We found 35023 price guide item(s) matching your search

Two mirrors, two Papyrus paintings and watercolour of architectural ruins

A Mahogany Longcase Regulator, signed W.Johnson, 50 Strand, London, circa 1830, the nicely coloured case with architectural pediment, glazed front door flanked by canted corners, plinth with moulded borders, upon rectangular base, 12-inch circular silvered dial signed, two large subsidiary dials for seconds and 24-hours, single minute hand, the substantial five pillar movement with deadbeat escapement, ``Harrisons``, maintaining power, mercury tube pendulum with steel rod and adjustable rating nut, brass cased weight, 193cm high 08.10.14, Case slightly faded in parts, the hood with small chips to the mouldings, side of the hood with small cracks and scratches, hood with scratches around the key hole, plinth side panel is slightly lifting away from the carcass, plinth with some mouldings missing, dial with small scratches and the silvering is faded, movement is complete.

A Regency Mahogany and Ebony Strung Secretaire Linen Press, early 19th century, the architectural pediment with turned finials above two oval panel doors enclosing five sliding trays, a two-as-one drawer enclosing an arrangement of drawers and pigeon holes around a cupboard door, two deep drawers below, raised on splayed bracket feet, 130cm by 62cm by 255cm

A French Louis XVI/Transitional Style Mahogany and Brass Mounted Vitrine, late 19th century, the fluted and architectural pediment above a glazed door, a frieze drawer and cupboard door below, all between fluted canted stiles, 76cm by 50cm by 201cm Section fitted with its maximum of two shelves. The base with no shelves, which could accommodate two. With three keys and working locks. Reasonable condition. Minor scuffs and small veneer losses consistent with age. Base section right hand panel with minor natural? fine splits. 111114

A Pair of French Bronze Bookends, early 20th century, modelled as a young Pan and a goat each pushing against a rectangular architectural column, on rectangular bases, 21cm long Typical surface wear. Difference in colour in patination between the two bookends. 200914

A Mahogany Longcase Regulator, signed W.Johnson, 50 Strand, London, circa 1830, the nicely coloured case with architectural pediment, glazed front door flanked by canted corners, plinth with moulded borders, upon rectangular base, 12-inch circular silvered dial signed, two large subsidiary dials for seconds and 24-hours, single minute hand, the substantial five pillar movement with deadbeat escapement, ``Harrisons``, maintaining power, mercury tube pendulum with steel rod and adjustable rating nut, brass cased weight, 193cm high 08.10.14, Case slightly faded in parts, the hood with small chips to the mouldings, side of the hood with small cracks and scratches, hood with scratches around the key hole, plinth side panel is slightly lifting away from the carcass, plinth with some mouldings missing, dial with small scratches and the silvering is faded, movement is complete.

A Regency Mahogany and Ebony Strung Secretaire Linen Press, early 19th century, the architectural pediment with turned finials above two oval panel doors enclosing five sliding trays, a two-as-one drawer enclosing an arrangement of drawers and pigeon holes around a cupboard door, two deep drawers below, raised on splayed bracket feet, 130cm by 62cm by 255cm

A French Louis XVI/Transitional Style Mahogany and Brass Mounted Vitrine, late 19th century, the fluted and architectural pediment above a glazed door, a frieze drawer and cupboard door below, all between fluted canted stiles, 76cm by 50cm by 201cm Section fitted with its maximum of two shelves. The base with no shelves, which could accommodate two. With three keys and working locks. Reasonable condition. Minor scuffs and small veneer losses consistent with age. Base section right hand panel with minor natural? fine splits. 111114

Two mirrors, two Papyrus paintings and watercolour of architectural ruins

An oak cased mantel clock of architectural form, the dial with Arabic numerals

A 19th century slate mantel clock of architectural form, the dial signed Fattorini Bros.

Fred M. Atkinson (d. 2014), Oils and acrylics on board, various subjects inc. townscapes, architectural etc (8)

Mid To Late Victorian Architectural Photo Frame Of Arabesque Aesthetic Style, The Hinged Front With Lion Mask And Ring Handles Opening To Reveal 3 Glazed Apertures, The Whole Finely Engraved, Lacking Strut To The Back, Appears Unmarked

An oak cased mantel clock of architectural form, the dial with Arabic numerals

A 19th century slate mantel clock of architectural form, the dial signed Fattorini Bros.

Fred M. Atkinson (d. 2014), Oils and acrylics on board, various subjects inc. townscapes, architectural etc (8)

An Antique style architectural library clock, with secret drawer for cigars/pipes, height 19".

A rare 17/18th century Continental walnut cabinet, having allover marquetry decoration and iron mounts, the fall front revealing a wonderful fitted interior with architectural carved drawers all with marquetry decoration, width 38", height 20", depth 17".

An Antique style architectural library clock, with secret drawer for cigars/pipes, height 19".

A rare 17/18th century Continental walnut cabinet, having allover marquetry decoration and iron mounts, the fall front revealing a wonderful fitted interior with architectural carved drawers all with marquetry decoration, width 38", height 20", depth 17".

A late Victorian slate mantel clock, in the architectural style having cream ceramic dial with separated chapter ring, with Arabic numerals and minute track with poire hands, French style movement, striking on gong.

An Edwardian brass mantel clock, in the architectural style with twin columns with telephone style dial having floriate scroll centre and fleur de lys hands, French style movement striking on gong.

A late 19th century brick faced mantle clock of architectural form with ionic column supports enclosing a square cut brass dial with silvered chapter ring and cherub spandrels, enclosing a quarter ting tang movement, 42 cm tall approx (working order)

A 19th century grandmother clock, the trunk with mock full length door, the hood with reeded and carved column capitals beneath an architectural cornice enclosing a square brass dial and silvered chapter ring with three train movement with chime/silence selector and regulator (working order)

A late Victorian oak cased barometer, mantle clock and thermometer combination, the case of architectural form and with brass mounts, 29 cm tall approx (working order)

A quantity of timber architectural and other effects to include a carved Corinthian capital with scrolling acanthus detail, an ebony base of cylindrical form, further scrolling acanthus carved pediment, carved ivy foliate borders, carved scrolling capitals, etc

A double-sided Table Screen, late 19th century, carved in rosewood in three sections, each pierced and carved with lotus beneath architectural roofs above panels of spuming waves and on stepped feet, 60 x 88cm assembled ?????? ??????????, A small split to top left corner of the centre panel.

A double-sided Table Screen, late 19th century, carved in rosewood in three sections, each pierced and carved with lotus beneath architectural roofs above panels of spuming waves and on stepped feet, 60 x 88cm assembled ?????? ??????????, A small split to top left corner of the centre panel.

A late 19th century brick faced mantle clock of architectural form with ionic column supports enclosing a square cut brass dial with silvered chapter ring and cherub spandrels, enclosing a quarter ting tang movement, 42 cm tall approx (working order)

A 19th century grandmother clock, the trunk with mock full length door, the hood with reeded and carved column capitals beneath an architectural cornice enclosing a square brass dial and silvered chapter ring with three train movement with chime/silence selector and regulator (working order)

A late Victorian oak cased barometer, mantle clock and thermometer combination, the case of architectural form and with brass mounts, 29 cm tall approx (working order)

A quantity of timber architectural and other effects to include a carved Corinthian capital with scrolling acanthus detail, an ebony base of cylindrical form, further scrolling acanthus carved pediment, carved ivy foliate borders, carved scrolling capitals, etc

A large book Glasgow Architectural Association Sketch Book Volume III 1888

CONSOLE AND MIRROR, early 19th century Biedermeier mahogany with architectural style mirror and serpentine scroll support console, 78cm W x 36cm D x 236cm H. (2)

CONSOLE AND MIRROR, early 19th century Biedermeier mahogany with architectural style mirror and serpentine scroll support console, 78cm W x 36cm D x 236cm H. (2)

A LATE 19TH CENTURY BLACK SLATE MANTEL CLOCK the dial with a circular white minute track with black Roman numerals, fitted with a two-train chiming movement, the architectural case with incised and marble inlaid decoration, 35.5cm wide; together with another late 19th century black slate mantel clock, (2).

Bengt Bockmann - Architectural Lithograph 1981 - hand signed and numbered Limited edition 500 - size 62 cm x 45 cm

A quantity of mixed pictures and prints to include architectural engravings, oval wall mirror etc

A LATE 19TH CENTURY BLACK SLATE MANTEL CLOCK the dial with a circular white minute track with black Roman numerals, fitted with a two-train chiming movement, the architectural case with incised and marble inlaid decoration, 35.5cm wide; together with another late 19th century black slate mantel clock, (2).

A quantity of mixed pictures and prints to include architectural engravings, oval wall mirror etc

A French spelter and Sevres style porcelain mantel clock, late 19th century, the case of architectural form, with a flaming torch and quiver surmount, on a stepped break front base, on square feet, the dial with Roman numeral chapter ring, below a panel with cherubs, the barrel movement with pendulum, on a wooden base, minor damages, the clock 35cm high

An Edwardian mantle clock, the ivorine dial supporting a twin train striking movement in an architectural slate and marble case, h. 29 cm CONDITION REPORT: Face with some wear, wear to case commensurate with age, no guarantee as to working

A late Victorian Vienna Regulator-style wall clock with enamelled dial and twin gilt bezels in an architectural walnut case, h. 80 cm CONDITION REPORT: face with surface damage, case with wear commensurate with age, no guarantee as to working order

An Edwardian mantle clock, the ivorine dial supporting a twin train striking movement in an architectural slate and marble case, h. 29 cm CONDITION REPORT: Face with some wear, wear to case commensurate with age, no guarantee as to working

A late Victorian Vienna Regulator-style wall clock with enamelled dial and twin gilt bezels in an architectural walnut case, h. 80 cm CONDITION REPORT: face with surface damage, case with wear commensurate with age, no guarantee as to working order

A late Regency/William IV mahogany pedestal sideboard, the raised foliate decorated back over three cushion drawers on two architectural design pedestals with doors enclosing fitted interiors on a plinth base, 183 cm wide.

An Edwardian hanging glazed corner cabinet, the door opening to reveal two shaped shelves below a broken architectural pediment, width 20ins

Valerie Thornton (British, 1931-1991) - Suffolk Farm, signed lower right ""Valerie Thornton `76"" and numbered 109/150, etching and aquatint, 56 x 78 cm. In 1954 Valerie Thornton went to Paris and studied printmaking with the renowned teacher Stanley William Hayter at Atelier 17. Thornton then moved to New York where she spent two years at the Pratt Institute. Her first exhibition of etchings and watercolours was held in 1960, since then there have been numerous shows in Britain and America. During the 1970s Thornton made etchings of several East Anglian churches and ecclesiastical and architectural subjects continued to form a major part of her artistic output throughout her career. Condition appears fine - blindstamp in corner of mount ?

John Rowlands-Pritchard, Now is Yole Comin, framed, mounted and glazed, signed and dated '97' lower right, 48 x 38cm. ` John Pritchard is a local artist from Wells specialising in Inscriptional lettercutting in stone and on paper for Architectural, House, Garden, and Church work. He has been creating work since 1974 His exhibitions include: Covent Garden, Hereford Three Choirs, Bleddfa Trust, Winchester Cathedral, National Museum of Wales; Group: 'Prophecy and Vision', 'Resurrection and New Life', 'Spirit of the Letter'.

John Rowlands-Pritchard, Hayle Sun, Hayle Broder, framed, mounted and glazed, signed and dated '97' lower right, 33 x 36cm. John Pritchard is a local artist from Wells specialising in Inscriptional lettercutting in stone and on paper for Architectural, House, Garden, and Church work. He has been creating work since 1974 His exhibitions include: Covent Garden, Hereford Three Choirs, Bleddfa Trust, Winchester Cathedral, National Museum of Wales; Group: 'Prophecy and Vision', 'Resurrection and New Life', 'Spirit of the Letter'.

John Rowlands-Pritchard, Gospel of St. Matthew, watercolour on paper, framed, mounted and glazed, signed and dated lower right, 48 x 38cm. ` John Pritchard is a local artist from Wells specialising in Inscriptional lettercutting in stone and on paper for Architectural, House, Garden, and Church work. He has been creating work since 1974 His exhibitions include: Covent Garden, Hereford Three Choirs, Bleddfa Trust, Winchester Cathedral, National Museum of Wales; Group: 'Prophecy and Vision', 'Resurrection and New Life', 'Spirit of the Letter'.

John Rowlands-Pritchard, 'How soche a flower' 1996 and 'water that I may seek' 1985, framed, mounted and glazed, signed and dated, 35 x 37cm and 35 x 42cm. John Pritchard is a local artist from Wells specialising in Inscriptional lettercutting in stone and on paper for Architectural, House, Garden, and Church work. He has been creating work since 1974 His exhibitions include: Covent Garden, Hereford Three Choirs, Bleddfa Trust, Winchester Cathedral, National Museum of Wales; Group: 'Prophecy and Vision', 'Resurrection and New Life', 'Spirit of the Letter'.

John Rowlands-Pritchard, Wassail, framed, mounted and glazed, signed and dated '97' lower right, 37 x 28cm. ` John Pritchard is a local artist from Wells specialising in Inscriptional lettercutting in stone and on paper for Architectural, House, Garden, and Church work. He has been creating work since 1974 His exhibitions include: Covent Garden, Hereford Three Choirs, Bleddfa Trust, Winchester Cathedral, National Museum of Wales; Group: 'Prophecy and Vision', 'Resurrection and New Life', 'Spirit of the Letter'.

English School (19th century) Landaff Cathedral, Glagormanshire pen and ink on paper, titled to front and verso, 23cm x 17.5cm; other 19th century ecclesiastical architectural sketches by a competent draughtsman/antiquarian (folio)

Early 20th Century German architectural mantle clock with two train movement and brass face having silvered chapter ring.

Early 20th Century German architectural mantle clock with two train movement, brass dial and silver chapter ring.

Late 19th Century walnut Vienna wall clock with eagle architectural and armorial pediment, two train double weight movement and cream face with seconds dial and Roman Numerals.

Architectural salvage-Eight wrought iron and ribbed glass globular ceiling lamps

A Victorian black marble mantel clock, architectural pediment, enamelled chapter ring, Arabic numerals, visible Brocot escapement, four split fluted columns, plinth base

Architectural salvage-Two faceted hexagonal gilt metal and bevel glass globe ceiling lamps