We found 35023 price guide item(s) matching your search

A Black Forest mantel clock, architectural form with gilt dial, 28cm.

Local Interest, Eastney Farm building estate, an architectural view after RA Thomas, 1920, 26 x 47cm.

A micromosaic panel, of a bird in flight; with three foliate micromosaics and three of architectural scenes Visit www.dnfa.com for condition reports

A cased set of 6 silver teaspoons and sugar nips, having architectural design

M WILSON, SOME SIGNED AND INSCRIBED, A PACKET OF APPROXIMATELY THIRTY-NINE WATERCOLOURS, Landscape and Architectural Subjects (qty)

A large selection of Architectural Instruments etc ; together with a miscellaneous selection of photos, and associated literature (qty)

Miscellaneous Coins, including: a coin album containing Farthing to Pennies; modern Crowns; three Royal Mint UK Proof Coin Collection 1983-1985 with certificates FDC; two 1977 proof Crowns; 1981 proof Crown; Falkland Islands 1982 Crown; Island 874-1974 set (2 coins); European Architectural Heritage Year 1975 five Medal Set; and Bahamas $10 proof coin

A Vienna Wall Clock with ivorine dial in architectural style walnut case. 49" (125cms) high. (a/f).

A French painted wood and wire work bird cage, early 20th century, of architectural form with dome, 76.8 cm high, together with a French green painted wood and wire bird cage, early 20th century, 42.5 cm.

A pair of 19th century fluted architectural columns, each with corinthian carved capitals and fluted bodies, raised on stepped circular bases, 230 cm high.

A Victorian eight-day mantel clock in metal architectural slate effect case, the movement signed Ansonia Clock Co., 31cm high.

* German School, late 19th century- Study of a doorway and facade of a building; pen and black ink and watercolour, signed and dated 25/2 1898, 38.5x26cm: together with six other architectural studies and plans in pen and ink and watercolour by the same hand, variously signed, inscribed and dated, (7), (mounted), (unframed)

A late 19th/early 20th century French gilt brass clock garniture, the clock with eight day movement striking on a single gong, the brass dial with Roman numerals, the elaborate brass case of architectural form, the domed top with urn finial and cast floral festoons, height 59 cm, with two pendulums and key, together with a pair of garniture urns en-suite, (3).

A modern four fold decoupage screen, the panels inset with 19th century French architectural prints, 200 x 200 cm.

A PORTFOLIO OF ARCHITECTURAL DRAWINGS AND PRINTS

Four architectural etchings by Duncan Barrett, Frederick Jones, D. I. Smart and Ian Strang, all unframed.

A collection of London architectural prints after Webster Goodall and others, contained in a Georgian oak case.

G. W. NEWTON Two Brighton architectural studies. Together with a figure study by Ellen Corrin and a Victorian oil, head of a boy.

EDWARD BOUVERIE HOYTON Mountain peasants. Charcoal. Together with two other European architectural works by the same.

JAMES ALLEN SHUFFREY (b. 1859) - A Tudor cottage with flower garden, signed, watercolour, 10 1/2" x 17 1/2". See J. Johnson & A. Greutzner `The Dictionary of British artists 1880-1940` which lists the artists as a watercolour, architectural and landscape painter exhibiting from 1912-23 and address 99 Woodstock Road, Oxford.

A Victorian mahogany eight day longcase clock, the 13 inch arch painted dial with centred subsidiary seconds dial and date aperture, the centre painted with a shepherd within a ring of Roman numerals and architectural ruin painted spandrels under a false rolling moon, the hood with swan-neck pediment over baluster turned front corner hood pilasters, the gothic arched short trunk door flanked by heavy front corner baluster trunk pilasters, on a crossbanded box base and short bracket feet, 223cm high

A Victorian rosewood timepiece in the form of a miniature longcase clock, the architectural pediment over a spring driven movement with 2½ inch silvered dial over an alcohol thermometer and aneroid barometer with 2½ inch diameter register, the stepped base with presentation plaque presented to `Colour Sergeant J Robertson by Major J R Campbell, 85th KLI (Kings Light Infantry) on leaving the Regiment` 49cm high, along with a coopered oak butter dish holder with plated mounts the lid engraved `Presented to Colour Sergeant J Robertson by the Sergeant`s 85th KLI on his leaving the Regiment`, 16½ cm diameter The 85th Regiment founded in Shrewsbury 1759 and was disbanded and raised twice, 1809 85th Light Infantry, 1821 85th King`s Light Infantry, 1881 King`s Shropshire Light Infantry (Amalgamation of 53rd Shropshire Regiment and 85th KLI). The lot also includes three photographs of later family members of Colour Sergeant J Robertson including W J Robertson, 1918 and Arthur B Robertson, probably the sons of J Robertson.

A Victorian mahogany Tunbridge, banded, eight day longcase clock, the 14 inch painted dial signed `T Rowland, Caersws`, with centred subsidiary seconds dial, date aperture, ring of Roman numerals with architectural ruins to the spandrels under a rolling moon, the hood with swan-neck pediment over an arched hood door, with baluster front corner hood pilasters over a short, Tunbridge crossbanded trunk door under scrolling leaf applied mouldings flanked by heavy front corner trunk baluster pilasters, on a Tunbridge banded, plain veneered box base and short bracket feet, 221cm high, 58cm wide Note: Thomas Rowland is noted in Brian Loomes Watchmakers and Clock makers of the World Volume II as born 1841, the son of Thomas Rowland Senior who was also listed as clock maker in Ewlch-y-Garreg (Montgomery) in the early 19th century

A pair of Victorian aesthetic movement, ebonised wall mirrors, each with an architectural pediments and four bevelled mirror plates, over a gallery shelf, 58cm wide, 70cm high (2)

A Pair of Gothic Style Gilded and Painted Wall Mirrors, with architectural crestings and with double barleytwist columns, 148cms high

An Empire Style Wardrobe, with architectural cornice above two panel doors flanked by ebonised corinthian columns, raised upon bracket feet

AN EARLY 20TH CENTURY VIENNA REGULATOR TIME PIECE, the two piece white enamel dial with Roman numerals, the architectural case with arched moulded top and fluted pilasters, 49" high

A 19th Century mahogany Longcase Clock, the pointed architectural hood with turned columns above a tapered long door and box base on turned feet, the circular gilt dial with Roman numerals, a seconds subsidiary dial and calendar dial, inscribed "Samuel Dreney, GIRVAN", the 35 cm diameter dial with eight day movement striking on bell, 212cm high

An Edwardian cross banded mahogany aneroid barometer with an architectural pediment above a mercury thermometer and silvered dial inscribed F. Williams opticians, Merthyr Tydfil, 97 cms high

* Prints & engravings. A collection of approx 150 prints and engravings, mostly 19th century, including portraits, genre, topography, military, classical and natural history, various sizes and condition, together with Demidoff (Anatolie), La Toscane Album Monumental et Pittoresque Execute sous la Directio de M. le Prince, orig. pub. Paris 1863, facsimile ed., Bologne 1973,approx. 105 b & w topographical and architectural views, lg. folio, contained in lg. modern cloth box, hinges broken, worn (approx. 250)

Harte (Glynn Boyd). Temples of Power, Lithographs by Glynn Boyd Harte, with an Introduction and Architectural Notes by Gavin Stamp and a Foreword by Sir John Betjeman, Burford, The Cygnet Press, 1979, sixteen col. litho. plts., letterpress illusts., orig. qtr. cloth, contained in orig. cardboard box, oblong folio. Limited edition of 250 copies, signed by Harte and Stamp, this copy unnumbered. (1)

Evans (John). The Ancient Bronze Implements, Weapons, and Ornaments, of Great Britain and Ireland, 1st ed., 1881, num. wood-engs. to text, orig. cloth gilt, a trifle rubbed, together with The Ancient Stone Implements, Weapons, and Ornaments, of Great Britain, 2nd ed., revised, 1897, num. wood-engs., ex-lib. copy with inkstamp on title, orig. cloth gilt, a little faded and rubbed on spine, plus Furley (Robert), A History of the Weald of Kent, with an Outline of the Early History of the County, 2 vols. bound in 3, Ashford & London, 1871-74, folding maps and plans, some a little torn or frayed, orig. gilt-dec. cloth, frayed at head and foot of spines, inner joints cracked, all 8vo, and others, mostly recent publications of topographical and architectural interest, including Lake District (2 cartons)

Stroud (Dorothy). George Dance, Architect, 1741-1825, 1st ed., Faber, 1971, together with Watkin (David), The English Vision. The Picturesque in Architecture, Landscape and Garden Design, 1st ed., 1982, plus Leach (Peter), James Paine, 1st ed., pub. Zwemmer, 1988, and Watkin (David), The Life and Work of C.R. Cockerell, 1st ed., Zwemmer, 1974, each with num. b & w illusts. from photos, orig. cloth in d.j., 4to and folio, and others of architectural interest, mostly G/VG (3 shelves)

Oak Bracket Clock in architectural case, silvered dial, chime/silent and slow/fast dials. Claw feet to front. 45cm high.

A late 19th Century Black Forest carved Walnut Musical Wall Mounted Cuckoo Clock, the architectural case surmounted by a spread eagle over applied oak leaf decoration, and scrolling sides with a running stag and hound to the base, beneath two hinged doors and wooden chapter ring with applied composite gothic Roman numerals and pierced hands, to a triple weight driven brass movement with anchor escapement and strike, together with a fitted Swiss music box playing on four airs, height 39"

A late 19th Century Walnut cased Vienna type Wall Clock, the shaped architectural pediment centred with an applied mask over half ring turned and baluster columns to cushion base with further inverted finials, to a 5" two-part Roman enamel dial, with outside minute track and blued steel hands, to a spring-driven movement with anchor escapement and strike on a coiled gong, height 39"

An early 20th Century Walnut cased Wall Clock, the architectural pediment to an overhanging cornice and half ring turned columns to a cushion base with composite Arabic dial, and blued steel hands, to a spring-driven movement, height 28"

An early 20th Century Mahogany cased Mantel Timepiece, the architectural case with pagoda pediment over blind fret panels, and cast and applied foliate detail, raised on four further cast and applied scrolling feet, to a spun brass bezel set with bevelled glass enclosing a 4 ½" silvered Roman dial with outside minute track and matted centre, with blued steel hands, to a single chain fusee movement with circular plates united by four pillars, and with anchor escapement to an adjustable pendulum with brass bob signed Tupman, 20 Old Bond Street

An early 20th Century Oak cased triple barrel Musical Bracket Clock, Winterhalter & Hoffmyer, the architectural pediment set with a blind frieze over brickwork detail, to flat fronted Corinthian columns and pierced sound frets, raised on a further plinth base, to an 8" rectangular brass dial, set with subsidiaries for chime/silent, regulation & chime on 8 bells/chime on 4 gongs, to a Roman and Arabic silvered chapter ring, with outside minute track to a matted centre with blued steel fancy hands, the triple spring-driven movement with plates united by four heavy pillars, and anchor escapement with strike on 8 bells and 4 gongs, height 21"

A late 19th Century black Slate Mantel Clock, the architectural case with central dome, flanked b demi rotunda on plinth base, to an Arabic chapter ring, circular base movement with strike on a gong, height 14"

A late 19th Century black slate and gilt metal mounted Mantel Clock, the architectural case with domed centre over four freestanding reeded columns and centred with a stylised lion skin trophy to a plinth base, raised on cast and beaded bezel enclosing a 4 ½" Arabic enamel chapter ring, with blue steel hands, to a visible Brocot escapement, with anchor escapement and strike on a coiled gong, height 10 ½"

An architectural eight day striking black slate mantel clock

A Mahogany Quarter Striking Wall Clock, 20th Century, the nicely figured case with an architectural top and inlaid with boxwood stringing throughout, glazed side and front panels, waisted plinth, 6-inch white enamel dial with Roman numerals, recessed dial centre and bordered with a gilt cast bezel, triple weight driven movement with deadbeat escapement, two hammers striking on to two gong rods, 110cm high See illustration

A Carved Stone Architectural Fragment, as the Bust of a Classical Man, 19th century, the strong featured man with curly hair and beard supporting an acanthus leaf carved capital, from a foliate decorated bust with incuse decoration, 111.5cm high

A late Victorian slate mantel clock with eight day movement striking on a gong, the architectural case with rose marble pillars and inset panels.

A 19th Century engraving of the Palace of Whitehall and a number of other architectural prints

An early 20th century mantle clock, the stained wood case of architectural form with stepped cornice, scrolled surmount and flanking columns and the eight day striking movement by Ansonia Clock Co. with gilt dial and Roman numerals

A carved mahogany watchstand, mid 19th century, of architectural form, with balustraded cupola surmount, 32.5cm high, 23cm wide. Visit www.dnfa.com for condition reports.

* Les E McMullen, Architectural Design circa 1926- Architectural design depicting a neoclassical clock tower in half-inch detail with inset ground plan; pencil and watercolour, signed and dated, 74x52cm

William Grant Murray 1877-1950- Architectural designs; pencil, pen and black ink and watercolour, a folio of various designs for gardens, churches and details, mostly signed and with inscriptions, largest 80x60cm., (folio, unframed)

French School, late 19th century- Wallpaper designs and architectural interior designs depicting stately rooms,ceiling and wall murals; each plate from a folio published circa 1900, chromolithographs printed in colours and gold, each held in a silk mount of various colours and gilt decorative frame, 34x20cm, ea., (28)

AFTER ALFRED LOUIS BRUNET-DEBAINES (1845-1939) A set of nine late XIX Century architectural soft ground etchings, signed in pencil, on India paper, plate size 15 x 24cms.

A Slate and Rouge Marble Mantel Clock, of architectural design, the two part dial with Roman chapter ring, signed Jas. Hardy & Co Ltd, Aberdeen, the French eight day movement striking on a bell, 33cms high.

A Late XIX Century Slate and Marble Mantel Clock, of architectural design, with a Brocot movement striking on a gong, the black chapter ring with gilt Roman numerals, the case with a gilt metal medallion to the pediment, mask and ring handles, mask and foliate mount to plinth, 44cms high.

CRESSWELL, W. T. `The Power of The Architect`, The Builder Ltd. 1930. 8vo. tog. with "Extra" by same, Plus WILLIAM-ELLIS, Clough & SUMMERSON, John, `Architecture Here and Now`, Nelson, 1934. in d/w. Plus other Architectural interest, plus leaflets relating to Building. 35

A Victorian slate mantel clock garniture, architectural form with gilt pillars on plinth base, 55cm, with two classical statues on domed plinths.

A late Victorian mahogany sideboard, architectural form with open arched shelves and two cupboards, carved with sunflowers, above pot shelf. 121cm. (lacks top)

An early 20th century dark-stained beech mantel clock, architectural form with small circular dial, pineapple finial, 12.5in. high - no key or pendulum

A 19th century gilt gesso over-mantel mirror of ornate architectural design, width 120cm, height 96cm

A late 19th century black slate and rouge marble mantel clock of architectural design with gilt floral decoration surrounding circular enamelled and brass chapter ring, height 40cm