We found 35023 price guide item(s) matching your search

An Edwardian mahogany over mantle, having broken architectural pediment over four small bevelled plates and trinket shelves, surrounding primary rectangular plate and four peripheral plates.

An Indian archaistic carved stone architectural fragment depicting the elephant God, Ganesh, 4.5 x 4in. (11.5 x 10cm.)

Greek Imperial bronzes (9), all with architectural reverses, including several from Heliopolis [9]. Fine

A group of assorted mainly architectural engravings and two maps.(14)

A large and early Martin Brothers stoneware vase, by Robert Wallace Martin, shouldered baluster form with cylindrical neck, incised with a frieze of roosting birds, between arched architectural borders, with mon designs, the neck with overlapping foliate repeat, in shades of blue, brown and green on a buff ground incised 149 1877 R W Martin London, restored to base of neck, 63cm. high

A William De Morgan KL Rose tile, on Poole Architectural Blank, painted in shades of blue and green on a white ground impressed marks 15cm. square

A William De Morgan Mongolian tile, on Poole Architectural blank, painted in shades of blue and green on a white ground impressed marks, minor restoration to one corner 15.5cm. square

A William Gilbert mantle clock, tapering architectural form, applied with three gilt metal bats, applied paper label 27.5cm. high

A Liberty & Co English Pewter and enamel clock, model no.0761, architectural form with overhanging domed mantle, hammered finish, the green and blue enamelled copper dial with Roman numerals stamped marks, 22cm. high Literature Stephen A. Martin Archibald Knox ARTMEDIA, page 232 for a comparable example illustrated.

A Vienna type architectural design wall clock

A New Hall part Tea Service painted various landscapes and architectural views, some with figures, viz: oval Teapot, Cream Jug, Slop Bowl, Teapot Stand, Cups and Saucers

An early 20th Century German Mantel Clock with cream and brass dial, 14-day movement striking on gong, in walnut architectural case, 14in, by H A C W Würtenburg

An architectural mahogany Vienna type wall clock

A German oak cased architectural style mantel clock

A 19th century walnut mantel clock, architectural case, thirty hour movement, 42cm high

A late Victorian black slate and marble architectural mantel clock, with glazed door enclosing the 5.5 inch enamelled dial with Roman numerals and two-train movement flanked on either side by fluted columns, with incised case and temple corners. Width 18 ins.

SIR ROBERT LORIMER (1864-1929) (DESIGNER), THOMAS HADDEN (1871-1940) (MAKER) STEEL COMPANION SET, CIRCA 1910 comprising a poker, an ash shovel, a pair of coal nippers, supported on a stand with galleried tray 53cm high Literature: Wright, Elizabeth F., `Thomas Hadden: Architectural Metalworker` Journal of the Society of Antiquaries of Scotland, 1991, p.432, illus. 5 for a similar example.

A Vienna wall clock with spring driven striking movement, stained wood case with half turned pilasters and architectural pediment with horse finial, 42" overall

A 19th century Vienna wall clock in ornate case, the door with double circular glazed panel, turned half pilasters and applied geometric mouldings, architectural pediment, horse finial, 58" overall

A late 19th century Vienna wall clock with walnut veneered case, turned half side pilasters, 2 train spring driven movement, architectural pediment with horse

A continental mantel clock in architectural case, height 11½"

Tasso (Torquato) La Gerusalemme Liberata edited by Scipio Gentile and Giulio Guastavini engraved architectural title incorporating portrait of Tasso and scene of Genoa lacking a second engraved title but with 20 full-page engraved illustrations by Bernardo Castello woodcut initials and head-pieces with engraved dedication to Taddeo Barberini supplied in facsimile and bound opposite title ?lacking preliminary leaf P4 & 5 duplicated with 22pp. of longitude and latitude tables bound in at end title a little soiled light offsetting from engravings some foxing contemporary mottled calf with central gilt arms rubbed rebacked and edges repaired folio Genoa Giuseppe Pavoni for Bernardo Castello 1617.

Lugar (Robert) Architectural Sketches for Cottages Rural Dwellings and Villas in the Grecian Gothic and Fancy Styles second edition 38 engraved plates and plans 23 hand-coloured aquatints [Abbey Life 30 uncoloured copy] 1823; Plans and Views of Buildings executed in England and Scotland in the Castellated and other Styles second edition 16 aquatint plates printed in sepia and 16 engraved plans some foxing and soiling [cf.Abbey Life 31 first edition of 1811] 1823 § Thomson (James) Retreats: a series of designs consisting of Plans and Elevations for Cottages Villas and Ornamental Buildings first edition half-title 41 engraved plates 31 hand-coloured aquatints [Abbey Life 76] 1827 together 3 works in 1 vol. some foxing and soiling to second work first and third with occasional marginal soiling but generally clean handsome contemporary purple straight-grain morocco with elaborate gilt-tooled borders g.e. skilfully rebacked with gilt spine in compartments slightly rubbed at edges and corners new marbled endpapers preserved in modern cloth slip-case (slightly marked) 4to J.Taylor *** The first features some designs in an Indian style influenced by Daniell`s views including a small Taj Mahal; scarce in coloured state.

Palladio (Andrea) I Quattro Libri dell`Architettura First Book only (of 4) second edition elaborate woodcut architectural title numerous woodcut illustrations many full-page contemporary ink inscription at foot of title browning and water-staining to some leaves hinges broken contemporary limp vellum with note in contemporary hand on upper cover rubbed and soiled tears to spine [Adams P101; Berlin Kat. 2594; Fowler 213] folio Venice Bartolomeo Carampello 1581.

Anatomy.- Valverde de Hamusco (Juan) Anotomia del Corpo Humano engraved architectural title with skeletons and anatomy scene in panel at foot engraved portrait on verso of dedication and 46 engraved anatomical plates or full-page illustrations with teh additional 4 engravings of the muscles between ff.82 & 83 final leaf torn and defective with loss to engraving and colophon (rather crudely repaired) engraving on S1 torn (repaired) and that on T2 with hole some other tears and defects (many repaired soiled and stained some worming to outer margin modern panelled calf [cf. Harvard Italian 513] folio Venice Giunta 1606; sold not subject to return

Circle of Kasimir Sevrinovitch Malevich, Russian 1878-1935- Suprematist sculptural composition, possibly an architectural maquette; painted plaster, wood and plastic, bears inscribed tag, 9.7x18cm

* Follower of Pietro Tacca, Italian 1577-1640, 17th/18th century- Architectural elements study; pen, ink and wash, 26.8x17.9cm, (unframed)

A good pair of gilt gesso on pine, architectural corbels, late 19th century. Each modelled in a bold `S` scroll with acanthus leaf, rosette and lotus leaf decoration. Each approx 60cm long x 13cm wide. (2)

An Ivory Fan, applied with a silkwork panel painted in colours with scene of 18th Century figures in a garden; together with a further ebonised and gilded framed Fan with fabric panel decorated with architectural and neo-classical designs, 12” and 9” long (2)

A 19th century "Vienna Regulator", enamelled dial and gong-striking movement, architectural walnut case with parcel-ebonised corinthian columns and pendant finials, 3ft. 6in. with key, pendulum and weights

A Victorian black slate mantel clock, architectural form with a cast figural frieze, French movement striking on a bell, 13in. - with key and pendulum

A Victorian black slate mantel clock, architectural form with French timepiece movement, 11.5in. - with pendulum

A 19th century walnut mantel clock, architectural form, 14in. high, one other mantel clock with silver plated chapter ring and a pair of long-arm bellows in oak, leather and brass

A QUANTITY OF VARIOUS VICTORIAN PINE AND OAK GOTHIC ARCHITECTURAL FRAGMENTS together with an old mahogany banister rail, various pine newel posts etc

A superb 19th century carved ivory thermometer of elaborate and highly detailed turned form with pierced Pagoda and galleries and with a spire finial and architectural base mounted on a banded circular treen base View on staceyauction.com

ARCHITECTURAL MIRRORS, a pair, with arched tops in a metal frame, 207cm x 109cm. (2)

ARCHITECTURAL MIRRORS, a pair, with arch tops in black metal frames, 136cm x 92cm. (2)

PRINTS, various, including architectural subjects. (10)

A German walnut cased mantel clock of architectural form, the eight day movement inscribed verso "Deutsches Reich Patent 62975-614", the square brass dial with cherubic spandrels and silvered chapter ring with Arabic and Roman numerals (ILLUSTRATED)

A late Victorian black slate mantel clock of architectural form, the eight day movement with black slate dial and Roman numerals, indistinctly inscribed ".... & Co." (ILLUSTRATED)

A pine open bookcase, the architectural cornice above open adjustable shelving

A 19th Century pine cased long case clock, the hood with swan neck pediment, the glazed door flanked by turned pillars over a rectangular trunk door to a flat fronted base, the square painted dial with Roman numerals, subsidiary seconds and date aperture inscribed "N. Brown, Kingsbridge", with architectural painted spandrels, striking an eight day movement

A modern mantle clock in architectural wooden case together with a 1930`s Smith`s three train mantle clock

A WHITE SYCAMORE VENEERED PLYWOOD WRITING TABLE, DRAWER-PEDESTAL AND CHAIR, DESIGNED BY MARCEL BREUER FOR THE LIVING ROOM OF THE GANE HOUSE, BRISTOL AND MANUFACTURED BY P E GANE LTD the pedestal with chromium plated `D` shaped handles, writing table 74cm h; 61 x 91cm, plastic trade labels P E GANE LTD House Furnishers, College Green, BRISTOL, the chair stamped Y2452, 1935 (3) Provenance: Commissioned by Crofton Gane for his house in Downs Park West, Bristol; thence by descent to the present vendor. The desk, pedestal and chair illustrated were together in situ in articles in The Architectural Review, vol 13 no 79, March 1936 and Design for To-Day, vol 3, December 1935. Variously described as the Living Room, Drawing Room or (by Breuer) Lounge, the original colour scheme of both it and the Garden Room consisted of light grey carpet and white walls and ceiling `with a suggestion of blue`. Architectural Press Archive/RIBA Library Photographs Collection.

A WHITE SYCAMORE VENEERED PLYWOOD AND GLASS TABLE, DESIGNED BY MARCEL BREUER FOR THE LIVING ROOM OF THE GANE HOUSE, BRISTOL AND MANUFACTURED BY P E GANE LTD with rectangular light grey opaque glass-inset top, ribbed on the underside, 53.5cm h; 46 x 53cm, printed depository label of William Cowlin & Sons Ltd Clifton, 1935 Provenance: Commissioned by Crofton Gane for his house in Downs Park West, Bristol; thence by descent to the present vendor Illustrated in situ in the article in The Architectural Review, vol 13 no 79, March 1936. The light grey of the glass top was intended to harmonise with the carpet in the room. Architectural Press Archive/RIBA Library Photographs Collection.

AN ITALIAN PIETRA PAESINA AND SCAGLIOLA MOUNTED EBONY CABINET of architectural design, the drawers finely decorated with trees, with central door flanked by gilt bronze mounted burr walnut pilasters the interior as a mirror walled room with marquetry floor with bee before three drawers, on later stand, the frieze mounted with three re-used scagliola tablets, 148cm h; 105 x 44cm, 17th c ++The cabinet in good original condition with slight cracks affecting several of the scagliola tablets to the drawer fronts. One of the three drawers to the interior lacking the ring pull, the larger drawers with old replaced ring pulls, the ornate escutcheons to large drawer and keyplate original, the stand of probably early 19th c date

ARCHITECTURAL. A PAIR OF VICTORIAN PARCEL GILT AND STAINED PINE COLUMNS with ionic capital, fluted shaft and turned cavetto base, 299cm h ++In good entirely original condition with very minor losses, paint chips, not stripped or redecorated

AN INDIAN TEAK ARCHITECTURAL BOSS OR BRACKET, 19th Century, carved as the head of an elephant feeding from its trunk, from a domestic house in the old city of Ahmadabad, Gujerat, Western India, 18cms high x 14.5cms wide, together with a heavy gauge brass bowl and cover with spire knop, all over engraved with panels of figures on a stippled and leaf scroll ground, 10cms high

French, London, a Regency mahogany and brass inlaid bracket clock, the pineapple topped case of architectural form, a ring handle to both sides above pierced brass sound fret, glazed rear door, the signed 20cm (8 inch) enamel circular dial with strike silent lever above XII, twin fusee movement, signed to the backplate, all upon ball feet, 59cm high. Provenance: Clermont Hall, Norfolk

An architectural granite obelisk, chiselled stepped base, possibly continental 120 x 33cm (46.80 x 12.87in)

A Pair of Anthemion stone architectural pediment finials, 43 x 41cm (16.77 x 15.99in). Provenance: Christie`s Raynham Hall Charity Auction

A pair of 1940s Retro sapphire clip brooches, the tapered architectural scrolls set channel set with a line of square cut sapphires, stamped ‘750’ with control marks, 3.7cm long

A Victorian mantel Clock with gilt dial in architectural style marble case. 10 1/2" (28cms) high.

Framed Italian architectural study, pencil, indistinctly signed, framed & glazed.

THREE PENCIL AND WASH STUDIES OF ARCHITECTURAL FRAGMENTS, 19th CENTURY, inscribed and dated 1844, unframed. Each 31cm by 47cm

A reconstituted stone column topped with a sundial, two birdbaths modelled as cupped hands, three plant pots and four pieces of architectural reconstituted stone and a large terracotta apple. (11)

Unsigned watercolour on paper, architectural study of an Art Deco church. 12.1/4" x 24.1/2"

[Bridges (Francis)] Gods Treasurie Displayed... with initial and final blanks folding table (bound upside down) contemporary ink signature on title and inscription for the Lady Amelie Stanley on facing leaf endpapers from 16th century continental work bookplate of Earl Fitzwilliam contemporary sprinkled sheep broken and worn covers detached [STC 3733] by B.Alsop and T.Favvcet for F.Clifton 1630 § Sibbes (R.) The Soules Conflict with itselfe by Faith title with woodcut architectural border (laid down) later ink signature at head marginal repairs to final few leaves lacking final blank later half calf lacking spine and upper cover [STC 22508] by M.Flesher for R.Dawlman 1635 § Du Moulin (Peter) A Treatise of Peace & Contentment of Mind third edition lacking initial blank later ink signature at head of title and with notes on endpapers contemporary calf lacking spine [Wing D2570] by R.White for John Sims 1678 8vo (3)(3)

John.H. Winstone (Contemporary) - Architectural print - Cranes On Princes Wharf, Bristol, prepared for City Docks Ventures Ltd, printed by Taylor Bros, 1979, signed, 54cm x 88cm

A late Victorian Royal Worcester blush ivory and parcel gilt porcelain Clock, dated 1888, possibly modelled by James Hadley, the arched architectural case surmounted by a seated classical maiden, probably representing Venus holding a golden apple, the guilloche bezel flanked by florette foliate scrolls above foliate reeded pilasters centred by a grotesque mask, on swagged husk and acanthus moulded shallow plinth base, puce printed and impressed factory marks and impressed marks ZA 497 the 3" frosted gilt Arabic dial with foliate scroll centre, the French brass twin barrel movement striking on a bell with pendulum" 40cm high, 22cmm, 11.5cm deep In good condition commensurate with age, the extremities of the case to the right hand side with some minute abraided chips to the moulded corner extremities. View on auctionatrium.com