each artifact would be necessary.

Japanese Lacquer Shibayama Mother of Pearl Album with Ottoman Postcards, circa 1900 This exquisite Japanese lacquer Shibayama album, dating back to approximately 1900, boasts a meticulously crafted cover adorned with mother of pearl inlay. The decorative art on the cover features a striking bird motif, set against a backdrop of floral and foliage details, exemplifying the artistry of the Shibayama technique. Contained within the album are 73 antique and early Ottoman Empire postcards, offering a fascinating glimpse into historical locations such as Constantinople, Salonica, Greece, and Hong Kong. Each postcard captures the essence of its respective locale, reflecting the cultural and architectural splendour of the time. This album not only showcases the delicate beauty of Japanese lacquer work but also serves as a valuable collection of early 20th-century historical postcards, making it a treasure trove for collectors and enthusiasts alike.Approx 14 inches by 11 inches

Commemorative Coin Collection and Selection of Historical Banknotes The centrepiece of this collection is a commemorative coin bearing the profile of Queen Elizabeth II. Dated 2015, the coin hails from the Bailiwick of Guernsey, as denoted by the inscriptions "ELIZABETH II BAILIWICK OF GUERNSEY" and the date limned finely on its edge. Encased carefully in a plastic protective holder, the coin is in pristine condition and spans approximately 5-6 cm in diameter. The collection is further supplemented with a selection of diverse historical banknotes. The array comprises an Egyptian fifty pounds note, emblazoned with Arabic inscriptions and vibrantly coloured in pink and purple hues. It showcases an architectural structure that hints towards the country's rich cultural heritage. The United Kingdom is represented by a ten shillings note, characterised by a striking blend of white and green colours and a decorative ornamental pattern. Finally, a Korean 5 won note from 1947, with its inscriptions in blue and red and illustrations of workers, speaks volumes about its historical context. Furthermore, the collection includes an interesting set of late 20th-century coins, all displaying an engraved profile of Queen Elizabeth II. Ranging through different years of issue, including 1983, 1996, 1998, and one with a partially obscured date, each coin symbolises a distinct period in Britain's numismatic history. Indeed, there are also commemorative coins within the collection which explicitly mark key British royal events. The celebration of the millennium is etched on a five pounds coin where a symbolic map signifies the dawn of the new age. Another poignant piece bears the visage of Princess Diana, commemorating the years 1961-1997. Moreover, coins celebrating the milestones within the royal tapestry are included. These comprise a coin referencing the fiftieth birthday of HRH the Prince of Wales and one marking the eightieth birthday of Queen Elizabeth the Queen Mother. These coins add a nuance of royal heritage and pique the interest of collectors interested in British history and royalty.

Ornate Gilded Mantle Clock with Mounted Figure and Dog This exquisite mantle clock is a stunning example of intricate workmanship and detailed decorative artistry. The clock sits within an elaborate, gilded structure. Sitting proudly above the clock face, a beautifully sculpted mounted figure on a rearing horse is accompanied by a dog, adding a dynamic and lifelike element to the piece. The clock face itself features a white dial with traditional black Roman numerals, punctuated by classic hour and minute hands. Two small winding holes are visible, indicative of the mainspring system used in its operation. The gilt architectural design surrounding the clock is meticulously detailed, showcasing ornate carvings of foliage and various ornamental motifs. The base of the clock continues the opulent theme with intricate scrollwork and crossed symbolic elements possibly representing torches, adorned with laurels or floral decorations. It stands on small, ornate feet, which further enriches the clock’s elegance. This impressive timepiece is not only functional but also a decorative masterpiece, perfect for any classic interior.

Collection of 28 Royal Mail Presentation Packs with Diverse Themes This collection comprises 28 Royal Mail presentation packs, each showcasing a unique theme through a series of commemorative stamps. The topmost pack is titled "Christmas Angels 1998," featuring holiday-themed stamps and illustrations. Notable themes in the collection include "Endangered Animal Pets," "Classic Children's TV," "Greetings Stamps," "St. Augustine and St. Columba," "Dinosaurs," "British Auto Legends," "Jane Austen," "Great Britons," "Architects in the Air," "Merchant Navy," "Diana: Princess of Wales," "Her Majesty the Queen," "On This Day that Changed the World," "Enid Blyton," and "Christmas Crackers." Each pack is meticulously crafted to reflect its respective theme, from the classic literature of Jane Austen and architectural marvels to beloved children's television characters and prominent historical figures. Other packs focus on sports, with sets like "Football Heroes" and "Andy Murray - Wimbledon Champion 2013," or cultural milestones such as "Her Majesty The Queen" and "Diana, Princess of Wales 1961-1997." The standard presentation pack size is around 240 mm by 125 mm, though exact measurements may vary slightly between packs. This collection offers a rich tapestry of British culture, history, and achievement captured through philatelic art.

B. & S. Martin, Paris, a large and impressive late 19th century French black slate and bronze mantle clock, the visible escapement dial with Gothic numerals, the architectural case with applied bronze details and feet, the unsigned movement numbered 2714 and 53, striking the hours and half on a bell, pendulum, key, the whole surmounted by a bronze a gilt figure of a seated woman with cupid, unsigned but in the manner of Jean Jules Salmson, overall 69cm.Please note this is very heavyMovement is working but need a service, marble is overall good with some minor chips to the edges, the bronze has good patina

Winterhalder and Hofmeier, a Victorian oak and brass mounted mantel clock, the chapter ring with Roman numerals, the architectural case with applied brass detailing, surmounted by an elephant, the signed movement striking the hours, half and quarters, pendulum, key, 41cm In good working order, appears to have had a recent service, case in good condition.