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A Victorian tinsel picture showing a full masted, steam assisted sailing vessel "Alaska". Together with architectural prints.

AFTER NICHOLAS HAWKSMOOR Six folio engravings of the architectural elevations of All Souls College, Oxford, 18 1/2"" x 24"" (6)

VALLANCE, Aymer, The Old Colleges of Oxford, Their Architectural History Illustrated. Batsford, 1912. Fo. glt. bds. worn. Tog.with other Oxford interest. 6

PARKER, John Henry (pub.) A Glossary of Terms used in Grecian, Roman, Italian & Gothic Architecture, Oxford, 1840. 8vo. 3rd edn. frontis. foxed. wdcts. throughout text. in 3 vols. 1/2 vellum ds. Tog.with MADAN, F. Allfrey, E.W. & BUTLER, A.J. Brasenose College Quarter Centernary Monographs 1-VIII. Oxford, 1909. 8vo. cl. worn. with loss to spine. Plus other Oxford Architectural interest. 8

NASH, Joseph, The Mansions of England in The Olden Time, Sotheran, 1868, in 4 vols. fo. glt. dec. bds. bumped. Ex. lib. stp. to verso of plts. Tog.with STONE, Percy Goddard, The Architectural Antiquities of The Isle of Wight from the XIth to the XVIIth Centuries, London, 1891. Fo. in 2 vols. Frontis. & ffep. det. in both vols. ex. lib. bkpt. gutta percha perished in vol. 2 & loose pp. 6

A 19th century Russian silver and niello work snuff box, assay master unknown, Moscow 1882, rectangular form, the hinged cover with an architectural scene, the sides and base with trellis decoration, length 6.3cm, approx. weight 2oz.

A late 19th century Dutch silver tobacco box, 1878, rectangular form, embossed architectural and foliate scroll decoration, length 13.3cm, approx. weight 4.5oz.

Collection folio of pre war Jewish and other sepia and black and white photographs, various architectural designs, buildings etc, some signed

A LATE 19TH CENTURY BLACK SLATE CASED FRENCH MANTEL CLOCK, having architectural style case with chamfered pediment and six pilasters, 8-day 2-train French movement, with rack gong strike, faced by Arabic enamel on gilt metal chapter, with key and pen dulum, 32cm x 44cm

AN EARLY 20th CENT. DUTCH DELFT BLUE AND WHITE DOME LIDDED GINGER JAR, HAND PAINTED IN A BLUE FLORAL DESIGN WITH CENTRAL CARTOUCHE SHOWING AN ARCHITECTURAL SCENE, BLUE PAINTED MARKS TO THE BASE, APPROX. 27cm HIGH

Large black slate, grey marble and bronze mounted two train mantel clock, the movement striking on a gong, the 5" black chapter ring enclosing a recessed gilded centre, within an architectural stepped case mounted with female bronze torsos and surmounted by a wavy arched cornice, 20" high; pendulum

French gilt metal and porcelain mounted two train mantel clock garniture, the Japy Freres movement striking on a bell, the 3" painted dial within an ornate architectural case surmounted by an urn, 16" high; flanked by a pair of matching urn side pieces, 12" high

Small walnut mantel clock timepiece with alarm, the 3.5" cream dial with subsidiary seconds dial over an alarm dial, within an architectural pillared case surmounted by a pyramid pediment and turned finial, 11.5" high

Good black marble and ormolu mounted two train mantel clock, the movement striking on a bell and inscribed EM no. 2311, the 5.5" white dial with recessed visible escapement, within a bevelled glazed break front stepped case applied with good cast foliate and architectural mounts, the rounded arched top surmounted by a pineapple finial, 22" high

Large black slate and green marble two train mantel clock, the movement striking on a gong, the 5.25" black slate dial with recessed visible escapement, within an architectural pillared case incised with scrolling gilded foliate decoration, 17.5" high

Good Junghans two train wall clock/barometer, the 5" cream dial over a thermometer and 3.75" barometer dial with skeletonised centre, within a carved pillared shaped case surmounted by an architectural arched cornice with three turned finials, 40" high; pendulum

Oak single fusee 10" wall dial clock, within an architectural case with carved foliate spandrels, 25.5" high

Stained wooden two train Vienna regulator, the 5" cream chapter ring enclosing a gilded centre, within a glazed and turned pillared case, 43" high; also a small walnut two train Vienna regulator, the 5" cream chapter ring enclosing a gilded centre, within an architectural case, 27" high (2)

Black slate and green marble mantel timepiece, the 3.75" cream chapter ring enclosing a recessed gilded centre, within an architectural stepped case, 15.25" high; also a quantity of old clock dial plates

A gilt framed rectangular overmantel mirror of Chippendale design, the cresting and sides boldly fretted with carved floral and architectural ornament, inset with three plain mirror plates, 36ins x 66ins overall (chipping to cresting and minor damage throughout)

A 19th Century French gilt brass cased mantel clock retailed by Howell James & Co, the 3.25ins white enamelled dial to the eight day two train movement striking on a bell, contained in case of architectural design, 14ins high (worn and cracked to dial and lacking back cover and key) and two other timepieces

An 18th Century oak longcase clock by John Stokes of Bewdley, the 12ins square brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and with turned winding holes to the eight day two train movement striking on a bell, contained in associated oak case with architectural pediment and plain turned pillars to hood, 82ins high Note: John Stokes recorded working Bewdley before 1751

A PAIR OF `ANT CHAIRS`, DESIGNED BY ARNE JACOBSEN, shaped plywood seat on three steel legs. Arne Jacobsen was a Danish architect and designer. Though associated primarily with prestige in his most famous architectural designs the legacy of his entry in decorative art is one surrounding the popular mass production of this `Ant Chair`. The unpretentious `Ant Chair` design became internationally famous only months following its first showing at furniture titan Fritz Hansen`s 80th birthday. The design proved to be Jacobsen`s big break and the design of this chair has endured into the present time from the compositional inception in 1952. Jacobsen was an avid supporter of ultramodern architecture and design and had an intuitive understanding of contemporary movements. This no doubt greatly inspired the use of tripod legs which were becoming ever more fashionable into the 1950`s. Though other designers of Jacobsen`s era preoccupied themselves with functionalism, often at the expense of decor. Jacobsen himself was concerned with translating contemporary innovations and combining them with functional furniture, though by no means at the expense of originality. The fashionable plywood seat and steel tripod legs hark back to the 1950`s and nod to the chairs following of furniture connoisseurs as well as displaying the functionality desired by the consumers of the era. In this way the `Ant Chair` appealed to both the market for fashion and exclusivity as well as explaining its enduring replication in the consumer market of mass production.

A series of eighteen French colour prints of bathers, seaside capers and four architectural prints

A late 19th century French gilt metal mantle clock, the twin column architectural case enclosing an eight day gong striking movement faced by gilded Arabic dial.

A magnificent late-Victorian flame mahogany breakfront compactum wardrobe the arched architectural pediment with carved foliate tracery, urn finials on fluted plinths and a central relief carved wheatsheaf flanked by sunflower roundels, over an arcaded frieze and four canted panelled doors with applied floral roundels, the central pair enclosing five oak and mahogany slides over three drawers, flanked by a pair of linen lined hanging robes, on a plinth base, 99in. (252cm.) wide, 103in. (262cm.) high, 26in. (66cm.) deep.

Interior design interest: a French framed architectural print, Juillet, 1864

An early 20th century green onyx mantle clock of architectural form, the domed pediment with gilt metal classical frieze and having gilt metal columns and finials on a plinth base. The 8 day striking movement with steel tablets and Arabic numerals

A Victorian timepiece in an architectural grey slate case with arched pediment, inset with marble and with gilt outlines, 31cm high

A Victorian architectural mantel clock with green marble inlays and gilt decoration, eight day movement, 34cm high, 39cm wide

A pair of Italian etchings, each in the manner of Piranesi depicting architectural drawings, designs for interiors, etc., 35cm x 23cm.

An album containing a large quantity of drawings and sketches of various subjects including architectural, figure, and landscape studies

A late 17th century South German ebony cabinet on later stand, the raised top with a sliding lid, above panelled sides and back and a pair of doors enclosing an arrangement of fifteen drawers flanking a locked cupboard door and a pair of sliding facades enclosing three further drawers, the two middle side drawers with two secret drawers to the reverse, all walnut lined and with baroque style architectural mouldings including to the inside of the doors, the base with two drawers one with a triple dummy front, with later escutcheons, previously with side carrying handles, on a 19th century ebonised stand with a frieze drawer on spiral twist supports and bun feet, probably Augsburg, the cabinet: 24in (61cm) h, 26.25in (66.5cm) w, 19.5in (49.5cm) d, with stand: 58in (147.5cm) h, 30.25in (77cm) w, 21.5in (55cm) d. (2) Provenance: Invercauld Castle, Aberdeenshire.

A 17th century ebony and ivory marquetry cabinet, the fall front centred a mythological scene including a beheading, a satyr chasing a woman amidst bulrushes, a man next to a peacock, within a palmwood border to masks and fruiting foliage, to quartered rosewood panels and further ivory inlay, the reverse with a similar panel of a figure playing a pipe and shepherd with animals and birds, to an arrangement of thirty various ash lined drawers and a locked cupboard door, all with baroque architectural mouldings, some with brass knob handles and containing a large collection of shells, with iron side carrying handles, one missing, the sides with ebony and ivory marquetry, South German or North Italian, 19.75in (50cm) h, 25.75in (65.5cm) w, 15.75in (40cm) d, on a later mahogany veneered and marquetry inlaid stand. (2) Provenance: Invercauld Castle, Aberdeenshire.

ARCHITECTURAL WALNUT CARVING, 20", CARVED WOOD PANEL, 25" X 5": Two caryatid carvings [one is broken] along with a carved wood panel depicting birds and grapes. 3 pieces total.

A Jules Rolez slate cased mantel timepiece of architectural form, the enamelled chapter ring bearing Arabic numerals

A late 19th / early 20th Century slate cased mantel timepiece of architectural form, the white enamelled dial bearing Roman numerals

A late 19th Century slate and marble cased mantel clock of architectural form, the white enamelled chapter ring bearing Roman numerals

A box of assorted RAF hardback books to include "Bomber Command 1939-45", "The Hardest Victory (RAF Command in the Second World War)", EDMUND BURKE "Guy GIbson VC" published 1961, together with various architectural and aeronautical prints, hardback titles, autobiographies

Russia. A very large Minkus album housing a mint and used collection to 1973. Includes 1913 Romanov Dynasty set mint, 1930 Graf Zeppelin set used, 1933 Stratosphere record used set, 1937 architectural Congress M/S mint (2), 1937 Pushkin Exhibition M/S mint and used, 1941 Death of Surikov set used, 1941 Lenin Museum set used, 1955 Death Anniversary of Savitsky M/S`s mint, 1957 Philatelic Exhibition M/S mint

Russia. Four large stockbooks holding a mixed but comprehensive collection to 1980. Noted 1934 Stratosphere Balloon Disaster mint set, 1934 Ten Years without Lenin used set, 1937 Architectural Congress M/S mint and used, 1945 Relief of Stalingrad M/S mint, 1945 Airs mint

HOPE, W.H. St. John. Windsor Castle, an Architectural History. London: Country Life, 1913. Limited edition of 1050 copies, this number 58, 2 vols. only (of 3), folio (360 x 247mm.) Colour frontispieces, numerous uncoloured plates, occasional illustrations. Original half-vellum, t.e.g. (soiled, extremities bumped). Provenance: Ivor A.B. Ferguson (armorial bookplates). Note: lacking the plan volume.

A late 19th century architectural form mantel clock, the brass dial with cushion shaped silvered chapter ring and twin train movement, labelled HAC, 14 day strike, Wurttemberg, 43cm high.

An early 20th century French onyx mantel clock of architectural form, the brass movement stamped "Marti".

Post Medieval Architectural Limestone Panel with Griffin18th-19th century AD A rectangular panel depicting a griffin standing on all fours, facing to the left, front right leg raised and resting on a mound, chamfered border to lower edge. 20.4 kg, 43 x 40 cm. (15 3/4 x 17"). Ex Douglas Rose collection. Fine condition, some wear to surface.Starting Price: £320

An ornate mahogany architectural birdcage with spires and porticos, on a table base with sliding tray drawer and slender turned legs with cross stretchers.

Album of collectors cards Crama's Jachtwater character studies (11) with Players cigarrette cards and silks to include:- Paintings, Fashion, Theater, History and Architectural subjects

PRINTS, ten, architectural studies. (10)

LATE NINETEENTH CENTURY MAHOGANY CASED MANTEL CLOCK, the 4 3/4" pale blue enamel dial with roman numerals in white, shield shaped markers, powered by an eight day drum shaped movement, No. 1038, striking on a gong, housed in an architectural case with shaped top and plinth base, 16" (40.6cm) high (dial a.f.) EST 100-150

VICTORIAN BLACK SLATE MANTEL CLOCK, with dark veined marble trim, the 4" Arabic dial with pierced gilt centre, powered by a drum shaped movement, striking on a gong, housed in an architectural case with stylised foliate carved pilasters and chamferred plinth base, mounted with a presentation inscribed hallmarked silver plaque, 12 1/4" (31.1cm) high EST 60-80

a leaded glass window, a pair of iron frame windows and a collection of architectural salvage

Adrian Hill, 1897-1977: A collection of drawings consisting architectural and landscape studies

Adrian Hill, 1897-1977: A collection of drawings, mainly architectural and landscape studies, some of Dorset interest

Adrian Hill, 1897-1977: A collection of prints and drawings, including landscapes and architectural studies

Attributed to Giuseppe Valeriani, An 18th Century classical architectural cappricio, pen and ink, 15 x 18cm.

A 19th Century French black slate and marble mantel clock, the drum cased 8 day movement by Ad Mougins, with visible escapement and striking on a bell, the mercury compensated pendulum behind windowed aperture, in architectural case inset with panel of cherubs, 47cm.

A Victorian Masonic oak throne chair, the high back with architectural broken pediment crest above padded back flanked by Ionic columns, swept open arms, stuffover seat, on square section legs united by stretchers and a folding foot rest. Ivorine plaque inscribed “This chair was presented to the Lodge by Bro. W. W. Clowes in the year 1885”.

A single volume of Architectural plates and two volumes of 19th Century Building News.

ILKHAN: Abu Sa`id, 1316-1335, AE fals (3.30g), Jurjan, AH7(29), A-2220, Diler-—, ruler`s name & mint on obverse, kalima, date and the tower known as Gunbad-e Qabus on reverse (aka Gunbad Kavoos), Fine, RRR. This is the only Islamic coin type with an architectural representation before the late 19th century. There is an example with clear date at Tübingen (GJ8 A1). The tower, about 180 feet tall, was completed in 1006 AD and was the tomb of the Ziyarid ruler Shams al-Din Qabus b. Wushmagir, who died 6 years later, in 1012. It still stands today, the tallest pure-brick tower surviving in the world, and remains a popular tourist site in Iran. The city of Jurjan (Gorgan in Persian) is now known as Gunbad-e Qabus. Starting Price: $130 View image on stevealbum.com View 2nd image on stevealbum.com

"A late Victorian architectural mahogany mantel clock, silvered dial with Roman numeral, movement striking on a gong"