We found 35023 price guide item(s) matching your search

Albert Goodwin, RWS (British, 1845-1932)The City of Dis signed and dated '1918/Albert Goodwin' (lower right); inscribed 'The City of Dis' (lower left)watercolour and gouache37.2 x 55cm (14 5/8 x 21 5/8in).Footnotes:ProvenanceThe Fine Art Society Ltd., London, August 1970.Private collection, USA.In Roman mythology, Father Dis is the ruler of the underworld; in Virgil's Aeneid, Aeneas visits the 'desolate halls and vacant realm of Dis', described as having 'wide buildings girt by a triple wall'.In Dante Alighieri's The Divine Comedy, The City of Dis is represented as a fortified city moated by the River Styx, which encompasses the lower sections of Hell. For Dante, the city is characterised by architectural features such as towers, gates, ramparts, bridges, and notably mosques, seen as the counterpoint to the House of God. In the present lot, Albert Goodwin depicts a pitiful procession of sinners – the unbaptised, the lustful and the gluttonous, slowly marching towards the flaming city.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

NO RESERVE Architecture.- Dams (Bernd H.) & Andrew Zega. La Folie de Bâtir: Pavillons d'agrément et folies sous l'Ancien Régime, Paris, 1995; Palaces of the Sun King: Versailles, Trianon, Marly, New York, 2002§ Barlow (Nic) & others. Follies of Europe: Architectural Extravaganzas, 2008 § Binney (Marcus) Great Houses of Europe from the Archives of Country Life, 2003 § Murano (M.) & Paolo Marton. Venetian Villas, Cologne, 1999, illustrations, many colour, original cloth or boards with dust-jackets; and c.10 others on Continental architecture, v.s. (c.15)

An impressive Elizabeth I joined and boarded oak and marquetry-inlaid cabinet superstructure, Southwark, circa 1570Having a boarded and cleated hinged top, the front with three Nonsuch-style inlaid panels, the central panel designed with a soldier standing within an arched Watergate, a matchlock gun over his shoulder, and typically with swans to the foreground, flanked by flower-filled vases, the chevron-inlaid upright rails with split-baluster mouldings, all beneath chequer-inlaid reserves with root-work, on turned feet, German lock and hinges, originally on a stand or chest, 113.5cm wide x 63cm deep x 57cm high, (44 1/2in wide x 24 1/2in deep x 22in high)Footnotes:Although the decoration on this chest is characteristic of 16th century German inlay it is now thought possible that this type of work was executed in London, particularly in the environs of Southwark, from the second half of the 16th century onwards, almost certainly by immigrant German joiners and inlayers. The architectural decoration is popularly assumed to represent Henry VIII's celebrated Nonsuch Palace, Surrey, particularly with reference to the fanciful towers. However, it is more likely to have been derived from 16th-century printed designs, for instance, those published by Hans Vredeman de Vries (1527-1604).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

λ Maggi Hambling (British b. 1945)WaveOil on board Signed and dated 2010 to backboard 9.5 x 14.5cm (3½ x 5½ in.)Provenance:Private Collection, Gerald Levin (1934-2020) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.Condition Report: Under glass, unexamined out of box glazed frame. A few small pieces of fluff/hairs trapped within the box. Otherwise no significant condition issues. Condition Report Disclaimer

λ Maggi Hambling (British b.1945)UntitledOil on canvas Signed and dated 89 verso 53 x 43cm (20¾ x 16¾ in.)Provenance:Private Collection, Gerald Levin (1934-2020) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.Condition Report: In original condition. Condition Report Disclaimer

λ Maggi Hambling (British b.1945)LoversOil on canvas Signed, titled and dated 1977 to canvas verso 52 x 67.5cm (20¼ x 26½ in.)Provenance:Private Collection, Gerald Levin (1934-2020) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.Condition Report: Light staining and surface dirt throughout, most notable to the lower edge. Otherwise no significant condition issues. Condition Report Disclaimer

λ Keith Milow (British b. 1945) Untitled Mixed media Signed and dated 89 lower right 45.5 x 35.5cm (17¾ x 13¾ in.)Provenance: Nigel Greenwood Gallery, London Private Collection, Gerald Levin (1934-2020) (purchased from the above in 1989) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.  

λ Keith Milow (British b. 1945) Abstract composition Mixed media Signed and dated 91 lower right 20 x 20cm (7¾ x 7¾ in.)Provenance: Drury Lane Gallery, London Private Collection, Gerald Levin (1934-2020)  Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.  

λ Keith Milow (British b. 1945) Five, 1997-98 Mixed media on board Signed verso 95 x 152.5cm (37¼ x 60 in.)Provenance: Private Collection, Gerald Levin (1934-2020)  Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.  

λ Derek Jarman (British 1942-1994)What if this present were the worlds last nightMixed media on canvas Signed, titled and dated April 07 to canvas verso 46 x 46cm (18 x 18 in.)Unframed Provenance:Private Collection, Gerald Levin (1934-2020) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.Condition Report: In original condition. The weight of the compass and other materials have made the work quite fragile. May wish to look into the long term preservation of this work. Condition Report Disclaimer

λ Derek Jarman (British 1942-1994)George and the Dragon, 1979Mixed media Signed and titled to frame verso14 x 22cm (5½ x 8½ in.)Provenance:Private Collection, Gerald Levin (1934-2020) Exhibited:London, Barbican Art Gallery, Derek Jarman, May-August 1979, no. 105 Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.Condition Report: In original condition. Condition Report Disclaimer

λ Derek Jarman (British 1942-1994)Study from the Christ Series, 1982Oil on canvas Signed and dated Sept 82 to canvas verso 45.5 x 35.5cm (17¾ x 13¾ in.)Provenance:Edward Totah Gallery, London Private Collection, Gerald Levin (1934-2020) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.Condition Report: In original condition. Condition Report Disclaimer

Olivia Scholnick (South African 1927-2013)Still LifeOil on canvas Signed lower right 60 x 60cm (23½ x 23½ in.)Provenance:Private Collection, Gerald Levin (1934-2020) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat. 

Olivia Scholnick (South African 1927-2013)River RoadOil on canvas Signed lower right, titled and dated 05 verso 60 x 60cm (23½ x 23½ in.)Provenance:Private Collection, Gerald Levin (1934-2020) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat. 

Olivia Scholnick (South African 1927-2013) Jerusalem, View from the Mishkenot Crayon and pencil Signed and dated 83 lower right 21 x 28cm (8¼ x 11 in.)Provenance: Private Collection, Gerald Levin (1934-2020) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat. 

λ John Hubbard (British/American 1931-2017) Casa Pilatos no. 8, 1991 Oil on paper Signed with initials and dated 91 lower left, inscribed lower right, titled and dated 1991 to backboard 22.5 x 25cm (8¾ x 9¾ in.)Provenance: Fischer Fine Art Ltd., London Private Collection, Gerald Levin (1934-2020) (purchased in 1991) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.  

λ Peter Hayes (British b. 1946)Black TotemSculpture with patina disc, raku semi porcelainHeight 49.5cm Provenance:Courcoux & Courcoux Contemporary Art, Stockbridge, Hampshire Private Collection, Keith William Sleeman (1941-2020)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces. Condition Report: A couple of minor surface scuffs particularly to the lower part of the sculpture close to the base. Otherwise, in good original condition.Condition Report Disclaimer

λ Eric Victor Shanes (British 1944-2017) Untitled Mixed media on canvas Signed verso 81 x 112cm (31¾ x 44 in.)Provenance: Private Collection, Gerald Levin (1934-2020)  Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.  

λ Jean-Marc Prouveur (French b. 1956) The Portuguese Man Cibachrome print Overall 101 x 160cm (39¾ x 62 in.) Five works to be displayed as one Provenance: Acquired directly from the artist Private Collection, Gerald Levin (1934-2020)  Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.  

λ Anthony Whishaw (British b. 1930)Interior landscape 1982-3Mixed media on paper Signed and dated 1982/3 lower right 56 x 76cm (22 x 29¾ in.)Provenance:Nicola Jacobs Gallery, London Private Collection, Gerald Levin (1934-2020) (acquired from the above in 1985) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.Condition Report: Under glass, unexamined out of glazed frame. Rips and losses to the corners. Slight damage to sheet edges and creases scattered throughout. Condition Report Disclaimer

λ Jane Joseph (British b. 1942) Demolition Ladbrooke Grove Monotype Signed and dated 1987 lower right 84.5 x 61cm (33¼ x 24 in.)Provenance: Flowers East, London (stock no. 2158) Private Collection, Gerald Levin (1934-2020)  Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat.  

λ Victor Vasarely (French/Hungarian 1906-1997)CTA 102, no.4Screenprint, 1966Signed in ink lower centre, from the edition of 150, co-published by Edition Domberger, Stuttgart, Galerie Der Spiegel, Cologne, and Edition Denise René, Paris70.5 x 70.5cm (27¾ x 27¾ in.)Unframed Provenance:Private Collection, Gerald Levin (1934-2020) Gerald Levin was born in Zimbabwe and arrived in London in 1954. He first worked for Basil Spence and was a founding partner of Renton, Howard, Wood, Levin Architects a firm which became synonymous with arts and theatre projects. Gerald was responsible for designs of the Donmar Theatre in London, Royal Concert Hall in Nottingham, Sadlers Wells and many of the practices acclaimed housing projects included The Prudential Building on Euston Road (London) part of Tolmers Square (London) and Earlstoke Estate (London). Gerald was a member of The Architectural Association, President from 1985-1987 and a Life Member. He supported many Arts organisations including LPO, Donmar and Tate Gallery where he was Chairperson of Patrons of New Art 1990-1993 acquiring works of art for their collections and was a driving force behind the instigation of the Turner Prize. Gerald played the Cello and was part of many small groups of string players. Levin was an avid art collector who had many good friends involved in music, art, theatre and ballet including Maggi Hambling, Keith Milow, Yolanda Sonnabend, Derek Jarman, Jane Joseph and Olivia Scholnick whose works of art filled his Covent Garden flat. 

λ Peter Hayes (British b.1946)Red Keyhole Bow, 2010WoodSigned and dated 2010 to the base35.5 x 35.5cm (13¾ x 13¾ in.)Provenance:Sale, Salisbury, Woolley & Wallis, 4 December 2018, Lot 179 Private Collection, Keith William Sleeman (1941-2020) Exhibited:Farnham, Farnham College of Art, Colour & Form Exhibition Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  

Tom Early (British 1914-1967)Rocky Landscape, c.1947Ink and watercolourTitled verso16.5 x 24.5cm (6¼ x 9½ in.)Provenance:The artist's estateBelgrave St. Ives, Modern & Contemporary Art, St. IvesPrivate Collection, Keith William Sleeman (1941-2020) (acquired from the above in 2017)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  Literature:Wilcox & Miller, Tom Early, The Catalogued Works, 2008, p.114

λ Roger Stephens (British 21st century)Que SeraCarrara marble, powder coated metal base102 x 26 x 30cm (40 1/4 x 10 1/4 x 11 7/8in.)Provenance:The Garden Gallery, Stockbridge, HampshirePrivate Collection, Keith William Sleeman (1941-2020) (purchased from the above in 2012)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.   Please note the correct measurements for this lot are Height: 102cm, Width: 26cm, Depth: 30cm and not as stated as in the printed catalogue  

British School (20th/21st Century)Flow VCarved and painted wood Signed with initials MV, dated 2006 and titled Flow V to the underside of base Height including base 38cm (15in.)Provenance:Private Collection, Keith William Sleeman (1941-2020)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  

λ John de Pauley (British b.1963)Archaic Form III, 2009Polished blue lias sculpture on unpolished blue lias baseHeight including base 62.5cm (24 5/8in.)Provenance:The Summerleaze Gallery, Salisbury Private Collection, Keith William Sleeman (1941-2020) (purchased from the above in 2010)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces. Condition Report: Very light surface scratches throughout. A few holes, most notably one to the left edge, one to the top and one to the front flat surface. These are part of the stone itself.  Condition Report Disclaimer

λ Roy Turner Durrant (British 1925-1998)Landscape in BlueInk and watercolourSigned and inscribed lower right, inscribed lower left and further inscribed and dated to margin 8 x 15cm (3 x 5¾ in.)Provenance:Moore-Gwyn Fine Art, London Private Collection, Keith William Sleeman (1941-2020) (purchased from the above in 2013)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  Condition Report: In good original condition. Under glass and unexamined out of frame.Condition Report Disclaimer

λ Rose Hilton (British b.1931)Seated nudePastel on paperSigned lower right 30 x 25cm (11¾ x 9¾ in.)Provenance:Hilton Fine Art, Bath Private Collection, Keith William Sleeman (1941-2020) (purchased from the above in 2015)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  

λ Simon Palmer (British b.1956)Towards the ValeWatercolourSigned lower right and titled lower left40.5 x 33cm (15¾ x 12 in.)Provenance:Forest Gallery Fine Art, GuildfordSale, Salisbury, Woolley & Wallis, 13 December 2016, Lot 459Private Collection, Keith William Sleeman (1941-2020)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  

λ Jeremy Gardiner (British b.1957)Gurnards Head, 2011MonoprintSigned, inscribed, dated 2011 and numbered 1/1 to lower edge, further signed, titled and dated to backboard 42.5 x 39.5cm (16½ x 15½ in.)Provenance:Paisnel Gallery, London Private Collection, Keith William Sleeman (1941-2020) (purchased from the above in 2013)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  Exhibited:London, Paisnel Gallery, Jeremy Gardiner - Exploring the Elemental, 5 - 15 February 2013, no. 16

Robert Fogel (British b.1963)Open Edge, 2017Bronze on slate baseStamped with artist's initials and numbered 3/530 x 30cm (11¾ x 11¾ in.)Provenance:Paisnel Gallery, London Private Collection, Keith William Sleeman (1941-2020) (acquired from the above in 2017)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces. Condition Report: The work is in need of a light surface polish but otherwise, in good original condition.Condition Report Disclaimer

λ Roger Stephens (British 21st century)Lunar WindAlabaster38.7 x 38.7cm (15 x 15 in.)Provenance:Acquired directly from the artistPrivate Collection, Keith William Sleeman (1941-2020)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  

British School (20th/21st century)UntitledAlabaster on a wooden base 13 x 30cm (5 x 11¾ in.)Base 41 x14 x 2.5cm (16 1/8 x 5 1/2 x 1in.)Provenance:Private Collection, Keith William Sleeman (1941-2020)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  

Sarah Manolescue (21st century)Sizzling Southside, 2017Oil on panelSigned44 x 30cm (17¼ x 11¾ in.)Provenance:Acquired directly from the artistPrivate Collection, Keith William Sleeman (1941-2020)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  

λ Simon John Garden (British b.1960)ValleyOil on boardSigned to backboard verso 30 x 43cm (11¾ x 16¾ in.)Provenance:Sale, Salisbury, Woolley & Wallis, 16 June 2010, Lot 454Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.   

λ Richard Hoare (British b.1967)Holm Oak at Dusk - Quercus IlexCharcoal on paper66 x 80cm (25 x 31¼ in.)Provenance:Acquired directly from the artistPrivate Collection, Keith William Sleeman (1941-2020)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  

λ Rowland Hilder (British 1905-1993)Troops Embarking in a Wartime LandscapeWatercolour and gouache over pen33.5 x 30.5cm (13 x 12 in.)Provenance:Sale, Salisbury, Woolley & Wallis, 7 December 2011, Lot 290Private Collection, Keith William Sleeman (1941-2020)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces. Condition Report: Under glass, unexamined out of glazed frame. Slight undulation to the sheet. A diagonal crease running across the sheet from the upper left to the right hand side, at about about 10cm down from the upper right corner. Some other associated creases to the upper left corner. Overall the colour is good. Condition Report Disclaimer

λ Jeremy Gardiner (British b.1957)Pinnacle and Haystack, 2014Acrylic and jesmonite on handmade paperSigned and dated 2014 lower left; titled verso30 x 22cm (11¾ x 8½ in.)Provenance:Paisnel Gallery, LondonPrivate Collection, Keith William Sleeman (1941-2020) (purchased from the above in 2015) Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  Exhibited:London, Royal Academy, Summer Exhibition, 2014 Condition Report: In generally good original condition. Discoloration and 'staining' to the work consistent with the original condition. Under glass and unexamined out of frame.Condition Report Disclaimer

λ Martin Kane (Scottish b.1958)On the Edge, 1991Oil on canvasSigned and dated 1991 verso 76 x 101.5cm (29¾ x 39¾ in.)Provenance:Jill George Gallery, London Sale, Salisbury, Woolley & Wallis, 16 July 2008, Lot 59Private Collection, Keith William Sleeman (1941-2020)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  

Tabitha Salmon (British b.1955)Preparing for the Feria,Seville, 1997Oil on paperSigned with initials and dated 97 lower right 21.6 x 28cm (8½ x 11 in.)Provenance:Tabitha Salmon Ltd., Fordingbridge, Hampshire Private Collection, Keith William Sleeman (1941-2020) (purchased from the above in 1998)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  

λ Michael John Crook (British 21st century)Spiral formLacquered wood Signed with initials to underside of base Height including base 89cm (35 in.)Provenance:Private Collection, Keith William Sleeman (1941-2020)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces. Condition Report: There are a few light surface scratches to the veneer. Please refer to extra images for further details. Otherwise, in good original condition.Condition Report Disclaimer

λ Michael John Crook (British 21st century)Spiral formLacquered wood Signed with initials to underside of base Height including base 71cm (28 in.)Provenance:Private Collection, Keith William Sleeman (1941-2020)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces. Condition Report: A couple of very small surface scratches to the light wood veneer. Otherwise in good original condition.Condition Report Disclaimer

λ Laurence Stephen Lowry (British 1887-1976)Yachts, 1959Lithograph printed in coloursNumbered 202/85042 x 57cm (16½ x 22¼ in.)Provenance:Private Collection, Keith William Sleeman (1941-2020)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces. Condition Report: There is some undulation to sheet where mounted otherwise in good condition. Under glass and unexamined out of frame.Condition Report Disclaimer

Keith Knight (American b.1946)Vertical WrapOil on paper62 x 52cm (24¼ x 20¼ in.)Provenance:Parker Harris, Sunday Times Watercolour Competition, 18 December 2012 Private Collection, Keith William Sleeman (1941-2020) (purchased from the above in 2012)Part of a collection of works assembled by Keith William Sleeman (1941-2020). Keith was a founding partner of the architectural firm Lyons + Sleeman + Hoare, retiring in 1980. Following his retirement Keith amassed nearly 200 paintings and sculptures focused primarily on British artists who were either born or lived in the 20th Century. His collection included works by both established and lesser known artists. The collection was proudly displayed in Keith's private residences in Newbury and London where he would take friends, neighbours and family members on 'tours' of his cherished pieces.  

A folio containing unframed watercolours mainly architectural and two mounted rowing team photographs from Emmanuel College 1953/54 - and a Lionel Edwards print

A large late Victorian black slate and decorative cast metal mounted mantle timepiece of architectural design with eight day movement

A late Victorian black slate and marble cased mantle clock of architectural design with A. Mougin two medal eight day gong striking movement - no pendulum

North Italian School, 18th CenturyAn architectural capriccio with figures resting amongst ruins oil on canvas44.2 x 64.8cm (17 3/8 x 25 1/2in).unframedFor further information on this lot please visit Bonhams.com

Italian School, 18th CenturyAn architectural capriccio with prisoners before a seated figureoil on canvas 96.6 x 144cm (38 1/16 x 56 11/16in).This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Architectural Salvage - limed effect coving fluted, in six sections, approx 110cm 108cm 108cm, 114cm, 233cm, 274cm long

A contemporary ' architectural' classical beveled glass mirror, pointed arched frieze, 116cm high, 80cm wide

A GERMAN ARCHITECTURAL OAK BRACKET CLOCK, C1900, THE SQUARE BRASS DIAL WITH MATTED CENTRE, SILVERED CHAPTER RING AND CHERUB SPANDRELS, HAVING WINTERHALDER AND HOFMEIER BRASS TING-TANG MOVEMENT, STRIKING ON COILED WIRE GONGS, THE CASE WITH TRIANGULAR PEDIMENT AND FLUTED PILASTERS WITH CARVED CAPITALS, 41CM H, PENDULUMCondition report  A good example, complete and requiring only a light clean

A WALNUT VIENNA WALL CLOCK, C1900, WITH EBONISED MOULDING, ENAMEL DIAL, PIERCED HANDS, AN ARCHITECTURAL CASE, 125CM H, PENDULUM AND WEIGHTCondition report  Hairline cracks on enamel dial

MISCELLANEOUS UNFRAMED PICTURES, PRINTS AND DRAWINGS INCLUDING PORTRAITS AND ARCHITECTURAL STUDIES, 18TH C AND LATER, 46 X 36CM AND SMALLER Condition report  Several items in good condition but mostly requiring conservation with various faults including loss

A GERMAN CARVED OAK MANTEL CLOCK, C1900, OF ARCHITECTURAL FORM, WITH TURNED FINIALS, SILVERED DIAL AND WINTERHALDER AND HOFMEIER BRASS MOVEMENT, STRIKING ON COILED WIRE GONG, 45CM H Condition report  Complete and good condition, in apparently working order

Books, fiction and non fiction to include Geographical, architectural and others

λ A SET OF SIX GEORGE IV ROSEWOOD AND PARCEL GILT GOTHIC REVIVAL SIDE CHAIRS ATTRIBUTED TO MOREL AND SEDDON, C.1830 the top rail with an architectural pediment, pierced with a trefoil, with leaf finials, above a band of scrolling leaves, with a padded back and seat, on faceted front legs (6)

A black slate and marble striking mantel clock of architectural design, with brass pillars, 29.5cm high, (bezel detached).

An Early 20th Century American Mantle Clock of Architectural Form, In Need of Restoration, 49cm High