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A George V Silver Bowl, by Northern Goldsmiths Co., Birmingham, 1913, stepped tapering and on conforming foot, the rim with applied architectural ornament, 18cm diameter, 9.3cm high, 7oz 19dwt, 247gr

A 19th century Chinese screen of two sections, decorated with paper figures in architectural settings, 125cm wide x 131cm high Extensive damage to the screen, chips to the edges of the paintwork and losses to the paper

A set of seven 18th century historical portrait engravings the figure portrayed within architectural surroundings, to include Henry Boyle, Charles Mordaunt and Thomas Wentworth, framed and glazed, 22cm x 35.5cm (7) Some discolouration and foxing to the prints, but otherwise in good condition

A set of three antique strapwork architectural door ornaments consisting of two curving sections and one straight, the curving sections 75cm widein generally good condition with obvious signs of oxidization due to external use

Architectural elements, a group of three 18th century oak carved fragments possibly from an altarpiece depicting two cherubs and an angel, the largest 24cm high (3)Dents, marks and scratches consistent with age

French, c.1870, signed to the rear of the foot ' NACHET, 17, rue St. Severin, Paris', the microscope finished in bright silver coloured palladium plate on a large heavy lead filled base with upright architectural pillars supporting the body on trunnions, with plano-concave mirror on articulated arm, focusing swing out substage condenser, mechanical stage with X & Y control with verniers, with rack & pinion coarse and screw fine focus, interchangeable monocular and binocular bodytube with fine screw width adjustment, prism housing and screw release clamp, the brass bound French polished mahogany case with red satin-lined lid contains 18 accessories comprising 4 eyepieces, 5 Nachet objectives, an eyepiece polariser, a substage polarizer, a substage condenser, a substage sop and holder, a cased angled eyepiece engraved 'Nachet' in a leather case, a triple RMS threaded objective holder, a large leather case holding the Stereo-pseudoscopic body tube, engraved 'NACHET', with binocular eyepieces marked 'A' and 'B', case 41cm.Footnote: the set has an RMS threaded monocular body tube with all of the objectives on an RMS adapter, the binocular tube has the early Nachet thread suggesting a date of around 1880.Note: Lot imported under Temporary Admission. 5% UK import VAT will be charged on the ‘hammer’ and 20% UK VAT will be charged on the ‘buyer’s premium’ and invoiced on an inclusive basis under UK Margin Scheme rules.

A Folder of Frith's Photo Pictures, Series. 1, English, c.1880, title on the folder reads 'FRITH'S PHOTO PICTURES, SERIES. 1' comprising of a collection of collection of 12 albumen print views and architectural studies, each mounted on card within printed borders, photographs all captioned in pen including: Saracenic Pulpit, Mosque of Omar, Jaruselem, Pompei the amphitheatre, Paris Madeleine Church, lucerne pilatus, Versailles Gallery of Battles, Notre Dame, Chartres, Rheims Cath, St Pierre Cain, and three unmarked. folder 29cm x 39cm

HOLTZAPFFEL CHARLES.  A New System of Scales of Equal Parts ... Engineering, Architectural & General Science. Fldg. & other tables. Orig. cloth. 1838; also 3 other vols.  (4).

UTAGAWA HIROSHIGE II (1826-1869)Edo period (1615-1868), probably mid 19th century Two album leaves, in ink, colour and kirikane on silk, mounted on card; the first depicting a lively street scene of passers-by enjoying a show of itinerant musicians and acrobats, along the embankments of Edo Castle; the second another lively street scene of an elegantly dressed group of bystanders entranced by a juggling act performed to the accompaniment of a flute and drums, sailing boats and a Western-style architectural building in the far right distance; each signed Hiroshige hitsu with seal Ichiryusai. Each 30.5cm x 33.5cm (12in x 13 3/16in). (2).Footnotes:The subject matter of the first appears to be a reinterpretation of the famous scene from pictorial handscroll Kinsei shokunin tsukushi ekotoba (Picture Scroll of Modern Artisans in Various Trades) by Kitao Masayoshi (also known as Kuwagata Keisai). The handscroll is filled with often-humorous depictions of different professions. An album of similar paintings by the artist of scenes along the Tokaido Road was sold at Christie's, New York, 16 March 2021, lot 71.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

Fibreglass Gothic style architectural window surround

A German Winterhalder and Hofmeier oak architectural bracket clock, with turned finials and matt brass face, the movement striking on two gongs, height 63cm, with a Gothic oak bracket, height 22cm.The clock is in good working condition.

Two architectural watercolour studies of church interiors and one print of the same; to include, P Sykes, signed watercolour; Tomb of Mary Queen of Scots, watercolour by another hand; and a print of a church interior (3)

Anna Mayerson (British 1906-1984), Architectural Study, signed with initials and dated 59 (lower left), oil on paper laid to board, 146 x 76cm

Anna Mayerson (British 1906-1984), Two works on card, to include an architectural study of a Cathedral and an abstract composition93.5 x 91.5cm and 76 x 61cm

Continental School, late 18th century architectural study of an elevation or an interior scheme, pen and ink with wash on paper, 40.5 x 52cm

A watercolour architectural drawing c.1800, of a large stone and brick building of three stories with lawns and railings in front, 25 x 35cm; and a coloured lithograph of Fountains Abbey, after William Richardson, c.1850, 32 x 25cm (image) (2)

Full title: Fifteen Chinese polychrome porcelain tiles, seal mark, RepublicDescription:Dim.: 12,5 x 12,5 cmÊ These tiles served as models for the Makkum tile production, commissioned by the English architectural retailer Martin van Straaten.The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com

Jane Tuely- Five unframed woodcuts. Four architectural studies and one of a tree, signed by artist. H.46 W.65 cm (largest)

TORRICELLI MOUNTAINS FEMALE FIGURE98 cm. highProvenanceMichael Hamson, Palos Verdes, CaliforniaSandra Nunnerley, New YorkTim Hunt, New YorkLiteratureAronson, S., ‘Designers’ Own Homes: Sandra Nunnerley‘, in Architectural Digest, September, 2007, pp.260-261

THE HOLY BIBLE..., London, Christopher Barker, 1661, engraved architectural general title, New Testament title with cut of Royal Arms, printed by Henry Hills, bound in at front THE BOOK OF COMMON PRAYER..., London, Christopher Barker, 1661, title page and following leaf with marginal restoration/repairs, bound in at end THE WHOLE BOOK OF PSALMS..., London for The Company of Stationers, 1661, all works red ruled throughout and generally vgc, 4to, diced calf gilt rebacked (not recent), Herbert 672

Postcards & Ephemera - An Edwardian and later postcard album, inc Humorous, artists include Donald McGill, Lewin, George Bamber, others Cricketers, Advertising, Maritime, Architectural, Automobiles etc

A belge noir and red marble mantel clock, cream dial, Arabic numerals, architectural case c.1890; oil lamp; brass door plate etc

Collection of black and white glass slides, general Geography, Architectural interiors and Exteriors subjects, 8.5cm x 8.5cm

Four large framed architectural prints, framed size 85 x 64cm.

Budaeus (Gulielmus). Commentarii Linguae Graecae, Cologne, Johann Soter, 1530, [28], 595, [5] pages (AA-BB4,rr1-6,a-z6,A-Z6,Aa-Dd6), text in Greek and Latin throughout, title with large printed woodcut device (with Soter's pentagram device incorporating five individual letters in Latin, Greek, Hebrew and Ethiopic, encircled by the words 'Symbolum Sanitatis' within a decorative architectural outer border), near-contemporary ownership inscription at head 'Thos Weston: pre:- 14s 00d', minor soiling to title and first and last few leaves, woodcut initials, additional smaller printer's woodcut device to verso to final blank, additional ownership signatures to front blanks of 'Jo. Alexander' (late 16th or 17th century), and D. L. Cumming (20th century), early blind-panelled full calf, rubbed and a little wear to edges, joints partly cracked, folioQTY: (1)NOTE:Provenance: Thomas Weston (later 16th or early 17th century inscription to head of title); John Alexander (17th century); D. L. Cumming (20th century).Printing and the Mind of Man 60 (for the 1529 first edition). No copy of this edition by Soter located in the UK.French Renaissance humanist Guillaume Budé (1467-1540) was the most influential French scholar of the early 16th century. The Commentaries on the Greek Language first published in Paris a year earlier is 'a collection of lexicographical, philological, and historical notes, which formed the basis for the study of the Greek language in France. A monument of the New Learning, it was several times reprinted and gave Budé the reputation which is now commemorated in the Collection Budé series of modern reprints of Greek and Latin classics which now numbers more than 800 volumes. In his dedicatory preface to Francois I, the author reminds the King of his promise to establish a Royal College for the study of ancient languages, an appeal which led to the founding of the College Royal (also in 1530), today known as the Collége de France.

Rolandinus (de Passageriis). Rolandina cum Neuizano. Summa Rolandina artis notarie maioris auctoritatis per d[omi]n[u]m Petrum de Boaterijs ipsius Rola[n]dini conciue[m] Bononiensen [sic] facili breuiq[ue] commento declarata ... Adiecte (nusquam hactenus impresse) Renunciationes iuris ciuilis Jacobi Butrigarij Bononiensis Legu[m] professoris, Lyon: Jacobum Huguetan, 1537, title in red & black, with printer's device, within decorative architectural woodcut border, double-column text with woodcut crible? initials, occasional early marginalia and underscoring, manuscript notes to final leaf, some light damp staining and few old ink spots, some worm holes, short worm trails mostly to fore-margins and lower blank margins, modern brown half morocco, small folio in 6sQTY: (1)NOTE:Sapori, Antichi Testi Giuridici, 2533.Rolandino de Passaggeri (circa 1215-1300) was a famous Bolognese notary, whose Summa Totius Artis Notariae (the 'Rolandina'), divided into four parts (covering contracts, wills, judicial documents, copies and renewals of deeds), written in 1255, was widely circulated and became a pillar of the notarial profession across Europe.

Bindings. The Cornish Coast (North) by Charles G. Harper, London: Chapman & Hall, 1910, monochrome plates and illustrations, a few light spots to preliminary leaves, top edge gilt, contemporary maroon half crushed morocco gilt (by Times Book Club), in bright condition, 8vo, together with: Disraeli (Isaac), Curiosities of Literature. A new edition, edited, with memoir and notes, by his son, the Earl of Beaconsfield, 3 volumes, London: Frederick Warne and Co., circa 1880s, marbled edges and endpapers, contemporary dark blue half calf, spines gilt-decorated, a few marks to covers, generally in good condition, 8vo, plus other 19th-century leather bindings, including J. Heneage Jesse, Memoirs of Celebrated Etonians, 2 volumes, 1875, Arthur Penrhyn Stanley, Lectures on the History of the Jewish Church, 3 volumes, mixed editions, 1879-80, W.F.P. Napier, History of the War in the Peninsula and in the south of France, 3 volumes, London, circa 1870s, John Henry Parker, A Guide to the Architectural Antiquities in the neighbourhood of Oxford, 1842, The Plays of William Shakespeare, edited by Thomas Keightley, [& The Poems] of William Shakespeare, edited by Thomas Keightley, 7 volumes, 1868-74, etc., all bound in contemporary gilt-decorated calf or morocco, lightly rubbed (generally in good condition), 8voQTY: (30)

Two reproduction country house architectural prints, framed and glazed, 34cm x 62cm (2)

Late Victorian walnut mantle clock, of architectural form, twin train movement, 45cm tall (AF), and a 1930's mantle clock, with presentation inscription, 42cm wide (2)

Victorian black slate mantle clock of architectural form, with a floral decorated pediment above marble columns with a white dial with Arabic numerals with a visible escapement AF, 42.5cm wide 35cm high    

An Edwardian oak eight day fusée chiming mantel clock, the dial with silvered Roman numeral chapter ring below regulator and chime/silent dials, with twin fusée movement striking on two gongs, the architectural case with mounted presentation plaque to Mr S Shaw as a mark of esteem by the managers and foremen and a few employees on leaving Buckton Vale Works March 20th 1909, height 42cm, with pendulum and key.Additional InformationNo guarantees that the clock is in working order. General wear and scuffs to the case, with some paint marks here and there.

FRANKLIN MINT; an Empress Josephine Portico clock, with movement striking on a bell, height 36.5cm, with a pierced brass skeleton type architectural clock, each facade with a pierced brass plate modelled as a cathedral front with movement striking on a gong, under dome, height 28cm (2).

A SUITCASE OF ENGRAVINGS CONTAINING MANY TOPOGRAPHICAL, ARCHITECTURAL ETC, HARDING PALACE OF HOLLYWOOD, PORTRAIT SIGNED BY PETIT JEAN ETC (5201)

Walnut German mantel clock, of architectural form with ivorine chapter ring, twin train movement striking on a gong, 35 cm high and a slate mantel clock, 21 cm high (2)

An early 20th century slate-cased architectural 8-day mantel clock, with spelter-mounted bust alcoves, case width 40cm, height 32cm, with pendulum

A collection of floor tiles, by the Architectural Pottery Co Poole Dorset, various designs, 10cm square

Andalusian School, Circle of MATIAS DE ARTEAGA (Villanueva de los Infantes, Ciudad Real, 1633 - Seville, 1703), 17th century."The Annunciation".Oil on canvas.Retouching.Repainting and restorations.Measurements: 81 x 102 cm; 105.5 x 120 cm (frame).The spatial complexity that the theme of the Annunciation denotes here, making the pedestrian architectural plane coexist with the celestial one, presents clear concomitants with the way in which Matias de Arteaga treated the biblical episodes. It is therefore part of the Sevillian Baroque, in Arteaga's circle. The main scene is set in an interior in which, on the right hand side, the Virgin kneels before a lectern. A vase of lilies, a symbol of Marian purity, stands between her and the archangel who brings her the good news. Saint Gabriel points upwards, where God the Father and the Holy Spirit burst forth in a burst of golden glory. In the background, the urban architecture is depicted, based on sober, perfectly delineated arcades. A Spanish Baroque painter and engraver of the Sevillian school, Matías de Arteaga y Alfaro was able to capture and interpret the dual influence of Murillo and Valdés Leal with his own personality. The son of the engraver Bartolomé Arteaga, while still a child his family moved to Seville, where he trained in his father's studio and in contact with Murillo, whose influence reveals his early work together with that of Valdés Leal, who settled in Seville the same year that Arteaga passed his master painter's examination in 1656. In 1660 he was among the founding members of the celebrated drawing academy promoted by Murillo, among others, of which he served as secretary between then and 1673. In 1664 he joined the Hermandad de la Santa Caridad brotherhood and two years later the Sacramental del Sagrario brotherhood of Seville cathedral, for which he produced a number of works. Around 1680 he is also recorded as working as an appraiser of paintings. He died in 1703, and the inventory of his estate at his death reveals a wealthy lifestyle that included an important library and an engraving studio, as well as over 150 paintings, almost half of which were of religious subjects. Among them were four series of the Life of the Virgin, some of which were expressly said to contain architectural views, such as those in the present work and those in the Museo de Bellas Artes in Seville. The most characteristic feature of his peculiar style is precisely these series of always religious subjects, set in broad landscapes and architectural perspectives taken from prints. Arteaga is represented in the aforementioned Sevillian museum, various Sevillian churches including the cathedral and the Museo Lázaro Galdiano, among others.

MARTIN, G.T. The tomb of Hetepka and other reliefs and inscriptions from the sacred animal necropolis North Saqqâra, 1964-73. 1979. -- Id. The Sacred Animal Necropolis at North Saqqâra. (1981). -- W.V. DAVIES, (a.o.). Saqqâra Tombs I: The Mastabas of Mereri and Wernu. 1984. -- D. ARNOLD. The Pyramid Complex at Senwosret III at Dahshur. Architectural Studies. 2002. -- 4 vols. 4°/fol. Ocl. w. dust-j. -- T.G.H. JAMES. The Mastaba of Khentika called Ikhekhi. 1953. 4°. Ohcl. -- And 4 o. (9).

BIBLES -- SICHEM (II), Chr. v. Bibels Tresoor, ofte Der Zielen Lusthof, Uytgebeelt in Figueren, door verscheyden Meesters. Ende gesneden, door Christoffel Van Sichem. Amst., P.I. Paets, 1646. 776 pp. W. title within woodcut architectural border & all the woodcuts/woodcut borders (over 750). 4°. Cont. cf. w. raised bands. (Spine and corners reinforced, new endpapers, woodcut on p. 645 replaced by another, w. num. (marginal) repairs and stains, thumbed/soiled in places, but apart from the last blank that is lacking (Iii4), a complete copy). NOTE:Rare work with biblical illustrations, seldomly found complete. It contains merely Old Testament images (apart from a few introductory images). A lot of images by Van Sichem are derived from well-known artists. The most eye-catching are the direct copies (over 100) of Hans Holbein's "Icones" and some of Antonio Tempesta's Old Testament engravings. - Van der Coelen, De Schrift verbeeld, p. 173ff; Poortman II, p. 96 (nr. 3); BCNI 10045.

Edwardian mahogany and marquetry barometer, the case with architectural pediment, inlaid with shells and fan, boxwood and ebony outlines, silvered dials to the thermometer and aneroid barometer, 96cm.

Edwardian mahogany barometer, architectural pediment, moulded outlines, silvered dials to the thermometer and aneroid barometer, signed Negretti & Zambra, No R/5500, 73cm.

An Edwardian mahogany cased bracket clock6" silvered dial with black Arabic numerals, signed Bennett, London, 8 day two train movement quarter striking on a coiled gong stamped Lenzkirch 422500, the architectural brass strung case with hinged brass carrying handle, fret cut side panels and rear door, on brass bracket feetheight 42 cm., width 27.2 cm., depth 20.2 cmCondition: Pendulum and winding key present. Case with key. Winds ticks and runs however no guarantee can be offered as to the full working order. Some wear to dentils on frieze of case

A late 19th century German architectural mantle timepiecebrass dial with Arabic numerals, the movement stamped Lenzkirch and numbered 935745height 33.5 cmCondition: Pendulum and winding key present. Winds ticks and runs however no guarantee can be offered as to the full working order

A 19th century Chinese tortoiseshell circular box and cover, the cover carved in high relief with village scene depicting figures amongst buildings, trees and a river, the based carved with a figures working and gentleman on horseback, edges carved with repeating foliate and architectural motifs, diameter 9.5cm, height 2.7cm Condition: Overall condition good - fine glitter flecks visible to lid, these do brush off.  small area of loss to lid, 2.5cm crack from edge, chips across edge, the base with chip to rim and smaller flea bite chips. weight 86g

ITALIAN SCHOOL (18TH CENTURY)ARCHITECTURAL DETAIL, CORINTHIAN ORDERPen and ink35 x 23cm (13¾ x 9 in.) (2)Together with another drawing, Italian School (18th century), Classical wall decorations with arched niches, Pen & sepia ink with pencil (2)

FRENCH SCHOOL (CIRCA 1850)STUDY OF THE SIDE OF A SHIP (PORT OR STARBOARD?)Black and white chalks on blue paper35 x 24.5cm (13¾ x 9½ in.) (3)Together with two other works comprising: French School (dated 1775), Classical landscape, Graphite with pen sepia ink; French School (circa 1775), Architectural capriccio, Pencil on blue paper, Various sizes (3)

LORENZO SACCHETTI (ITALIAN 1759-1834)AN ARCHITECTURAL STAGE DESIGN Pen and ink on brown paper30 x 38.5cm (11¾ x 15 in.)Provenance:(?) Norbert Bittner, Vienna (1786-1851)Michael Mayr, Vienna (1796-1870)Marianne Fajt, Eisenstadt, until 1935Janos Scholz, New York (1904-1994)Seiferheld Gallery, New YorkYvonne Ffrench, London (1901-1989)Exhibited:New York, 1962, (hors catalogue?), no. 52.

GERMAN SCHOOL (CIRCA 1900)ARCHITECTURAL STUDIESWatercolour with pencil18 x 11cm (7 x 4¼ in.) (4)Together with three other works comprising: German School, ca. 1860, Design for a Rococo wall decoration; German School, ca. 1880, Timber frame architectural detail; French School, c. 1825, Neo-Classical dining room with blue decoration. Various sizes (4)

THOMAS SANDBY (ENGLISH 1721 - 1798)DESIGN FOR THE ROYAL EXCHANGE BUILDING IN DUBLIN, CIRCA 1769Pen and ink with coloured washes24 x 49.2cm (9¼ x 19¼ in.)In February 1769 Sandby entered a competition to design the Royal Exchange at Dublin, winning third prize of £40. Perhaps his most notable architectural commission was the design of the (first) Freemason's Hall at Great Queen Street in central London.

HENRY BAILEY (BRITISH 1817-1894)FOUR DESIGNS FOR NEO-CLASSICAL FRIEZES AND ARCHITECTURAL ORNAMENTS (IN TWO FRAMES)Pen, ink and wash38 x 54cm (14¾ x 21¼ in.) (4)

HENRY BAILEY (BRITISH, 1817 - 1894)ARCHITECTURAL ELEMENTS FROM THE ANTIQUEWatercolour and bodycolourSigned lower right and inscribed 'Copy of a cast from the antique' 66 x 49cm (25 x 19¼ in.)

A Biedermeier style satin birch framed mirror,with pedimented architectural frame, inlaid with roundels,66cm wide148cm highSome small areas of silver degredation to the tope left and top right corners of the mirror plate.The frame is in good condition, there may have been a finial at some point

A late 19th/early 20th century mantel clock with two-part dial & in black slate architectural case, 12½” high.

A collection of reproduction plaster casts of architectural friezes.

A Victorian slate mantle clock, of architectural form, with Arabic numerals on an ivorine dial, flanked by columns, on plinth base, with gong marked British Made, H44.5cm

Architectural drawings. A collection, 20th c, including sketch design of Rural Decay by D M Bamford, signed, mount stamped NOTTINGHAM SCHOOL OF ARCHITECTURE, pen, ink and watercolour, 48 x 70cm, several hundreds, etc, sold in portfolio Somewhat dusty with creases and handling marks

A pair of 17th century architectural conical flame roof finials, hand carved in limestone, 84 and 75cm high (2)**Please note that some of the lots in this auction are held offsite and others may require specialist lifting equipment therefore please ensure collection arrangements are made prior to making any journey to the saleroom. Many thanks**

ARCHITECTURAL GARDEN MIRRORS, a set of three, aged metal frames, 159x67. (3)

ARCHITECTURAL WALL MIRRORS, 111cm high, 48cm wide, a set of three, Regency style, white painted. (3)

ARCHITECTURAL WALL MIRRORS, a pair, 162cm H x 51cm W, refectory style, aged metal frames, (2)