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JOSEPH HAYES (1869-1916) FOR ST. PETER'S CHURCH, MORNINGSIDE FIGURE OF SAINT JOHN, CIRCA 1907 plaster maquette, later mounted on a carved oak plinth(figure 111cm high, including plinth 139cm high)Provenance: St. Peters Church, MorningsideFootnote: Note: Regarded as amongst Sir Robert Lorimer’s most innovative architectural designs, St Peter’s, Morningside was built in two stages from 1906-7, with the nave completed from 1928-9. The church was designed by Lorimer in an Italianate style and includes stained glass by Morris and Gertrude A. Meredith Williams, Nina Millar Davidson, and Pierre Fourmaintraux, metalwork by Thomas Haddon and a fine Arts & Crafts lead font by G. P Bankart. On the exterior are carved stone sculptures by Joseph Hayes including The Crucifixion with Our Lady and St. John of around 1907. The current lot is the maquette for the figure of St. John. A polychrome carved wood sculpture in the apse of around 1908 uses the same figure. Joseph Hayes worked on several projects with Lorimer from around 1900, including the management of the carving for the Thistle Chapel in St. Giles’ Cathedral, Edinburgh, built from 1909-1911.

A pair of architectural stamped metal four-tier plant display stands, 202cm high, each plateau 33.5cm diameter; another, 191cm high, each plateau 23cm square (3)

Architectural Salvage - an early 20th century wrought iron weathervane, 91cm long

A 19th century Victorian Neoclassical slate mantle clock of architectural form. The mantel clock having clock face to the top with black enamelled Arabic numerals and brass dial with a carved frieze beneath raised above two classical Doric pillars and having red marble inlay. Accompanied by mercury pendulum key. Eight day movement. 

JOSÉ GALLEGOS Y ARNOSA (Jerez de la Frontera, Cádiz, 1857 - Anzio, Italy, 1917)."Scene outside the Basilica of San Marco.Oil on panel.Signed and located (Venice) in the lower right area.Measurements: 16 x 9.5 cm; 26 x 20 cm (frame).José Gallegos y Arnosa, painter and sculptor from Jerez in the second third of the 19th century, was born on 3 May 1857 in the Convent of La Victoria in Porvera Street in Jerez, currently the headquarters of the School of Applied Arts and Artistic Trades and the Business School of that city. As a child he was attracted to the Fine Arts, a passion he shared with Salvador Sánchez Barbudo, who was the same age as him and a regular companion. Together they frequently visited the studio of the romantic painter Luís Sevíl and attended the artistic and literary gatherings organised by the Ysasi sisters.The young José spent a period of apprenticeship at the Casino de Artesanos de Jerez and received advice from artists such as Adolfo del Águila y Camacho. Guillermo Cook, who would later become the active director of the Academia de BBAA in Jerez, pressed for his parents to provide the means for José to study Fine Arts, given the incredible faculties with which the young man was endowed.Once this first stage of apprenticeship was over, in 1873, at the age of 16, he went to Madrid as a boarder of Guillermo Garvey, a winemaking businessman and his father's patron. There, at the San Fernando Academy in Madrid, he began a new stage of his training under the tutelage of Federico Madrazo, and in 1878 he went to Rome to broaden his knowledge and attend classes at the Academia Chigi and the Círculo Internacional de Bellas Artes. There he met Sánchez Barbudo and José Villegas Cordero, then the most influential painter in the colony of Spanish artists in the Italian capital. He decided to settle permanently in the Eternal City and, following the successes he achieved in several exhibitions, which were reflected in the art critics of the time, and encouraged by the prevailing Orientalist fashion, he travelled to Tunisia and Morocco, attracted by the light and the suggestive atmosphere of those exotic lands. The result of those trips was the work "Cortejo nupcial en Marruecos" ("Wedding Procession in Morocco"), which he presented at the Círculo de BBAA Exhibition and which was acquired by the Spanish State. In 1884 he painted "Botín de Guerra" ("Spoils of War"), which won a third medal at the National Exhibition of that year. He sent several paintings on orientalist themes to the Bosch and Hernández galleries and to the Círculo de BBAA in Madrid.In the middle of that decade he travelled around Italy with Sánchez Barbudo, visiting churches, cathedrals and basilicas, which were fundamental to the change of subject matter he introduced into his work in those years: everyday scenes in interiors and exteriors of important cathedrals, the subject of the present pair of panels, which undoubtedly date from this period. In 1891 he won the Gold Medal at the International Exhibition of Fine Arts in Berlin with "Wedding in the Sacristy of the Cathedral of Seville", an award conferred personally by Emperor Wilhelm II of Prussia and granted by an International Jury made up of the most outstanding personalities in the world of the Arts, Sciences and Literature of the time. Guillermo Garvey, his old patron, commissioned him to build an architectural monument to provide the church of Santiago with an extraordinary work of unquestionable beauty: "El Baldaquino de Santiago" monument built on a base of grey Bardiglio marble, in Carrara marble ten metres high made of 43 pieces of marble 36 bronze sculptures and tabernacle in fire-gilded bronze and with a wonderful door in solid embossed silver, in the centre of which is the Redeemer in high relief surrounded by a Heavenly choir in bas-relief.

Relief; Japan; 18th century.Carved and gilded wood.Size: 29 x 102 x 5 cm.Relief made of carved and gilded wood, which presents a procession of figures in the form of a frieze. In the centre, a central figure stands out from the rest, not only because of his dominant position, but also because he is carved behind a richly decorated tribune, raising his hands and holding a kind of band between them. Next to him are the other figures, situated on either side of him in a symmetrical manner, as each side has four protagonists in the lower area. This procession displays a number of attributes, such as fans or scrolls, which indicates that it is a sample of the most important figures in society. It is therefore likely to be a leader and his court. The scene is completed with carved elements of an architectural nature, not only the pulpit but also columns, and the upper areas where small characters that look like children contemplating the scene can be seen. This frieze probably represents a historical event characteristic of the history of Japan, and given its ornamentation, it is most likely that it belonged to the ornamentation of an architectural ensemble to which it was attached.

A Large French Black Slate and Pink Marble Mantel Clock of Architectural Form with Presentation Plaque Dated August 1883, 41cms High, Eight Day Movement

An Art Deco Oak Cased Westminster Chime Mantle Clock, The Clarion, Architectural Form, 27cm wide

cavetto of each decorated with a gilt foliate and floral trellis cartouches and vignettes, centered each with a portrait of young beauty against a rolling landscape, one of a beauty in profile with a grape and leafy head wreath with a woven basket of bounty, against the wine region of Mosel, signed Wrigel, along the lower edge and marked with factory mark in blue underglaze, in gilt overglaze script Mosel, gilt painter's flower underglaze, all underside of base; diameter: 24.5 cm (9 5/8 in.); the other of a Greco-Roman beauty, standing on a architectural portico with a peaceful gaze, signed L.inbS lower right and marked with factory mark in blue underglaze with numeral 262, in red overglaze Attentive noch L. Commons, gilt painter's flower underglaze, all underside of plate; diameter: 26 cm (10 1/4 in.)CONDITIONThe pair is in very good condition. Inspection under UV light shows no sign of restoration.

Barry Atkinson, folio of architectural drawings

Plaque architecturale en majolique à décor d'une femme à l'oiseau, Karlsruhe, circa 1920-1926 A Karlsruhe Majolica architectural wall plaque, circa 1920-1926Designed by Paul Scheurich, moulded in relief and embellished with blue glaze with a female figure seated crossed-legged on a foliate base flanked by branches and a bird on the left, 44.7cm high; 36.8cm across; 9cm deep, impressed Grand Ducal arms of Baden on reverse (minor chips)Footnotes:Literature:Rafael 1995b, ill. 1Exhibited:Meissen, Museum der Meissen Porzellan-Stiftung, Paul Scheurich. Porzellangestalter Zeichner Grafiker, 6 March 2020-21 February 2021For further information on this lot please visit Bonhams.com

Continental oak tabletop casket, fretwork brass strap handles opening to reveal three clear glass bottles with brass mounts, tops with Italian architectural buildings.width 15cm (6"), depth 6cm (2.5), height 9cm (3.5)Condition report: Section of strapwork to exterior missing, tops of all three bottles with cracked glass.

More & Meroni, Manchester, mahogany stick barometer with whitewood stringing, top section with architectural pediment, silvered dial, mercury thermometer, hinged glazed door, turned mahogany cistern cover.height 94cm (37")Condition report: Silvered dial with some signs of deterioration (see photographs). Mercury is present with no bubbles.

Barbon, London, wheel barometer, silvered dial, mahogany case with shell inlays, whitewood stringing, trunk containing alcohol-filled barometer, whitewood inlays, shell and flower head decoration with stringing, architectural pediment with brass finial.height 98cm (38")Condition report: Case in good order, silvering to dials in good order, no cracks or damage to the glass. Alcohol thermometer complete, mercury present. New hanging eye.

Edwardian mahogany bureau bookcase, architectural split pediment with thirteen pane astragal glazed door, flap opening to reveal four stationery compartments and three small drawers, lower section with four graduated drawers each with original brass button handles, all standing on brass and porcelain casters.width 48cm (19"), depth 49cm (19"), height 200cm (79")Condition report: Original adjustable shelves, all locks and keys present, antique dealers ticket included showing sale price of £3295.

Two pairs of coloured prints - vases and architectural elevations (4)

Four architectural detail black and white prints with ebonised composition frames, and two other decorative prints (6)

F. D. P. Wicker (British 20th century) Madingley Hall, Cambridgesigned, oil on canvas90 x 136cm; a facsimile print of the architectural plans of Madingley Hall (2)

Three architectural elevation prints of London facades, possibly Debenhams building; and one other (4)

Indian Late 19th Century Architectural Miniature Handpainted Brooch, of oval form, on ivory, possibly by the Company School, Dehli, North India. Depicts 'The Taj Mahal in Agra', mounted in gold mount. Not marked, tests gold. Wonderful quality and condition. 1.5" - 3.75 wide.

A set of three modern Venetian architectural design prints, framed and glazed

A collection of approximately 60 separate pieces of architectural drawings in pen and ink, pencil and watercolour, mainly on paper, several on board. Student work (1950's) includes designs for houses, a theatre and also several interiors. Professional work (1970) comprises detailed street plans for housing in parts of West London. Typical sheet size 80cm x 60cm

A vintage architectural style green alabaster mantle clock with gilt metal columns and ormolu detailing. H.18 W.16 D.4cm

Five late 20th century architectural printsLocation: RWM

A 19th century French Architectural bronze and belge noir mantel clock, classical frieze, black and cream dial, Arabic numerals, Vincenti movement, 29cm high, 35.5cm wide, 15.5cm deep

Postcards - early 20th century inc Maritime, Topographical, architectural etc inc European travels, mostly 1912 to 1919 qty.

A 1ST EDITION A HISTORY OF THE ENGLISH HOUSE - NATHANIEL LLOYD - 1931 PUBLISHED BY ARCHITECTURAL PRESS, FOLIO SIZE

19th century American mantel clock, of gothic architectural form, 40cm tall, together with one other adapted with folk art figures, 39cm tall (2)

19th century Staffordshire figure group 'Orange Sellers', 36cm tall, and two others of architectural form (3)

Pair of Grand Tour style architectural oak book ends, together with a set of volumes The Modern Carpenter, Joiner & Cabinet Maker. (B.P. 21% + VAT)

Early 20th century ladies silver and enamel fancy fob watch, together with an architectural design wooden clock holder.(B.P. 21% + VAT)

ONE box containing a large assortment of book plates, prints, etc. to include: botanical prints, bird prints, maps of England, map of Western Africa, maps of Wales, architectural prints, Arthur Rackham prints from 'A Midsummer Night's Dream', an illustration from Harpers Weekly 'The Same Old Christmas Story Over Again', 'Mother Hubbard's Wonderful Cupboard' first edition prints by Charles Federer, etc.  (Charity sale) (B.P. 21% + VAT)

Box of memorabilia and postcards to include music examination certificates, maps, autograph books dating 1905 on wards, album with photographs from 1920s, empty album and notebooks, deposit note from Hove Clifton and Preston permanent benefit building society dated 1932, with a collection of postcards: topographical, architectural, Back to the Fold postcard with sheep in a landscape stamped and dated Birmingham 1933.(B. P. 21% + VAT)

Set of three porcelain limoges cabinet plates, hand painted with architectural designs and with cobalt blue and gilded boarders to include Chateau de Sully, Chateau de Blois, and another. (3)(B.P. 21% + VAT) No obvious damage.

Early 20th century mahogany cased Admiral Fitzroy barometer, in a rectangular case, 90 cm high, and an oak framed aneroid barometer, of architectural form with thermometer, by Negretti & Zambra, 71 cm high (2)

A large slate architectural cased mantel clock with columns in   black and white dial

An architectural oak cased striking mantel clock

° ° Piper, John - 21 works, about or illustrated by:- Levinson, Orde - The Complete Graphic Works. A Catalogue Raisonne 1923-1983; Faber and Faber, 1983; Fowler-Wright, et al - Piper in Print, 2010; The Tate Gallery exhibition catalogue 30th November 1983-22nd January 1984; A Painter’s Camera. Buildings and Landscapes in Britain 1935-1985; Spalding, Frances - John Piper, Myfaney Piper, 2009; Jenkins, David Fraser and Spalding, Frances - John Piper in the 1930’s, 2003; Ingrams, Richard and Piper, John - Piper’s Places, 1983; Jenkins, David Fraser - John Piper, The Forties, Imperial War Museum Catalogue 19th October 2000-28th January 2001; Buildings and Prospects, The Architectural Press, 1948; Britten, Benjamin, et al - The Rape of Lucretia, The Bodley Head, 1948; Russell, Bertrand - Wisdom of the West, 1959; Osborne, June - John Piper and Stained Glass, 1997; Levinson, Orde - ‘Quality and Experiment’: The Prints of John Piper. A Catalogue Raisonne, 1923-91, Lund Humphries, London, 1996, together with 8 minor publications and pamphlets. (21)

Follower of Niccolò Codazzi (Naples 1642-1693 Genoa)An architectural capriccio with the Adoration of the Magi oil on canvas94.2 x 72.8cm (37 1/16 x 28 11/16in).unframedThis lot is subject to the following lot symbols: αα Buyers from within the UK: VAT is payable at the prevailing rate on just the Buyer's Premium (NOT the Hammer Price). Buyers from outside the UK: VAT is payable at the prevailing rate on both Hammer Price and Buyer's Premium. If a Buyer, having registered under a non-UK address, decides that the item is not to be exported from the UK, then they should advise Bonhams immediately.For further information on this lot please visit Bonhams.com

A 19th century onyx mantel clock, Arabic numerals, the architectural case with cast brass figural frieze, three freestanding pilaster to each side, plinth base** We would please ask that all payments are made by 12pm on Thursday 14th April at the latest. Collection for all lots is strictly by appointment at Otterbeck Hall, Chinley, SK23 6AH where all items are located. We request that items are collected on either Wednesday 13th or Thursday 14th April when Bamfords staff will be in attendance. In circumstances where buyers are unable to attend on these days members of the Stoodley family have kindly agreed to be present from Friday 15th to Monday 18th April at 12pm, however all lots must have been paid for by Thursday 14th April. It should be noted that keys will be handed to the new owners of Otterbeck Hall on Tuesday 19th April at which point Bamfords will no longer have access to the property. Bamfords are able, strictly by prior arrangement to bring certain higher value small items to the saleroom for collection at a later date. Please enquire and confirm this availability in relation to any lot that you are hoping Bamfords will be able to move on your behalf. Any such lot will incur a £15 charge**.

Architectural Salvage - A quantity of 19th century stone sectional pillars comprising four bases of varying sizes and six cylindrical sections, the cylindrical sections each approximately 84cm long (10).** We would please ask that all payments are made by 12pm on Thursday 14th April at the latest. Collection for all lots is strictly by appointment at Otterbeck Hall, Chinley, SK23 6AH where all items are located. We request that items are collected on either Wednesday 13th or Thursday 14th April when Bamfords staff will be in attendance. In circumstances where buyers are unable to attend on these days members of the Stoodley family have kindly agreed to be present from Friday 15th to Monday 18th April at 12pm, however all lots must have been paid for by Thursday 14th April. It should be noted that keys will be handed to the new owners of Otterbeck Hall on Tuesday 19th April at which point Bamfords will no longer have access to the property. Bamfords are able, strictly by prior arrangement to bring certain higher value small items to the saleroom for collection at a later date. Please enquire and confirm this availability in relation to any lot that you are hoping Bamfords will be able to move on your behalf. Any such lot will incur a £15 charge**.

Architectural reclamation - A quantity of York stone paving, various sizes, probably late 19th century.** We would please ask that all payments are made by 12pm on Thursday 14th April at the latest. Collection for all lots is strictly by appointment at Otterbeck Hall, Chinley, SK23 6AH where all items are located. We request that items are collected on either Wednesday 13th or Thursday 14th April when Bamfords staff will be in attendance. In circumstances where buyers are unable to attend on these days members of the Stoodley family have kindly agreed to be present from Friday 15th to Monday 18th April at 12pm, however all lots must have been paid for by Thursday 14th April. It should be noted that keys will be handed to the new owners of Otterbeck Hall on Tuesday 19th April at which point Bamfords will no longer have access to the property. Bamfords are able, strictly by prior arrangement to bring certain higher value small items to the saleroom for collection at a later date. Please enquire and confirm this availability in relation to any lot that you are hoping Bamfords will be able to move on your behalf. Any such lot will incur a £15 charge**.

Architectural salvage - early 20th century brass and bakelite light switches and switch plates; a quantity of 19th and 20th century glass; etc (qty).** We would please ask that all payments are made by 12pm on Thursday 14th April at the latest. Collection for all lots is strictly by appointment at Otterbeck Hall, Chinley, SK23 6AH where all items are located. We request that items are collected on either Wednesday 13th or Thursday 14th April when Bamfords staff will be in attendance. In circumstances where buyers are unable to attend on these days members of the Stoodley family have kindly agreed to be present from Friday 15th to Monday 18th April at 12pm, however all lots must have been paid for by Thursday 14th April. It should be noted that keys will be handed to the new owners of Otterbeck Hall on Tuesday 19th April at which point Bamfords will no longer have access to the property. Bamfords are able, strictly by prior arrangement to bring certain higher value small items to the saleroom for collection at a later date. Please enquire and confirm this availability in relation to any lot that you are hoping Bamfords will be able to move on your behalf. Any such lot will incur a £15 charge**.

Architectural salvage - an 18th/19th century beam; sections of balustrade, railings and paneling (qty).** We would please ask that all payments are made by 12pm on Thursday 14th April at the latest. Collection for all lots is strictly by appointment at Otterbeck Hall, Chinley, SK23 6AH where all items are located. We request that items are collected on either Wednesday 13th or Thursday 14th April when Bamfords staff will be in attendance. In circumstances where buyers are unable to attend on these days members of the Stoodley family have kindly agreed to be present from Friday 15th to Monday 18th April at 12pm, however all lots must have been paid for by Thursday 14th April. It should be noted that keys will be handed to the new owners of Otterbeck Hall on Tuesday 19th April at which point Bamfords will no longer have access to the property. Bamfords are able, strictly by prior arrangement to bring certain higher value small items to the saleroom for collection at a later date. Please enquire and confirm this availability in relation to any lot that you are hoping Bamfords will be able to move on your behalf. Any such lot will incur a £15 charge**.

A 19TH CENTURY ALBUM OF ANTIQUARIAN AND GOTHIC REVIVAL ARCHITECTURAL INTEREST by A. C. Baouley, 1862, containing engravings, prints, drawings, including a drawing of 'Pugin's Wedding Card'

AN ART NOUVEAU STYLE MIRROR 79 cms wide, with another mirror and two architectural prints

Slate architectural mantel clock Ht 28.5cm

By and after Nathaniel George Philips (1795-1831) - An album of etchings, engravings and lithographs, principally architectural subjects, various states, several inscribed, somewhat spotted or with offsetting, hinged or loosely laid down to leaves, recto only (33 x 26cm), with inscription on the endpaper N G Philips' etchings...Most of these private plates and never published..., contemporary cloth worn, lacks spine, boards detached, Borough of Lancaster Politics 1836-61 - an album of press cuttings and related autograph letter signed by George Marton 1841 and five various 19th c scrapbooks (7) Rare. Nathaniel George Philips of Liverpool studied medicine at the University of Edinburgh where he became acquainted with several Scottish artists. During a three years' artistic sojourn in Italy he was elected to the Academy of St Luke on the death of Henry Fuseli, RA (1741-1825) Condition ReportThe albums worn with excisions, losses and dis-bound. Sold w.a.f.

A rare Victorian walnut self-recording aneroid barometer, L Casella London, c1880, the timepiece with chain fusee movement with shouldered plates driving the barograph drum, that instrument on a substantial brass bed with columns and bubble level, the architectural case with glazed fall front flanked by pilasters, on stepped plinth with hinged flap in the top and two panelled doors to the back, pendulum and clock and case keys, and an early Victorian Elizabethan oak wall bracket, probably to the design of Thomas Johnson of Lichfield, 1836-40, the shelf and apron carved with leaves and strapwork, the volute supports with pendants, overall height 78cm; shelf 28 x 97cm (2) (Bracket) Commissioned for the Heath House by John Burton Philips For several similar instruments by contemporary British makers, see Collins (P R) - Barographs, 2002, chapter 1, in which the terms 'self recording barometer' and 'barograph' are discussed Condition ReportA high quality instrument in good original condition. Case a little splashed with paint. Mechanisms untried but no reason to suspect they are defective. Sold with copy of a receipt for overhauling "English clock and barograph set in a mahogany (sic) case made by Casella" dated December 1983

A French nero belgio and rouge griotte marble mantel clock, late 19th c, in architectural case with pilasters, having enamel dial, Breguet hands and gong striking movement, backplate stamped R & C PARIS & LONDON, No 2201, pendulum, key, 31.5cm h Condition ReportOne or two tiny chips on angles of case. Movement in working order, running when wound. Dial undamaged

Moule (Thomas) - Winkles's Architectural and Picturesque Illustrations of the Cathedral Churches of England and Wales, two volumes, engraved title and plates, contemporary calf tooled in blind and ruled gilt, spine gilt with two red labels, engraved bookplate, 4to, London: Effingham Wilson, 1836 and 1838, uniform with - French Cathedrals, London 1837 (3)

Two Doulton Carrara ware architectural stoneware advertising desk weights, designed by Gilbert Bayes, c1930, 90mm h, impressed mark, incised 139 Condition ReportSlightly chipped

A large collection of 20th century decoupage scrap book panels on stretch canvas having scenes of Bristol, architectural and people from magazines and publications in polychrome. Various sizes. Measures approx: 128cm x 123cm.

An early 20th century pine ecclesiastic Gothic church style throne chair. The charger chair headrest being of architectural form with carved with quatrefoil and carved decoration over pierced nave shapes to the back rest with carved elbow rests over square supports united by stretchers. Measures approx: 110cm x 58cm x 50cm

A pair of early 20th century WM. L. Gilbert American made Neo-classical style ebonised wood mantle clocks. Each being of architectural form with classical half columns flanking the clock face raised upon acanthus scroll feet. Measures 28cm x 38cm x 15cm. 

Of architectural / salvage interest  - A collection of four 20th century stone corbels / pediments of circular form. Together with a composite stone bowl having raised floral decoration throughout.

Samuel Marti - A 19th century French made Indian style spelter mantle clock. The mantel clock being of architectural from with enamelled blue and white button numerals to the chapter ring. The top having a Hindi gandaberunda berunda bird finial and the body having cast Indian lotus and floral patterning raised upon a carved style scroll base. Eight day movement. Measures 35cm tall.

A 19th century French Neoclassical gilt on brass mantle clock of architectural form. The clock having a flower finial over pediment with fluted columns beneath and putti and acanthus relief to the base. The face having enamelled blue roman numeral with eight day movement and pierced rocaille hands. 

ARCHITECTURAL WALL MIRRORS, a pair, 111cm x 70cm, 1960's French style gilt frames. (2)

ARCHITECTURAL GARDEN MIRRORS, a set of three, arched bronzed metal frames, 107cm x 55cm. (3)