We found 35023 price guide item(s) matching your search

A reproduction hardwood chest on stand in the Chippendale style with broken architectural swan neck pediment over an arrangement of twelve frieze drawers raised on claw and ball supports

A small reproduction oak longcase clock, the architectural hood enclosing an arched brass dial with silvered chapter ring

A reproduction mahogany longcase clock, the hood with broken swan neck architectural pediment enclosing a square brass dial with silvered chapter ring, the trunk enclosed by a glazed panelled door revealing three brass weights

A good quality Edwardian mahogany library bookcase in the Georgian style, the upper section with architectural broken swan neck pediment over a pair of astragal glazed panelled doors with three adjustable shelves to interior over a recessed rectangular bevelled edge mirror plate, the lower section with gadroon border over a pair of bevelled edge glazed panelled doors revealing further adjustable shelves set on a moulded plinth

A composite marble architectural panel of rectangular form with raised relief classical detail, with female urn scrolling acanthus and further detail, 65 point 5 cm x 52 point 5 cm approximately

A 19th century mahogany linen press, the upper section with architectural arched cornice with moulded detail over a pair of well matched flame veneered panelled doors enclosing three slides to interior (one missing) over a chest of two long and two short drawers raised on turned supports

A Georgian oak eight day longcase clock, the oak trunk with panelled door flanked by re-entrant half reeded columns with polish brass capitals, etc beneath an architectural hood with swan neck pediment enclosing a 12 inch arched painted dial with picture of a figure bundling up harvesting corn in a landscape setting, etc, the circular dial with secondary dial and calendar aperture, indistinctly signed J F Shipton? Cirencester

A Georgian style mahogany bureau bookcase with satin wood cross banding and shell inlaid detail, the upper section with broken swan neck architectural pediment over a pair of astragal glazed panelled doors revealing two sliding shelves to the interior over a fall front enclosing a fitted interior of small stepped drawers and pigeon holes flanking a central cupboard over three long and two short drawers on bracket supports

RAILWAYANA. A VERITAS LAMP WORKS BLACK PAINTED LMS RAILWAYMAN`S SIGNALING HAND LANTERN, WITH OVAL EMBOSSED LABEL OF RIPPINGILLES, BIRMINGHAM DATED 1944, A BRITISH RAIL TINPLATE SIDE LAMP AND AN OLDHAM PATENT ALLOY ELECTRIC MINER`S LAMP BY OLDHAM & SON MANCHESTER MARKED RD576548, AN ANSONIA STAINED WOOD ARCHITECTURAL STYLE MANTEL CLOCK AND AN OAK WALL CLOCK

An architectural oak panel, the stepped pediment with central carved green man and scrolling acanthus and quatrefoil detail over twelve further segmented square modelled panels

A Chinese export silver pagoda on a hardwood base with display case, circa 1934, with mark of silversmith Ju Xing Zhengji, the hexagonal base with inscriptions on three sides, one reading 'TO CAPTAIN R. UMPLEBY WITH COMPLIMENTS FROM COMPRADORE JINSHUN NIN AND STAFF OF S. S. HSINPEKING' the second with the inscription translated in to Chinese, and the middle panel inscribed '1934 Haishàng lóu yín xìng jù zhì jing' , the pagoda with seven tiers, each tier with a curving roof in a traditional Chinese architectural style with a bell hanging from each point, the lowest tier housing six seated Buddhas of gold coloured metal, the hollow base with impressed makers mark, approx 40cm high

A late 19th Century French slate and green marble mantel clock with eight day movement striking on a bell, the case with applied brass and gilt decoration, height approx 37cm, together with an architectural slate cased mantel clock (faults), with two pendulums and a key.

A late 19th Century slate and rose marble mantel clock with eight day movement striking on a gong, the dial with Arabic numerals, the case of architectural form, height approx 34.5cm, with pendulum and key (minor faults).

A late 19th Century brass cased mantel clock with eight day movement striking on a gong, the dial with Roman numerals and inscribed `Benetfink & Co, London, Made in Paris`, the architectural case with Corinthian columns, height approx 31cm, with pendulum and key, together with a slate cased mantel timepiece, with pendulum and key.

A late 19th Century American Ansonia Clock Co slate clock garniture, the clock with eight day movement striking on a gong, the case of architectural triple domed form on a rectangular plinth base, height approx 41.5cm, together with a pair of matching urns, with pendulum and key.

A 19th century French alabaster mantel timepiece of architectural form, with gilt metal pediment above an Arabic painted dial with Brocot escapement and set cylinder movement, the case mounted angels with laurel wreaths, raised on toupee feet, plinth base with glass dome, H. 45 cm, W. 30 cm.

An unusual carved Rosso Verona marble planter possibly 17th/18th century 110cm.; 43ins high by 152cm.; 60ins long The unusual form for this with later fixing holes and scooped out planting/water recesses would suggest that this has been adapted at some stage to form part of an architectural scheme, or as a form of wellhead which would have had wrought iron overthrows.

A rare pair of Blashfield stoneware rounded rectangular planters circa 1860 stamped Blashfield, Patent Pottery John Marriott Blashfield, remarked in his essay Account of the History and Manufacture of Ancient and Modern Terracotta (1855) that he had been inspired to make a kind of artificial stoneware by seeing the kind of pieces for which Mark Blanchard had been awarded prizes at the Great Exhibition of 1851. He obtained Letters Patent in 1854 for |Improvements in the Manufacture of China, Pottery, Bricks| and other articles, made for the most part from clay and again in 1860 for |improvements in burning pottery and china ware|. He had a manufactory in Millwall, Poplar with a sales outlet at No. 1 Praed Street, Edgware Road, London, but moved to Stamford, Lincolnshire in 1859, to be nearer the clay-beds. He won medals for Terra Cotta, in the glass and pottery and architectural objects classes at the International Exhibition in 1862 and a silver medal at the Paris International Exhibition of 1867. One of the most important commissions with which he was involved was supplying architectural terracotta for the decoration of the new Museum of Fine Arts in Boston, but this undertaking stretched his resources too far and by 1874 the Stamford Terracotta Company works, machinery as well as models and moulds were for sale; it finally closed in 1875. This | flowertray| is illustrated no. 335 from a selection of vases, statue, busts from Terra-Cotta`s by J M Blashfields, London published by John Weil, 58 High Holborn 1857. see engraving

A rare Compton stoneware sundial early 20th century with bronze gnomon 122cm.; 48ins high The Compton Potters Art Guild was started by Mary Watts, the wife of G.F. Watts the Victorian allegorical painter. In 1895 work began on the Watts Mortuary Chapel. Designed by Mary Watts, it was to be built from local clay by the villagers of Compton, near Godalming, Surrey. Mr and Mrs Watts were dedicated supporters of the growing Home Arts and Industries Association, a voluntary movement launched by Earl Brownlow in 1885 to revive the dying art of handicraft among the working classes. The idea was that young uneducated artisans should have their eyes opened to the wonders of art. They would be rescued from idleness, gambling and drinking -so the notion ran- during long winter evenings. Uplifted and taught how to use their hands with skill they would acquire a hobby to be proud of and develop this hitherto unknown talent, where possible to professional standards. The Pottery Art Guild continued from strength to strength, winning medals at the Royal Botanical Society and the Home Arts` highest award, the gold cross. Liberty`s sold their garden ornaments as well as hand tufted Donegal carpets designed by Mrs Watts. They received architectural commissions from Lutyens, Clough William-Ellis and Goodhart Rendel. Recommended by Jekyll, they made miniature versions of their pots for the garden of Queen Mary`s dollshouse in the early 1920`s. The Guild became a limited company run by George Aubertin and continued to produce works based on Mrs Watts` designs until after her death in 1938. Literature: The Watts Chapel, An Arts and Crafts Memorial by Veronica Franklin Gould, Arrow Press, Farnham, Surrey

A Ducel Foundry cast iron fountain French, circa 1860 conch shell drilled for water the base stamped J J Ducel Md de forges Paris 129cm.; 51ins high A similar fountain is illustrated in the catalogue of the Societe Anonyme des Hauts-Fourneaux & du Val-D`Osne Fonderies circa 1900, Plate 175 no 9200 (see engraving). The firm of J.J. Ducel was started in 1810 at Poce in the Pas- de-Calais. One of the leading manufacturers specializing in architectural fittings as well as urns and statues. Following the death of Monsieur Ducel in 1878 the Val d`Osne foundry purchased the firm`s patterns. The output of cast iron in France at this time was enormous offering a huge range of architectural and decorative pieces which could be selected from lavishly illustrated catalogues.

Andy Burgess Oak Hand Bench Solid Oak Unique 51cm.; 20ins high by 275cm.; 108ins wide by 61cm.; 24ins deep Andy Burgess is a Wood Sculptor based in Cheshire. Working primarily with chainsaws and power tools, he transforms tree trunks, stumps and logs into a wide range of sculptures. His sculptures give a new lease of life to wood that may otherwise have been disposed of or destroyed, and can range in size from small carvings, to those over 20 feet high, weighing several tonnes. Andy works closely with Councils and Landscape Architects to provide Public Artwork in the North West of England. He has also completed numerous sculptural installations for the Nando`s Restaurant chain throughout the UK, where he works closely with Interior designers on both architectural, and internal furniture commissions. Andy was the first chainsaw Wood Sculptor to exhibit at The RHS Chelsea Flower Show.

Paul Mount (1922-2009) Untitled Steel and Stainless Steel base Unique 61cm.; 24ins high by 58cm.; 23ins wide by 37cm.; 14½ins deep Mount was born in Devon in 1922. He studied art at Paignton School of Art, then at the Royal College of Art between 1940-41 and 1946-48, having been called up for war service in the intervening years. He taught drawing and painting at Winchester School of Art, before settling in Nigeria in 1955, to set up and run the art department at Yaba College of Technology. While there he was introduced to architectural sculpture and began to develop his sculptural idiom, of robust works around a vacant airy space. On his return to England in 1962 he set up home and studio in Cornwall, and became a member of the local Artists circles, showing works with artists such as Hepworth. He has exhibited widely in Europe and the USA and is represented in numerous private and corporate collections.

An early 20th century slate cased mantel clock of architectural form presented to Mr A E Taylor by the Poole Post Office staff on the occasion of his marriage October 1904

Auguste Edouard (1779-1848) - a silhouette cut-out full-length profile portrait of a clerical gentleman on lithographic architectural background, signed and dated 1831, 26 x 17 cm, mounted in a glazed rosewood frame

A Victorian Belgian slate mantel clock with architectural case with pillars. Not working

Three 18th Century and later Dutch Delft blue and white plastic clay tiles each decorated with hand-painted landscapes and architectural studies, all 5`` sq

Six 18th Century Delft manganese (purple) and white plastic clay tiles, each decorated with hand-painted scenes architectural studies, landscapes and boats, all 5`` sq

A late Victorian oak cased clock barometer of architectural form with applied gilt metal mounts, height 23cm and width 40cm.

A Pilkingtons tile depicting the original Carters Tile Factory in Hamworthy, then known as 'The Patent Architectural Pottery' 10 inches x 8 inches.

American eight-day wall clock in architectural style case with shaped pediment, pair faux figured wood and gilt split fore-pillasters flanking a double panelled door, further glazed door below, all decorated with birds and flowers, labelled to interior "Seth Thomaston, Conn"

A Regency mahogany break front linen press with architectural pediment, the centre with sliding trays and drawers, width 241cm.

An oak cased architectural bracket clock by 'Campbell & Lumby, Liverpool'.

An Ingram Bros, Wood Green, London fusee clock of architectural design, with George V cypher to dial, possibly railway/underground interest, width 54 cm x height 62 cm x depth 21 cm.

*Rome. Raphael (Sanzio dÕUrbino), Large panorama originally published in Delle Loggie di Rafaele nel Vaticano, pub. Rome, [1772 - 77] hand coloured engraved prospect and elevation on three conjoined sheets, some dust soiling, largely confined to margins, 360 x 1640mm, together with another thirty-nine topographical and architectural engravings, including examples by Carington Bowles, Mynde, Buck, Law, Dupuis and Bartoli, various sizes and condition (40)

Whistler (Laurence). Sir John Vanbrugh Architect & Dramatist 1664-1726, 1st ed., pub. Cobden-Sanderson, 1938, numerous b & w plts., orig. cloth, 8vo, together with Berton (Kathleen), Moscow. An Architectural History, 1st ed., pub. Studio Vista, 1977, numerous b & w illusts. from photos, orig. cloth in d.j., 8vo, plus other architecture reference, mostly hardbacks in d.j., G/VG (6 shelves)

Pichon (Leon). The New Book-Illustration in France, 1924, pub. The Studio Ltd, numerous colour and b&w illusts., orig. cloth, 4to, together with Salaman (Malcolm C.), The New Woodcut, 1930, pub. The Studio Ltd, numerous b&w illusts., Softback Publication, 4to, plus Ackerman (James S.), The Villa, Form and Ideology of Country Houses, 1st ed., 1990, pub. Thames & Hudson, 213 b&w illusts., orig. cloth in d.j., 4to, plus other art and architectural reference including numerous volumes of The Saturday Book, mostly orig. cloth in d.j.s, G/VG (6 shelves)

Johann Frautz, Oedenburg. A early 19th century carved gilt wood portico clock, in the Chinese taste, the architectural case surmounted by a seated chinoiserie figure, having an Arabic and Roman dial with outer minute track, signed, set eight-day three train movement, striking bell, raised in plinth base and topee feet, H. 51cm x W. 41cm.

A large contemporary monochromatic architectural poster 'Completion for the New Tribune Building', published by the Art Institute of Chicago, W. 71 cm, H.152 cm.

An early Thai architectural Buddhist hewn stone head, raised on a treen base, H. 23 cm (head).

LATE 19TH CENTURY GILT BRASS MANTEL CLOCK retailed by J.W.Benson, the engraved and beaded case of architectural form on bracket feet, with silvered Roman dial, the cylinder movement striking on a bell, 32cm high Later inscription to case. Rear cover lacking glass.

VICTORIAN BLACK SLATE MANTEL CLOCK ofl architectural form, the dial with arabic numeral enamel chapter, cylinder movement 37cm high, 40.5cm wide Missing finial and small chips to slate.

SET OF CHINESE IVORY GAMING COUNTERS AND SHAKERS comprising twelve `natural` ivory and twelve red ivory, the pieces carved with figures and architectural landscape settings, the shakers each 6.5cm high, the counters each 3cm diameter The shakers look to be made in two joined sections, overall the pieces are in good condition, the red pieces show a few small nicks

CHINESE SCROLL PAINTING in the style of a Sung architectural mountain landscape painting, signed and seal stamped, 200cm x 71.5cm overall Creased and light soiling

CHINESE BLUE AND WHITE DISH decorated with architectural mountain river landscape scene, with boats, temple and fore ground bridge, made for the American export market, late 18th century, 23.5cm diameter Light surface marks otherwise no damage

CHINESE BLUE AND WHITE COMPORT of footed and shaped diamond form, with central architectural landscape decoration, 30.5cm wide No damage

CHINESE CARVED WOOD FRAME elaborately carved with figures on horseback and in an architectural mountain setting, likely 19th century, 60cm x 68cm

CHINESE CARVED WOOD PANELS ON WARDROBE the panels deeply carved with figures, architectural details, foliate and bird motifs, the doors having been attached to a wardrobe frame as doors, 180cm high, 90cm wide

CHINESE BOWL, TWO CHINESE GINGER JARS AND A CHINESE BLUE AND WHITE JAR the bowl of circular form and decorated with a mountain landscape, on circular foot, 22cm diameter; one ginger jar with bird and foliate decoration, with matched wood lid, 11cm high; the other jar with landscape and architectural decoration, 12cm high; the lidded jar of circular form and with architectural motifs, 5.5cm diameter (4) The bowl has a crack and chip to the rim; the second ginger jar has lid lacking, a few nibbles to the rim, but no damages.

Galli Bibiena, Giuseppe. Architetture e prospettive dedicate alla maestà di Carlo Sesto imperador de’ Romani. Augusta, Johann Andreas Pfeffel, 1740[-44].In 2° grande (572 x 395 mm); 5 parti in 1 volume. Frontespizio inciso entro cornice decorativa, ritratto del dedicatario inciso fuori testo da Andreas e Josef Schmuzer su disegno di Martin de Meytens, due carte di testo incise, 46 tavole incise in rame da Schmuzer, Pfeffel, Zucchi e Kleiner su disegno di Bibiena (mancano il frontespizio inciso, la tavola 10 della seconda parte, le tavole 6 e 10 della terza parte, la tavola 7 della quarta parte, macchia al frontespizio e al margine bianco dell’ultima tavola). Legatura coeva in piena pelle marrone con fregi fitomorfi e titolo su tassello al dorso (sciupata). Ex libris di Giuseppe Maria Provana, conte di Collegno.Prima edizione con le tavole in stato fresco. Berlin Katalog 4152; Cicognara 431; Fowler 136: “The plates, skillfully engraved after drawings by Giuseppe Galli di Bibiena, show brilliant baroque .compositions for catafalques, theatrical scenes and a series of the Passion in elaborate architectural settings”. Starting Price: €1500

THOMAS BAKER OF LEAMINGTON (1809 - 1869) Unframed, mounted, signed, watercolour on paper, woodland landscape with Gothic architectural ruins, 10.5cm x 12.5cm.

BOHUSLAV BARLOW (b.1947) Framed, signed, dated 1987, oil on board, figurative surrealist composition, showing a toppling clown above architectural structures, holding a banjo, 37cm x 53.5cm. (ARR).

A Victorian bronze figure of a seated Dante, clad in flowing robes with laurel wreath, reading a letter, sat atop a pile of Classical fragments of columns and architectural mouldings, with serrated holder to front, possibly for candle, cast in sections, unsigned, approx. 24.5cm high.

A set of three walnut and satinwood framed Italian prints along with three similar English architectural prints - damage to frame veneers

A Zsolnay Pecs bowl, with floral and pierced decoration, 20 cm wide, a Herend bowl, decorated flowers, 17 cm diameter, and another similar (a.f.) (3) Condition report Report by NG Zsolnay Pecs: Approx. 20 cm wide, 11.5 cm deep, and 10 cm high. Heavily crazed, several cracks, chips and pieces missing to pierced decoration, chips to foot ring, rubbing to gilt and metal decoration, grubby. The base impressed Zsolnay Pecs 1338 and 0, and stamped in blue Zsolnay Pecs architectural symbol, TeTeM 70, inscribed 61, and a dot in gilt. Herend Basket: Approx. 21 cm x 15.5 cm x 5.5 cm. Grubby, some light rubbing and scratches. The base numbered 7403/AOG Herend Jardiniere: Approx. 17 cm diameter and 14 cm high Used as a plant pot, very heavy water/scum marks to base of interior, grubby, light rubbing and scratches to decoration. The base inscribed 7213/AOG

**AN INDIAN EXECUTIONER`S SWORD (TEGHA), LATE 18TH/19TH CENTURY with characteristic very broad blade double-edged for its upper third, chiselled with four long panels, an architectural framework filled with exotic beasts and encrusted with brass deities in low relief on each side, iron hilt of talwar form, including recurved knuckle-guard with serpent head finial, and decorated over its surface with silver flowers 74.5 cm; 29 3/8 in blade Provenance The Museum archives record this as an anonymous gift 1 February 1934 JWHA Inv. No. 2072

A GERMAN WALNUT BRACKET CLOCK THE ARCHITECTURAL STYLE CASE APPLIED WITH TELAMONI, BRASS DIAL. GONG STRIKING, MAKERS MARK H T TO BACKPLATE, C1900

A large Edwardian carved mahogany Architectural mantle mirror, width 140cm, height 175cm

William Wyld (British, 1806-1889), 'The Marienplatz, Munich', an architectural cityscape with figures gathered round a central column for market day, signed lower right , oil on canvas in ornate gilt frame, W. 38.5cm x H. 48cm.

MANTEL CLOCKS. A Victorian, small architectural cased mantel clock, height 29cm & one other mantel clock.

DOOR STOP. A modern, cast metal architectural door stop. Height 64cm.