A collection of five architectural prints Consisting of three from Vitruvius Britannicus or The Second British Architect, two by Hulsbergh after Colin Campbell (1676-1729) 'A New Design... for the Lord Percival', an architectural elevation from the second edition of Vitruvius Britannicus; the second a floor plan of the same design for the Lord Percival; the third an architectural elevation of the north front of Foremark, designed by J Wolfe executed by T White; the fourth print an architectural elevation of the facade of the Church and building of The Royal Abbey of Panthemont on the Rue de Grenelle, from L'encyclopédie de Diderot et d'alembert; and another architectural elevation and plans by the architect M. Hintrager of Sparkasse-und realschulgebäude in hohenelbe. The first 50cm x 25cm; the second 40cm x 26cm; the third 55cmx 27cm; the fourth 37cm x 44cm; the last41cm x 52.5cm. Qty: 5 Light toning and foxing throughout all. Some minor warping on the earlier prints.
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A collection of items To consist of a green-panted toleware tea canister, with a gilt label 'Blend 33' and gilt banding; a carved wooden architectural finial; and a model yacht.The tea canister 42cm high. The finial 56cm high. The yacht 86cm high (on stand).Qty: 3The tea canister with some losses to the paintwork and some denting around the front, the losses particularly notable around the numbering. The finial with some notable losses to the carving, particularly on the scrolling extremities around the base of the urn. The yacht with cracking to the paintwork, condition commensurate with age and use.
A collection of three architectural prints Consisting of Thomas White (c1730-c1775) after John Wolfe, the northeast front of Witham designed by Robert Adam, an engraving from Vitruvius Britannicus or The British Architect, 27cm x 71cm; together with two architectural elevations of Blenheim, the first of the front of of the house towards the gardens, an etching taken from a book, 47cm x 67.5cm, the second a further print of the front of Blenheim House, a later etching after Colin Campbell from Vitruvius Britannicus, 37.5cm x 77cm.Qty: 3The Thomas White with toning along the creased folds, some warping to the paper, and minor foxing notable particularly in the upper portion of the print. The first etching with a loss to the lower right, later redrawn in pen and ink, with some foxing across the paper and some creasing. The second etching in generally good condition, with notable surface dirt to the glaze.
ONE BOX AND LOOSE VINTAGE TOYS AND GAMES, to include a Castos construction set, c1940's, not complete but does contain assorted moulds and plans, box complete but worn and damaged, a wooden box of Glevum Games wooden building bricks, a 1930's boxed set of wooden architectural building blocks, a collection of Hergé The Adventures Of Tintin books, to include Red Rackham's Treasure, The Crab With Golden Claws, Explorer's On The Moon, The Shooting Star, The Blue Lotus, The Broken Ear, Cigars of The Pharaoh, one annual 'Playhour' 1959, a group of Vivid Imaginations 'Wallace & Gromit' collectable characters in sealed packets, etc. (s.d) (1 box + loose)
Original vintage WWI propaganda poster encouraging contributions to the Sailors' & Soldiers' Tobacco Fund: It is a significant fact that almost every letter from the Front contains a request for 'something to smoke'. Stark black and white artwork by Frank Brangwyn shows a group of soldiers on the front with the tower of the cathedral of Ypres in the background. Ypres is a town in the Belgian province of West Flanders, an area where many battles unfolded during World War I. Printed by the Avenue Press Ltd. Sir Frank William Brangwyn RA RWS RBA (12 May 1867- 11 June 1956) was an Anglo-Welsh artist, painter, watercolourist, engraver, illustrator and progressive designer. Brangwyn was an artistic jack-of-all-trades. As well as paintings and drawings, he produced designs for stained glass, furniture, ceramics, table glassware, buildings and interiors, was a lithographer and woodcutter and was a book illustrator. It has been estimated that during his lifetime Brangwyn produced over 12,000 works. His mural commissions would cover over 22,000 sq ft (2,000 m2) of the canvas, he painted over 1,000 oils, over 660 mixed media works (watercolours, gouache), over 500 etchings, about 400 wood engravings and woodcuts, 280 lithographs, 40 architectural and interior designs, 230 designs for items of furniture and 20 stained glass panels and windows. Brangwyn received some artistic training, probably from his father, and later from Arthur Heygate Mackmurdo and in the workshops of William Morris, but he was largely an autodidact without a formal artistic education. When, at the age of seventeen, one of his paintings was accepted at the Royal Academy Summer Exhibition, he was strengthened in his conviction to become an artist. Initially, he painted traditional subjects about the sea and life on the seas. His 1890 canvas, Funeral At Sea won a medal of the third class at the 1891 Paris Salon. The murals for which Brangwyn was famous, and during his lifetime he was very famous indeed, were brightly coloured and crowded with details of plants and animals, although they became flatter and less flamboyant later in his life. Good condition, water marks, creases and repaired tears in margins, backed on cardboard. Year of printing: 1915, country of printing: UK, designer: Frank Brangwyn, dimensions (cm): 76x49.5.
Polyptych altarpiece representing "The Virgin Mary and the Child Jesus" in ivory, late 19th century. The central panel shows the Virgin Mary standing, holding the Child Jesus in her left arm and a rose in her right hand. She is wearing a long dress, a mantle and a veil. On the side panels, angels appear in the upper registers, with scenes of the Visitation, the Nativity and the Presentation in the Temple below. The whole is structured by Gothic-style architectural elements. CITES certificate no. : 2024/BE02469/CE crack in door bow - Weight: 400 g - Shipping unavailable - Region: France - Sizes: H 220mm x L190mm - At first glance: normal wear / patina of use
Three 19th century wood and gesso Composite order architectural architraves - curled acanthus leaf capitals over fluted shafts, the bases decorated with guilloche moulding over trailing laurel leaf branches, one half columns, one L-shaped rectangular pilaster and one full column, the largest - H204cm
Pair of late 19th/early 20th century leaded stained glass panels,of quatrefoil form when aligned, depicting architectural forms and foliate motifs in red upon a yellow ground, each panel H42cm W63cmCondition Report:General wear commensurate with age, including scratches and scuffs. Some cracks to panels as per additional images.
17th century and later cedarwood and pine side cupboard, moulded rectangular top, enclosed by two doors possibly removed and reused from a Venetian Cassone, carved and decorated with penwork, the upper architectural arcade with busts of noblemen, the larger decoration depicting hunters on horseback within woodland landscape with various animals, central and flanking uprights decorated with classical female figures upon pedestals, lower roundels decorated with lion and putto motifs, overall foliate decoration, raised on five hairy paw carved feet, the interior fitted with shelfDimensions: Height: 86cm Length/Width: 134cm Depth/Diameter: 28cm
Dimension: Height 24 cm ; Wide 29 cm ; Depth 10 cm with baseWeight: 16198 grams A dark stone Buddhist Stupa base Northern India, Pala period, 11th-12th centuryLavic stone architectural element adorned with four columned niches inside which are four of the five transcendent Buddhas, positioned specularly to a central axis.From left to right: Akshobhya + Vairocana, in the padmasana position and who's hand performs the dharmacakrapravartanamudra, symbolizing the turning of the wheel of the Dharma.Flanked by Amitabha and Ratnasambhava.Base and upper section decorated with geometrical patterns
ASSORTED ITEMS: ASSOCIATED 19TH C. STAFFORDSHIRE 'GAUDY WELSH' CHINA TEAWARES, including teapot, sucrier, slops bowl, teacups, saucers, side plates, bread and butter plates, mostly 'Tulip' patterns; together with large Cemaes studio pottery fruit bowl by William Leonard Rees, 1977 Richard Guyatt for Wedgwood tankard, Dresden porcelain pedestal bowl, assorted Staffordshire country pottery etc., EARLY 20TH CENTURY BESSON & CO. 'SYSTEME PROTOTYPE' TUBA, silver plated, bell with floral engraved decoration, inscribed 'Presented by Mrs Helen Grundy August 1906', Class A, Besson 13 mouthpiece, bell 40cms (dia.), TWO BELGIAN SLATE MANTEL CLOCKS including Japy Frères architectural clock with red marble pillars, movement plate signed, 37cms (h) and a Franjus clock with figural surmount, 41.5cms (h) (qty.)Provenance: private collection SwanseaComments: inspection advised
Architecture & Gardening. Ernest George's Sketches, German and Swiss: Being pen-and-ink drawings, transferred by Cowell's Anastatic Process, London: W.M. Thompson, 1870, additional pictorial title-page, original pictorial cloth over bevelled boards, rebacked, all edges gilt, folio (38.5 x 28.5cm); Prentice (Andrew N.), Renaissance Architecture and Ornament in Spain [...], London: B.T. Batsford, n.d. [1888], plates, original publisher's cloth over bevelled boards, folio (48 x 36cm); Turner (J.M.W., RA, illustrator) & Huish (M.B.), The Seine and the Loire, London: J.S. Virtue & Co., 1886, loose gatherings as issued, later portfolio (44 x 32.5cm); Shaw (R. Norman), Architectural Sketches from the Continent, n.d. [1872], lithograph plates, later cloth, folio (42.5 x 30.5cm); Cranfield (Sydney White) & Potter (Henry Ingle), Houses for the Working Classes in Urban Districts, London: B.T. Batsford, 1900, plates, original cloth, folio (38.5 x 28.5cm); Weaver (Lawrence), Houses and Gardens by E.L. Lutyens, London: Published at the Offices of "Country Life", 1913, in-text b/w illustrations, original cloth over papered boards, folio (40 x 28.5cm); Palustre (Léon), La Renaissance en France, volume I only, Paris: A. Quantin, 1879, illustrated with in-text etchings, later red morocco over cloth, folio (45 x 34cm); Chambers (William), Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings At Kew in Surry (sic), Farnborough: Gregg Press Limited, 1966, red cloth, folio (50.5 x 36cm); Bankart (George P.) & (G. Edward), Modern Plasterwork Design, London: The Architectural Press, 1927, loose quires, original cloth over papered boards, folio (51 x 32cm); Shepherd & Jellicoe, Italian Gardens of the Renaissance, 1925, green cloth, folio (45 x 33cm); etc., (14) Withdrawn ex-library stock, with their bookplates and labels, stamps &/or stickers, and in cases their institutional bindings. Some stamps might affect letterpress or plates. Unexamined and sold with all possible faults and not subject to return.
Architecture. Schwarzer (Mitchell), German Architectural Theory and the Search for Modern Identity, first edition, Cambridge University Press, 1995, original publisher's dustjacket over black cloth, slightly sunned, one or two nicks, 8vo; Clarke (Georgia, editor), et al, Architecture and Language: Constructing Identity in European Architecture c. 1000 - c. 1650, Cambridge University Press, 2000, dj, hb, 8vo; further reference works on architectural theory, practice, and history, principally hardback, mixed sizes, (23)
A folio of miscellaneous pictures and prints, early 19th c and later, mostly architectural, including William Gauci (fl. 1826-1854) after William Alfred Delamotte (1775-1863) - Magdalen College Chapel, Oxford, s.n., Printed by L.M. Lefevre, n.d. [c. 1835], lithograph, 40 x 31cm, mounted; Antonio Carbonati (1893–1956) - Pont Royal, Paris; Île Saint-Louis, Paris, a pair, signed, titled and dated 1920 in pencil, each numbered 31/100 and 16/100 respectively, etchings, 12.5 x 24cm and 15.5 x 19cm; Turner's Venice; a 20th c printed cross-section of the Pantheon, Rome, 42 x 53.5cm; mixed process and sizes; others, including Kunio Kaneko (b. 1949) - Fuji 64, signed, dated '95 and numbered 93/200, woodblock in polychrome, picked out in gilt, 28 x 50cm; Robin Bradshaw, framed 20th c decorative off-sets; etc Provenance: Julian Bicknell (b. 1945), New Classical architect and designer of the Palladian Henbury Hall, Cheshire.
Architecture. Jones' Views of the Seats, Mansions, Castles, &c. of Noblemen and Gentlemen in England, Wales, Scotland and Ireland, and other Picturesque Scenery [...], London: Published by Jones & Co., January 1st, 1829, engraved title-page, approx. 96 steel-engraved plates of country houses after John Preston Neale, corresponding letterpress leaves, contemporary Regency maroon morocco, the covers with a gilt-rolled border of anthemia, five-compartment spine with slightly raised bands, lettered in the second, stable tear near head-cap, slight rubbed wear, all edges gilt, marbled endpapers, 4to; [&] Noble & Rose's The Counties of Chester, Derby, Leicester, Lincoln, and Rutland, Illustrated. From Original Drawings by Thomas Allom. With Historical and Topographical Descriptions. London: Fisher, Son, & Co., 1836, engraved frontispiece and title, named-view steel engraved architectural, antiquarian and topographical plates, contemporary black diced calf gilt, gilt-lettered upper-cover, marbled endpapers, 4to, (2) Provenance: 1st: 1) Susannah Parsons Nottingham Park/ November 24 1834; slightly later pencil ownership inscription to ffep. 2) George Creswell Bond (1863-1939), of Lenton Hall, Nottingham; armorial bookplate to recto pastedown.
Miniature Books. Gigantick (sic) History, Volume the Second. Which completes The History of Guildhall, London. With other curious Matters. The Second Edition. London: Printed for Tho. Boreman, nears the giants in Guildhall, and at the Boot and Crown on Ludgate-hill, 1741, architectural woodcut frontispiece, black-ruled title-page, decorative vignettes, complete, collating: A-H⁸; [v], vi-xxiv, [25]-128, inclusive of subscribers list and publisher's advert, frontispiece a trifle stained, the title somewhat soiled, the latter with one hole at the opening T of the fifth line, otherwise generally fresh, contemporary embossed papered boards, somewhat worn, perished spine, holding with some slight movement, lacking ffeps, recto of frontispiece with indistinct 19th c ownership inscription dated 1845, 32mo (6 x 4.6cm) A rarity from arguably the first English publisher of children's books, and a forerunner, along with the rest of the Boreman's Gigantick Histories series (1740-42), of Newbery's Lilliputian Magazine (1752); commonly held to be the first secular children's chapbooks.
Architecture. Chambers (Sir William, KPS) & Gwilt (Joseph, FSA), A Treatise on the Decorative Part of Civil Architecture, with Illustrations, Notes and an Examination of Grecian Architecture, two volume set, London: Priestley and Weale, 1825, split but holding, occasional foxing, engraved frontispiece and plates, contemporary burgundy quarter-morocco over marbled boards, rubbed and somewhat sunned, 4to; Lomax (Edward, editor) & Gunyon (Thomas, editor), Nicholson's Dictionary of the Science and Practice of Architecture, Building, Carpentry, etc., two volume set, The London Printing and Publishing Company, Limited, n.d. [c. 1850], additional engraved architectural title-page, frontispiece and plates, contemporary burgundy half-morocco over cloth, red speckled edges, folio; Fergusson (James), A History of Architecture, three volume set, London: John Murray, 1865, in-text illustrations, contemporary calf gilt, rubbed, worn and with faults, marbled edges and endpapers, 8vo; & The Architectural Review, 1910-12, bound in two volumes, contemporary roan over moiré boards, split and rubbed, folio (33 x 23cm), (9) Provenance: Julian Bicknell (b. 1945), New Classical architect and designer of the Palladian Henbury Hall, Cheshire.
Architecture. Younés (Samir), The Imperfect City: On Architectural Judgment, signed and dedicated by the author, Ashgate, 2012, original pictorial boards, 8vo; Frank Lloyd Wright; further books on architectural theory, design and history; building and technology; etc., mixed sizes and bindings, (59) Provenance: Julian Bicknell (b. 1945), New Classical architect and designer of the Palladian Henbury Hall, Cheshire.
A French art deco diamond, enamel and platinum set bow brooch, the pierced architectural diamond set centre flanked by black enamel framing in the form of a bow, bearing strike marks to sides, 7.3cm x 1.5cm, approximately 2.2ct diamond weight, 18.7gSome chipping to the black enamel. please see additional images
Marine view with architectural capriccios - Salvatore Guidotti (1836 Naples - 1903) - Oil painting on canvas, 19th century, Italian school, depicting a marine view with architectural capriccios. Dimensions: 60x36 cm. It bears a signature in the lower right by Salvatore Guidotti (1836 Naples - 1903). The work is in good condition with a small restoration on the right side of the canvas.
![British 19th century A pair of architectural prints Hand-coloured etching on paper [a] A view of Greenstead in Essex Signed W](https://cdn.globalauctionplatform.com/d0c411fe-456b-4114-85d2-b1da011c2cf3/91734b21-a5bb-4a04-8323-b1db00ee844e/468x382.jpg)
British 19th century A pair of architectural prints Hand-coloured etching on paper [a] A view of Greenstead in Essex Signed W. Rawstorne and dated April 27th 1808 [b] The South Prospect of Somerset House in the Strand To be sold without reserve Dimensions: [a] (Frame) 16 in. (H) x 19 in. (W) (Paper) 10 in. (H) x 13.5 in. (W) [b] (Frame) 16.5 in. (H) x 21.5 in. (W) (Paper) 10.5 in. (H) x 15.5 in. (W)
Luddism. A manuscript album featuring an illustration of someone being hanged at the gallows, ink & watercolour, inscribed, "Perspective View of the New drop erected the 20th of November 1816 at the new Gaol for the Execution of James Towle a Luddite for breaking 53 lace frames on the night of the 28th June 1816 at the factory of Messrs Heathcote & Boden at Loughborough," the sketchbook featuring numerous other illustrations of varying subject matter, including architectural plans, topographical drawings, portraits and studies of facial expressions, a total of 60 pages featuring sketches, some more finished than others, oblong quarto (23 x 29cm), worn half morocco, lacking upper board. [James Towle, a member of a Luddite gang, was from Basford near Nottingham].
DICKINSON, William. Antiquities Historical, Architectural, Chorographical, and Itinerary, in Nottinghamshire and the Adjacent Counties; Comprising The Histories of Southwell and Newark, Interspersed with Biographical Sketches, Vol. I, Parts I & II bound as one, ["Vol. II", which would've formed "Parts III & IV" covering Newark, was published as a separate work in 1819 and is not included here], stipple-engraved frontispiece of the author, pp. xiv, 115, [ii], 8, [117] 118-344, folding map, 23 engraved & lithographic plates, 17 Pedigrees (six folding), internally sound with age toning, some pale spotting, heavier in places, a few tears, one of the folding Pedigrees is torn & detached, sympathetically rebound to style in half calf with morocco title label lettered in gilt, marbled boards, marbled edges, bearing bookseller's ticket on front pastedown (Ian H. R. Cowley, Nottingham), Newark: Printed by Holt & Hage for Cadell & Davies, Strand, London, 1801 [-1803]
A collection of 16th- to 18th-century engravings comprising: an engraved profile portrait of Bias of Priene [one of the "Seven Sages of Greece"], 170 x 123mm; Genealogia Duplex...[a genealogy of the early history of Rome], 22.5 x 28.5cm; Circus Maximus [ancient Roman chariot-racing stadium], 22.5 x 29cm; Eleonore de Gonzague [Empress of the Holy Roman Empire], after Balthasar Moncornet, 178 x 131mm; Roma Vetus et Nova...[Ancient and Modern Buildings of Rome], after Giacomo Lauro, 22.5 x 28.5cm; Le Prix de l'Agriculture, aquatint, 30.5 x 40cm; A River Landscape with Child on Bridge, etching by Francois Boucher, 1759, 23 x 36.5cm; a pair of battle scenes depicting King Philip and Perseus, 29 x 35cm; a map of Cadiz, by Gabriel Bodenehr, 18 x 28cm; four small Italian architectural views, 7 x 11cm. Condition varied, sold with all faults. NB. All measurements are for the sheets rather than the plate-marks (14)
ARCHITECTURE. A collection of architectural reference books to include Garden Suburbs, London: T. Fisher Unwin, 1910; Flats, Urban Houses & Cottage Homes, London: Hodder & Stoughton, 1906; Country Cottages & Week-End Homes, London: Cassell, [1907-12]; Old English Country Cottages, London: Studio, 1906, and others. Together with an Edwardian home furnishings trade catalogue for George Wright Limited, n.d., Catalogue of Plate Belonging to the Duke of Portland, numbered 161/200, 1935, and Marks & Monograms on Pottery & Porcelain, by William Chaffers, 1891. Condition varied, sold as one collection with all faults (15)
Original Cuban poster on paper for the month of November 2010 with inscriptions: Calendario 2Mil10 Autos Antiguos en Cuba. It includes a photograph of an angle shot of the Plaza Vieja, an emblematic architectural site of the Historic Center in Havana on a cerulean background with a blue Plymouth from the 1940s. Housed in a black frame. Sight size: 15.25"L x 23"H. Frame size: 17.25"L x 25"H x 1"W. Issued: 2010Condition: Age related wear.
![ARCHITECTURE Die Architektonischen Ordnungen der Griechen Und Römer [The architectural systems of the Greeks and Romans]. 187](https://cdn.globalauctionplatform.com/c03dad68-c438-4233-ae9e-b1d200a60560/f6b4e4ab-bd84-47a4-83e4-b1db01595181/468x382.jpg)
ARCHITECTURE Die Architektonischen Ordnungen der Griechen Und Römer [The architectural systems of the Greeks and Romans]. 1875. 3 vol in one [main work + 2 supplements]. 60 Engraved plates, 40 and 6 to the supplements [106 Eng plates in total]. Folio. Quarter Morocco. Berlin Von Ernest & Korn. German text. Greek and Roman Architecture.
ARCHITECTURE; Allgemeine Bauzeitung, 1838, no.1-52 in 6 vol., With approx 75 engraved plates, mostly folding, illustrations, ink ownership stamps to endpapers and some titles, some offsetting and browning, ink notes in a contemporary hand, contemporary boards, paper labels to upper covers and spines, rubbed, 4to, Vienna, 1838; The 6th vol with folding plates of Hungerford Market, over the 6 vols this publication illustrates architecture from most around europe. **The Allgemeine Bauzeitung was founded in 1836[1] by the architect Ludwig Förster and was the most important architectural publication of the Austrian monarchy. The magazine was based in Vienna. It was shut down in 1918. Scarcely seen. [8]
Architectural Antiquities of Normandy, Represented and Illustrated in a Series of One Hundred Etchings, Comprising Views, Elevations and Details of Various Ancient Edifices, part one (only), printed for John & Arthur Arch, London and J.S. Cotman, Yarmouth, 1820, 24 etched plates on India type paper laid, all plates guarded, publisher's paper wrappers with decorative title printed on the upper cover, folio, Morocco spine scuffed and chipped. Large folio, rarely seen in the original wraps. Binding measures;55.5cm x39cm.
Walcot (William, 1874-1943). Architectural Water-colours & Etchings, with an Introduction by Sir Reginald Blomfield, 1st edition, 1919, colour frontispiece and black & white plates, original etching with pencil signature of the artist slipped in, preliminary leaves, original brown cloth gilt, folio, Limited edition of 275 copies, this copy numbered 123. A few chips to the cloth spine, with 4pp order form tipped into the front
A late 19th Century green onyx cased mantel clock of architectural form, the eight day movement by Samuel Marti of Paris, the dial with Arabic numerals inscribed "Knight", 29 cm wide x 27 cm high, together with a Vienna type regulator wall clock, 29.5 cm wide x approx 50 cm deep and a circa 1900 oak cased and carved banjo barometer thermometer, with silver plaques inscribed "Presented to MAF Hailing on the Occasion of his Marriage January 4th 1911 by the Members of the Roseleigh Cricket Club", etc, etc., 88 cm high
A near pair of mahogany Chippendale style bookcases, late 19th century, the step moulded cornices over an arched recess flanked by architectural columns, the lower sections with single panelled cupboard doors raised on plinth bases207.5 x 79.5 x 35cm206.5 x 79.5 x 34.5cmProvenance:by repute from Eton College
An old folio, Phrenological Illustrations, by George Cruikshank, an artists view of the Craniological System of Doctors Gall and Spurzheim, see images; and a folio, Architectural Ornament of All Nations. Exemplified in a series of Original Designs, Displaying the Characteristic Features of Every Class of Decorative Enrichment. Both with much wear.
William Wegman (American, b. 1943). Group of two archival pigment prints on paper, both from 20X200 Editions. Signed along the 20X200 tag. Including:"About Four Thirty" depicting the artist's signature subject, the Weimaraner dog standing on a yellow chair against a rich green background, 1997."The Architects" depicting a composite composition of four figures overlooking four distinct architectural buildings, 2003.(About Four Thirty) height: 24 in x width: 20 in. (The Architects) height: 20 in x width: 24 in.Condition: Both prints are in good condition with no tears, losses, or restorations. Neither are framed.
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