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LATE NINETEENTH CENTURY FRENCH SLATE MANTEL CLOCK the unsigned two train movement striking on a bell and numbered 2150 48, the ornate gilt dial with Roman numerals and two front winding holes, painted steel hands, set within an architectural slate case, on stepped plinth base, 29cm high

LATE NINETEENTH CENTURY FRENCH EIGHT DAY CLOISONNE MANTEL CLOCK by Japy Freres, Paris, the signed two train eight day movement striking on a gong and numbered 4519-4.11, the 4 inch enamelled dial with Roman numerals, two front winding holes, ornate steel hands, the gilt pendulum with enamelled decoration, the architectural hood with cloisonne decoration, set within a brass and bevelled two glass and two enamel panelled case, on bracket feet, 31cm high

VICTORIAN GOTHIC REVIVAL VIENNA WALL CLOCK the unsigned two train movement striking on a gong, the 7 enamel dial with Roman numerals, subsidiary seconds at twelve, two front winding holes, ornate pierced steel hands, the architectural rosewood case with ebonised mouldings and finials, front opening hinged glazed door, 125cm high

A late 19th Century French ormulu and marble clock garniture The architectural mantle clock with Corinthian columns extending from a Serpentine front base, cast with gilt metal floral swags and surmounted by a striding gilt lion finial, the glazed case enclosing white enamelled dial with Arabic numbers and polychrome enamel swags suspending a dual mercury pendulum and flanked by twin Campana urn form garnitures, clock 46cm high, garniture 34cm high.

A fine quality French late 19th Century Sevres and Ormulu clock garniture The central clock cast in an architectural form with scalloped front and sloped canopy rising to a pine cone central finial, each side heavily cast with display of fruit, vegetables and flowers enclosing a series of beautifully painted pink porcelain plaques painted with floral sprays and musical trophies, the openwork chapter ring with cobalt blue Roman numerals, signed 'Arthus, Paris', flanked by two Campana form pedestal garnitures, clock 32cm high, garniture 31cm high.

An early 20th Century Winterhalder and Hofmeier eight day mantle clock The arched architectural case with glazed arched door, raised on a stepped on a plinth base and raised on compressed bun feet, enclosing silvered dial with 4 inch chapter ring, with black Roman numerals, stamped Lamer Kuss & Co. beneath slow/fast and chime/silent dial, 29cm high.

An early 20th Century French marble eight day mantle clock, by Azur, Paris The white slate simplistic architectural casing, raised on a high plinth base, enclosing a 5 inch white enamelled dial with black Roman numerals, movement stamped 2188712, 32cm high.

A Victorian rosewood gothic revival mantle clock The pointed architectural casing flanked by quatrefoil shaped columns the glazed arcaded door, revealing brass front plate with inscribed Roman numerals and subsidiary dial, retailers mark Fearn, Regent street, London, with key and pendulum CONDITION REPORT: Size - Height 23.5cm x width 19cms x depth 11.5cms Front door - will not close. Damage to top of door rear hinge and loss of veneer, some loss of moulding to bottom of right hand pillar damage to frame of wood around clock face Top - dents and marks Left side - Crack below key hole, glue marks, crack above glass window Right Side - Cracks above glass window, glue marks, loss of wood to base and cracks, loss of moulding, glass has glue bluing. Back door - Selotape stuck to wood, door sags, glass loose Clock movement not working, needs attention, no winding key.

Railwayana - a pair of cast iron architectural signal box pinnacles

Architectural salvage - a collection of old bricks including H.E.Harold, Diseworth; Butterley Co., Waingroves; Ellistown; Denby (with reversed N); Gibbs and Canning, Tamworth; Everard; Gibbs Bros, Charnwood Works, Loughborough; J.T.Adams, Castle Donnington; Sutton, Overseal; NOB Kirby; Diamond Jubilee; 1837-1897 Diamond Jubilee; Kings, Newton; Thomas Wragg and Sons.; Whitwick Colliery; Haunchwood; Glenboig Special; Ibstock; Knowles; Derby (26)

A Victorian album of Crests & Monograms, printed by Cowells Anastatic Press, Ipswich [c.1830], with 25 pages of architectural entablature, framework, interiors, heraldic and other devices, further applied with clipped coats of arms, crest and monograms from letterheads, including royal and aristocratic arms, Badminton House and other country houses, parliamentary, governmental and commercial institutions, etc, full gilt tooled red morocco, 25cm x 22.5cm overall

A late 19thC Architectural cased mahogany bracket clock, silvered dial beneath foliate scroll arched top case, glazed front door, the rear door with pierced brass ware, the mechanism marked W&H SCH, 22.5 x 14.5 x 14.3cm

*Fortescue (Adrian Henry Timothy Knottesford, 1874-1923). A group of 56 letters and related, 1907-1922, but mostly 1908-12, all to Mrs May Crickmer, including 49 autograph letters signed (2 pencil) and 5 typed letters signed, plus 1 'certificate' in the form of a letter and 1 postcard, the earliest letters addressing May Crickmer as Madame, then May, and quickly becoming the pet name 'Scratchcat', written in an exceptionally neat calligraphic hand throughout, the earliest letters from Leys Avenue, Letchworth, Hertfordshire, but the majority from St Hugh, Letchworth, one letter with a few musical bars, two with illustrations, the majority of letters chatty, affectionate and flirtatious, occasionally referring to May's husband Courtenay and meetings with them, his feelings for her, etc., e.g. (5 August 1910): 'You can see then three layers in my heart. At the bottom, much deepest and greatest of all, is my love for my dear Scratchcat. Over this is a layer of anger because I think you were not nice on the boat. Over this again is a layer of beautiful Christian charity that tells me that very likely it was all my fault - or partly my fault - and that in any case I must not be horrid and unkind to you. And these layers are white, green and red like the Bulgarian flag. Here is one more point. When you tell Courtenay what I said yesterday you will not be generous or even just if you say that I admitted myself that I was angry because on the boat you had not taken enough notice of me. That is putting it in the worst possible light for me. What I really think is that you were disagreeable in many ways and so spoiled the pleasure of the holiday', the letter ending typically, 'Dear, I love you very much always really. Your loving Adrian', the final letter written from St Andrew's Hospital in 1922 shortly before Fortescue's death, 'It is coming quite soon now. I am waiting for it. They have done all sorts of queer things to me, including painting me a cheerful and elegant yellow I have your cross here all my love to you always, dear, and to Courtenay', a total of approximately 140 pp., mostly 8vo, plus 4 of the original envelopes, plus a photo album compiled by Fortescue, 1909-10, including photographs of St Hugh, Letchworth, May Crickmer and others, sepia-toned platinum prints, mostly 13 x 8 cm and similar, a total of 83 photographs mounted mostly two to a page on 24 leaves with neat ink caption beneath, contemporary cloth, a little rubbed and soiled, 4to Adrian Fortescue was an English Roman Catholic priest who was an influential liturgist, artist, calligrapher, composer, polyglot, amateur photographer, Byzantine scholar, and adventurer. He was appointed Missionary Rector of Letchworth in November 1907. May Crickmer (n‚e Mileham) was the wife of Courtenay Crickmer, one of the architectural team working on the Garden City. (approx. 55)

Ackermann (R., publisher). The Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics, 7 volumes, numbers 1, 2, 3, 4, 11, 12 & 14, 1809 - 1815, decorative titles, approximately 150 aquatint engravings with contemporary hand colouring, including thirty-four architectural & topographical views, seventy-five fashion plates, twenty-nine furniture, with others including sporting and natural history, maps and carriages, plus six uncoloured engravings, some pages torn with loss, occasional spotting, uniform half calf gilt, heavily worn and frayed with some boards detached or near detached, 8vo, together with, La Belle Assemblee or Court and Fashionable Magazine, 2 volumes, 9 & 10, 1829, sixteen engraved fashion plates with contemporary hand colouring and eleven uncoloured engraved portraits, some marginalia and manuscript annotations to verso of prints, contemporary half morocco gilt, rubbed and worn, 8vo Sold as a collection of prints, not subject to return. (9)

A late Victorian Aesthetic Movement giltwood and gesso overmantle mirror, with architectural pediment over triple ribbon tiled oval boss tablet and rectangular plate. H. 177cm

An early 18th Century walnut bureau The hinged sloping fall front cross banded and with herringbone inlay, enclosing an attractive architectural style fitted interior, above a configuration of six graduated oak lined drawers, later brass handles, raised on bracket feet, approx 98cm wide.

A 19th century cast iron fluted garden urn of circular waisted form raised on a squat square cut pedestal (AF) together with a small quantity of terracotta flower pots of varying size, a pair of architectural relief moulded edging tiles, etc

A small weathered cast composition stone 2-sectional bird bath, a faux terracotta square cut pedestal with relief detail, a weathered composition stone pier cap of squat pyramid form and three architectural moulded column friezes

A cased Edwardian silver clock, William Henry Sparrow, Birmingham, 1905, the plain architectural casing with white enamelled dial, black Arabic numerals, contained in a fitted case with key

An oriental cast metal 2-handled burner with relief decoration of a dragon, phoenix etc, raised on three supports, together with a boxed set of vintage timber architectural building blocks

A large lidded copper vessel of rectangular form together with an antique teddy bear, timber backed printing blocks with architectural subjects, a framed watercolour study of a moored boat

After C Vernet "Napoleon at The Sanguinary Battle on the Bridge of Lodi", coloured engraving. Set of 5 Spencer's History of England black & white engravings. 6 military related prints and collection of 18 assorted architectural engravings/prints

A pair of 1970s silver gilt earrings, modelled as architectural ionic columns, on post backs, hallmarked (2)

Leslie Goodwin, architectural mixed media, 16 x 21cms, raised mount, gilt framed.

A magic lantern and a quantity of magic lantern slides, varying subjects to include nature shots, colour cartoons, architectural double slides, childrens story series etc.

Lily Gabriella Spandorf/Reception/inscribed, dated and signed To Sir Harold and Lady Caccia June 1961/watercolour 35cm x 25cm and/John Ward/Portrait of Geraldine Lawrence/signed and inscribed/sketch, 35cm x 25cm/Breakfast at Lexton Terrace, Tenby 1951/sketch, 23cm x 34cm/ together with accompanying notes for Ward/and an architectural sketch of Washington Embassy Residence proposed screen, 51cm 43cm

A large Victorian zinc lined mahogany flower trough / wine cooler, with architectural moulding to the front and a lower shelf on fluted legs (125cm x 48cm x 76cm)

A late 19th century metal cased architectural mantle clock.

A quantity of architectural related and other books

ARCHITECTURAL MIRROR, of large proportions with arched metal frame, 206cm x 109cm.

LOW TABLE, vintage oak seasoned weathered beam, on early carved sandstone architectural fragments supports, 128cm W x 55cm H.

Two large sections of oak country house banister hand rails, largest 216cm, with a section of moulded architectural pine and a country kitchen hanging clothes dryer (4)

A late 19th century marble and gilt metal clock garniture, of architectural form, the enamel Roman numeral chapter ring with eight day movement striking on a gong, with presentation plate to Mr & Mrs Charles Wright from The Pickwick Club Dublin in 1929, 32cm

A quantity of architectural prints and drawings

A large late Victorian black slate and brass mounted mantel clock, of architectural form, having matt dial with gilt Roman numerals, eight day movement, by J W Benson Ltd of Ludgate Hill, London

A late Victorian black slate mantel clock of architectural form having enamelled dial with Arabic numerals and eight day cylinder movement together with two other marble mantel clocks (3)

MANCHESTER CITY 1991 Set of seven architectural drawings for the proposed new stand at the Platt Lane End, Maine Road, Manchester City ground. Large drawings to scale of the new stand from the architects, Howard and Seddon. Good

RUBEIS (J. Jacobus de.), After RAPHAEL (Sanzio d'Urbino), Imagines Veteris ac Novi Testamenti...in Vaticani Palatii Xystis, Rome, c. 1675, oblong folio (36 x 44 cm), 53 etchings (52 of which are Raphael's frescoes in Vatican), together with engraved title and dedication page with portrait of Queen Christina of Sweden, plates featuring scenes from the Old and New Testaments, lettered with Latin text and numbered in bottom right corner, sizes vary, plates measuring approximately 23.7 x 25.6 and 26 x 30.5 cm; bound with 51 engravings of vases and architectural motifs by Francesco Aquila, c. 1713, some light scattered foxing and staining mostly to the borders, spine cracked, worn marbled boards, spine labels missing.

Architectural Drawings', twelve drawings of architectural details, few coloured, by J. Matthews, 1845, large 4to, bound with four further mechanical details, upper board detached.

Suffolk interest. GLYDE (J) The New Suffolk Garland, 1866; Architectural Notes on the Churches ... of Suffolk, 1855; Excursions through Suffolk, 2 vols. 1818-19, 12mo; CLUBBE (W) The Omnium, Ipswich 1798, rebacked; GILLINGWATER (E) Historical Account of St Edmund's Bury, 1804, rebound; one other (7)

Bedford Lemere & Co, An album of mounted photographs of architectural room interiors, including Audley End House, circa 1880s, 44 page size scenes, 5 others half page.

Kent-Rochester Interest. An album of mainly 19th century drawings, sketches and prints of Rochester buildings, architectural details, cathedral effigies and monuments, and a thirty-page report relating to Rochester bridge, unbound pamphlet, 1832; together with various other mounted prints and sketches of Kentish interest.

The Palace of Architecture: A Romance of Art and History by George Wightwick, London, James Fraser, 1840, together with A History of Architecture on The Comparative Method, for the student, craftsman and amateur by Professor Banister Fletcher, fourth edition, revised and enlarged, London, B. T. Batsford, 1901, Colour in Interior Decoration by John M. Holmes, London, The Architectural Press, 1931, A Lecture on the relationship between Painting and Architecture in Renaissance and Modern Times by A. C. Sewter, 1952, and Cassell's Building Construction by Prof. Henry Adams

A 19th century French striking mantel clock, of architectural design, with inlaid decoration to the rectangular top, columns and stepped base, the white enamel dial with Roman numerals, inscribed to the dial and movement Thomas Woolfield, Paris, height 19.5ins

Trade catalogues: Architectural fittings: Macfarlane's Castings, 6th Ed, Vol 2, 293pp, circa 1900; George Farmiloe & Sons Ltd, 'O.C.G.' Catalogue of Sanitary Fittings, Plumbers' and Decorators' Tools, Stained Glass etc.…., 585pp circa 1914 (spine torn) (2)

Trade catalogues: Architectural fittings: catalogues by Ronson, Drew & Co, ironmongers, 320pp, 4to, 1902; Stedall & Co Ltd, similar goods, 440pp, 1929 (spine defective); Catalogue of Yale Locks, London, small 8vo, 85pp, 1901 (spine def.); General Brass foundry, No. 2 M list, 8vo, 237pp, circa 1900; and four later catalogues of door furniture and other fittings (8)

A pair of vintage cast metal architectural external hanging storm lights / lanterns, having spaces for glass panels, all in the arts and crafts style

A stunning mid 20th century large architectural king top chimney pot - rhubarb forcer garden ornament

2 Victorian painted cast iron architectural wall brackets together with a salvaged rain hopper. Measures: 47cm x 39cm.

A 19TH CENTURY BRASS MOUNTED OAK ARCHITECTURAL CASED MANTLE CLOCK, THE TIMEPIECE WITH PRIMROSE ENAMEL CHAPTERING, 29CM H

An oak mantel clock with architectural case, striking the hours on a gong, 33cm high

A CIGARETTE CARD COLLECTION, loosely inserted in sleeves, containing British Manufacturers and featuring mainly Architectural, Historical and Geographical subjects + miscellaneous . Mostly incomplete sets. Approx. 800+ cards

Five oils on canvas, all monogrammed E.T. comprising two architectural studies, two coastal seascapes and one of a loch scene (largest 24 x 34cm)

A large 19thC carved alabaster Grand Tour architectural model of The Baptistry, Pisa, under glass dome and on original stand (33cm tall without base, 43cm tall to dome)

Nellie Gertrude Dixon, (British,1900-1932), 'The House on the Props, Polperro', and an agricultural interior scene, two uncoloured etchings, signed in pencil, together with Percy Lancaster, study of a cathedral doorway, uncoloured etching signed in pencil and another architectural etching, indistinctly signed. Framed. (4)

A black slate and marble mantel clock of architectural form and arabic dial.

* Keith Stuart Baynes [1887-1977]- Botanical Gardens, Lisbon:- signed and dated 1965 bottom left further signed, inscribed and dated 1965 on the reverse oil on board 34 x 44cm. * Provenance. The Adams Gallery, 24 Davies St, Berkeley Square, London The Architectural Association Sale at Sotheby's No.163

A Panderma rug:, the indigo architectural panel with a hanging lantern, enclosed by a main wine serated leaf and geometric meander border, 165cm x 118cm.

Late 19th or early 20th century black slate mantel clock, in architectural case, 15" high

Set of four late Victorian dining chairs, with architectural backs and beige upholstered seats