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A George II silver snuff box, by Peter Wirgman, London 1746, cartouche form, the hinged cover figural scene of a water nymph and cherub, in an architectural setting, Rococo scroll border, gilded interior, length 6.3cm, approx. weight 2.2oz. Provenance: The Lion Collection of British Silver Boxes,1640-1840, entry number 151.

12. A pair of early 20th century woodblock prints in polychrome black and green, each depicting architectural and topographical scenes being signed GB monogram to corners, framed and glazed

A set of fourteen architectural studies in ink, pencil and wash, probably early 20th century, in matching hardwood frames, 67 x 47cm

Victorian walnut architectural cased mantel clock, square dial marked Junghans, twin train movement striking the hours on a gong, H50cm Condition Report Click here for further images, condition, auction times & delivery costs

A French rosewood, fruitwood and line inlaid mantel timepiece with aneroid barometer and thermometer, circa 1900 of small size, in the form of a longcase clock, with architectural pediment, above circular white enamel dial, thermometer to the trunk and open barometer dial with visible mechanism to the plinth 47cm high

A folio of approximately twenty early 20th Century architectural drawings by H.N. Jepson

A Damascus Mother-of-Pearl and Bone Inlaid Ebonised Hardwood Throne Chair, late 19th century, the architectural cresting with calligraphy panel over turned and pierced panels and scroll arms, with kilim upholstered seat over baluster turned apron and turned front legs See illustration

Enrique Linares: A Gilt and Painted Carved Gesso Architectural Study Panel, as a Mihrab from the Alhambra Palace, decorated with arabesque and geometric patterns and with calligraphic panels, signed Enrique Linares Ses Propiedad No 32, 31cm by 21cm, framed and glazed See illustration

An Indian Bronze Shrine, 19th century, as Vishnu on an architectural arch, flanked by Rama and Krishna, on a table base, 37cm high

Hand made wool rug with architectural scenes, 155cm x 125cm approx

Royal Interest - St. John Hope (W.H.), Windsor Castle, An Architectural History, numbered limited edition 234/1500, two volumes only: lacking volume III of plans, London: Published at the Offices of Country Life, 1913, illustrated with chromolitograph frontispieces, full-page b/w prints and plates, the occasional two-page, further wood engraved vignettes throughout, contemporary half-vellum over blue boards, blue endpapers en suite, gilt lettered and dated spines, top edges gilt, 20th century armorial bookplates: Robert Innes-Smith, folios, [2]

A Bohemian ruby glass and gilt metal goblet, the bucket shaped bowl cut with architectural views, figures and Rococo cartouches, the base cast with figures emblematic of the four seasons, domed foot, 18cm high, c.1870

A pair of substantial 19th century French brown-patinated bronze figural architectural fittings, the handles cast as winged caryatids, acanthus cast scroll handles, traces of verdigris patination, 37cm long, c. 1870

Architecture and Heraldry - Specimens of Mediæval Architecture Chiefly Selected from Examples of the 12th and 13th Centuries in France & Italy and Drawn by W. Eden Nesfield, Architect, London: Published by Day and Son [...], 1862, lacking title-page, full-page lithographs, rebacked in black morocco, gilt lettered, relaid pictorial cloth, ex lib stamps and blemishes, medium folio; Ruskin (John), The Stones of Venice, with Illustrations Drawn by the Author, volumes II & III only, London: Smith, Elder and Co., London, 1873, contemporary brown cloth pictorial gilt, Ex Libris: Robert Frederick Green, 1909, further library stamps and cards, 8vo, (2); Major Abbey's Copy, Sir Christopher Wren, 162-1723, London: The Architectural Press, 1923, Golden Age Armorial bookplate by Badeley and dated 1920: John Roland Abbey, later institutional library stamps and labels, small folio; Edmondson (Joseph, Efq., F.S.A., Mowbray Herald Extraordinary), A Complete Body of Heraldry [...], two-volume set, London: Printed for the Author, by T. Spilsbury, Snowhill [...], 1780, engraved portrait frontispiece to volume I by Francesco Bartolozzi RA (1727-1815), further copperplate engravings of coats of arms and armorial devices, rebacked and relaid contemporary calf boards, institutional ex lib stamps and blemishes, medium folios, (2); etc, [7]

Local Interest - [Tilley (Joseph)], The Old Halls, Manors, and Families of Derbyshire, four-volume set, London: Simpkin, Marshall, Hamilton, Kent, and Co., Ltd., 1892 - 1902, comprising volumes I & II: The High Peak Hundred, volume III: The Scarsdale Hundred & volume IV: The Hundreds of Repton and Gresley, Morleston and Litchurch, illustrated throughout with full-page line engravings of ancestral homes, architectural elevations, coats of arms and heraldic crests of the county's armigers, contemporary green cloth gilt, upper covers with a named-view vignette of Haddon Hall, all edges gilt, 4to, [4]

Continental Theology - Mabillon [Dom Jean, O.S.B.], De Liturgia Gallicana, Luteciæ Parisiorum [Paris]: Apud Viduam Edmundi Martin et Johannem Boudot [...], 1685, engraved title-page vignettes, armorial and architectural headpieces, some historiated initials, contemporary calf spine and lower-cover only, E Libris Bibliothecæ Seminarii Diœcesani S. Josephi, Loïds [Leeds], 19th century monogrammed bookplate, 4to; Cattaneo (Padre Carlo Ambrogio [S.I.], Opere [...], Venezia: Preffo Niccolo' Pezzana, 1768, contemporary boards, 4to; Aquinatis (S. Thomae), [Aquinas (Saint Thomas, OP)], Institutiones Philosophicae [...], five-volume set, Montis Casini (Monte Cassino): Ex Typis Abbatiae, 1875, contemporary half-vellum and marbled bindings, gilt-lettered lettering pieces to spines, half-titles with slightly later dated ink MS ownership inscriptions: Mark Cosgrave's, Propaganda Roma, August 15th 1881, early 20th century theological library stamps: Downlands Fathers' S.H.C. Library, Toowoomba, [Australia], later inscriptions and bookplates, 8vo, (5); Roman Catholic Bishop of Plymouth's Copy, Patrologiæ Cursus Completus [...], [Writings of the Church Fathers], one volume only, [Paris]: J-P Migne, Petit-Montrouge, 1853, contemporary half-vellum and marbled boards, five-compartment spine with gilt-lettered morocco labels to the second and fourth-compartments, the remaining centred and tooled with floral sprays in gilt, Gothic Armorial bookplate by A.E. Kelsey to recto pastedown: Ex Libris Episcopi Plymuten, coat of arms crested by a galero with twelve tassels, 4to, (1); further part-vellum bound theological works, various, (3); etc, [13]

A Continental giltwood architectural cresting, carved as a winged putto mask, 69cm wide, 18th century

A set of three 19th century oak and parcel gilt architectural finials, each carved as a lotus bud, 20.5cm long, c. 1835, [3]

Fréart (Roland, Sieur de Chambray), Parallel of the Antient (sic) Architecture with the Modern, In a Collection of Ten Principal Authors who have written upon the Five Orders [...], The three Greek Orders [...] comprife the Firft Part of this Treatife, And the two Latine (sic) [...], Written in French [...], Made Englifh for the Benefit of Builders [...], To which is added an Account of Architects and Architecture, in an Hiftorical, and Etymological Explanation of certain Tearms (sic) particularly affected by Architects, With Leon Baptifta Alberti's Treatife of Statues [...], By John Evelyn Efq; Fellow of the Royal Society, first edition, London: Printed by Tho. Roycroft, for John Place [...] Holborn, 1664, pp: [22], 159, [1] (page 101/102 misbound between 110 & 111; engraved title, title-page, 65/66 & 153-154 supplied in facsimile), paginated full-page architectural full-page engravings, head- and tailpieces, historiated initial, 20th century half-calf over marbled boards, seven-compartment spine divided by raised bands, lettered in the second and fourth compartments, the remainder tooled with ribbon-tied anthemions, crown folio Condition Report: 4 leaves supplied in facsimile and 101/102 misbound, as catalogued. Some archive repairs, dormant worming in places affecting plate and/or text. Some ink stains to margins. Some fraying tears to margins but light and stable. Some water stains affecting plates. Binding good, text tight and secure.

An 18th century oak architectural carving, of a basket of flowers, 37cm high, 50cm wide

A 20th century architectural novelty gilt brass skeleton clock, as a Gothic cathedral, by Elliott, London, 10cm silvered chapter ring inscribed with Roman numerals, the vacant centre exposing a fusee movement, turned mahogany plinth with inscribed presentation plaque, brass bun feet, glass dome en suite, 35cm high overall

Martyn (William), The Historie (sic) and Lives, of the Kings of England: From William the Conqueror, unto the end of the Raigne (sic) of King Henry the Eighth, With other ufefull (sic) Obferuations (sic), second edition, London: Printed for James Boler, 1628, [issued and bound with], The Successions of the Dukes and Earles (sic) of This Kingdome (sic) of England: From the Conquest untill (sic) the twelfth year of the famous Reigne (sic) of the mightie (sic) Monarch King James the First, London: Printed for George Tompfon, 1628, pp: woodcut allegorical-architectural title-page, [26], 420; &, [68] (inclusive of separate title-page with printer's device above colophon), both texts black-ruled throughout, woodcut allegorical headpieces and historiated initials, later 17th/18th century fragmentary calf spine over boards (loose/disbound), slightly later ink MS ownership inscription at page 88: Thomas Green His Bo[ok], 8vo; Mackenzie & Dent's Select Biography, London: 1797, defective copy lacking title-page, prelims but some plates, contemporary calf (faults), 1950s pictorial vinyl wrap, 8vo, [2]

History - Smyth (William), Lectures on Modern History [...], two-volume set, London: William Pickering, 1848, contemporary calf gilt, marbled edges and endpapers, 8vo, (2); Lord Macaulay's Essays, twelfth edition, three-volume set, London: Longman [...], 1865, Hatchard & Co conemporary calf gilt bindings, stamped, marbled edges and endpapers, 8vo, (3); Strickland (Agnes), Lives of the Queens of England [...], fourth edition, eight-volume set, London: Henry Colburn, 1854, additional engraved title-pages and frontispieces, contemporary cloth but volumes I to IV rebacked in 20th century black leather with gilt lettering, 20th century refreshed endpapers, 8vo, (8); Sanctissimi Domini Nostri Benedicti Papæ XIV, Constitutiones Selectæ, Nec Non Builæ, Decreta, Epistolæ, &c., [...], parts I & II only: bound as one, Romæ: Expensis Jo: Baptistæ Novelli [...], 1766, engraved portrait frontispiece of Pope Benedict XIV by Antonio Baratti (1724-1787), engraved vignettes to each title-page with papal insignia, woodcut architectural initials, sewn in contemporaneous boards, 4to; Guicciardini (Francesco), Istoria D'Italia [...], volumes I, II, III, V, VII, VIII, IX & X only, Pisa: Presso Niccolò Capurro, 1819-1820, contemporary black calf spines, blind tooled, over marbled boards, early 20th century presentation bookplates of Liverpool Public Libraries to each recto pastedown, neat stamps to title-pages, 8vo, (8), [22]

Military Aviation - an early 20th century oak RAF officer's mess mantel clock, 12.5cm circular brass dial inscribed with Arabic numerals and Royal Air Force insignia, single winding hole, single fusee timepiece movement, the plain architectural case with pointed arched pediment, skirted base, shallow bracket feet, 35.5cm high, c.1930

An interesting Tudor ink MS on vellum or diploma, washed away initial letter with off-set shadow, indistinct script and fragmentary architectural wax seal, the manuscript 27cm x 50cm, mid-16th century Condition Report: Water damaged; initial letter largely washed away; seal damaged and cracked.

Art and Illustration - Monkhouse (W. Cosmo), The Turner Gallery: A Series of One Hundred and Twenty Engravings from the Works of the Late J.M.W.Turner, R.A., three-volume set, London: Virtue and Company, [n.d., c. 1880], contemporary green three-quarter calf, marbled boards and endpapers, all edges gilt, 4to, (3); Turner's Liber Studiorum, Reproduced in Autotype from the Original Etchings, three volumes: Pastoral Subjects and Elegant Pastorals, Mountain and Marine Subjects & Architectural and Historical Subjects, London: The Autotype Printing and Publishing Company (Limited) [...], 1870, institutional green buckram, 4to, (3); Cassell's Doré Gallery [...], London [...]: Cassell, Petter, Galpin & Co., [n.d., c. 1800], contemporary green half-calf, 4to; Sir Walter Scott's Bridal of Triermain: with Fourteen Illustrations Designed Expressly for the Art-Union of London by Percy Macquoid, R.I., 1886, olive cloth gilt, oblong 4to; Lara, a Tale by Lord Byron: Illustrated by C.B. Birch, Art-Union of London, 1879, red cloth gilt, oblong 4to; Illustration by H.C. Selous of "Hereward the Wake" by Charles Kingsley, Art-Union of London, 1870, red cloth gilt, oblong 4to; Punch Cartoons; etc., all with institutional ex lib stamps and markings, [12]

An early 20th century royal commemorative horticultural architectural dedication plaque, inscribed 1911 This Bed was Named in Commemoration of the Coronation of Their Majesties King George V & Queen Mary, 20.5cm x 33cm

Pain (William), The Practical Builder; or Workman's General Assistant; Shewing (sic) The moft approved and eafy Methods for Drawing and Working the whole or feperate Part of any Building [...], Rules of Carpentry [...], The Proportion of the Five Orders [...], Frontifpieces, Chimeny-Pieces, Ceilings, Cornices, Architraves, &C., In the Newest Taste; With Plans and Elevations of Gentlemen's and Farm-Houses, Barns, &c., fourth edition: revised and corrected, London: Printed for I. and J. Taylor, at the Architectural Library, 1787, illustrated with 70 of the 83 called for copperplate engravings: lacking plates 28, 53-54, 58, 63, 68, 71, 75-79 & 83, Taylor's Architectural Library Catalogue to verso: 2pp of folded-folio size, contemporary speckled calf, slightly later ink MS ownership inscription: George Wheen Book 1847, 4to

The Rubaiyát of Omar Khayyám, Reprinted from Edward Fitzgerald's Translation Published in Eighteen Hundred and Fifty-Nine, Illustrated & Decorated by E.A. Cox, R.B.A., 1 of 12 special copies bound in sheepskin and signed by the publisher, out of the 1,200 edition-de-luxe copies printed on hand-made paper, Leigh on Sea: F. Lewis, Publishers, Limited, 1944, eight full-page colour illustrations, text within decorative red borders, contemporary vellum gilt, as issued, top edge gilt, d/j en suite, later 20th century architectural-pictorial bookplate to recto pastedown: Ex Libris A.T. Copsey [Anthony Thomas, b. 1932] of Sparrowes Nest in Ipswich, [Suffolk], slim 8vo

A collection of late 18th century and later engravings and prints, including William Davison (1781-1858), by, Hop and Stage Doctor, Printed and Published by W. Davison Alnwick [n.d. 1812-1817], etching, 16.5cm x 23.5cm; 19th century restrikes of Hogarth engravings, various; two copies, The Illustrated London News: No. 1027, Vol. XXXVI, April 21, 1860 & No. 2712, Vol. XCVIII, April 11, 1891, (2); medical and anatomical chromolithographic book illustrations and diagrams, various; 18th century and 19th century engravings after Old Masters; 18th and early 19th century antiquarian and architectural engravings, various; early 19th century steel engravings of earlier British portraits of statesman and illustrious figures; defences, copperplate engravings, Engraved for Ancell's Monthly Military Companion, various, 1801-1802, (5); architecture; coaching print; steam locomotive diagrams; further railway interest; various subjects, media and sizes; (qty)

A softwood museum architectural model, of a Tudor Craftsman's House, labelled, 68cm high, carrying case en suite, 20th century

An early 20th century gilt gesso and softwood architectural looking-glass, arched cresting, the rectangular bevelled mirror plate flanked by a pair of pilasters, carved and applied with fruiting vine, easel back, 38cm high

A French Empire alabaster mantel clock, 9cm circular gilt metal dial inscribed Gerard A Paris, the enamel chapter ring inscribed with Roman numerals, 8-day movement striking on a bell, the architectural case crested by an urn and applied with a gorgon mask, bun feet, 42cm high, 19th century

A 19th century burr walnut drop centre twin pedestal sideboard of architectural form with central drawer flanked by cupboards with plinth base, width approx 186cm.Additional InformationThis is missing the skirting to the interior of the right pedestal base.

A good set of four Victorian silver-gilt comportsby Martin, Hall & Co, London 1879 In two sizes, each chased and embossed with masks and architectural motifs, with knopped columns, centred by engraved monogram, height 11.5 and 16cm, diameter 19 and 23cm, weight 70oz.For further information on this lot please visit Bonhams.com

TWO BOXES OF BOOKS AND MAGAZINES TO INCLUDE EASTWOODS CATALOGUE 1962 of building materials, architectural furniture etc together with UBM Catalogue 1977, mid 20th century booklets including British Rail Holiday Haunts, local interest etc.

An Arts & Crafts mahogany cased architectural mantel clock

William A. Moyes : The Banner Book - A Study of the Banners of the Lodges of Durham Miners' Association, a volume, hardcover, with dust jacket, 159 pages, published by Frank Graham, 1974, together with five further volumes all relating to the north of England - Picture Pioneers - The Story of the Northern Cinema 1896 - 1971 by G. J. Mellor, Newcastle Past and Present by David Dougan, Broadsides of the Industrial North by Martha Vicinus, Architectural Antiquities of the County of Durham by Robert Billings and The Durham Book by J. R. Atkinson, all hardcovers, all with dust jackets. (6)

T. Sopwith : A Historical and Descriptive Account of All Saints' Church in Newcastle upon Tyne, Illustrated with Plans, Views & Architectural Details, a volume, hardcover, 131 pages, printed by Edward Walker, 1826, together with a booklet - A Memento of the Signing of the Great Peace on June 28'th 1919, published and distributed by the City and Council of Newcastle upon Tyne, as well as twelve further antiquarian volumes - History of the Rebellions in Scotland under The Viscount of Dundee, and The Earl of Mar, in 1689 and 1715 by Robert Chambers, 1829 (in 3 vols.), The Modern Cookery by A. Lady, 1818, An Account of the Siege of Chester During The Civil Wars Between Charles I and His Parliament printed by P. Broster of Chester, 1793, Records and Record Searching - A Guide to the Genealogist and Topographer by Walter Rye, A Printing House of Old & New Edinburgh 1775 - 1925 published by H. and J. Pillans, The Diary of Samuel Pepys Esquire edited by Lord Braybrooke, The Minstrel; or The Progress of Genius by James Beattie, A Companion to The Theatres; and Manual of The British Drama by Horace Foote, As you Like It by William Shakespeare, 1811 and The Winter's Tale by William Shakespeare, 1811. (14)

A set of fourteen architectural studies in ink, pencil and wash, probably early 20th century, in matching hardwood frames, 67 x 47cm

SANDY GARDNER Architectural feature, sketch, signed, gouache, 18 x 12cm Condition Report: Available upon request

A late Victorian slate mantel clock of architectural outline having eight day movement striking on a gong, height 38.5cm

A folio of approximately twenty early 20th Century architectural drawings by H.N. Jepson

A Striking Table Clock, signed Cooke & Kelvey, London and Calcutta, circa 1850, architectural pediment, stained mahogany coloured case with side bevel glass panels, carved front mounts, 8-inch painted dial with Roman numerals, twin fusee movement with an anchor escapement and striking on a bell, 47cm high 09.12.19 Case surfaces appears to have been re-stained, small dents and scratches in parts, later back door, other later replaced mouldings, dial with minor chips around the winding holes, dial numerals are faded, dial has been re-painted to a high standard, movement is complete, movement in going order and striking, with pendulum.

A Brass Novelty Desk Stand, Samuel Thompson & Sons, Midland Maltings, Smethwick, circa 1900, of architectural form, 28cm wide

An Indian White Metal and Copper Inlaid Brass Box and Cover, 19th century, decorated with a four-armed goddess in an architectural cartouche and with panels of mythical beasts, 15.5cm wide

After Etore Forti Roman Chariot Races Photogravure, in a carved ebonised architectural frame with carved pediment and fluted columns, figural finials and incised title, 84cm by 107cm

A Late Regency Mahogany and Parcel Gilt Overmantel Mirror, 2nd quarter 19th century, with moulded architectural pediment and turned finials above a bevelled glass mirror plate between column supports and compressed feet, 67cm by 80cm

A 19th Century oak and mahogany crossbanded longcase clock with an eight day movement striking on a bell, the architectural cornice over turned pillars flanking the 13" over-painted dial, detailed with birds and with floral spandrels and signed 'R. Jones, Amlwch', height 210cm.

A George IV mahogany bookcase cabinet, with an architectural cornice above astragal glazed double doors and a double door cupboard to the base with pull-out slide drawers, raised to bracket feet, height 231cm and width 105cm.

A late 19th Century oak cased bracket clock of architectural form, carved in the Aesthetic taste with a twin fusee 8 day movement and a silvered dial, height 43cm, S/D.

A late 19th Century walnut and part ebonised regulator wall clock, the architectural pediment over a circular dial and spring driven movement, height 71cm.

Victorian slate architectural mantle clock, with brass finials and applied marble decoration, the white painted ivorine dial having Arabic numeral chapter ring, the twin spring fusee driven movement striking hammer on bell, W47cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

Victorian slate architectural mantel clock, with incised decoration, marble detail, enamel dial, bearing brass plaque, W26cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

DFS snuggle chair, upholstered fabric with architectural pattern, ebonised tapering supports, W136cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

ATTRIBUTED TO WILLIAM WALCOT (1874 - 1943) watercolour and pencil - architectural study of 'Grand Place, Brussels' with flower-market, unsigned, title bottom-right, 24 x 36cms

KUNDO MANTEL CLOCK / ARCHITECTURAL CLOCK (2)

NO RESERVE Camden (William) Annales rerum Anglicarum et Hibernicarum, regnante Elizabetha, engraved architectural title, lacking engraved portrait of Elizabeth I, old ink inscription to head of title and front paste-down, some browning, one or two marginal tears, engraved bookplates, contemporary limp vellum, lacking ties, rubbed and soiled, [Willems 227], 8vo, Leiden, Elzevier, 1625.

NO RESERVE South West of England.- A collection of over 200 prints, mainly showing locations of local interest to Bristol and Bath, and the surrounding region, with many views of parish churches, architectural sites of interest, church ruins, and landscapes, including Wells Cathedral, Glastonbury Abbey, sites in Somerset, and many others, engravings, some photographs, various sizes, loose, all unframed, 19th century (Sm. Qty.)

A collection of 19th Century letters and envelopes to include pre stamps and penny reds all addressed to a Mr Samuel Prout. Samuel Prout was a British watercolourist, and one of the masters of watercolour architectural painting. Prout secured the position of Painter in Water-Colours in Ordinary to King George IV in 1829 and afterwards to Queen Victoria, included is a letter from Henry Aston Baxter.