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Click here to subscribeA late 19th Century French mantel clock, the 4.5ins white enamelled chapter ring with Roman numerals and visible escapement to centre to the eight day two train movement striking on a bell, contained in black slate case of architectural design, drum pattern upper case, the lower section with glazed panel displaying compensated pendulum, 15.75ins high
A late 19th Century French mantel clock, the 3.25ins white enamelled dial with Roman numerals to the eight day two train movement striking on a bell, contained in black slate and grey veined marble case of architectural design with fluted drum pattern upper case, 9.5ins high, and one other French mantel clock, the 3.75ins cream enamelled chapter ring with Arabic numerals and visible escapement to centre to the eight day two train movement, contained in black slate and veined marble case of architectural design, 13.5ins high
A late 19th Century French mantel clock, the 3.5ins white enamelled dial with Roman numerals to the eight day two train movement striking on a bell, contained in black slate and red veined marble case of architectural design with fluted drum pattern upper section, 9ins high, and two other mantel clocks, both contained in black slate cases (all in need of restoration)
Sykes (D.H.). The Temples of Satrunjaya: the Celebrated Jaina Place of Pilgrimage, near Pálítaná in Káthiáwád, Photographed by Sykes and Dwyer; with Historical and Descriptive Introduction by James Burgess, 1st ed., pub. Sykes and Dwyer, Bombay, 1869, 28pp incl. title and contents page, eng. plan of Chaumukh Temple, additonal decorative title, forty - five mounted albumen prints on forty - three card leaves, some with arched tops, the largest 264 x 361 mm, the smallest 208 x 173 mm, some fading and occ. spotting, t.e.g., contemp. half morocco, sl. rubbed, atlas 4to. The images are largely of temples and architectural details with some general views and rarely any signs of human figures. Temples photographed include Chaumukh, Balabhai, Motisah, Bhulavani and Kumarapala. (1)
Gilchrist (Alexander). Life of William Blake, 2 vols., Macmillan, 1863, plts. and illusts., some spotting, orig. gilt dec. cloth, rebacked with orig. spines laid down, rubbed, spines faded, 8vo, together with Lever (Charles James), Confessions of Con. Cregan, the Irish Gil Blas, 2 vols., Orr, n.d., c.1850, eng. titles and plts. by Hablot K. Browne (a few detached), some staining, contemp. half calf gilt, rubbed, some edge wear, 8vo, plus Britton (John, ed.), Historical and Descriptive Essays Accompanying a Series of Engraved Specimens of the Architectural Antiquities of Normandy, 1833, eng. title, 74 eng. plts. by J. and H. Le Keux after Pugin, some double - page, a few hand - col., some with repairs, occasional browning, later morocco - backed boards, rubbed, 4to, and 18 others, misc. antiquarian (23)
Architectural fittings & decorative ironwork. Fontaine Fres & Vaillant, Paris, Serrures Décoratives, Styles anciens, essais modernes, August 1900, approx. 140 pp., num. b&w plts. of decorative ironwork, including handles, knockers, candlesticks, railings, decorative hinges, etc., orig. cloth - backed green boards, a few minor marks, small 4to, together with Chrisofle & Cie, Tarif - Album des Ornaments en Bronze Galvanique pour Décoration de Meubles, Ebénisterie, Marbrerie, Tapisserie, Tapisserie, Serrurerie, etc., Paris, c. 1880s, sixty - three b&w photogravure plts. of galvanised bronze decorative fittings, a few minor marks, inner hinges cracked, orig. dark green cloth, rubbed and some damp - marking, a little fraying to head and foot of spine, large folio, plus J. M. Blashfield, Paddington, Catalogue of Articles and of Work which can be Executed in Terra Cotta, June 1854, without title page, twenty - two tinted litho. plts. of statuary, and num. b&w wood eng. plts. of garden furniture, etc., contemp. morocco - backed cloth, rubbed and some wear to spine, 4to, and three other related catalogues, all large format (Anaglypta Darwen, Relief Designs, 1929 - 31, Karl Lüth, Kiel, Moderne Wand: und Decken: Dekoration, c. 1930, Hauts Fourneaux et Fonderies de Brousseval, Haute Marne, Album, 1892), num. illusts. to each, 2nd item with chromo. plts. of wallpaper designs, mostly bound in contemp. cloth, folio (6)
A fine Devon automaton longcase clock, the eight day striking movement with a silvered dial, the open lunette depicting Adam and Eve in the Garden of Eden with paterae foliage engraved arc, the centre engraved with a view of Plymouth Ho with shipping inscribed John Buttall, Plymouth, the calendar arc with strawberry pointer, Rococo foliage to the corners, the mahogany case with arched hood, foliage carved and dentil architectural detachable pediment with brass finials and brass Corinthian capitals to reeded pillars, the trunk with an arched flame figured door and festoons of foliage to the angled corners, the veneered base on a plinth. 7 ft. 9 in. overall height.
AN OAK BRACKET CLOCK, mid 19th Century, architectural arched case with pilasters, 20cm silvered Roman dial signed ' C.J Klaftenberger, 157 Regent Sreet, London', (1795-1874, Vice President British Horological Institute), signed musical movement on gong and bells, metal sound grilles, height 50cm, (pendulum).
An English tapestry fragment, probably Soho, mid 18th century woven with a central bunch of flowers and foliage on a red ground, contained within an elaborate surrounding architectural stirrup, with surrounding foliage and brightly feathered birds on a dark blue ground, possibly previously seat furniture upholstery, now on a wooden support h.58 cm., w.122 cm.
A Charles II large oak chest in the Laudian style, 17th century possibly re-modelled, with four panel cover, interior floor lacking h.69cm., w.148cm., d.61cm. The Laudian Style is charaterised by strong architectural detailing. It exhibits the influences of Roman-Italianate decoration and the architecture of Inigo Jones and his contemporaries. The label 'Laudian' is derived from decorative work commissioned by Wiliam Laud, Bishop of London and later Archbishop of Canterbury, for Lambeth Palace and St John's College, Oxford.
CHURCH OF ENGLAND. Book of common prayer The book of common-prayer and administration of the sacraments, and other rites & ceremonies of the Church of England ... Title within an engraved architectural border by David Loggan, but without the frontis. by Hollar, Black Letter, woodcut initials, later full sprinkled calf, covers panelled with gilt filets with crown ornaments at the corners, spine decorated gilt in compartments, red morocco lettering pieces, inner gilt doublures, a.e.g., by Bedford, London: His Majesties Printers, 1662. Note: Wing B3622 Inscribed in a contemporary hand on the recto of the front blank "Ex dono D: Regis" A copy with unusually wide margins
MOULE Thomas Winkles's architectural and picturesque illustrations of the cathedral churches of England and Wales: the drawings made ... by Robert Garland ... 3 volumes, engraved titlepages to each vol., numerous mounted engraved plates on india paper, original morocco, edges rubbed, some instances of spotting, 4to. on large paper, London: Effingham Wilson, 1836-38. French cathedrals by B. Winkles from drawings taken on the spot by R. Garland with an historical and descriptive account ... Mounted engraved plates on india paper, uniformly bound with the above, some occasional spotting, 4to. on large paper, London: Tilt, 1837 and another [5]
Buckinghamshire. Records of Buckinghamshire, by the Architectural and Archaeological Society for the County of Buckingham, vols. 1-41, bound in 25, pub. Aylesbury, 1858-1998, num. b & w illusts., folding plans, etc., near-matching half calf gilt, with contrasting labels, somewhat rubbed, 8vo (25)
Papier-mache binding Book of Common Prayer.... together with the Psalter or Psalms of David, Eyre and Spottiswoode, 1842, in a black papier-mache binding, with a rounded paper-mache spine, the sides incorporating the figure of Christ within an architectural and floral frame, a.e.g., good condition, 12mo. McLean, Paper. p.50 illustrates the same binding on an 1849 Eyre and Spottiswoods Bible. (1)
Hann (James and Hosking, William). The Theory, Practice and Architecture of Bridges of Stone, Iron, Timber and Wire, with Examples on the Principles of Suspension, 4 vols. (incl. two Plate vols.), pub. Architectural Library, 1843, two eng. titles dated 1839 (one stained and the other with an owner ink stamp), 122 eng. plts. incl. many folding, a few plts., missing or incomplete, some staining and fraying, contemp. half calf, worn, some backstrips missing or covers loose etc., 8vo (4)
A Victorian figured mahogany architectural linen press, with plain cornice over twin shaped panel doors beneath shallow arch overhang supported by reeded pilasters, enclosing four linen trays, the base with gadroon moulded edge over two short and two long graduated drawers with large brass rosette backed ring handles, on scroll feet, 213cm high, 124cm wide, 58cm deep.
A large George III fiddle back mahogany estate bureau cabinet, the upper section with an architectural pediment above two panelled doors, enclosing adjustable shelves, the desk with a rising flap above a secretaire drawer fitted with drawers, candle slides and pigeon holes over two short and two long graduated drawers, on carved ogee bracket feet, 129cm x 290cm high
A LATE 19TH CENTURY WALNUT GRANDE SONNERIE WALL REGULATOR, the three train weight driven movement quarter striking and chiming on a coil, the dial with roman numerals, the rectangular architectural case with glazed front and sides, the back board with blind fret panel, the base tapered. Height 57". Width 14.5".
A LATE 19TH CENTURY WALNUT VIENNA TYPE WALL CLOCK, with two train hour striking movement driven by two cylindrical brass weights, the white enamelled dial with second dial and roman numerals, the rectangular architectural glazed case with swan neck pediment and tapered base. Height 46". Width 12".
A LATE 19TH CENTURY WALNUT VIENNA TYPE WALL CLOCK, stencilled to simulate coloured inlay, with half hour striking two train movement, the dial having an enamelled convex chapter ring with roman numerals, the centre gilded and with grid iron pendulum, contained in a rectangular architectural case with rectangular pediment and tapered base. Height 30". Width 10".
A late 17th century/early 18th century Spanish walnut vargueno with pierced steel escutcheons, bindings and side handles, the central lock plate with architectural finials, flanked by two handles, the plates pierced with the initials MA and IHS, with remnants of red velvet fabric, the fall with shell hinge covers, enclosing an arrangement of parcel gilt, bone and ebony decorated drawers and doors of architectral design with turned columns and gilt metal handles, the stained base with stop-fluted and spirally reeded columns and an arched and finial stretcher on plinth end supports, 152cm high x 46cm deep x 113cm wide (some worm, the cabinet possibly originally entirely fabric covered, lacking some mounts and metalwork, the base later)
A 17th century Spanish ebony and bone papeleira, the eight drawers with fielded panels applied with bone rectangular engraved seasonal and various hunting scenes, some inscribed 'Laner, Fabre, Mar, Abril, Maig, Gvn, Gviloi, Agost, Satambre, Octvbre, Noembre, Dasmbre' with central recessed drawer engraved with Ibertn and Otorio, flanked by concealed architectural drawers, similarly decorated overall with rectangles of birds and animals including bears, an elephant and a pelican in her piety, on bun feet, on a similar stand with a frieze drawer, lyre shaped end supports and two steel brackets, 115cm high x 53.5cm deep x 92cm wide (some damage, the stand later)
A George III mahogany and crossbanded clothes press, with a fretwork architectural and dentil cornoce above two doors with oval veneers, the base with two short and two long drawers with brass handles, on bracket feet, 215cm high x 58cm deep x 129cm wide (the cornice damaged and lacking some sections of fretwork, the doors with splits)
An Art Deco grey and white marble three piece clock garniture, the clock with a square dial with black Arabic numerals, the movement striking on a bell, the case of architectural form with pairs of pillars to the sides and with a bird finial, the urns with oval motifs to the fronts, with a mercury pendulum.
A Victorian gilt metal cased bell striking mantel clock, of Gothic architectural form, the movement signed to the backplate Harvey & Co. Regent St. London, 1029, the gilt dial with black Roman hour numerals, the case with a gilt dome and corner pinnacles, the sides with scrolled decoration and on a stepped square base.
An Art Deco grey and white marble three piece clock garniture, the clock with a square dial with black Arabic numerals, the movement striking on a bell, the case of architectural form with pairs of pillars to the sides and with a bird finial, the urns with oval motifs to the fronts, with a mercury pendulum.
A Victorian gilt metal cased bell striking mantel clock, of Gothic architectural form, the movement signed to the backplate Harvey & Co. Regent St. London, 1029, the gilt dial with black Roman hour numerals, the case with a gilt dome and corner pinnacles, the sides with scrolled decoration and on a stepped square base.
A fine ebony and marquetry secretaire cabinet by Hunsinger, Paris, circa 1880, with a pair of architectural doors and a secretaire drawer, signed Hunsinger a Paris on the lock h.166cm.; w.85cm.; d.49cm. Charles Hunsinger (1823-1893), specialised in furniture made with ebony and ivory marquetry. He became established at 244 rue du Fauborg-Saint-Antoine in 1863 and transferred his workshop to 56, rue de la Roquette in 1867, together with 13, rue Sedaine in 1874. In 1872, he formed a business with Charles-Adolphe-Federic Wagner. They took part in the Paris Exhibitions of 1865, 1867, 1868 and 1889 and won a gold medal at Brussels in 1881.
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