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A fine quality 18th century feathered mahogany cased eight day chiming longcase clock, the arched brass dial inscribed 'Clifton, Liverpool', the arch featuring a rolling moon phase aperture and applied silvered plate inscribed 'On Times and Certain Date Eternity Depends', above the silvered chapter ring , silvered subsidiary seconds dial, silvered name plate, and twin winding holes, with central engraved decoration flanked by scrolling foliate spandrels, the hood of ornate architectural form featuring a carved and moulded broken arch pediment, with inset verre eglomise above two full and six half pilasters, the trunk flanked by fluted quartered pilaster and raised on bracket feet, with pendulum and twin weights, height approx 230cm (illustrated)
[Ecole des Beaux-Arts] [Ecole des Beaux-Arts], "Arco de Tito [Detail]", c. 1850, Paris, pen, pencil, and wash drawing, the drawing or "rendu" depicting in two views, front and side, of a sculpture, possibly Athena, which, standing before an elaborate scroll, covers the keystone of the arch, sheet 20 1/4 in. x 26 1/2 in., framed Note: An interesting discussion of the most influential architectural school in existence during much of the 18th c., the whole of the 19th c., and the first part of the 20th c. may be reviewed in Arthur Drexler, The Architecture of the Ecole des Beaux-Arts, New York, MoMA, 1977.
Grover E. Mouton (American/New Orleans, b. 1946) Grover E. Mouton (American/New Orleans, b. 1946), "New Orleans Architectural Views of Lafayette Square", 1984-1985, three collage and mixed media works on vellum, pencil signed and dated lower right, sight 29 in. x 21 1/4 in., framed. (3 pcs.)
A miniature by Louisa Corsi painted with a mother and child, signed, the Italian frame set with eight engraved black stained panels, two show bishops, two show architectural landscapes, those in the corners are heart-shaped and decorated with acanthus, the signed mniature measures 6 x 5cm, the frame 23 x 19.5cm.
A Victorian/Edwardian oak architectural bracket clock of large proportions, the 8 inch silvered dial with ring of Roman and Arabic numerals under a subsidiary chime/silent dial and fast/slow dial within pieced spandrels, the architectural case with brick style moulding on a stepped base, the eight day movement striking on two coiled gongs stamped 'W & H Sch 5', 38.5cm wide, 53cm high, 23cm deep
An early 19th Century mahogany bracket clock with eight day twin fusee movement striking on a bell, the square silvered dial with Roman numerals and inscribed `Viner & Co, Royal Exchange, London`, the back plate similarly inscribed, the architectural case with arched surmount above glazed doors and sides, on a plinth base and bracket feet, the glazed back door bearing `Barraud & Lunds`, service label inscribed with dates `from `Nov 1873 to Jan 1986`, height approx 38cm, together with pendulum and key (section of moulding missing and faults).
Records of Buckinghamshire. Journal of the Architectural & Archaeological Society,County of Buckingham. 1975 - 2011, Vol.XX Part 1 - Vol.LI. Small qto.pb. With illustrations, maps & diagrams etc. Complete run of this journal for the dates shown together with index vols. CONDITION REPORT: Condition : Vg to NF.
A 19th Century French brass and porcelain cased mantel clock by Japy Freres, retailed by Maple & Co. Paris, makers and retailers marks to movement and numbered 471 to movement and pendulum and in lacquered brass architectural case with silvered finials, porcelain dial painted with classical scene, on wooden stand and with glass dome (striking mechanism detached, glass dome cracked), height of clock approx. 39cm.
A late 19th century French Goldsmiths and Silversmiths ormolu repeating carriage click, circa 1900, of architectural outline, with Corinthian reeded columns, enamel dial with Roman numerals, inscribed to front, bevelled front, back and glass sides, inscribed to rear with presentation and date March 1913, with carrying handle, approx 20cm h.
A Paris porcelain oval scent bottle case with hinged cover, circa 1870, the convex lid enamelled with a young gentleman and lady fishing, opening to reveal clear square glass bottles with hinged gilt metal cover inset with miniature architectural views, painted oval front on ormolu scroll feet, approx 9.5cm h.
AN INDIAN DAGGER (KATAR), LATE 18TH/EARLY 19TH CENTURY with associated blade with reinforced point, steel hilt formed with a feeding tiger at the base, a pair of side bars and moulded grip bars, all decorated with elaborate architectural landscapes on one face and with a scrolling pattern of foliage enclosing flowers on the other, and the grip bars with a gold koftgari monster at each end (losses), in a leather-covered scabbard 19cm; 7 1/2in blade
A GERMAN CARVED STAGHORN POWDER-FLASK, LATE 16TH CENTURY AND A WHEEL-LOCK SPANNER the first of bifurcated form, the inner face natural, the outer face carved with God`s creation of Eve from Adam (Genesis 2:21-2) within an architectural framework, fitted with steel nozzle with spring cut-off (chipped at the base), belt hook, suspension loops, and two basal caps, one later adapted with a circular cutter; the second formed entirely of steel, with square aperture, and banded grip the first: 23.5cm; 9 1/4in high (2)

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