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A Victorian walnut cased bracket clock, the silvered dial with black Arabic numerals, with two subsidiary dials encircled by gilded spandrels, on a brass plate, set within a walnut case, the hinged door with bevelled clear glazed panel flanked by fluted pilasters below a architectural pediment above Greek scrolling bracket base, 46cm high, 30cm wide, 22cm deep,

A large and impressive Victorian mahogany pedestal sideboard, the architectural frieze accommodating three drawers flanked with a twin panelled cupboard base with embedded column splat sides and panelled door front below a large arching mirror back with moulded and carved borders

Japy Freres & Cie; a French gilt and silvered metal case mantel clock, circa 1880, of architectural form, the arched surmount with turned finial, having ring turned columnar supports, on square section and tapered legs, inset with porcelain panels painted with romantic figure subjects, musical and other trophies on a silvered ground and simulating champleve enamel, Roman numerals, stamped 'A1', the twin train movement striking on a bell, 36.5cm high.Illustrated

A printed black and white architectural design for Selfridges Department store, 87 x 63cm.

A 1950s GIO PONTI DESK, with six drawers, on brass feet, with a certificate of authenticity from the Gio Ponti Archives. 76cm x 121cm x 61cm When anyone speaks about Gio Ponti, both as man and designer, two phrases are used consistently: joy de vivre and la dolce vita. They describe a career that encompassed everything: architecture, ceramics, industrial design, interiors, painting, writing, teaching, poetry and, significantly, editing Europe’s leading design and architecture magazine, Domus. Irrepressible, impassioned and exceedingly generous, Gio Ponti is regarded today as the major coalescing force behind the golden age of 20th century Italian design.Having graduated in architecture in 1921 from Milan Polytechnic, Ponti worked as artistic director for ceramics manufacturer, Richard-Ginori, where he laid the grounds for the kind of industrialised production lines for which post-war Milan was to become known. While at Ginori, Ponti founded Domus, which, but for a break of six years, he went on to edit for the rest of his working life. It would prove not only a mouthpiece for his own ideas and beliefs, but also for those of his fellow designers, and its importance in terms of launching careers, drawing attention to movements, and elaborating on certain design ideas is difficult to overestimate. Influenced by the Wiener Werkstatte, by traditional folk-craft imagery, and by his reading of classical forms, the mainly porcelain pieces, with their stylised imagery of nature, people and pastimes, earned Ponti a Grand Prix at the 1925 Exposition des Arts Decoratifs, an event that was to act as a catalyst for the subsequent Art Deco movement. Ponti championed the ideals of rationalism referring to his Superleggera chair as ‘chair...with no adjectives, that is to say just a chair, but light, slender and reasonable.’ He was also drawn to the baroque, the surreal, the futuristic. This fascination with a wide range of design styles and movements is evident in Gio Ponti’s work, chief among which are the decorative and colour saturated blown-glass pieces for Venini, his furniture and interior designs for Fornasetti and numerous projects for the likes of Fontana Arte, Artemide, Cassina and Kardex Italiano. Throughout his working life, Gio Ponti was the recipient of numerous awards. He taught architecture at his alma mater, Milan Polytechnic for nearly 30 years, and during that time produced important architectural projects which matched his work in the field of industrial design, most notably the 1956 Pirelli Tower in Milan. He died at home, in 1979. He remains a monumental figure in 20th century Italian design.

COLLECTION OF EARLY TWENTIETH CENTURY AND LATER POSTCARDS, mainly U.K. topographical, seaside, architectural, ecclesiastical etc, contained in THREE ALBUMS and LOOSE, the majority contained in individual clear plastic sleeves, contents of

APPROX 110 MAINLY MID TWENTIETH CENTURY PSOTCARDS, topographical and architectural including; some examples unused. TOGETHER WITH PACKS OF CARDS, including envelope of six Canterbury Cathedral gravures images and other EPHEMERA including YHA HANDBOOK 1946, PACK OR 12 REAL SNAPSHOTS 'Views of Cape Town ' etc... CONTENTS OF A DOUBLE HINGED SMALL WOOD BOX

LATE VICTORIAN ALBUM OF SCRAPS, together with an ALBUM OF EARLY TWENTIETH CENTURY POSTCARDS mainly topographical and architectural but including colour image of Leominster Priory - Church ducking stool and a real photograph charabanc and passengers and a VICTORIAN PHOTOGRAPH ALBUM mainly family portraiture and ANOTHER CONTAINING PLANT PRESSINGS (4)

Mid-19th century French wall mounted weight driven clock, Robert a Albi, the red painted and gilt highlighted case with architectural pediment and overhanging cornice to a glazed pull off front panel and with shaped base to a 24cms (9 1/2 ins) Roman enamel dial with red outside minute track and inside date with cast and pierced trefoil brass hands to a twin weight driven movement with large pendulum with lyre shaped and disc detail and with anchor escapement and strike on a bell, height 168cms

Early 20th century walnut cased Vienna type wall clock, the overhanging cornice surmounted by an elaborate and shaped architectural pediment over half baluster turned columns and shaped base to a Roman enamel chapter ring with outside minute track and embossed Art Nouveau style brass centre with pierced hands to a twin spring driven movement with anchor escapement strike on a coiled gong and fitted with an embossed brass lyre shaped pendulum, height 105cm

Late 19th century oak cased cuckoo bracket clock, the architectural case with carved and applied Gothic detail and buttressed corners on a plinth base to a 16 1/2 cm black finished chapter ring with applied composite Gothic Roman numerals and pierced hands (minute hand a/f) to a skeletonised brass twin spring driven movement with anchor escapement strike on a coiled gong and also two bellows, height 57cm

Late 19th century black and variegated marble mantel clock, the architectural case with Palladian pediment over half turned columns and with gilt detail to a cast bezel enclosing a 9cm fancy Roman enamel dial with outside minute track and blued steel spade hands to a circular brass movement with back mounted count wheel and anchor escapement strike on a bell (bell lacking), height 33 1/2 cm

Late 19th century black and variegated marble mantel timepiece, the architectural case on a plinth base to a brass bezel enclosing a 10cms composite chapter ring with gilt centre and blued steel hands to a spring driven circular brass movement, height 27cms

Early 20th century brass mounted mahogany mantel clock, the architectural case with Palladian pediment over four free standing columns on a plinth base to a brass bezel with bevelled glass enclosing a 9cm Arabic enamel dial (hairline) with fleur de lys type hands to a circular brass movement with anchor escapement strike on a coiled gong, height 32cm

Early 20th century oak cased 8-day mantel clock, Winterhalter & Hoffmeier, the architectural case with Palladian pediment and overhanging cornice to fluted columns on a stepped base to a 15cms square brass dial with applied cherub spandrels to a silvered Roman and Arabic chapter ring with outside minute track and half hour markers with matted centre and blued steel hands to a signed square brass movement with anchor escapement strike on two coiled gongs, height 41 1/2 cms

Stained wooden cased mantel clock, the architectural case surmounted by three domes and with half columns on a plinth base to a spun bezel with composite Roman chapter ring with outside minute track to a rectangular brass movement with anchor escapement strike on a coiled gong, height 38cm

A LARGE VICTORIAN SLATE MANTEL CLOCK of architectural form, surmounted by a spelter figure and a similar slate and brass tazza

Impressive 19th century bronze and ormolu gothic cathedral architectural mantle clock fitted with a twin train drum head movement upon a stepped square birds eye maple plinth housing a gong, the case with architectural features such as a bell in bell tower, figural panels and a blue glass back, 56 cm high total, original pendulum

A carved architectural face stone in the form of a regal male character with beard and wearing a crown, 40 cm height x 32 cm and tapered

A small Edwardian wall mirror of rectangular form with bevelled edge plate within a moulded frame with raised architectural broken swan neck pediment, 60 cm wide x 45 cm height

Ink and watercolour, architectural study and a watercolour, figures before buildings, signed Gailor

Five various mantle clocks, including two with oak cases, the largest with architectural form, circular dial, another clock with mahogany and inlaid clock, and two with gilt metal cases (Qty: 5)

Walnut cased Vienna wall clock, square gilt metal dial with ivorine chapter ring, two chain movement striking on a gong, the case with an architectural surmount with a rearing horse, 144cm.

Diapositives and Portraits, 3¼in square diapositives (42), architectural, churches, cathedrals, in a wooden case, a portrait album dated 1906, with earlier and later photographs, F and an empty album, P

Glass Plate Negatives, various sizes, including advertising copy, architectural, portraits, street poster advertising hoardings, shop interiors and exhibitions, some af (a lot)

1860s Stereo Cards and a Later Holmes-type Viewer, British architectural and topographical views, Nicholson's Isle of Wight Series, Yorkshire, two coloured cards (22)

An Early 20th Century Black Slate Mantle Clock of Architectural Form, Missing Pendulum and Movement In Need of Attention, 33cm High

A 19th century reprint of an engraving by Colen Campbell (1676-1729), of the York Stairs to the River, London, from Vitruvius Britannicus, or the British Architect, London, [1715]-1767, together with an architectural cross section study of a Classical temple, engraving, 35 x 24cm (2)

An 'Automatic Medical Electric Machine' in architectural beech case

A 19th century gilt brass and silvered metal mantel clock, J W Benson, London, having white Roman dial and ornate architectural case with flame finial height 38cm

Antique Chinese Reverse Painted Glass Triptych housed in an elaborate gilt carved architectural frame. Central portion of triptych having hairline. Marked on back. Overall Size: 35 x 36.5 in.

A rare Victorian color print presented in a linen matte and a wooden frame with gilt, by artist Thomas Sulman. THE SHAKESPEARE COMMEMORATION, STRATFORD ON AVON, 1864, featuring six panels depicting scenes associated with William Shakespeare, including the town of STRATFORD ON AVON, which hosted the 300 year anniversary of his birth on April 23, 1864.A rare Victorian color print presented in a linen matte and a wooden frame with gilt, originally published as a centerfold in The Illustrated London News, by artist Thomas Sulman. THE SHAKESPEARE COMMEMORATION, STRATFORD ON AVON, 1864, featuring six panels depicting scenes associated with William Shakespeare, including the town of STRATFORD ON AVON, which hosted the 300 thru year anniversary of his birth on April 23, 1864; CHARLCOTE, a park on the River Avon where Shakespeare is alleged to have poached rabbits and deer as a young man; his BIRTHPLACE IN HENLEY, and other scenes. Thomas Sulman (c.1834-1900) was an English architectural draftsman who became a specialist in using balloons to produce popular birds thru eye views of cities including London, Oxford, Glasgow, and New York City that were produced as engraved prints, like this one. Issued: 1864Dimensions: 31.5"W x 25.25"L framedCondition: Good, some wear to frame. Not exmained out of frame

ARCHITECTURAL STYLE MIRRORS, a pair, metal framed of large proportions, each with an arched top, 109cm W x 206cm H. (2)

A Copeland Garrett hand painted porcelain architectural tile, within a gilt decorated frame.

A quantity of twenty framed and glazed prints, various subjects, to include: landscape, architectural, interior studies and other related subjects, various sizes.

A collection of thirty framed and glazed prints, mainly architectural and interior studies, various sizes.

A pair of large turned mahogany architectural columns, each with a lappet carved capital, 212cm high

19th century Chinese Canton porcelain tile. Used in a screen or architectural purpose. Excellent decoration with fine underglaze blue decoration. Dimensions: Height: 8 3/4 in x width: 10 1/4 in x depth: 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email lia@revereauctions.com with any condition questions.SKU: 00855Follow us on Instagram: @revereauctions

19TH CENTURY BRACKET CLOCK, the painted dial 20.5cm x 24cm, with Roman numerals, inscribed "Webster Cornhill London", the double fusee movement striking on a bell, in an architectural style rosewood case, 47cm high

FOLIO OF MIXED WORKS including cartoon panels, political caricatures, architectural and topograph-ical views, a small work after Claude Flight (1881-1955) and a poster after Picasso 'Masterpieces from the Swiss Collection, 1964' (27)

VIENNA REGULATOR WALL CLOCK, two train eight day movement, the round enamel dial with Roman numerals, contained in an architectural mahogany case, 45cm wide, approximately 94cm high

19TH CENTURY OAK MANTEL CLOCK, two train eight day movement, the silvered dial with Roman numerals and makers plaque reading 'SHEPPARD BROS WALSALL', gilt metal spandrels in the form of winged cherubs, contained in an oak architectural case, raised on four bun feet, 34cm high

VICTORIAN MUSICAL MANTEL CLOCK, the square brass with silverised chapter ring with Roman and Arabic numerals and eight day movement with Alcock musical addition, contained in an oak case of architectural design, on brass ball feet, 36cm high

A LATE VICTORIAN BLACK SLATE MANTEL CLOCK of architectural form with caryatid decoration, the dial with outside Brocot escapement, Roman numerals, with an 8-day chiming movement, 36cm high

Four boxes of mainly architectural books, together with a box of leather bound books (5)

Five boxes of mainly architectural books

Three boxes of art history and architectural books including Debrett's Peerage 1939 (3)

A figural table lamp in the form of a female nude and a classical-type architectural circular based table lamp Condition reports provided on request by email for this auction otherwise items purchased `as seen`

A marble antique mantel clock of architectural form with skeleton dial (distressed) Condition reports provided on request by email for this auction otherwise items purchased `as seen`

A pair of London silver architectural candlestick holders (loaded) Condition reports provided on request by email for this auction otherwise items purchased `as seen`

An architectural Bass sign on a 36" x 18" x 1" thick slate

A 19th Century slate mantel clock of architectural form, French drum striking movement, 33cm high

A Victorian slate mantel clock of architectural form, striking American 8 day movement, 29cm high

A Victorian slate mantel clock of architectural form, striking French drum movement, 34.5cm high

A late 19th Century German bracket clock of architectural form with striking and gong 8-day movement striking on a coiled gong, brass spandrelled dial with silvered Arabic chapter ring, 45cm high

An Edwardian mahogany and inlaid desk timepiece of architectural form, Roman enamelled dial signed Sorley, Glasgow, Swiss drum movement with platform escapement, 15cm high

 NASH JOHN: (1752-1835) British Architect of the Regency & Georgian eras whose designs include the Royal Pavilion at Brighton, Marble Arch and Buckingham Palace. A.L.S., John Nash, one page, 4to, Pavilion, Brighton, 30th October 1819, to a gentleman. Nash states 'The bearer is a man of very excellent character is a candidate to succeed to the management of the Brewery at Greenwich Hospital' and continues 'he is a millwright as well as Brewer & which I apprehend will be a very desirable additional qualification in a business which has so much to do with mills, pumps and other machinery', further adding that he is anxious to secure the appointment on their behalf and will consider it a personal favour. With blank integral leaf. A contemporary note to the verso indicates that Lord Melville had already filled the post before Nash's letter was received. Some very light, extremely minor age wear and a small, light, circular stain only very slightly affecting a few words of text, but not the signature, otherwise VG   Robert Dundas (1771-1851) 2nd Viscount Melville. British Statesman who served as First Lord of the Admiralty from 1812-27 and 1828-30.   Greenwich Hospital was a permanent home for retired sailors of the Royal Navy from 1692-1869. Today it is known as the Old Royal Naval College and is the architectural centrepiece of Maritime Greenwich.   At the time of the present letter Nash was working on the Royal Pavilion at Brighton, extending the original building in 1815 and completing his work in 1822. 

JAPANESE MEIJI PERIOD LACQUERED INRO, the five case inro with architectural landscape scenery to both sides, signed to base, the gilt ojime with floral designs, and with gilt floral carved netsuke, 9cm high

CHINESE QING DYNASTY VASE, painted with panels of figures, birds and architectural landscape scenery, six character mark to base, 34cm high

COLLECTION OF CHINESE AND OTHER BLUE AND WHITE PLATES, with various floral and architectural designs, the largest 41cm diameter