We found 35023 price guide item(s) matching your search

S.M & Co. (Stockall Marples and Co) R.A.F. chain fusee driven mantel clock in oak architectural case, movement stamped 1939, model no. 10883, H47cm, W33cm

Architectural Salvage - Georgian burr walnut veneered door, 95 x 24cm (a/f)

Architectural Salvage - Georgian burr walnut veneered door having brass finger plates and key escutcheon, 94 x 212 cm

Architectural Salvage - Georgian stained pine panel door having a brass finger plate and lock, 94 x 212cm

Architectural Salvage - Georgian stained pine panel door having a brass finger plate and lock, with damage to top right panel, 94 x 210cm

Architectural Salvage - A pair of Georgian burr walnut veneered doors (a/f) 95 x 213cm

Architectural Salvage - A Georgian stained pine panel door having finger plates and locks,

Architectural Salvage - A pair of Georgian stained pine panel doors, 73 x 98cm

An early to mid 19th Century mahogany breakfront bookcase with architectural pediment, astragal glazed doors, with secretaire drawer

PAIR OF CHINESE GINGER JARS with floral bird and architectural decoration, each 24cm high, one with lid lacking, each on wooden stands CONDITION REPORT: broken and repaired.

Two 19th century Italian reliquaries with watercolour miniatures of Saints in architectural mounts, 11.5cm x 10cm and 7.5c, x 6cm

19th century Italian reliquaries with watercolour miniature of a Saint in gilt metal architectural setting with elaboratescroll work red wax stamped Ballata verso, 25.5cm x 22cm, overall and another reliquary in a gilt frame (2)

The Menotti Puppet Theatre with carved figures and others principally characters from his operas, the wooden facade of classical architectural form, the arched pediment flanked by urns, the interior stage in a classical style, 105cm x 135cm x 64cm

A set of 19th century architectural watercolour miniatures, in leather cases

A folio of architectural drawings, including Arts and Crafts houses

A 19th Century mahogany and inlaid Stick Barometer with architectural broken arch pediment and urn finial, 36in L

An inlaid architectural Model having arches and balustrades, 15 1/2in, possibly a bookstand

19th Century green onyx two train architectural mantle clock with French brass drum movement.

American wall clock of architectural form with pendulum and key included.

A Victorian mantel clock with circular white enamel dial and roman numerals, in black slate and marble architectural style case.

Three polychromatic lithographs of Parisian architectural scenes, 20th century. H: 23cm W: 36cm

Patrick Scott HRHA, 1921-2014 DEVICE Aubusson Tapestry, by Tabard Freres et Soeurs, no.1858, 152cm (h) x 123cm (w), signed and inscribed label verso Pat Scott was a largely self-taught artist. He studied architecture and worked in the architectural practice of Michael Scott for fifteen years. Dorothy Walker noted in 1981 ' ... there is no doubt that his painting has a deeply architectural base; as a painter he has an architectural turn of mind, reflected in the structure and constructivist themes of his work, and in its intellectual discipline and order' Device is a series of works in which the artist registered his dismay at the testing of H-bombs by painting abstract 'explosions' of diffused and dripped colour to symbolise the terrifying beauty of such destruction. See Dictionary of Living Artists by Robert O'Byrne.

Christian Stocklin, 1741 - 1795 Fine Italian Architectural View, "Interior of Palace Ruins with numerous figures," and its companion a similar subject, a pair, O.O.P., approx. 33cms x 43cms (13" x 17"), both signed, one with date 1769? and both inscribed on label reverse, later gilt frames. (2) Provenance: Danby Hall, Leicestershire, and later Rosyln Park, later Sandymount Park, Dublin. N.B. Stocklin was a pupil of Geo. Paolo Pannini

Early 19th Century English School Naval Crest: "Royal Coat of Arms," A stunning original oval oil painting on canvas, attractively painted in bright colours, highlighted in gold, with a gold crown surmounted by crowned lion overcoat of arms flanked by a large unicorn and a crowned lion, on an architectural plinth, labelled "ICH DIEN" and with naval scenes to right and left, with Prince of Wales plume, shamrocks, rose & thistle underneath, approx. 76cms x 62mcs, in narrow gilt frame. (1)

18th Century School An architectural drawing, "Study of a Moorish Temple," grey wash, 24cms x 25cms (9 1/4" x 11"), in maple frame. (1)

Rare Original Architectural Drawings, c. 1779 Architecture: Cooley (Thos.) Detailed Original Drawings and Specifications for the Building of a Bridge, at Headford, Co. Meath, 1779, including, * Working Plan of Bridge * Working Elevation of Bridge * Mouldings at Large for the Pedestals at end of Bridge and one other drawing. Each approx. 59cms x 72cms (23" x 28"), and all signed and dated by artist, a portfolio. As drawings, w.a.f. (4) * Thomas Cooley 1740 - 1784, was born in London, but came to Ireland in 1768, after winning a competition for the design of Dublin's Royal Exchange, now City Hall. He was also commissioned for numerous other important projects, including, St. Patrick's Cathedral 1769, Newgate Prison, Ardbraccan House, 1772 - 1775, Caledon, Co. Armagh, 1779, Bishop's Palace, Killaloe, 1774, The Four Courts, 1768 - 1802. He also began another public project in O'Connell Street, but on his death at the age of 44, in Dublin, the project was handed over to Gandon, who completed it, to his own design, as The Four Courts. Cooley also worked at Headford, Co. Meath, 1769 - 1771, and the above designs are from that period. The bridge is now I believe, part of the new Golf Course. (1)

Original 18th Century Architectural Drawing Co. Carlow?: Nowlan (Michael) Architect. A Plan of an Obilisque Pedestils and Orrens to be done for Samuel Faulkner Esq. To be erected over the gateway at the entrance to the Forth. December 3rd 1794. Drew at large by a scale of 2 feet to one Inch by Michael Nowlan. A large pen, ink & wash architectural drawing, approx. 40cms x 31cms (15 1/2" x 12 1/4"), somewhat stained, wooden frame. As a m/ss., w.a.f. V. Rare. (1)

William Brocas Sketchbook Brocas (William), 1794-1868. A very good Sketchbook, small quarto, over 80pp of fine sketches in pencil and crayons, made during a Continental Tour encompassing Antwerp, Paris, & other cities c. 1840 - 41, including sketch portraits, of interesting characters, landscape scenes, copies of famous paintings and items of architectural interest, many identified (some in French), including a number of very good drawings, some of frameable quality. Inscribed inside front cover 'W. Brocas' 119 Baggot St., Dublin. In a small 4to Artists Album, with ties, vellum backed boards. As an Album, w.a.f. V. Rare. (1)

R.P. Spiers, 19th Century English School, 1865 Architectural Pencil Sketch, "Cloisters [Window] Ratisbon" approx. 26cms x 17cms (10 1/4" x 6 1/2") signed with initials and dated Sept. 1865, gilt frame. (1)

An early 19th Century Chinese black lacquer and gilt heightened cabinet on stand:, the architectural interior fitted with small drawers and shelves with giltwood uprights and pierced fretwork aprons and galleries, decorated with bamboo and prunus trees and pagodas in garden landscapes, having a central scroll flanked by inscription panels and hanging lanterns, enclosed by a pair of doors further decorated with pagoda garden landscapes, the sides with applied brass carrying handles, the later stand with a pierced fret geometric apron on shaped legs, united by X-frame stretcher, terminating in claw and ball feet, the cabinet 99cm (3ft 3in) wide, 181.5cm (5ft 11 1/2in) overall height. *Provenance Rockbeare Manor, Exeter, Devon.

Edwardian oak mantel clock, architectural case, square brass dial with foliate spandrels, German movement, striking on a gong, 33cm.

Modern mahogany cased Vienna wall clock, architectural pediment, enamelled dial, double weight driven movement, striking on a gong, 125cm.

A gilt framed bevelled glass wall mirror, having column design to side, with architectural vine and musical instrument design to top, approx. 38cm by 59cm including frame

Punk head by Bernie Howden (30cm high) Bernie obtained his Fine Art Degree BA(Hons) at Wirral Met and had his graduation at Liverpool Anglican Cathedral. His work is mainly architectural. This piece was part of the theme on Iconic Buildings of Liverpool, it was part of a joint exhibition at The Domino Gallery, Upper Newington, Liverpool and was titled Monuments, this was in conjunction with his wife, Chrissie, who did historic stone monuments. Bernie now delves into portraits.

"Tate & Lyle" (100x60cm) by Bernie Howden – acrylic on canvas – 1 of 7 lots Bernie obtained his Fine Art Degree BA(Hons) at Wirral Met and had his graduation at Liverpool Anglican Cathedral. His work is mainly architectural. This piece was part of the theme on Iconic Buildings of Liverpool, it was part of a joint exhibition at The Domino Gallery, Upper Newington, Liverpool and was titled Monuments, this was in conjunction with his wife, Chrissie, who did historic stone monuments. Bernie now delves into portraits.

A box of books - Hereford/ Tipparary/ Architectural etc.

LUDWIG II OF BAVARIA: (1845-1886) King of Bavaria 1864-86. Called the Fairy Tale King for his extravagant artistic and architectural projects, he is also remembered as the devoted patron of the composer Richard Wagner. L.S., Ludovico, one page, 4to, Monaco, 19th January 1867, to Cardinal Clarelli, in Italian. The King sends his best wishes of prosperity to his correspondent on the occasion of the New Year festivities. A clean letter with a good signature example. With blank integral leaf. VG £300-400 Niccola Clarelli Parracciani (1799-1872) Italian Cardinal 1844-72.

Scratch Built Model of Roman Walls together with a Scratch-Built Architectural Buildings (in Wooden Box)

A pair of cream painted wooden architectural columns, 208cm tall overall

A classic architectural style white painted wall mirror, 110 by 10 by 163cm.

A Shiraz tribal carpet, the Kelim style oatmeal ground decorated with stylised architectural medallions in pale red, burgundy and blue pile

Onyx mantle clock of architectural form with key- A/F

A pair of Indian, architectural miniatures in carved, ebony, easel frames. 2.5 x 3.8cm.

A gold locket by M.B. & Co, a gold architectural pendant and an oval gold brooch set with gold quartz.

An early Victorian, eight day pine longcase clock, the arched dial painted with architectural spandrels, height 188cm.

Two boxes of magic lantern slides in Johnson of Hendon boxes, with several other boxes of slides, including Roman ruins, historical buildings, architectural plans

ROBINSON, C.E. A Royal Warren or Picturesque Rambles in the Isle of Purbeck. Etchings by Alfred Dawson. Typographic Etching Co., 1882, 4to, cloth. BROWN, J. An Historical and Architectural Description of Corfe Castle. By a Near Resident. Lankester, Poole, 1829, printed wrappers; and others on Purbeck and Corfe. (8)

BOND, T. History and Description of Corfe Castle, in the Isle of Purbeck, Dorset. [Plates.] Stanford, 1883, cloth. BROWN, J. An Historical and Architectural Description of Corfe Castle. By a Near Resident. Lankester, Poole, 1829, printed wrappers; and others on Purbeck and Corfe. (8)

NASH, Paul. Dorset. Shell Guide. Architectural Press, [1936], wrappers.

WINKLES, B. Winkles's Architectural and Picturesque Illustrations of the Cathedral Churches of England and Wales. [Engravings.] Wilson, 1836, 3 vols. 4to, contemp. half morocco. ------. French Cathedrals. Tilt, 1837, 4to, contemp. half morocco. BLORE, Edward. The Monumental Remains of Noble and Eminent Persons, comprising the Sepulchral Antiquities of Great Britain. Plates. Harding, 1826, contemp. plum calf gilt. (5)

A 19th Century Engraving of an Architectural Scene.

A black slate mantel clock in an architectural style case, the circular dial flanked by Corinthian columns and with pink marble and floral decoration, eight day striking movement

Fay Miller: Modernist art sculpture; Shardz. American artist Fay Miller began her career as a graphic designer but soon focused her attentions on glass and her need to express creativity through three dimensional objects. The glass pieces tend to be architectural in design. Her works have featured in galleries across the USA and Canada.

A Collection of Coloured Book Plates, The Architectural Review for 1919 and London Illustrated News 1937 and 1901.

Early 19th century bracket clock with eight day fusee timepiece movement, white enamel dial with Roman numerals in a mahogany case of architectural form, with stepped top, on four pad feet, 34cm overall height (key and pendulum present) CONDITION REPORT General overall condition is fair, movement is dirty but appears to have been running, back plate may have been lacquered, has signs of previous repairs. Dial has been repaired between 5pm and 7pm position, enamel around winding hole damaged. Hands have been repainted, front door hinge loose. Case in reasonable condition, some splittng to veneers, top left moulding detached but present, near left foot detached but present. Door key present but not functioning correctly, rear door glass is damaged

18th century longcase clock with thirty hour movement striking on a bell, eleven inch square dial with crown and cherub spandrels, silvered chapter ring with Roman numerals, signed - Edn Barlow Oldham, matted centre with foliate engraved decoration, calendar aperture and single pierced brass hand in an oak case with long door with star marquetry inlay, architectural hood with blind fret frieze, 203cm overall height (weight and pendulum present)

Late 19th century mantel clock with spring-driven movement striking on a gong, gilt metal dial with enamel chapter ring and Roman numerals in a black slate case of architectural form, with coppered classical decoration, on four scroll feet, 43cm across (key and pendulum present)

Set of six 19th century Indian miniature paintings on ivory, each of oval form, within gilt metal C-scroll and flower-head frames, depicting Indian architectural views, each 4cm wide

Collection of seven 19th century Indian miniature paintings, typically depicting Indian architectural views of heritage sites, Taj Mahal and others, various shapes and sizes, the largest 5cm x 6cm, framed as one

An architectural tangents compass