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AFTER C R RILEY - a set of coloured engraved exotic bird prints by W Skelton and J Fitler, two black and white architectural engravings - "View of Oxford Castle" and "View of Maxtoke Castle in the County of Warwick", 20th CENTURY SCHOOL "Study of a shire horse", watercolour, unsigned, together with various pictures and prints
A Group of 3 Books Pertaining to Architecture and Design. ARCHITECTURAL RECORD MAGAZINE EDITORS. Interior Spaces Designed by Architects. Blacklick, OH, U.S.A.: The McGraw-Hill Companies, 1974. First Edition, First Printing. 4to - over 9.75 - 12 in. tall. Hard cover. Richly illustrated in black and white and color photos. Contents clean and tight. BURDEN, Ernest. Architectural Delineation: A Photographic Approach to Presentation. New York: McGraw-Hill Book Company, 1971. First Edition. 4to - over 9.75 - 12 in. tall. Cloth. Profusely illustrated with line drawings. Contents clean and tight. RENSE, Paige (editor). American Interiors. Los Angeles: The Knapp Press, 1978. First Edition First Printing. 4to - over 9.75 - 12 in. tall. Architectural Digest Presents a Decade of Imaginative Residential Design. Profusely illustrated with color photographs.
A 19th Century and later brass skeleton clock, of architectural form, surmounted by a bell over spires, the base with lion mounts, on a velvet pad and wooden plinth, silvered and brass Roman chapter ring with scalloped border, single fuse movement with anchor escapement, the glass dome AF, 38cm - see illustration
A 19th Century gilded brass mantel clock, of architectural design, surmounted by an urn finial, circular Roman numeral dial flanked by Egyptianesque figures, figure and floral scroll decorated panel, raised on a platform plinth and four scrolled feet, 8 day movement striking on a gong, 27cm wide x 45cm high - see illustration
EARLY TWENTIETH CENTURY GERMAN OAK CASED MANTEL CLOCK, retailed by Moranth Bros. Liverpool, the 6 1/4" square gilt dial with silvered Roman chapter ring, signed, , cherub mask spandrels and matted centre, powered by an eight day movement striking on two gongs and housed in an architectural case with fluted pilasters and moulded oblong base, 16 1/2" (41.9cm) high
LATE 19TH CENTURY/EARLY 20TH CENTURY CARVED WALNUT SMALL VIENNA STYLER WALL CLOCK, the 5 1/2" white enamelled Roman two part dial powered by a spring driven movement with brass disc pendulum, striking on a gong, housed in a glazed case with turned finials to the pierced architectural pediment, split turned columns and moulded foot with split turned finial, 36" (91.4cm) high
LATE 19TH CENTURY GILT BRASS MANTLE CLOCK, the 4 1/2" Arabic dial with pierced crest to the centre, powered by an eight day drum shaped movement, striking on a gong, housed in a case with architectural pediment and finials, above two free standing classical figures to the forecorners, raised on a plinth base, 12 1/2" (31.7cm) high
A George III mahogany secretaire cabinet, the broken swan neck pediment, with pierced scrolling foliate and architectural decoration above dental moulding and boxwood fluted frieze, upon two cupboard doors with oval inlay within a field, enclosing three slides. The secretaire fall front revealing a fitted interior with three long graduated drawers below, raised on shaped bracket feet. 124 cm high x 115 cm wide x 60 cm deep.
An early 20th century three piece clock garniture, the architectural form black slate and gilt metal clock with frieze of warriors, and applied presentation plaque `Presented to Exp.c Sidney.c.chinn by the officers and men of A Division Met Police as a mark of respect and esteem upon his retirement after 25 years service 6th February 1911`, with pair of matching flanking obelisks, height 43cm
A 19th century French repeating carriage clock, retailed by John Walker, 230 Regent Street, London, in architectural form brass case, with ornate folding handle, repeating the hour and half hour, with white enamelled dial, height 15.5cm, with original leather mounted travel case and key (case af) (illustrated)))
A fine Edwardian ^t. . Georgian revival carved mahogany pair of pedestal knife urns and sideboard, the whole elaborately carved and detailed in the Neoclassical taste with winged mythical creatures, fruiting urns, scrolling foliage and fruiting swags, the central sideboard section with brass gallery back, and raised on six architectural column supports, flanked by the rising wrythen fluted domed knife covers, above the bowfronted door panels featuring central female ovals flanked by classical maiden monopodia, combined length approx 270cm (8ft 10ins) (illustrated)
1968 Triumph TR5 Reg. No.: HJF 600F Chassis no. CP372 Engine No.: CP51499HE The Triumph TR5 was built for a very short time between August 1967 and September 1968, therefore few were made, just 2,947, of which only 1,161 were destined for the UK market. The remainder were made as left hand drive models. Visually identical to its TR4 predecessor, the TR5 hid the main differences under the body, the most significant of which was the engine. The TR5 was powered by a 2.5 litre straight-six fuel injected engine, developing around 150 bhp. Triumph claimed that it was the "First British production sports car with petrol injection". This car is an original right hand drive UK registered TR5, that was owned by a German architectural student, studying in London in the 1970’s. After driving the car for some time, this owner damaged the engine. A short, replacement engine was fitted by TR Improvements, London (the receipt is still with the car). The car returned to Germany with its owner, destined to be restored, however the car was never registered in Germany and sat with its UK logbook and plates in a German barn for twenty years. In 2008 the car was sold to its present owner who undertook a complete restoration back in the UK. A full photographic record of this ‘no expense spared’ restoration is available. Everthing was taken apart, the chassis powder coated, the body received a bare metal respray and all the running gear was rebuilt. The engine was rebuilt and balanced with lightening where appropriate. It was converted for lead-free petrol at this time. The interior has been trimmed to a high specification in ivory leather, with extra areas such as the dash top, crash pads and central yoke incorporated at this time. A custom made mohair blue hood and tonneau have only recently been fitted. A truly excellent example of what is a rare British sports car. MOT’d until February 2013 this fine example is ready to be shown and enjoyed. Click Here to view this item on www.i-bidder.com
Paire d`anges en chêne. Ces deux sculptures formant pendant étaient situées au sommet d`un élément architectural dont ils constituaient le fronton. Ils se font face et sont légèrement couchés sur le côté. Quelques accidents et manques dans les deux bras droits, des doigts des autres mains et une partie avant du drapé de l`un deux. Ils sont constitués de parties rapportées à la fabrication. XVIIe siècle. (Accidents et manques). Haut. 29 cm - Long. 63 cm
Hertfordshire. S. Albans & Hertfordshire Architectural and Archaeological Society Transactions, vols. 1-7 (New Series), 1895-1936, pub. St. Albans, 1898-1937, b & w plts. and folding plans, later uniform cloth, 8vo, together with East Herts Archaeological Society Transactions, vols. 1-6, 1899-1922, pub. Hertford, 1901-1923, b & w plts. and folding plans etc., near contemp. uniform qtr. calf gilt, 8vo, plus Middlesex & Hertfordshire Notes and Queries, vols. 1-3, 1895-97, b & w plts., vol. 3 lacks title, ex-lib. copies with ink stamps throughout, 20th c. half morocco, worn, 8vo. (16)
*Architectural Ornament. RufflŽ (J.), Monumentos Arquitect—nicos de Espa?a, Provincia de Cordoba, Estilo del Califato, Portada del Mihrab, pub. Madrid, n.d., c.1880, large colour chromolithograph after R.Arredondo, 605 x 455 mm, mounted, framed and glazed. Fine architectural elevation of the Moorish design of the Mosque at Cordova. Originally published in ÔMonumentos Aqrquitect—nicos de Espa?a`. (1)
*Prints & engravings. A mixed collection of approx. 250 prints and engravings, mostly 19th. century, engravings, lithographs and prints, including architectural prospects, topographical views including a large collection of views in and around Oxford, original etchings, classical, genre, botany and scenes from Shakespeare, occ. duplicates, together with a large pen and ink drawing of a coastal scene, various sizes and condition (approx.250)
Bersuire (Pierre). Morale reductoriu[m] super tota[m] Biblia[m] fratis..., Lyon: Impressum in officina libraria Jacobi Marechal, 15 May 1520, [12]+218 ff., title printed in red and black with architectural woodcut border, decorative initials throughout, old ink names and doodlings to title with lib. stamp at lower margin, many leaves with ink underlining, contemp. blind-tooled sheep, worn with some loss, folio. This edition not in Adams. (1)
Willis (Robert & Clark, John Willis). The Architectural History of the University of Cambridge, and of the Colleges of Cambridge and Eton, 4 vols., C.U.P., 1886, b&w plts., orig. cloth, rubbed and somewhat darkened and chipped to extreme head and foot, large 8vo, together with Taylor (H. M., and Joan), Anglo-Saxon Architecture, 2 vols., C.U.P., 1965, b&w plts. and illusts., orig. cloth in d.j.s, a few minor marks, 4to, plus Richards (Raymond), Old Cheshire Churches, 1st ed., Batsford, 1947, some colour plates, numerous b&w plts. and illusts., orig. cloth in worn d.j., and others on English architecture, churches, etc., including R. T. Gunther, The Architecture of Sir Roger Pratt, Oxford University Press, 1928, E. M. Jope, ed., Studies in Building History, 1961, David Green Grinling Gibbons, His Work as Carver and Statuary 1648-1721, 1st ed., 1964, Walter Ison, The Georgian Buildings of Bath, 1st ed., 1948, Sir William H. St. John Hope, Cowdray and Easebourne Priory in the County of Sussex, pub. Country Life, 1919, etc. (35)
A late Victorian wheel thermometer, the architectural oak case with broken arch pediment above doric reeded columns either side of the barometer, the circular silvered 10in barometer dial inscribed Spiridion Optician Cardiff, brass bezel to the glazed cover, carved foliage corners, dentil friezes. 109cm long.
Raven Press. William Shakespeare, Venus and Adonis, Raven Press, Harrow Weald, 1931, wood-engs. by Horace Walter Bray, t.e.g., remainder untrimmed, orig. Ômarbled` patterned cloth in matching slipcase, rubbed on spine, slim folio (limited edition 157/275), together with Lloyd (Nathaniel), A History of the English House from Primitive Times to the Victorian Period, 3rd imp., Architectural Press, 1951, numerous b & w illusts. from photos, orig. cloth gilt, a little faded on spine, folio, with other miscellaneous books including art reference, children`s and illustrated works plus 2 cartons containing books on wine and related subjects (6 shelves & 2 cartons)
*Verona. A group of fifteen mounted gelatin silver prints by G. Bertucci, c. 1920s, mostly showing civil engineering, construction and some public buildings, plus a group of ten further architectural photographs by G. Bressamini of Verona, all of domestic architecture and bridge construction, approx. 21 x 29 cm and sl. larger, mounted on orig. card leaves with photographer`s details to mounts (25)
A pair of painted mirrors, in George II style, in the manner of William Jones, each with a divided rectangular mirror plate within moulded frames with inset top corners decorated with leaf carved volutes headed by putti masks supported by ribbon swags, enclosed architectural pediment carved with acanthus leaves, sides with swags of carved fruit, flowers and leaves supported by drapery, 200cm high, 119cm wide, 16cm deep
COTMAN (John Sell) A Series of Etchings Illustrative of the Architectural Antiquities of Norfolk, lge folio, 1f. blank, title-leaf, 7ff. letterpress etc., 60 etched plates, untrimmed in contemp. boards, with printed part wrapper pasted front & back (dampstain to upr. right blank corner margin of plates & boards, backstrip gone), L., Printed by C. Sloman, Yarmouth, 1818.

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35023 item(s)/page