We found 35023 price guide item(s) matching your search

* A large Victorian carved oak aneroid barometer, of architectural form, the thermometer damaged, 112cm high

A late 19th/ early 20th century green onyx clock garniture, the gilt chapter ring with black Arabic numerals, cylinder movement striking on a coiled gong, in an architectural frame with gilt frieze and columns, 31cm high; and a pair of similar decorated garnitures, 22cm high (3)

A 19TH CENTURY EBONISED AND GILT METAL MANTEL CLOCK, of rectangular architectural form, with a timepiece movement, circular white dial with Roman numerals pierced and cruciform, the case with acanthus borders, pierced side panels and the dial flanked by Corinthian columns, raised on foliate bracket feet

A NEPALESE HARDWOOD JEWEL CASKET, of architectural form with two sliding covers, reeded sides, 18th century, 15.5cms high x 14cms wide x 10cms deep. Provenance: Gordon Reece Gallery

Frameless prints and maps, to include a series of French architectural prints, set of six hunting prints after Alken, twelve Vanity Fair prints after Spy, cricketers, etc.

A Pair of Richly Carved Elizabethan Oak Panels. One having a Ionic scroll capital above a detailed figural scene of a Lady & Gentleman holding hands and dressed in formal attire. The architectural cartouche below the figures issuing a fruit garland above a monkey raised upon an orb. The other panel having a capital surmounted by fruits above a lady wearing a ruff collar and standing underneath an archway, the scroll cartouche centred by a rosette above two clusters of fruit flanking a large tassle. Both Measuring 26 ins x 6½ ins (66 cms x 16 cms).

A Pair of Early 18th Century or Earlier Carved & Polychromed Architectural Finials. The canted square posts enriched with imbricated scales and having tall domed tops with stylised thistle head terminals, 17¼ ins (44 cms) in height.

An Architectural Stone Fragment with a Celtic head carved into the tapered corner block; it's gaping mouth forming a spout. The face measuring 7 ins (18 cms) in length, the stone 10 ins x 12 ins (26 cms x 24 cms).

Literature, modern. A collection including novels, architectural and art reference, wine, etc (a quantity)

Black Forest two train cuckoo clock, the 5.75" dial within an architectural arched pillared case supported upon a stepped plinth base, 20" high

Oak cuckoo mantel timepiece, the 2.75" white dial within an architectural breakfront stepped pillared case surmounted by a crenellated tower housing the cuckoo, 15" high

Good mahogany trumpeter two train mantel clock, the 7.5" silvered dial within an architectural case decorated with strap work mouldings, 25" high *This clock bears the manufacturer's label of Camerer, Kuss & Co.*

Jughans two train mantel clock, the movement striking on a gong, the 3.75" cream dial within an architectural case, 17.5" high

French ormolu and porcelain two train mantel clock, the Japy Freres movement striking on a gong, the 3.25" multi -coloured porcelain dial within an architectural arched case surmounted by an orb finial, 17" high

Black slate and marble two train mantel clock, the movement striking on a gong, the 4.25" black chapter ring with recessed gilded centre, within an architectural stepped case, 13" high

Vienna single weight regulator, the 7" white dial with subsidiary seconds dial over a brass pendulum bob inscribed Owen Allen, Bath, with wooden rod, within a glazed architectural case with canted corners and barley twist pilasters, 44" high

Seth Thomas rosewood pillared wall clock, the 8" square cream dial over two glass tablets within an architectural case, 32" high

Flamed mahogany case with aperture for a 10" square dial, with long door, surmounted by a classical architectural pediment, 78.5" high

A Bohemian and amber-flashed octagonal section, bell shaped bowl with engraved named architectural views. Height 7ins. Together with one other glass vase.

CHARLES EDWARDS: PAYNE'S UNIVERSUM OR PICTORIAL WORLD . . . . . . , [1845], vol 1 (of 3) only, 4to, orig decor cl v worn + LONDON INTERIORS A GRAND NATIONAL EXHIBITION . . . . . . , [1844], 2 vols in 1, 4to, old cl gt worn, lacks lower bd + HENRY AND B WINKLES: ARCHITECTURAL AND PICTURESQUE ILLUSTRATIONS OF CATHEDRAL CHURCHES OF ENGLAND AND WALES, 1836-38, vols 1 to 2 only in 1, old hf cf worn + two others (5)

JOSEPH WILKINSON: THE ARCHITECTURAL REMAINS AND ENVIRONS OF THE ANCIENT TOWN AND BOROUGH OF THETFORD IN THE COUNTIES OF NORFOLK AND SUFFOLK, [1822], lacks ttl page, 25 etched plts inc some proof, orig top wrap to second part bound in at front, 4to, old hf cf worn

A Victorian Photograph Album, various Portraits including Children and Royalty, old cf, embossed detail, lacks spine, aeg + a Victorian Photo Album containing various Portraits and a few Topographical and Architectural Views, orig cf, embossed detail, aeg, with metal clasps (2)

A folder: circa twenty Albumen Enlargements, approximately 10 ¾" x 8", Architectural and Topographical Views of Italy and Belgium, circa 1890

A folder: circa twenty Albumen Enlargements, approximately 10 ¾" x 8", Architectural Views of Belgium, circa 1890

A folder: circa twenty Photochromes, approximately 8 ½" x 6 ½", Architectural and Topographical Views of The British Isles, including Wales, Scotland, Edinburgh, Bath, Cambridge, Chatsworth, Buxton etc, circa 1898-1902

Four Victorian Photo Albums, containing an assortment of Portraits + a few Architectural and Topographical Views, all full cf, various embossed detail, aeg (4)

A Roll: assorted architectural drawings

A Victorian walnut Mantel Clock of architectural design with arched and gilt dial, 2 ft H

A Victorian walnut Mantel Clock of architectural design having spiral columns flanking the arched dial, 2 ft H

A LATE 19TH CENTURY FRENCH MANTEL CLOCK the ornate brass case of architectural form, the two piece Roman dial inscribed Benetfink & Co., London with a Marti gong striking movement, 15 ½" high.

A late nineteenth century oak architectural high backed settee probably American, the articulated arms dropping to form a bed, with raised wool work upholstery 75 inches (190cm) wide. In a letter dated 1990, Century Antiques of Warminster noted a comparable looking top illustrated in Deutsch Moebel Verlagen, 1989, illustration 3327 by a German cabinet maker working in America.

Victorian marble Mantel Clock, architectural form with a cast metal frieze, fluted supports, plinth base, circular dial with Arabic numerals, cylinder movement.

An architectural print 'Etat Releve Du Temple Dasclepios'

French slate and grey marble mantel clock , mid 19th century, white enamel dial with reserved field and exposed escapement, twin barrel movement, in a drumhead case on architectural pedestal with bevelled window, together with a pair of side ornaments. Height 48cm.

A LARGE MAPLE & CO. MAHOGANY PEDESTAL SIDE BOARD, the central part with bowed front fitted one drawer and carved raised architectural back, the flanking pedestals applied with carved fruit, flower, scroll and swag decoration, with dentil cornice to the top, one pedestal door opening to reveal two sliding open drawers and the other opening to reveal a lead lined drawer and one open sliding drawer, Maple & Co. label to the inside of this door, 119" across (see illustration)

AN EDWARDIAN BLACK SLATE MANTEL CLOCK of architectural design, brass column supports and enamel dial, presented to John Newcombe for 'Faithful Service in the Tyndall Family', 17 1/2" across

Charles E. Hardaker (b.1934) 'Forms within Form'. Signed, oil on board, 122 x 92cm, Hardaker studied at Birmingham College of Arts and Crafts, and after completing National Service in 1955, spent three years at the Royal College of Art in London. In 1967 he wrote about these still lifes: 'Motives for the paintings in general (as much as one dare to define them!) are architectural and philosophical in that the basically cubic container form has been connected with the cube/earth symbol in Plato's Timaeus. But also things as they are is important as any intellectual idea so that the paintings retain strong roots in things seen.' A painting of similar type and date, entitled 'Three times Three' 1965, is in the Tate Gallery Collection:. Visit www.sworder.co.uk for larger image and condition reports.

A Victorian architectural ebonised and giltwood mirror, 208cm high x 139cm wide. Visit www.sworder.co.uk for larger image and condition reports.

A GEORGE III ROCOCO CARTOUCHE MIRROR, THE CRESTING WITH ARCHITECTURAL CAPITALS, SCROLLWORK AND LEAVES, THE LATER PLATE WITHIN A SCROLL AND LEAF BORDER FLANKED BY PALM FRONDS JOINED AT THE APRON, 100CM

A pair of glass and continental silver stem vases of architectural design, bearing marks

A late 19th century marble and slate cased architectural mantle clock.

An early 20th century onyx cased architectural mantle clock with figural mounts.

A late 19th century black slate and marble architectural mantel clock with Arabic numeral white enamel chapter, the movement striking on a gong, 30cm high x 35cm wide

A Victorian slate architectural mounted clock, with Arabic numeral dial, 30cm high

A late 19th century German Walnut mantel clock of architectural form with Roman numeral dial, the movement striking on a gong, 39cm high

Architectural: two cast iron mangers

Architectural Salvage: a large pine five bar field gate

Architectural Salvage: three fire buckets in red with black lettering, circa 1930

Architectural Salvage: a sundial with turned sandstone column standing on a square plinth

Architectural Salvage: a French copper slipper shape bath with tinned interior, 5ft long

NICOLA JACKSON, SIGNED ACRYLIC ON WOOD, "Intimate Fish, 1988" (see gallery label verso),10" x 11"; and TAGGART, SIGNED (20TH CENTURY SCOTTISH SCHOOL), OIL, Architectural Street Scene, in glazed box frame, 6" x 4" (2)

A SMALL PERSIAN RUNNER, the ivory ground worked with six multi-coloured architectural niche, within floral Herati style outer borders and guards, possibly part silk, 64" x 23"

Adam, Robert--Kinross Ink and pen drawing, Adam office, of two aspects of Kinross Town and County House, captioned "West Front of the County House at Kinross, 1771" and "South Front of the County House at Kinross", with scale at foot, measurements marked in ink, 525 x 760mm., laid down on linen, edged in green silk, somewhat soiled and creased with several surface tears, small loss to scale at foot and to right hand edge of "South Front" drawing, in old metal scroll tube Note: A previously unrecorded architectural drawing from the "Adam office". Robert Adam was involved only with the redesign of the narrow south front of the pre-existing county house in Kinross where he added a three-storey three-bay bowed extension with a conical roof, decorating the new south front at his own expense, as is recorded in a large plaque which occupies the central bay of the top floor: "This County House was repaired by the Crown, A.D. 1771. Robert Adam of this shire decorated this front at his own expense" . It has four Tuscan pilasters which run through the first and second floors and has niches instead of windows in the end bays of the first floor. David King notes "No drawings survive". This drawing would appear therefore to be the only surviving drawing of the County House and although not in Robert's hand there is little doubt that as Robert was both designing and paying for the addition to the County House in the constituency he then represented, that he must have approved the current drawing which would have been based on a preliminary drawing of his own, now lost.

Regency Gothic cast iron boot scraper of architectural form

A C19th cast iron fire grate with integral back and dogs, of architectural form, 94cm wide

A Victorian photograph album to include architectural scenes of European cities.

A 1930's timepiece with silvered dial supporting a Swiss movement in a plated case of architectural outline, 15.5cm high

A late Victorian carved oak wall mounted barometer/thermometer, in architectural case with broken arch pediment, the thermometer flanked by turned fluted columns, height 93cm. (Illustrated)

Attributed to Jacob Ferdinand Saeys (1658-1725, Flemish), Architectural capriccio, a Mediterranean port; A companion painting of figures before a classical building, a pair, oils on panel, each 15.5 x 22.5cm.

An 18th century North Italian walnut and olive wood veneered bureau cabinet with inlaid bandings, the upper part with an architectural scroll broken pediment and cartouche mirror plate etched with a design of an urn of flowers and foliage, the interior fitted with pigeon holes, small drawers and a central enclosed cupboard, the whole enclosed by a pair of domed arch bevelled mirror panel doors, the lower part having a sloping hinged fall enclosing a shaped and fitted interior with small drawers, pigeon holes, central enclosed cupboard and well with sliding cover, containing three long block fronted drawers below on a moulded base with bun-shaped feet, 120cm wide x 245cm high.