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A Regency mahogany collector's cabinet, with architectural cornice and two glazed doors over two panelled doors enclosing an arrangement of thirty two glass topped drawers with turned bone handles, W.2ft 6in. D.1ft 4in. H.6ft 7in.CONDITION: Overall in honest untouched condition but with a number of small losses, beading to the edge of the cornice is chipped and missing in one 4 inch area at the front, moulding to the lower left side of the top is missing, a few short cracks and some lifting of the varnish to the sides, top doors are slightly lighter in tone than elsewhere, original lock present but no key, door enclose two slender adjustable shelves, lower section of good rich colour, in both the top and bottom the sides are made of stained pine and show old splits, dents and wear from use, lower front doors slightly warped out of shape, comes with original lock and working key, the two banks of drawers have lost many of their divisions and therefore do not all run smoothly, stands upon what look to be the original turned feet.

Hope Williams St John - An Architectural History of Windsor Castle (2)

J HOUSTON, STREET VIEW etching on paper, signed 16cm x 10cm Mounted, framed and under glass along with another architectural etching, signed indistinctly, 22cm x 9cm, also mounted, framed and under glass

A George III and later mahogany bureau bookcase, the broken architectural pediment over a pair of astragal glazed doors and fitted fall above frieze drawer and three further drawers to each pedestal, on bracket feet. 224 x 116 cms.

A 19th century architectural form black slate mantle clock with American eight day gong striking movement. 39 cms wide.

Pair of blue and white porcelainChina, Qing Dynasty, Qianlong period (1736 - 1795)Dimensions: Height 8 cm Diameter 13,5 cmWeight: 346,9 grams togetherSmall delicate white bowls with architectural landscape painting.

Grey StoneNepal, 18th centuryDimensions: Height 20 cm by 12 cm Weight: 1.382 gramsDvarapala means "door/gate guardian" and is commonly armed with a gada or mace, like here. It is often found in architectural spaces all over Hindu, Buddhist, Jaina as well as Java cultures. Here the guardian is depicted in a wide stance with left knee bent standing on a lotus base. The left hand is raised with thumb and ring finger touching, while the other is holding the mace in front of his legs. The guardian is wearing a striped dhoti and a lamellar armour with fringes on the bottom. The head is adorned with a five-pointed crown and beaded top. Large circular pendants hang on the elongated earlobes. The round face resembles a human with bulging eyes but has a friendly expression. The Dvarapala is surrounded by a fiery pointed aureole. The back is flat.

A wool floral carpet in the Aubusson taste, 20th century, woven with flowers and architectural reserves, 285cm wide, 410cm long. Provenance: Property from a Private Collection- purchased Adam's Auctioneers, Lot 606 24 November 2013 €1,800.00 Condition Report: Various small 'pulls' and some loose strands. Some small losses to borders and central field Carpet is constructed from two joined pieces. The join between the two is slightly visible to the front. Overall in fair condition but looks not have been used for some time- and lies slightly unevenly on floor. No signs of large stains or major wear but overall slightly faded- reverse showing much stronger colours. Has probably been cleaned- there are several slight areas of paler- slightly yellower surface- notably to central field suggesting that it may have had stains that have been washed out. Slightly dirty- and has a faintly stale smell. Please contact us for further images   Condition Report Disclaimer

Carleton Grant (British 1858-1899) Cockle Pickers at Low Tide Watercolour Signed and dated 1896 lower left 23 x 34cm (9 x 13¼ in.) Provenance: Sale, Salisbury, Woolley & Wallis, 16 July 2008, Lot 299 Private Collection, Keith William Sleeman (1941-2020) Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. Condition Report: Generally good- mild fading Condition Report Disclaimer

λ Bryan Ingham (British 1936-1997) Untitled Pen and ink Signed with initials and dated 1996 lower right 28 x 22.5cm (11 x 8¾ in.) Provenance: Sale, Salisbury, Woolley & Wallis, 16 March 2016, Lot 192 Private Collection, Keith William Sleeman (1941-2020) Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. Condition Report: In very good original condition. Under glass and unexamined out of frame. Condition Report Disclaimer

λ Sandra Blow (British 1925-2006) Untitled, 1970 Mixed media with sand collage on paper 19 x 26cm (7¼ x 10 in.) Provenance: Sale, Salisbury, Woolley & Wallis, 6 June 2018, Lot 385 Private Collection, Keith William Sleeman (1941-2020) Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. Condition Report: Paper has browned- Condition Report Disclaimer

An early 19th century and later album of British antiquarian-architectural and topographical watercolours and drawings, composed of approximately 48 pictures of monastic ruins, country houses - Vaynor Park, Berriew, Wales, & Pipewell Hall, Northamptonshire, some interiors, Brighton 1847, etc., some Continental views and a still life, various hands including Frederick Barry, media, and sizes, half-morocco gilt over cloth, folio (38cm x 28cm), [1]

Judaica, Jewish Prayer Book - Machzor, volumes I-III, Vilnius: "ROM", [n.d., c. 1880-1886], printed in Hebrew, architectural title-pages, contemporary marbled calf, blind-stamped to a Rococo design, green foliate endpapers, pastedowns with ink manuscript labels, folios (39.5cm x 28cm), [3]

Local Interest - Hill (John Harwood), The History of the Parish of Langton, with that Portion of the Hundred of Gartree, Leicestershire [...], [&], [...] of Market Harborough [...], Leicester: Printed for the Subscribers by Ward and Sons, 1867 & 1875, additional architectural and armorial lithograph title-pages: Langton printed in colour, Market Harborough monochrome, each illustrated with full-page antiquarian lithographs, some in-text engravings, genealogical pedigrees, 20th century ochre cloth and gilt-lettered green morocco pieces, The City of Leicester Boys' School Library stamps, folios (38cm x 29cm), [2]

Theology, Scripture, Liturgy, and Ethics - Whitby [(Daniel)], Ethices Compendium, in usum Academicæ Juventutis [...], fourth and final edition, Londini: Gulielmi & Johannis Innys, 1724, contemporary two-tone panelled calf, gilt spine with contrasting red morocco piece, red-speckled edges, 8vo, (1); Provincial Imprint, Tuke (Henry), The Life of George Fox, from Biographical Notices of Members of the Society of Friends, volume I (the biography complete in itself), York: Printed by C. Peacock [...], 1813, 19th century and later ownership inscriptions, contemporary calf, 8vo, (1); Hervey (James), Meditations and Contemplations, volume II only (its sections complete in themselves), second edition, London: Printed for John and James Rivington, 1768, contemporary calf over marbled boards, 8vo, (1); Barclay's Apology for the True Christian Divinity, as Professed by the People Called Quakers [...], second edition, London: Harvey and Darton, 1822, rebacked contemporary marbled boards, contemporary and later book labels: The Library of the Meeting of Friends, In Castle-Donington, 8vo, (1); The Holy Bible [...], London: George E. Eyre and William Spottiswoode, 1861, printed in parallel columns within black-ruled borders, contemporary Gothic Revival brown morocco, architectural blind-stamped framework to covers, all edges gilt, 4to, (1); later Bibles (4); etc., (2), [11]

William Shakespeare, Rare Unrecorded Edition on ESTC, [?Boydell (John)?], A Catalogue of the Pictures, &c., in the Shakespeare Gallery, Pall-Mall, London: Printed for the Proprietors, and Sold at the Place of Exhibition, 1791, pp: xiv, [2], 169, [1] (blank), as well as Boydell's Gallery the text includes an account of the Houghton Collection of Pictures purchased from the Walpoles by Catherine the Great of Russia, later boards, 8vo, (1); Westmacott (C.M.), British Galleries of Painting and Sculpture, Comprising a General Historical and Critical Catalogue with Separate Notices of Every Work of Fine Art in the Principal Collections, Illustrated with Engraved Portraits and Interior Views [...], First Part (all published), London: Sherwood, Jones, and Co., 1824, pp: [2] (blank), viii, 240, illustrated with stipple engraved frontispiece, 4 line engraved full-page plates of interiors & collections, in-text wood engravings of architectural vignettes and allegories, comprising accounts of the royal, noble, institutional and private art collections of Carlton House, Buckingham Palace (then House), the National Gallery (formerly Angerstein's), Cleveland House, Kensington and St. James's Palaces, the British Museum, and Thomas Hope, contemporary green cloth over boards, 8vo, (1), [2]

A 19th century Orientalist mahogany and brass marquetry quadriptych graduating photograph frame, in the Moorish taste, each architectural minaret folding, 52.5cm high, 57cm wide, c. 1880

A 19th century Renaissance Revival bois durci easel looking glass, rectangular mirror plate, the architectural frame moulded with masks, strapwork, dragons and scrolls, 26cm high, c.1880

A Middle Eastern rectangular panel or tile, moulded with European figures within an architectural setting and brightly glazed in the typical Qajar manner, 35cm x 27.5cm, probably 19th century

A pair of 19th century noir Belge library porticos, each with architectural pediment above a Classical figure flanked by reeded pillars, rectangular bases, 24cm high, c.1880

A Victorian mahogany marble topped hall or console table of architectural form, the veined top over a plain frieze on turned legs, height 83cm x depth 44cm x width 99cm, S/D

A FRENCH ARCHITECTURAL SILVERED AND PATINATED BRASS MANTLE CLOCK, C1890, THE EARTHENWARE DIAL AND PANEL PAINTED WITH CLASSICAL RUINS HAVING BELL STRIKING MOVEMENT, 38CM H, PENDULUM AND GILTWOOD PLINTH Complete wear to decoration and polish residue

A George III mahogany stick barometer, the rectangular silvered register signed 'Henry Pyefinch, London', with mercury thermometer under an architectural pediment, over an exposed mercury tube terminating in a ball cistern, 102cm high.Footnote: Footnote: Henry Pyefinch is recorded by Banfield as working 1763-90, he was apprenticed to Francis Watkins in 1753 and became a freeman of the Spectaclemakers Company in 1793. In conjunction with J.H. de Magellan, a Portuguese scientist, he patented an instrument to measure the effect of the weight of the atmosphere and the variations caused by temperature. Further details of Pyefinchs work can be found in Goodison, Nicholas English BAROMETERS 1680-1860 Part II Some Important Makers and Retailers pages 204 and 205.Condition report: Some rubbing to the indices. Some minor cosmetic marks to the case.

6 Alfred Bowyer Clayton (1795-1855) 1830s pen & ink "Austrian architectural studies", each drawing inscribed with the place, all unframed,Average size is approx 25 x 23 cm,ALFRED BOWYER CLAYTON (1795-1855) - Born London, studied under William Etty, he exhibited at the RA between 1814-1837 and in 1931 produced a series of lithographic prints depicting the Liverpool-Manchester railway. He worked as a professional lithographer during the early 1830s before becoming an architect in Liverpool where he died on 10th May 1855

4 Alfred Bowyer Clayton (1795-1855) 1830s pen & ink "Architectural studies, Switzerland", each drawing inscribed with the place, all unframed,Average size is approx 25 x 23 cm,ALFRED BOWYER CLAYTON (1795-1855) - Born London, studied under William Etty, he exhibited at the RA between 1814-1837 and in 1931 produced a series of lithographic prints depicting the Liverpool-Manchester railway. He worked as a professional lithographer during the early 1830s before becoming an architect in Liverpool where he died on 10th May 1855

8 Alfred Bowyer Clayton (1795-1855) 1830s pen & ink "English architectural studies", each drawing inscribed with the place, all unframed,Average size is approx 21 x 10 cm,ALFRED BOWYER CLAYTON (1795-1855) - Born London, studied under William Etty, he exhibited at the RA between 1814-1837 and in 1931 produced a series of lithographic prints depicting the Liverpool-Manchester railway. He worked as a professional lithographer during the early 1830s before becoming an architect in Liverpool where he died on 10th May 1855

8 Alfred Bowyer Clayton (1795-1855) 1830s pen & ink "English architectural studies", each drawing inscribed with the place, all unframed,Average size is approx 18 x 12 cm,ALFRED BOWYER CLAYTON (1795-1855) - Born London, studied under William Etty, he exhibited at the RA between 1814-1837 and in 1931 produced a series of lithographic prints depicting the Liverpool-Manchester railway. He worked as a professional lithographer during the early 1830s before becoming an architect in Liverpool where he died on 10th May 1855

3 Alfred Bowyer Clayton (1795-1855) 1830s pen & ink "Dutch architectural studies", each drawing inscribed with the place, all unframed,Average size is approx 23 x 13 cm,ALFRED BOWYER CLAYTON (1795-1855) - Born London, studied under William Etty, he exhibited at the RA between 1814-1837 and in 1931 produced a series of lithographic prints depicting the Liverpool-Manchester railway. He worked as a professional lithographer during the early 1830s before becoming an architect in Liverpool where he died on 10th May 1855

A Charles II oak three-panel blanket chest, hinged top, the front carved with strapwork, a shell motif and architectural arches, 59cm high, 119cm wide, 47.5cm deep, c.1680

Boxes and Objects - a George III mahogany rectangular guinea balance/scales box, lacking contents, c. 1800; a set of three miniature Napoleonic prisoner-of-war bone dice, c. 1810; a lacquered brass compass; a 17th century Baroque fragmentary architectural carving; Chinese hardwood stand; jade-coloured model; Robert Morden map of Derbyshire, hand-coloured engraving; early 19th century Georgian knife; late 19th/early 20th century Colonial hardwood fan, Bali, carved in relief; other fans; oil painting of a landscape, signed, oil on canvas, 31cm x 41cm; 18th century and later engravings, various; qty

Various Royal related ephemera, The Queen's Empire, in red boards with gilt stencilling, architectural drawing studies by the Dean of Chester, History of Railways folio magazine set in folder, etc. (a quantity)

VULLIAMY, PALL MALL, LONDON A FIGURED MAHOGANY DOMESTIC REGULATOR LONGCASE CLOCK the hood with architectural pediment above a glazed door with canted corners on matching trunk with ebonised mouldings and box base with applied ebonised bead. The unusual 12" silvered brass dial with leaf engraved spandrels enclosing a silvered one-piece centre with engraved Roman numerals and subsidiary seconds dial, Strike/Silent lever above the twelve fronting a fine quality eight-day weight driven movement with jewelled pallets and adjustable end stops striking the hours on a bell, adjustable crutch and gridiron pendulum 198cm high

John Johnson (British 1843-1920): Architectural Studies, eight pencil and watercolour sketches variously signed, titled and dated, max 13cm x 20cm (8) Notes: Johnson was a British architect most notable for designing the Jubilee Clock Tower in Brighton; these sketches were taken from his Architectural Association sketchbook 1897-1904.Click here to view further images, condition reports, sale times & delivery costs for this lot.

Attributed to James Renwick Brevoort (1832-1918) American Figures traversing a path at dusk Indistinctly signed, oil on canvas, 82.5cm by 56cm (a.f.) See illustration . There is a large and significant triangular tear to the canvas within the upper right hand quarter. The torn canvas remains attached. There is a further Y shaped tear within the pathway below and left of the two figures standing at the wall and is approx 3 cm on its longest edge. Small horizontal tear with some paint losses approx 7 cm from the top of the tower and approx 1 cm in length. Further small damage with losses on the lower right component of the tower, broadly vertical and no more than 0.5 cm in length. Relatively minor diagonal surface scuff to canvas in between these two damages. Covered in a layer of dirt and discoloured varnish. There is a rectangular patch repair to lower edge approx 10 cm by 20 cm in overall dimensions with associated retouching to the front. Canvas now slightly loose on stretcher. Some minor and sporadic retouching left hand side centre and probably a small amount around the figures within the lower right hand corner. Minor rubbing to edges in general. Varying sized stable craquelure mostly contained to background and sky, architectural and vegetation areas displaying a degree of bloom and in essence some general retouching to denote shadows and definition. Sold as found.

Charlton Lionel: The History of Whitby and of Whitby Abbey. 1779 York. Folding plan; and Prickett Rev. Marmaduke: An Historical and Architectural Description of the Priory Church of Bridlington. 1831 (2) - Condition Report

A Silver Mounted Tortoiseshell Aide de Memoire/Timepiece, circa 1870, of rectangular form, set with a watch movement within an architectural cartouche, containing an ivory leaf, 10.5cm long. Some very small chips, to the edges of the front and back tortoiseshell cover. Silver no nt with overall wear. Internal leaf and paperclip in tact with good action. Watch mechanism, not tested.

Architecture.- A collection of 41 folio plates (of 50) from Vardy's Designs of Mr Inigo Jones and Mr Wm Kent, 1744; together with 2-page engraved list of plates from the same work and 54 18th Century 4to architectural plates, by J Carter, some staining and creasing, folio and 4to (97).

NO RESERVE Zonca (Vittorio) Novo teatro di machine et edificii, fourth edition, engraved architectural title, full-page illustrations throughout, several f. supplied in facsimile, H1 with repaired burn-hole, worming towards end, modern antique-style calf by Bernard Middleton, folio, Padua, 1656; sold not subject to return.

Architectural Salvage - a Vintage cast iron radiator, 92cm long; another smaller (2)

A Black Forest cuckoo clock, the arched cased with carved ivy leaf detail, the dial set with Roman numerals, on rectangular base with bracket feet (for restoration) and an American walnut mantel clock, the enamelled dial set with Roman numerals in architectural-style case (af), height of both 46cm (2). CONDITION REPORT The cuckoo is present, age related wear and slight damage.Please note that this lot is not suitable for our in-house postage service. We would recommend booking a collection slot for this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on www.adampartridge.co.uk/services/postage-shipping/

A mahogany-cased wall clock by Synchronome Electric of London, the dial set with Roman numerals and three mantel clocks for restoration, including an oak-cased example, the silvered dial set with Roman numerals, a Victorian ebonised wooden clock, the enamelled dial set with Roman numerals and one other in an oak architectural case (4). CONDITION REPORT Please note that this lot is not suitable for our in-house postage service. We would recommend booking a collection slot for this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on www.adampartridge.co.uk/services/postage-shipping/

J Blatt; a reproduction mahogany-cased stick barometer, the silvered dial signed 'J Blatt Brighton' within a case with architectural pediment and with thermometer to the trunk, length 97cm. CONDITION REPORT Please note that this lot is not suitable for our in-house postage service. We would recommend booking a collection slot for this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on www.adampartridge.co.uk/services/postage-shipping/

A set of twelve engravings of topographical and architectural scenes, mainly depicting various places in Newcastle, originally drawn and etched by T M Richardson, a number etched by W W Pybus, each with label of historicity and location verso, the majority 19 x 19cm, all framed and glazed (12).

ESTHER CRAIG; an acrylic abstract of a woodland scene, signed lower right, 40 x 55cm, indistinctly signed; a pair of pencil and pastel architectural scenes of patio steps and Edwardian-style glazed doors with glimpses of foliage and flora to interior, each 33 x 43cm, Eric Holmes; two watercolours, one woodland scene with river flowing over boulders, signed lower left, 22 x 30cm and by the same hand; watercolour of city street scene with figures in the background, signed lower left, 38 x 30cm, Ian Grant; pencil drawing 'Low Tide: The Thames, Putney', signed lower right, 27 x 37cm and R Linford; a photographic print 'Evening Over Manchester From Oldham', signed and numbered 1/1 lower left, 30 x 46cm, all framed and glazed (6).

A German late 19thC oak and mahogany cased mantel clock, by the Hamburg American Clock Company, circular brass dial with enamelled chapter ring bearing Roman numerals, eight day movement with coil strike, the case of architectural form, no. 1068, with key, 41cm high, 35cm wide, 14.5cm deep.

A Regency mahogany collector's cabinet, with architectural cornice and two glazed doors over two panelled doors enclosing an arrangement of thirty two glass topped drawers with turned bone handles, W.2ft 6in. D.1ft 4in. H.6ft 7in.CONDITION: Overall in honest untouched condition but with a number of small losses, beading to the edge of the cornice is chipped and missing in one 4 inch area at the front, moulding to the lower left side of the top is missing, a few short cracks and some lifting of the varnish to the sides, top doors are slightly lighter in tone than elsewhere, original lock present but no key, door enclose two slender adjustable shelves, lower section of good rich colour, in both the top and bottom the sides are made of stained pine and show old splits, dents and wear from use, lower front doors slightly warped out of shape, comes with original lock and working key, the two banks of drawers have lost many of their divisions and therefore do not all run smoothly, stands upon what look to be the original turned feet.

Dwerryhouse & Carter of London. A Regency brass inset mahogany mantel clock, with architectural case and painted Roman dial, unsigned twin fusee movement, height 19.5in.CONDITION: Overall a little dusty but otherwise looks to be honest and untouched, mid to light brown mahogany tone, darker at the top and with some ebonised details, top finial slightly bent out of place, two slim cracks running in to each side of the dial through the main case, dial looks a little rubbed, hands probably original, two sections of brass stringing missing from the lower part of the front of the case, side handles and pierced brass grills with a dull bronze finish, silk lining to side panels very tired, key missing for the lock that holds the bezel in position but still fits tightly, no key for the back door which has very minor losses around the edges, movement looks to be in good condition, complete but not tested for timekeeping, comes with an adjustable pendulum but no keys. Movement is going but not tested for timekeeping but possibly the movement is associated to the case, please see our photographs of how the seat board is supported.Hole in the lower right side holding bracket does hold the pendulum.

A 19th century French ormolu and enamelled porcelain clock garniture, the eight day clock with arched architectural case flanked by a pair of urns, all decorated with scenes of medieval figures including Joan of Arc, Japy Freres movement, clock height 13.75in. urns 11.5in. overall on both plinths 17in.CONDITION: Somewhat neglected state, the ormolu is very dirty and rubbed particularly on one side of the top of the clock case, numerous small dirt and oxidisations spots throughout, arched top of the case looks to have two small foliate motifs (one from each side), dial dirty but otherwise looks good, hands rubbed but original, side panels equally in good order with just a little light rubbing to the gilding, movement looks dirty and neglected but thought to be complete, comes with pendulum but no key, one urn is a little wobbly at the joints, very dirty but otherwise good, the other urn with panel of knights on horseback has cracks running above their heads and a small chip, the left hand arm needs re-attaching at the bottom. All pieces sit on original gilt plinths and further ebonised plinths which at one time would have had glass domes.

A pair of framed and glazed architectural prints.

A Thomas Kinkade Limited Edition colour print, Romantic River Landscape with architectural folly to bank, 45 cm x 60 cm. No. 279 of 990, signed in moulded frame. Sold on behalf of and for The Calvert Trust. CONDITION REPORT: This print is in excellent condition.

A white painted 19th century chimney pot of architectural form, 75 cm high. CONDITION REPORT: Some losses to paintwork exposing stoneware, a degree of weathering and plant growth but generally sound.

A 19th century Palais Royale scent bottle casket fitted with three gilt metal mounted scent bottles, each with architectural miniature inset to the top, 15cms (6ins) wide.Condition Reportthe white strips look to be ivorine

A pair of gilt framed crystoleums depicting architectural scenes, 27 by 21cms (10.5 by 8.25ins).

A quantity of late 19th / early 20th century etchings, various subjects to include architectural examples, all unframed.

A contemporary 20th Century architectural industrial iron and gilt metal table lamp of S shape having acanthus leaf and star panels. Raised on a heavy square plinth base. Measures: 62cm tall.

A large and impressive antique 19th Century Italian Baroque architectural form mirror with twin pointed arch pediments above a hand painted faux marble frieze. The central rectangular mirror flanked by arched mirrors framed by pilasters with scroll corbels and rosettes, further flanked by large feather scrolls. 110cm x 242cm.

A French Slate and Marble Mantle Clock of Architectural Form, with Key and Pendulum, 20cm high

Architecture. Wolpe, Berthold - Johann David Steingruber: Architectural Alphabet 1773. London: Merrion Press, 1972. Limited edition, no.27/425. Original cloth in dust wrapper. Fine copy. Housed in the original cardboard folder. (1)

Round golden brass in wooden frame ebonized De Nuptis Mercurii et Philologiae, late eighteenth century Depiction of Philology of the rise in the sky to marry Mercury, the god of eloquence, in a meeting with the liberal arts. In the background an architectural landscape with deep relief Etching on copper stiacciato making it a great sense of depth and relief. They celebrate the event the seven liberal arts: grammar, dialectic, rhetoric, the "Trivium", arithmetic, geometry, astronomy and music, the "crossroads". Tondo golden stiacciato diameter 15 cm, diameter 25 cm frame ,. Small gold deficiencies for use.

Two prints of Oriel College, a pair of Cecil Aldin prints and an architectural print