We found 35023 price guide item(s) matching your search

George Parker of Ulverston: an English longcase clock, painted dial with architectural scenes, 8-day movement with subsidiary dials, the case of crossbanded oak, overall H: 240 cm, not working. Not available for in-house P&P

European School, two large architectural studies. Oils on canvas. 120x104cm approx. Framed. (2) (B.P. 21% + VAT)

Early 20th century German walnut architectural mantle clock with silvered Roman face. 37cm high approx. (B.P. 21% + VAT)  NO IN-HOUSE SHIPPING ON THIS LOT

Early 20th century German oak two train architectural mantle clock with Arabic face. 47cm high approx. (B.P. 21% + VAT)  NO IN-HOUSE SHIPPING ON THIS LOT

A collection of architectural blueprints and drawings, mainly relating to gardens, some from Edinburgh University School of Landscape Architecture and some posters of garden subjects. (Q).

THE ARCHITECTURAL REVIEW, Vols 1-5, Nov. 1897 to May 1899, org, cloth gilt, collated (5).

A Late 19th / Early 20th Century Continental Mantel Clock of Architectural Form with Reeded Half Pilaster Decoration, 30cm High

An Impressive French Mantel Clock of Architectural form with Drum Movement, 8 Day Silver Medal Movement, Pendulum and Key Present but requires pendulum suspension, 46cm High

A 20th century Chinese cast metal architectural dragon sculpture figure. The figure in the form of dragon, raised on cast cloud form base. Measures approx. 23cm tall.

A late 19th / early 20th century cast metal ebonised Coalbrookdale type umbrella / stick stand. The umbrella stand, having an ornate frame of architectural manner with scroll and floral decoration with frieze to read ‘music’ and copper drip trays to base. Measures 86cm tall.

ARCHITECTURAL GARDEN MIRRORS, a pair, gated design, 180cm H x 75cm W. (2)

ARCHITECTURAL GARDEN SWING, Regency style, wrought metal with a faux verdegris finish, 220cm H x 180cm x 90cm.

ARCHITECTURAL GARDEN PERGOLA, Regency style metal with a rusted finish, 275cm H x 155cm W x 155cm D.

ARCHITECTURAL MIRRORS, a pair, gated metal frames in a distressed finish, 90cm H x 69cm W. (2)

ARCHITECTURAL GARDEN MIRRORS, a set of four, metal arched frames with plant pot holders, 58cm H x 28cm W. (4)

Five boxed collections of photography slides in quality made boxes to include boxes labelled aircraft, trentham park, astronomy, industrial, architectural and birds and insects. (5)

Intricate gothic architectural wood carved panel in glass display case along with a 'Hold fast' motto wood panel carving in frame.

Late 19th or early 20th Century black slate, marble and glass clock garniture, comprising a central clock in architectural case with urn mount together with a pair of five light candelabra, largest piece 52cm high (3)

A late 19th Century German mantel clock set in a carved wooden architectural case and fitted with a brass movement, 45cm high

A Victorian black slate and marble cased mantel clock of architectural form fitted with a brass movement

Artist: Alexandra NechitaTitle: No Bridge Too Far Lithograph, 1998.Origin: RomanianMedia: LithographSize: Art: 20 in. X 28 in. Frame: 35x43inDescription: This piece has a very colorful abstract cubist human form. It is a Lithograph with Roman arches and architectural elements in the background. Nechita, used bright colorful pops of red, yellow, and green throughout the work. It is numbered 524/ 2500 and it is signed. This work comes with a certificate of authenticity for Princess Fine Art, as informative sheets about the artist. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.

AN EARLY GEORGE III MAHOGANY BOOKCASE IN THE MANNER OF WILLIAM HALLETT, CIRCA 1765 With brass side handles, the fall enclosing interior pigeon holes, pilaster fronted and other drawers, with a hinged concealed recess to the leather inset writing surface 250cm high, 134cm wide, 67.5cm deepProvenance: Private Collection, London William Hallett (1707-1781) had premises in Great Newport Street, Long Acre. A mahogany cabinet from Halswell Park, Somerset is signed and dated 'William Hallet (sic) 1763 Long Acre' and shares characteristics of the present lot including the use of high quality timber, architectural pediment, fluted quarter pilasters and oversized brass side carrying handles. Condition Report: Overall there are some scratches, marks, chips, cracks, abrasions, veneer patches and some evidence of old worm consistent with age and use.The interior is later lined with red raw silk and four electric light fittings.There are two keys that operate the locks.The facing of one bracket foot is detached. Also some other elements of moulding and decoration The frieze drawer is a false drawer front. The interior of the bureau has a hinged concealed recess cover enclosing a larger recess than the aperture, the staining and look of which suggest that it could have been later adapted.The interior of the base is dark stained and one of the groove side runners is lacking a shelf.The measured quality of the flame matched door panels, the quality of the restrained carved borders and quarter pilasters add to the pleasing nature of this piece.The handles are missing and plugged holes to the sides of the bureau base where these once sat Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer

A FRENCH MARBLE AND GILT METAL MOUNTED CLOCK GARNITURE EARLY 20TH CENTURY With eight-day striking movement, the case of neoclassical architectural form, the clock surmounted by a model of the Medici Lion, the garniture with a standing figure The clock 41cm high, the pagoda garniture, 33cm high Condition Report: The gilt metal with the usual dirt and discolouration, some pitting and colour variation, Some chips and nibbles to the marble elements, There is a pendulum, the movement ticks at time of report but there is no key, Dreweatts cannot guarantee the movement as working, or make any comments as to accuracy or longevity Dial appears clean, overall in presentable order Please see additional images for visual reference to condition and appearance Condition Report Disclaimer

Architectural Salvage - a 19th century oak carved Corinthian capital, 22cm high, 31cm wide, 20cm deep

A late Victorian mahogany connoisseur’s writing desk, by Edwards & Roberts (fl.1845-1899), stamped, architectural superstructure centred by a mirror-backed niche flanked by bevelled glazed vitrine doors, above a pair of covered compartments and three small drawers, the projecting base with inset tooled and gilt writing surface above an arrangement of five further drawers, tapered square legs, brass casters, decorated throughout with blind fretwork and fretwork, 139cm high, 99cm wide, 60cm deep, c.1895

A late 19th century Italian gilt metal and pietra dura mounted rosewood and ebonised cabinet on stand, of architectural form, three-quarter balustrade parapet crested by a door, above an arrangement of drawers, centred by a further door, the base with turned underfinials, supports and feet, inlaid throughout with specimen stones and marble and applied with putti and Classical figures, 225cm high, 130.5cm wide, 46cm deepProvenance: Property of a Dutch family, sold Christie's, Amsterdam, European Noble and Private Collections, 14-16th February 2006, lot 427.

An 18th century Italian oak boarded table box, hinged top, the front panel carved with a row of architectural arches centred by organic motifs, turned feet, 30cm high, 57cm wide, 36cm deep

A 19th century mahogany architectural corner cabinet, pointed-arch pediment above two raised and fielded panel doors, the upper flanked by fluted pilasters and enclosing three shaped shelves, 199cm high, 95.5cm wide, 46.5cm deep

William Burns (1923-2010) The Ice Pond, Chatsworth Horse Trials, signed, oil on board, 37.5cm x 50cm William Burns FRSA FSAI (1923-2010) was a painter and architect, born Cecil William Burns in Sheffield. He studied briefly at Sheffield College of Art during the Second World War. Following Army service, during which he helped illustrate the official War Diaries for the North Africa Campaign, he was elected a member of the Armed Forces Art Society. After the war, Burns began to study architecture. By the early 1960’s he had formed his own architectural practice and was later elected to the Society of Architectural Illustrators. Once established, however, he returned to painting as a relief from the unyielding practice of architectural drawing. He exhibited at the ROI and RA and held his first solo London exhibition at the Twentieth Century Gallery, Fulham in 1987. Burns also became a fellow of the Royal Society of Arts. Stylistically his work is much influenced by the paintings of Arnesby Brown, Bertram Priestman and Edward Seago.

A large late Victorian Gothic Revival architectural wimperg shaped mantel clock, 24.5cm dial inscribed SKARRATT & CO WORCESTER, triple winding holes, eight day fusee movement striking on a nest of eight bells and a gong, 76cm high, 47cm wide, 25.5cm deep, c.1890

A 19th century brass mounted architectural bracket-form mantel clock, 20cm circular painted dial inscribed ROBT ROSKELL. LIVERPOOL, Roman numerals, twin winding holes, eight day movement striking on a bell, 54cm high, 36cm wide, 24cm deep

A pair of late 19th century architectural pediments, each as a swan neck centred by a shell and acanthus, egg-and-dart cornice, the frieze applied with ribbon-tied bell husk swags, the widest 29.5cm high, 75cm wide, 9.5cm deep, the other 29.5cm high, 71.5cm wide, 9.5cm deep

A substantial late Victorian pine architectural servants' quarters provision cupboard, arched top above two pairs of panel doors, probably formerly built in to a niche in a country house, with later conversion renovations, 263cm high, 154cm wide, 60.5cm deep, c.1890

A French fin de siècle bronze and rouge marble table lamp, cast with masks, scrolls and acanthus, fruiting laurel socle, architectural base, lion paw feet, 64cm high, c.1890

An 18th century walnut bureau book cabinet, of narrow proportions, dome top with bevelled glazed door enclosing an architectural interior with two adjustable shelves, a small door, small drawers and pigeonholes, the projecting base with fall front enclosing further small drawers and pigeonholes above five long drawers, the upper and second divided by a slide, skirted base, bracket feet, 188.5cm high, 57cm wide, 46cm deep

A late Victorian brass architectural half-tester bed, 232cm high, 219cm long, 157cm wide, the internal 202cm x 152.5cm, c.1895

An Austrian Biedermeier brass automaton portico mantel clock, 11cm dial inscribed with Arabic numerals and centred by a putto blacksmith, striking his anvil in conjunction with the chime, twin winding holes, eight day movement striking on a bell, the architectural case crested by an eagle, 59cm high, 34cm wide, 13cm deep

A French lacquered brass carriage timepiece, 4.5cm dial inscribed with Arabic numerals, key-wound movement with platform escapement, the backplate stamped DH, the five-glass architectural case in the Gothic Revival taste, 16cm high over handle, c.1900

A 19th century Empire design gilt brass portico mantel clock, 12.5cm circular enamel dial inscribed with Roman and subsidiary Arabic numerals, twin winding holes, eight day movement striking on a bell, the architectural case with stop-fluted Corinthian columns and applied with Classical masks, bun feet, 43cm high, 25cm wide, 12cm deep

A large early 20th century gilt brass and champlevé enamel repeater carriage clock, 5.5cm circular enamel dial inscribed with Arabic numerals, repeating movement striking on a gong, architectural case, 16.5cm high excluding handle, c.1905

Tribal Art - a pair of Toba Batak singa architectural guardian ornaments, carved as composite creatures with stylised features, 47cm high, Sumatra, Indonesia, 19th/early 20th century

An Austrian Biedermeier ebonised automaton portico mantel clock, 11.5cm dial inscribed with Arabic numerals and centred by a putto blacksmith, striking his anvil in conjunction with the chime, twin winding holes, eight day movement striking on a bell, the architectural case quite plain, 41cm high, 26cm wide, 14cm deep

(England) Fifteen works Dorothy Devenish. 'A Wiltshire Home. A Study of Little Durnford,' first edition, original cloth, small tears to unclipped dj, spotting to edge of text block, plates and frontis, B. T. Bratsford, London, 1948; James Davidson. 'The History of Axminster Church in the County of Devon,' cloth backed publishers boards, splitting to joints with some loss to backstrip, frontis, spotting to prelims but generally a vg text block, W. C. Pollard, Exeter, 1835; Stanley C. Ramsey. 'Small Houses of the Late Georgian Period 1750-1820,' two volumes, original cloth with gilt lettering, profuse with large b+w photographic plates, vg, The Architectural Press, London, 1924; Mabel Peacock. 'Tales and Rhymes in the Lindsey Folk-Speech,' original decorative cloth, text block splitting from binding otherwise vg, George Jackson & Son, London, 1886; With ten other works including another Batsford, 'The Villages of England', and 'Medieval Norwich'. (15)

Three works Hope T. ‘Household Furniture and Interior Decoration (1807) 2nd Imp. 1946 in Dust Jacket; Douglas J. ‘St. Andrews Sketches’; Roberts H.W. ‘Architectural Sketching & Drawing In Perspective’ 1916.

Temple of Antonius and Faustina in Rome 20th Century Architectural Study Watercolour and graphite, 47cm x 68cm, 64cm x 84cm framed

(Exeter) Four works Richard Izacke. 'Antiquities of the City of Exeter,' first edition, full speckled calf with compartmentalized spine, front board split at joint, customised clamshell box, ink signatures to ffep, wormhole damage to margin of titlepage to page three, lacks frontis, pp.1 to 61 with shield engravings, up to 'A Mapp of the City of Exeter', pagination then runs again (as well as running true) from pp.1 to pp.191, Table or, Inddex, contemporary ink notes to rear of book, text block is generally vg, Printed by E. Tyler and R. Holt, for Richard Marriott, London, 1677;John Britton. 'The History and Antiquities of the Cathedral Church of EXETER. Illustrated by a series of engravings of views, elevations, sections, and plan of that edifice, including biographical anecdotes of the Bishops of the See,' rebound in a modern half green calf with decorative hand stamped boards, plates complete, pp.148 runs true, some sporadic spotting particularly to plates, generally vg, Longman et al, London, 1826;George Oliver. 'The History of Exeter,' modern gree cloth binding, some light spotting and graphite lines to margins, pp.191, large appendix, vg text block, R. Cullum, Exeter, 1821;Thomas Sharpe. 'Exeter Phoenix. A Plan for Rebuilding,' original cloth, unclipped dj, profuse with plates and maps, Exeter City Council, Architectural Press, 1946. (4)

Captain John Bull (1771-1851) Small Archive relating to the Captain of the Packet Ship 'Marlborough' Two religious works owned by Captain John Bull, described thusly;Samuel Eyles Pierce. 'Pentateuch. Discourses on the Several Revelations of The Lord Jesus Christ, to the Call of Abraham, Jacob, Moses, &c.,' a Recommendatory Preface by the Rev. Robert Hawker (Morwenstow and poetry fame), contemporary full red morocco, with compartmentalized spine and decorative gilt tooling, James Bull Senior gilt tooled to front board, marbled endpapers, bright gilt edge, lacks half title (if indeed there was one), light sporadic incidences of spotting throughout, light ink finger soiling to preface and pp.1 of Sermon I, pp.577 runs true, pp.1 advertisement to rear Books published by L. I. Higham, a scarce work in vg condition, printed by G. Martin for J. Johnston, London, [n.d but preface suggests c.1815].'The Book of Common Prayer, And Administration of the Sacraments, and Other Rites and Ceremonies of the Church, According to the Use of The Church of England: Together with the Psalter or Psalms of David, Pointed as they are to be sung or said in Churches,' contemporary full red morocco rebacked, with compartmentalized spine and decorative gilt tooling, James Bull Senior gilt tooled to front board, marbled endpapers, modern ink MS label to front pastedown, lacks half title and frontis, title page with conservation, pp.16 of heavy toning at start of The Order for Modern Prayer, Daily throughout the Year, graphite notes to margins towards the rear, good to very good, J. Archdeacon printer to the Unversity, Cambridge, 1776.Hand written family tree of the Bull family, on Marlborough Falmouth blind stamped paper, folded, 20.5cm x 100cm, [c. mid 19th century].Two miniatures depicting him as a young, and as an older man; The elder in a leather case, painted on Ivory, measuring 12.5cm x 9cm, backed onto paper with contemporary signatures, painted by A. Stephens, Hatton Garden, Feb 1853; The younger, also painted on Ivory, measures 10cm x 8cm. (P2R9WV8H and JYXLH8L1 Ivory Exemption Numbers, respectively).Portrait painting on Ivory of Miss Phoebe Bull, daughter of Capt. Bull, contained in an oval case, 6cm x 5cm, [c.1780]; With another portrait painting on Ivory, of a George Parker Bull (descendant of Capt...), in circular case, 4cm x 4cm, painted by Olive M. Sunderland, 1908. (SLF48GN4 and 42GKLUUM Ivory Exemption Numbers, respectively).'The House of John Bull Esq, Captain of H.M's Packet the Duke of Marlborough,' ink and wash architectural drawing showing both front and rear elevations, calligraphic title, signed C. Mitchell to foot, framed and glazed measuring 36cm x 33cm, [c.1810].Two graphite sketches of Marlborough House, Falmouth, showing the front and rear aspects, some light spotting, mounted, frames measure 34.5cm x 41cm, both signed by John Bull, indistinctly signed by the artist, [c.1810]. (10)

A late 19th century French gilt metal mantle clock, the case of architectural form with two putti flanking the circular dial having a pierced floral scroll centre and Arabic numerals, the Samuel Marti 8 day movement striking on a single gong, 26.5cm high x 18.5cm wideIf there is no condition report shown, please request

A late 19th century German walnut cased 8 day mantle clock, the case of architectural form having a platform finial above a stepped cornice with dental moulding, floral and shell applied mouldings, two turned pillars flanking the dial having pierced gilt metal spandrels and silvered chapter ring, the Winterhalder and Hofmeier movement striking on a single gong, 61cm high x 35.5cm wideIf there is no condition report shown, please request

A circa 1900 oak cased mantle clock, the case of architectural form with an arched top, dental moulded cornice and two reeded columns flanking the arched top dial, having silvered chapter ring and two subsidiary dials for strike/silent and a regulating dial, the 8 day movement striking on four rods and a gong, 45cm high x 31cm wideIf there is no condition report shown, please request

A circa 1900 Junghans oak cased mantle clock, the case of architectural form with egg and dart moulding above four Corinthian columns flanking the arched top dial, having silvered chapter ring and two subsidiary dials for strike/silent and a regulating dial, the 8 day Westminster chime movement striking on five rods, 45cm high x 34cm wideIf there is no condition report shown, please request

A late 19th/early 20th century French gilt metal 8 day mantle clock, the enamel dial signed 'S.Leighton, Paris' within floral swags, pierced gilt metal fancy hands and Roman numerals, the case of architectural form having a flame finial, four pillars and pierced floral scroll borders, the Samual Marti movement striking on a single gong, 33cm high x 18cm wideIf there is no condition report shown, please request

A collection of books on contemporary architectural art and large-scale art installations

W J LOFTIE AND CLAUDE PHILLIPS: WHITEHALL - HISTORICAL AND ARCHITECTURAL NOTES [AND] THE PICTURE GALLERY OF CHARLES I 1895 & 1896. London, Seeley and Co Ltd, 1895. 2 Volumes in 1, Sm 4to. Some browing to plates, contemporary roan backed decorative boards, joints and spine rubbed with small loss to head of spine and small split to upper joint.

ECCLESIASTICAL ARCHITECTURAL INTEREST: 2 titles: DOM BEDE CAMM: FORGOTTEN SHRINES, London, Macdonald and Evans, c1910, together with M R JAMES: ABBEYS, London, THE GREAT WESTERN RAILWAY, 1925. With fold out illustrations (2)

ARCHITECTURAL INTEREST: 3 Titles: L F SALZMAN: BUILDING IN ENGLAND, Oxford, Clarendon Press, 1952; FRANCIS BOND: GOTHIC ARCHITECTURE IN ENGLAND, London, B T Batsford, 1905; GEOFFREY WEBB: ARCHITECTURE IN BRITAIN THE MIDDLE AGES, London, Pengin, c1950s (3)

ONE BOX: Various architectural plate books

An Edwardian mahogany dome top mantel clock, the enamelled dial set with Arabic numerals, with French La Boname movement striking on a coil, the case with inlay and brass architectural detail, height 35cm. Condition Report: - Please note that this lot is not suitable for our in-house postage service.We would recommend booking a collection slot for this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on https://www.adampartridge.co.uk/services/transport/ chips to the corners and the front of the domed top, dial is in good condition apart from a chip to the left key hole, no key so we can't check if it works but the movement looks nice and clean and the pendulum is present

Circle of Frederick Goodall – Female Figure in an Interior smoking a Hookah, within a feigned orientalist architectural demi-lune, 19th century watercolour, 13cm x 15.5cm, within a gilt frame, together with two other 19th century watercolours by different hands.

Miscellaneous decorative architectural prints and drawings (9) Condition Report:Generally sound. Some discolouration and minor foxing on individual items. Not examined out of frames