We found 35023 price guide item(s) matching your search

An early 20thC onyx mantel clock, the brass dial with white enamel chapter ring bearing Arabic numerals, key wind, the case of architectural form, with gilt painted columns and square base, 17cm high.

A late 19thC Continental oak cased mantel clock, circular brass dial with enamel chapter ring bearing Arabic numerals, eight day movement with coil strike, the case of architectural form, with applied carving, 30cm high, 30cm wide, 17cm deep.

19th century Vienna-style walnut regulator clock, with a white enamel dial, with black Arabic numerals to chapter ring and second subsidiary dial, suspending a brass pendulum, within an ebonised and walnut case of architectural form, 126cm long  Condition Report Clock comes with its original two weights but is lacking a key. All clocks and watches are sold untested for time keeping accuracies. Upon inspection this clock was not ticking. 

Two architectural prints. 'Doric' and 'Corinthian' columns. Framed and glazed. 30cm x 40cm

A French alabaster and giltmetal architectural mantel clock, early 20th c, mounted with a lion, enamel dial, 39cm h and another similar, smaller contemporary example and a French giltmetal mounted alabaster mantel clock, with painted enamel dial, the brass movement stamped Farcot Bte S.G.G. Paris, 31cm h; 20 x 10cm (3) French alabaster larger clock cracked and repaired, missing brass cover to rear, numerous minor chips and scuffs. Giltmetal architectural smaller clock missing glass to front, brass cover loose, numerous chips and scuffs Alabaster mantel clock with tiny chips to alabaster case, otherwise good clean condition

A Victorian style mahogany mirror of architectural design, the bevelled plate flanked by a pair of giltmetal mounted ebonised pillars, 129 x 69cm, a gilt faux bamboo framed mirror with bevelled plate, 95 x 64cm and another, smaller (3)

A late 19th century gilt mantle clock, clock height 49cms, having two cherubs above automaton moving part, missing part, with architectural case and eight day movement with a wooden base and a glass dome, total height 62cms

A COLLECTION OF ARCHITECTURAL PRINTS some of classical details, mostly 19th century, and one after Piranesi (6)

A VICTORIAN WALNUT CASED MANTEL CLOCK striking on a gong, the architectural styled case with domed top, Wurttemberg manufacture 44cm high (requires attention)

Early 19th Century French School, Circle of Francois-Marius Granet (French, 1775-1849) Two figures within an architectural interior, unsigned, with indistinct stamp to canvas in French verso, 41 x 32.5 cm, gilt framed

Stanley Joyce (British, 20th century) - A folio containing a large quantity of drawings and paintings, mostly life drawings as well as architectural sketches lino prints and medieval rubbings, some signed, largest approx. 84 x 60 cm

Three large folios of 19th-20th century drawings and watercolours to include: Rural scene in watercolour signed and dated 'J. Kilmister, 1911'; Geographical map projections; paintings and a pastel signed 'Grania Fitzgerald; a group of 19th century architectural engravings of buildings in Frankfurt; one folio labelled Ex: Libris - Cecil Ross Pinsent; with other watercolours including a maritime scene signed 'Fred E.U. 1875' (3)

A large 19th century French brass cased bracket clock, the architectural casework decorated with gilt metal panels depicting detailed scenes of European battle, the movement signed Samuel Marti, 43cm high, 18 x 27cm.

Bakewell Church: 3 architectural/ecclesiastical watercolours of monuments found in the church, one of the Nicholas Twigge family plaque; + a coloured woodcut of Flying Scotchman (sic) accident at Heeley Station; + a pair of watercolours of cottages, signed S Harold Stevens, 1911; + other prints. (10)

A pair of 19th century lithographs of architectural interest, framed and glazed. H.36 W.45cm. (each).

A collection of four 19th century engravings of architectural interest, framed and glazed. H.27 W.32cm. (largest).

Two 19th century hand coloured lithographs, architectural plans, framed and glazed. H.39 W.49cm. (largest).

19th Century School, oil on canvas, The tomb of Sir John de Ingham, a detailed architectural study, displayed within a period gilt frame, measuring 30cm x 30cm, & 45cm x 45cm overall

An assorted collection of monochrome and other engravings, to include a steel engraving of Bishop Latimer, after John Rogers (19th Century), architectural designs, and others

FLOOR LAMP CABINET, with four doors, architectural design, 45cm x 42cm x 200cm approx.

Deknudt - Belgian architectural overmantle mirror, arched form with Greek column style uprights and gilt decorationDimensions: Height: 101cm  Length/Width: 132cm 

A collection of vintage postcards, to include topographical and architectural examples

Two albums of vintage postcards, to include architectural, topographical and novelty examples

A collection of vintage postcards, to include portraits, architectural and topographical examples

An album of vintage postcards, to include portrait, architectural and topographical examples

A late 19th century American walnut cased mantel clock, of architectural form, the enamelled chapter ring showing Roman numeral markers and twin winding holes for an eight-day movement, striking on a gong; together with a 1930s walnut cased mantel clock (2)

A vintage postcard album and contents, primarily topographical and architectural

A collection of vintage postcards, to include mainly architectural examples

A collection of vintage postcards, mainly topographical and architectural

Two boxes of vintage postcards, to include topographical and architectural examples

A 19th century French black slate mantel clock, of architectural form, having inset parcel-gilt spelter frieze decorated with classical figures, above brass dial with Arabic numeral cartouches and visible escapement, having twin winding holes for an eight-day movement, striking on a bell, h.39cm

20th century Woodford brass chiming mantel clock of architectural form, with gilt chapter ring and black Roman numeraks, the case with four columns, 13 jewels movement, with key. Measures approx 16.5cm high

Winterhalder & Hofmeier - late 19th century Mahogany 8-day twin train mantle clock , with an architectural pediment and carved tympanum, carved reeded pilaster to the front on a stepped plinth with brickwork relief, square brass dial with cherub spandrels, matted dial centre and silvered chapter ring, dial pinned to a "ting-tang" quarter striking movement with two coiled gongs. With pendulum.Dimensions: Height: 42cm  Length/Width: 30cm  Depth/Diameter: 20cm

A 19th century Style Gilt Overmantle Mirror, of architectural form with central oval plate, flanked by two rectangular plates, 82cm by 121cm

A Reproduction Regency Style Giltwood Tryptic Overmantle Mirror, of architectural form, Corinthium column pilasters, bevelled plates, 78cm by 153cm

FERGUSON R. S. & C. J.  A Short Historical & Architectural Account of Lanercost, A Priory of Black Canons. 56pp. Mounted orig. photographs. Plans. Quarto. Orig. prntd. wrappers, some soiling. Pres. copy from the author. First text leaf misbound but present. N.d.; also 3 others incl 1st ed. of Collingwood-Bruce, The Wallet-Book of the Roman Wall, 1863.  (4).

MAWSON T. H. & E. P.  The Art & Craft of Garden Making. Col. frontis & many illus. Folio. Orig. green cloth gilt, some wear. 5th ed., n.d.; also facsimile of W. E. A. Axon, An Architectural & General Description of the Town Hall, Manchester, 1977 reprint of the 1878 ed.  (2).

BOOKS, ART/ARCHITECTURE etc. Inc. STOURTON, James, 'British Embassies and Their Diplomatic and Architectural Histories', Frances Lincoln, 2017 (quite rare); ROBERTS, Hugh, 'The Queen's Diamonds', Royal Collection pub., 2017; BRYANT & WEBER (eds.), 'John Lockwood Kipling Arts and Creafts in the Punjab and London', BGC/Yale. And others. Six in all.

BOOKS etc. Two large items. Firstly, of architectural interest, 'Istanbul Sapphire', a presentation issue in box about the hotel/apartments in Istanbul. Then, also boxed, 'The Museum of Everything', dedicated for the recepients on the 'lid', with loose prints of 'exhibits' inside. London, 2009.

A substantial Victorian mahogany barometer/thermometer with 10" silvered dial below thermometer, flanked by reeded pilasters, dentil moulded cornice and architectural top centred with an acorn, height 107cm.Condition Report: - Please note that this lot is not suitable for our in-house postage service.We would recommend booking a collection slot for this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on https://www.adampartridge.co.uk/services/transport/Overall solid but used condition, there is a chip to the glass lens for the lower dial and the ivory knob has been removed. The left hand section of the angled top appears to have been repaired at some point but otherwise appears ok although rather grubby.

HALFPENNY (Joseph) Gothic Ornaments in the Cathedral Church of York, 1795, folio, title within architectural border, 105 engraved plates, (2 with hand colour), subscribers list, bound with - Fragmenta Vetusta or the Remains of Ancient Buildings in York, 1807, etched title and 34 plates, a little light staining, half calf

Scrap and print albums. A large 19th century album, with clippings, small views, historical scenes and figures, etc, mostly black and white; an album of Continental architectural and other lithographs, and others (condition varies)

HALFPENNY (Joseph) Gothic Ornaments in the Cathedral Church of York, 1795, folio, title within architectural border, 105 engraved plates with tissue guards, slight spotting and toning mainly to outer margins, subscribers list at end, partially excised bookplate, red straight grain morocco gilt, spine carefully repaired

VICTORIAN ONYX MANTEL CLOCK, the round white dial with Roman numerals, the architectural case with corinthian columns, on a block base

A black slate mantle clock of architectural form with Roman numerals

An Indian Islamic silvered metal panel, after the stone tracery in a window of The Sidi Saiyyed Mosque, Ahmedabad, Gujarat, India, architectural frame, 31cm wide

Rubin, (20th century), architectural studies, various, one signed. Oils on board. 47 x 34cm, 39 x 59cm and 42 x 50cm. (3)(B.P. 21% + VAT) Fair original condition

Pedestal pendulum design clock with architectural pillars. Together with a carved wooden knife rest.(B.P. 21% + VAT)

19th century black slate architectural single train mantle clock with brass pillar mounts and ceramic Arabic dial. 28cm high approx. (B.P. 21% + VAT)

A Victorian slate and marble mantel clock, circular brass dial with enamel chapter ring bearing Arabic numerals, eight day movement by the United Clock Company Limited, with a coil strike, the case of architectural form, with key, 50cm high, 47cm wide, 40.5cm deep.

Late 19th or early 20th Century Vienna type wall clock in a carved architectural type case

An album of late 19th/early 20th century including nautical theme, animals and architectural examples.

A 19th Century continental porcelain spill vase, decorated with an architectural landscape, measuring 8cm tall, together with a pair of 19th Century Sevres style porcelain plates, having central landscape decoration within a turquoise border

Darren Yeadon (b. 1970)  White Marble Octopus Sculpture  Signed  13 x 28cm ( 5" x 11")  Darren Yeadon was born in 1970 and brought up by the sea in Whitby. Yeadon began his work as a quarryman and stonemason. During his beginnings in geology, he learnt how to extract materials from the earth, then to split huge pieces up, shape them and finally carve stones to fit to arches, church windows and architectural applications. He developed a real flair and interest in carving stone and three-dimensional forms. His works has been actively sought at auction due to his popularity.  This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

After Banksy (British, b. 1974) Dismaland Bemusement Park program Printed on paper Measure approx. 34cm x 29cm (13.5" x 11.5") Banksy (British, b.1974 ) is perhaps the most controversial street artist of the modern day. He is famous for his stenciled graffiti works, which appear in public spaces around the world. His use of stenciling developed from a need to complete a work quickly, namely to avoid being caught vandalizing by police. Banksy often uses multi-layered stencils to employ multiple colours, and he frequently incorporates permanent environmental fixtures, such as street signs and architectural elements, into his work. Marked by dark humour, satire, and political commentary, much of his street art has become viral on the Internet. His most notable early work was the result of a trip to Palestine and the West Bank, where he stenciled nine images on the Bethlehem Wall. Despite his stealth presence, Banksy has become a mainstream phenomenon. In 2010 Banksy directed Exit Through the Gift Shop, a chronicle of the underground world of street art, which was nominated for Best Documentary at the Oscars. In 2015, he opened Dismaland Bemusement Park, a temporary exhibition of an inverted, dystopian Disneyland. Although Banksy has continuously emphasized an aversion to the art world through his output, he also produces traditional works on canvas and prints as well as branded merchandise such as t-shirts. His cultural significance, widespread popularity, and, certainly, the mystery of his identity have all contributed to the desirability of his art. According to Sotheby’s Mei Moses, the average compound annual return for Banksy is 8.5%, with 76.5% of works increasing in value. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Banksy (British, b. 1974) Group of four Banksy's books and ephemera comprising one Banksy's Bristol HOME SWEET HOME art book, one Banksy Wall and Piece art book, one Dismaland Bemusement Park brochure and one Dismaland Bemusement park map  Printed on paper Brochure measure approx. 34cm x 29cm Banksy (British, b.1974 ) is perhaps the most controversial street artist of the modern day. He is famous for his stencilled graffiti works, which appear in public spaces around the world. His use of stencilling developed from a need to complete a work quickly, namely to avoid being caught vandalizing by police. Banksy often uses multi-layered stencils to employ multiple colours, and he frequently incorporates permanent environmental fixtures, such as street signs and architectural elements, into his work. Marked by dark humour, satire, and political commentary, much of his street art has become viral on the Internet. His most notable early work was the result of a trip to Palestine and the West Bank, where he stencilled nine images on the Bethlehem Wall. Despite his stealth presence, Banksy has become a mainstream phenomenon. In 2010 Banksy directed Exit Through the Gift Shop, a chronicle of the underground world of street art, which was nominated for Best Documentary at the Oscars. In 2015, he opened Dismaland Bemusement Park, a temporary exhibition of an inverted, dystopian Disneyland. Although Banksy has continuously emphasized an aversion to the art world through his output, he also produces traditional works on canvas and prints as well as branded merchandise such as t-shirts. His cultural significance, widespread popularity, and, certainly, the mystery of his identity have all contributed to the desirability of his art. According to Sotheby’s Mei Moses, the average compound annual return for Banksy is 8.5%, with 76.5% of works increasing in value. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

After Banksy (British, b.1973) Walled Off Hotel "Palestine" poster and a "The Walled Off Hotel - The Worst View in The World" porcelain mug Poster measures approx. 57cm x 40cm, mug measures 12cm in diameter including the handle. If postage is required, any print within this sale will be posted rolled unless informed otherwise. Banksy (British, b.1973 ) is perhaps the most controversial street artist of the modern day. He is famous for his stencilled graffiti works, which appear in public spaces around the world. His use of stencilling developed from a need to complete a work quickly, namely to avoid being caught vandalizing by police. Banksy often uses multi-layered stencils to employ multiple colours, and he frequently incorporates permanent environmental fixtures, such as street signs and architectural elements, into his work. Marked by dark humour, satire, and political commentary, much of his street art has become viral on the Internet. His most notable early work was the result of a trip to Palestine and the West Bank, where he stencilled nine images on the Bethlehem Wall. Despite his stealth presence, Banksy has become a mainstream phenomenon. In 2010 Banksy directed Exit Through the Gift Shop, a chronicle of the underground world of street art, which was nominated for Best Documentary at the Oscars. In 2015, he opened Dismaland Bemusement Park, a temporary exhibition of an inverted, dystopian Disneyland. Although Banksy has continuously emphasized an aversion to the art world through his output, he also produces traditional works on canvas and prints as well as branded merchandise such as t-shirts. His cultural significance, widespread popularity, and, certainly, the mystery of his identity have all contributed to the desirability of his art. According to Sotheby’s Mei Moses, the average compound annual return for Banksy is 8.5%, with 76.5% of works increasing in value. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

John Sell Cotman (British,1782-1842), 'North east view of Gillingham Church', engraving from 'A series of Etchings illustrative of the Architectural Antiquities of Norfolk', plate XXXI (31), plate dated 1813, published 1818, 28x31cm, framed and glazed. From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman).Willingham Auctions, 2007.Conservation: Ellison, 2008.

John Sell Cotman (British,1782-1842), 'Part of East Barsham House', etching from 'A Series of Etchings illustrative of the Architectural Antiquities of Norfolk', un-numbered plate (60), plate dated 1817, published 1818, 23x35cm, framed and glazed. From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman)Willingham Auctions, 2007.Conservation: Ellison, 2008.

John Sell Cotman (1782-1842), 'Collegiate Church of St Hildebert at Gournay, West front', etching, from 'Architectural Antiquities of Normandy', plate 38, plate dated 1820, 35x50cm, unframed, mounted.Conservation: Trumpington Gallery. From the Cotman collection belonging to Dr Henry Lowe and wife Judy (nee Cotman).Yesteryear Prints, approx 2001.