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Attributed to John W Keppie (Scottish, 1862-1945) - Waterfall in the Highlands, signed lower left "J W Keppie", watercolour, unframed, 26 x 20 cm John Keppie (4 August 1862 – 28 April 1945) was a Glasgow architect and artist. From an early age he was a close friend of Edward Atkinson Hornel and would often bring in the New Year with him in Kirkcudbright. Within the architectural profession, he was closest to John Archibald Campbell, and Keppie is credited with training Charles Rennie MacKintosh. Unframed and condition is fine.

A Chinese Republic period porcelain twin handled tray painted in enamels with three phoenix beside bamboo trees with architectural and lake landscape background, bearing six character marks to base, 7.5 x 28cm (af). CONDITION REPORT: One large piece to corner including has been broken off and reglued. The other handle appears to have two hairlines. Some surface wear and firing imperfections.

An Indian architectural miniature, The Red Fort, in carved ebony easel frame, 7 x 5cm.

A William Chubb of Southampton wall clock, silvered dial, Roman numerals, bell strike, mahogany architectural case, replacement weights

A decorative painted wood and metal bird cage of architectural form

A 19th century black slate and marble architectural mantel clock with 4 reeded brass pillars, and French striking movement

A 19th century black slate and marble architectural mantel clock with French timepiece movement

Kashmar pictorial carpet, Khorasan, north east Persia, mid-20th century, 12ft. 8in. X 9ft. 9in. 3.86m. X 2.97m. The field filled with architectural views around a central medallion.

A George III mahogany longcase, architectural pediment, later eagle on ball finials, painted dial, Roman numerals, subsidiary seconds, date aperture, flanked by reeded columns, door to waist. Two weights and pendulum.

Underwood and Underwood of New York stereoscopic viewer, together with assorted Underwood and Underwood viewing slides. (5) CONDITION REPORT: Included in boxes are topographical and architectural stereocards. Particularly of Europe, mainly Switzerland and France. Includes Notre Dame and Eiffel Tower. Approximately 100 cards.

Small black slate architectural mantel clock with back winding movement.

Contemporary British school, architectural abstract study, oil on canvas. 128 x 136cm

Lot of four works on paper, all unframed, to include: J Manning, watercolor and graphite on paper, Architectural Sketch, 20-1/2" x 22-1/2" sheet; Three Young Men, graphite on paper, signed indistinctly lower right; 1776 Armadillo Crossing the Pederals, lithograph, signed indistinctly and dated 1976 lower right; Adrian Cerda, signed poster , Property from the Estate of Daniel Dietrich, II

Architectural: A stone plaque carved in relief with forest animals mid 20th century 53cm.; 21ins high by 156cm.; 61ins long

Garden Feature: A carved white marble pedestal Italian, late 19th century now converted with copper armillary sphere 158cm.; 62ins high Provenance: Laurelton Hall, Long Island, New York, the home of Louis Comfort Tiffany. The son of Charles Louis Tiffany, founder of the eponymous jewellery business Tiffany and Co, Louis Comfort Tiffany, 1848-1933 is best known for his designs in stained glass in the Art Nouveau and Aesthetic styles. The 65-room mansion on 600 acres of land, was completed in 1905, and housed many of Tiffany's most notable works, as well as serving as a work of art itself. Laurelton Hall served as home for a school for artists run by Tiffany and his Foundation beginning in 1918. The Laurelton Hall grounds also eventually contained a separate building which housed the Tiffany Chapel originally made for the 1893 Columbian Exposition and numerous Tiffany windows, and a separate art gallery building. Laurelton Hall eventually fell into disrepair in the years after Tiffany's death, was sold by the Foundation in 1949, and burned down in 1957. The estate cost about $2,000,000 to build and landscape and was eventually sold for $10,000. The majority of windows and other surviving architectural pieces were salvaged by Hugh McKean and Jeannette Genius McKean of the Charles Hosmer Morse Museum of American Art and shipped to Winter Park, Florida after the fire. A major retrospective of Laurelton Hall opened at New York's Metropolitan Museum of Art in November, 2006. In 2010 the Morse Museum announced that it is building new galleries at a cost of $5 million. The galleries will have 6,000 square feet of space to display Tiffany work from Laurelton Hall. This lot originally stood in front of Laurelton Hall as the base for an elaborate cast iron fountain. Following the 1957 fire, the estate was split up and the base was relocated to the vendor's garden in the Laurelton Hall grounds and re-configured as a sundial, before being shipped to the UK.

THE ARCHITECTURAL REVIEW and various 1970's, '80's and 90's numbers

A collection of costume jewellery, to include a Victorian Masonic silver and enamelled star shaped medal inscribed 'In Hog Signo Vinces', with red and white enamelled cross to centre, a silver Byzantine link chain, a gold Architectural Revival ring circa 1870 with raised lettering ROMA, a rolled gold black enamel and split pearl brooch, a Victorian white metal hinged bangle with engraved decoration, a rolled gold brooch set with turquoise cabochons, damaged, a seed pearl oak leaf brooch, and a sterling silver bookmark by Adie and Lovekin

An Edwardian Style Wooden and Wire Bird Cage of Architectural Form. 587 Cm High.

A weathered cone shaped architectural finial with square cut base, 70 cm high approx

A late Victorian walnut hall chair with architectural pediment and floral carved panelled back over a solid seat and square tapered forelegs

A small weathered cast composition stone architectural baluster shaped finial, a further composition stone architectural corbel and a small contemporary composition stone garden notice in the form of a rough hewn stone with script Beware of the Dog

A Regency rosewood chiffonier, with reeded column supports enclosing two glazed panel doors and a single frieze drawer (disguised as two), with heavy white marble top, set below an architectural pediment, with mirror back, 115 cm

A large 19th century overmantle mirror of rectangular form, the bevelled edge plate set within an architectural moulded frame with cream painted finish and gilt highlights with trailing swag and further detail, approx 5 ft wide x 160 cm in height

Heading: (Poconos)Author: Title: Postcards and Travel Brochures relating to Golf in the Pocono MountainsPlace Published: Various placesPublisher:Date Published: Various datesDescription: 12 postcards and a travel brochure for various resorts and courses in the Pocono resort area. The postcards provide nice architectural documentation of the various golf holes depicted. Included are 5 real photo postcards. Scenes depicted include 2 postcards (1 real photo) of the famous "Punchbowl" green at the Pocono Manor Inn Golf Links. Other real photo postcards include an early scene of 3 women golfers on the tee at the Pocono Pines Golf Links and a group of men putting on the Manwalamink Links (no longer exists), Shawnee, PA. This lot also includes a travel brochure for the Pocono Mountains area depicting a knickered golfer in matching sweater and socks teeing off adjacent to an old sand tee box with a water pail.Condition: Some light wear; very good overall.

BOWLS, a pair, blue/white ceramic depicting architectural views, each 41cm diam. x 26.5cm H. (2)

ARCHITECTURAL MIRROR, arched top within a metal frame, 206cm x 109cm.

ARCHED MIRRORS, a pair, Architectural style in distressed cream painted finish, 126cm x 86cm. (2)

WALL MIRRORS, a pair, Architectural style, rectangular, astragal glazed, 95cm W x 130.5cm H. (2)

AN ONYX MANTLE CLOCK, of architectural form with applied brass mounts. 26.5cm high

A 19TH CENTURY GERMAN TORTOISESHELL AND ORMOLU MANTEL CLOCK, of architectural form, the case with applied cast brass mounts in the form of acanthus leaves, flaming torches and human busts to each corner, the dial with Roman numerals and decorated with foliate design, enclosed by a hinged glass door, the back plate stamped 'LENZKIRCH' raised on ormolu circular feet. 45cm tall

A GROUP OF SIX GILT SILVER AND NIELLO SPOONS WITH VIEWS OF THE MOSCOW KREMLIN, MARKED ITI, MOSCOW, LAST QUARTER OF THE 19TH CENTURY, the exterior of each spoon`s round bowl with a detailed architectural view in niello of the Moscow Kremlin buildings, the spiraled handle with striped niello decoration, length of each: 14 cm (5 1/2 in.), 84 standard

A GROUP OF SEVEN GILT SILVER AND NIELLO TEA SPOONS WITH VIEWS OF THE KREMLIN, MOSCOW, VARIOUS MAKERS, LAST QUARTER OF THE 19TH CENTURY, each of the seven spoons with a teardrop-shaped bowl and a spiral handle, each with a detailed architectural view of the Moscow Kremlin in niello, four of the spoons with scrolling ornament in niello on stippled ground surrounding the image of a Kremlin landmark, length of three: 13.6 cm (5 1/4 in.), length of four: 12.8 cm (5 in.), 84 standard, 166 g.

ARCHITECTURAL - A stunning Basalt Column/ Causeway Stone. Possibly acquired from Kennedy Quarries, Portrush, Co. Antrim in the vicinity of land now belonging to the National Trust. Similar examples were auctioned at Summers Place Auctions in association with Sotheby's on 19 October 2010 (lot 132) and realised £18,500. The Giant's Causeway is the most popular tourist attraction in Northern Ireland. The unusual stone landscape was formed around 50 to 60 million years ago when Antrim was subject to intense volcanic activity. Rapidly cooling molten basalt formed an extensive lava plateau in columns. Legend has it that the Irish warrior Fionn mac Cumhaill (Finn McCool) built the causeway to walk to Scotland to fight his Scottish counterpart Benandonner. Examples of these stones in private collections are extremely rare. The Causeway area has been National Trust property for many years. It is illegal to remove anything from the site

An oak cased stick barometer with an architectural pediment top over silvered square dial, inscribed 'Charles Barnaschina', it has herringbone stringing

Early 20th Century architectural magic lantern slides, including several York subjects (47) Condition Report Click here for further images, condition, auction times & delivery costs

A good late 19th Century Walnut Vienna style WALL CLOCK with architectural pediment, squared and half turned tapering side columns with cushion base and finial drops. Brass edged cream enamel dial fronting an eight day double brass weight driven movement with anchor escapement 127cms high 

A fine George III figured Mahogany CHEST ON CHEST of good proportions. The upper half with dentil moulded architectural pediment and vertically fluted frieze above quarter columns enclosing two short  and three long graduated drawers fitted original brass sawn neck handles; the lower half with a brushing slide and three further long graduated drawers; on shaped cut-out panelled bracket feet108cms wide 52 cmd deep 209cms high ConditionOriginal unrestored condition, some losses to cock beading, no splits to the sides, feet original 

A late 19th Century Winterhalder & Hofmeier carved Oak MANTEL CLOCK with architectural pediment the square brass and silvered dial with chapter ring and spandrels fronting an eight day two train spring driven movement striking the hours and quarters on two gongs 35.5cms high

A good quality jewellery box profusely inlaid in various woods with leaf, floral and architectural designs, label to interior, A Seufert Cabinet Maker to the Duke of Edinburgh, Auckland, New Zealand (lid damage)

SIR REGINALD BLOMFIELD (1856 - 1942) two Roberson & Co clothbound sketchbooks containing a quantity of pencil and graphite architectural studies, landscape views, pen and watercolour wash views, notes etc (2)

AUSTIN BLOMFIELD (1895 - 1967) Roberson & Co Ltd sketchbook dating to 1941/42, mainly charcoal architectural and landscape views to include Woburn, Edinburgh Castle, Avebury, Banbury etc, all with details, date and signature below

AUSTIN BLOMFIELD (1895 - 1967) a large quantity of assorted watercolours and sketches of mainly architectural and landscape views housed in a vellum bound book cover, with accompanying letters from The Illustrated London News and The Architectural Review

SIR REGINALD BLOMFIELD (1856 - 1942) and AUSTIN BLOMFIELD (1895 - 1967) five sketchbooks containing pencil and graphite architectural studies, notes, charcoal and pencil landscape views, watercolour washes etc, along with some loose watercolour landscapes

IAN RIBBONS (1924-2002) watercolour wash over pen architectural view, signed below with details verso, mounted and framed

AUSTIN BLOMFIELD (1895 - 1967) Roberson & Co Ltd clothbound sketchbook dating to the late 1940s/early 1950s, mainly charcoal architectural and landscape views to include Arras, Meaux, Fougeres, Rye etc, all with details, date and signature below

AUSTIN BLOMFIELD (1895 - 1967) Roberson & Co Ltd clothbound sketchbook dating to the mid-1950s, mainly charcoal architectural and landscape views to include Salzberg, towns in Lot-et-Garonne and the Dordogne, Barcelona, Strasbourg, Newchurch, Ivychurch, Rye etc, all with details, date and signature below

ARCHITECTURAL PLANS OF AN INSTITUTION, ink and watercolour, 19th century, 35" x 23" and two companion plans and elevations (3) . Provenance: An Important Private Collection from London and the Chalke Valley

A CHARLES II OAK CHEST OF DRAWERS with three plank moulded top, above two short and three long graduated drawers, with architectural moulding and brass pear-drop handles, with engraved and pierced escutcheons, on bun feet, 40" wide. Provenance: The Peter Wood Collection

A LARGE ARCHITECTURAL CARVED AND GILT HANGING CROSS with a central starburst motif, 64" high x 40.5" wide. Provenance: The Peter Wood Collection

CONTINENTAL SCHOOL, 18th century A half-length portrait of a young man holding a scroll of paper, with architectural details to the background, oil on canvas, 17.5" x 13"

A GEORGE III CROSSBANDED MAHOGANY BUREAU, the sloping fall enclosing a fitted interior with central architectural cupboard, flanked by short drawers and pigeon holes, all above two short and two long graduated drawers, on bracket feet, 43" high x 42" wide. Provenance: The Peter Wood Collection

A CARVED OAK ARCHITECTURAL FRAGMENT with the Christ Child to the centre flanked by The Virgin Mary and another seated female form with elaborate drapery, 9" x 10", 16th/17th century

19th century French walnut armoire, pediment with rams heads, baskets of flowers and trailing festoons, four panel door with architectural vistas and musical emblems, four steel hinges, original steel lock and key, interior bearing label Fortnum & Masons, London Storage Facility, 150cm wide, 235cm high.Condition reportDoors have not dropped. They have large pin hinges.Extensive old and new woodworm all over.Minor splits in places.Image shows interior.Knocks and damage to decoration images show some of the worst but overall it doesn’t detract from its appearance.Overall condition is ok, some loose joints

An interesting 19th century Grand Tour album, containing pasted pictures of ancient and Renaissance sculpture and paintings and views of architectural treasures, including Discobolo, Napoli Museo Nationale, Venere de' Medici, Galleria Uffizi, Firenze, the Temple of Hephaestus and many more, bound in tooled and gilt morroco, oblong 4to

[Architecture & Design] - The Architectural Association Sketch Book, New Series, Vols VII & VIII, bound in one volume, together with twenty-nine other books relating to design and architecture (30)

A collection of etchings, architectural subjects, etc, unframed

Photography - an interesting album of b/w photographs, of Iraq and the Middle East, most taken from reconnaissance aircraft, including Baghdad, Showing British Residency; Hindiyah Barrage; Baghdad Pumping Station; the River Tigris, various; horse-trams; Khanaquin Railway Station and Oil Refineries; further infrastructure; Govanda Plateau Sheik Ahmid's Objective Operations (of an RAF biplane) Babylonian, medieval and later sites of archaeological and architectural interest; etc., titled, one dated 1932

ITALIAN SCHOOL, 18TH CENTURY ROMAN RUINS pencil on laid paper, numbered 42 upper left, 14 x 20.5cm and Italian School, 18th c, Architectural Study, watercolour, en grisaille (2) ++Both in satisfactory condition, the first with some light stains extreme left and right

AN ENGLISH CARVED AND PAINTED PINE DOORCASE, MID 18TH C the segmental cornice centred by an ostrich standing on a draped pedestal, the frieze with cherub mask flanked by profuse foliage with raised and fielded spandrels, 80cm h approx, 150cm w and miscellaneous other early/mid 18th century English carved wood architectural elements, including part of a another doorcase, double sided, with bearded mask keystone, pair of corinthian pilasters, 240 cm h approx, pair of mahogany heavy gadrooned and acanthus carved cornicing and other smaller mouldings Provenance: Removed from a Mansfield House demolished in the 1970s. ++Losses and damage, in storage for the last 40 or so years

Godman (Ernest). Norman Architecture in Essex, 1905, 50 black and white illustrations including etched frontispiece signed in pencil by the artist, original quarter vellum to green cloth, boards slightly marked and rubbed, 8vo, (limited edition 100/300), together with Willis (Robert), Architectural History of Some English Cathedrals, volumes 1 & 2, Minet Reprints, 1972-73, black and white illustrations, original brown cloth in dust jackets, 8vo, plus Benevolo (Leonardo), The Architecture of the Renaissance, volumes 1 & 2, 1978, black and white illustrations, original black cloth in dust jackets, 8vo, plus other modern architecture reference and related, including some foreign language, mostly original cloth in dust jackets, G/VG, 8vo/4to (3 shelves)