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A Folder: nineteen architectural

A Mantel Clock, the enamel chapter ring with Roman numerals, in a black slate and marble architectural case, (AF)45 cm wide

A Victorian Gothic Style Mantel Clock, the silvered dial with Roman numerals, fitted an eight day movement striking on a gong and bell, in an architectural oak case,36 cm wideSee illustration

Triggs (H.I.) & Tanner (H.) Some Architectural Works of Inigo Jones, 1901, folio, 40 plates, cloth gilt (re-backed)

Friends School Kendal A small folio album of architectural drawings, some hand-tinted, including plans and prospect of the Friends School Kendal, marbled paper covered wraps; with a number of large engineering drawings on loose sheets. Provenance; Pease family archive

Architecture Burlington (Richard Lord), The Fabbriche Antiche of Andrea Palladio, 1969, folio, numbered, cloth; McCarthy (Michael), The Origins of the Gothic Revival, 1987, small 4to., dust wrapper; Jokilehto (Jukka Ilmari), A History of Architectural Conservation, 1986, 4to., 3 vols., Univ. of York D.Phil. thesis, cloth; with a quantity of others (qty)

Richardson (Charles James) Architectural Remains, 18338-40, large folio, 'best paper copy', 34 plates including titles, several plates in two states with colour and gilt, quarter morocco

Britton (John) The Architectural Antiquities of Great Britain, 1807-26, 5 vols., 4to., 364 (of 364) engraved plates (one not as called for), contemporary calf (re-backed with original back-strips laid on, later labels)

Billings (Robert William) Architectural Illustrations and Description of the Cathedral Church at Durham, 1843, small 4to., 75 engraved plates, a.e.g., half morocco (worn)

A 17th century Dutch oak armoire the projecting dentil cornice with bracket pendants above a two pairs of panelled and graduated doors with egg and dart decoration and guilloche to each stile, divided by three fluted Corinthian pilasters with strapwork carved surbases, the sides decorated with pairs of architectural style arches, the skirted plinth with five boldly carved lion masks, on bun feet 164cm wide, 198cm high, 70cm deep

A mid 18th century giltwood 'sea-phantasy' pier glass the architectural 'stipple' textured frame with broken triangular pediment and central scallop shell above a sunken field re-entrant frame decorated with sea shells and a rope twist inner slip around a silvered plate of thin guage 79cm wide, 140cm high

A large late 19th century giltwood overmantel mirror the architectural balustraded pediment with central wreath above a rectangular plate flanked by pilasters surmounted by atlantes above foliate etched marginal plates on spirally carved plinths to each corner 181cm wide, cm high, 242cm high, 12cm deep

An early 19th century Berlin iron work bracelet, circa 1820, composed of pierced architectural panels with pierced trefoil links between, to a snap clasp applied with a Berlin iron cameo of a Renaissance revival classical bust with a dragon crest atop the helmet, 19.3cm long

A pair of amethyst and diamond pendent earrings, of architectural design, the amethyst drops suspended from a geometric amethyst and diamond centre with amethyst and diamond articulated tops, 4.8cm long

A RARE ETCHED PARTISAN THIRD QUARTER OF THE 17TH CENTURY, with broad flat tapering central blade, formed with a pair of broad lugs cut with a series of notches at the base, retaining some etching over its surface including foliate rondels within a stylised architectural framework, the inscription 'Fide sed Cuide' on one side and further inscriptions on the other, moulded neck, faceted socket, and a pair of short straps, on a later wooden haft, 84cm; 33in head, This belongs to a group of partisans variously dated 1631 and 1632 and were almost certainly used by a Protestant Army from Saxony. Another, formerly in the collection of Count Dimitri de Nesselrode and William Randolph Hearst is the the Kretzschmar von Kienbusch collection, inv. no. 594. Another was sold in these rooms 26th June 2007, lot 219 (£3600 including premium).

A 28 BORE GERMAN WHEEL-LOCK SPORTING RIFLE, LATE 17TH CENTURY, with octagonal swamped barrel rifled with seven grooves (sights removed), stamped with the brass-lined maker's mark, the letters 'IGS' above a vase, over the breech and engraved with a band of beadwork (the barrel chemically cleaned), the tang numbered '1', flat lock fitted with internal wheel, sliding pan-cover, and flash-guard, the lock-plate finely engraved with an architectural landscape including, in the fore-ground, an ostrich cornered by hounds with a Turkish bowman behind and a mounted Turk with a U-shaped spear ahead, engraved dog decorated with foliage (the upper jaw with one small chip), double set trigger (the forward trigger missing), figured walnut full stock moulded over the fore-end, impressed 'XXXXXII' beneath the lock, the butt inlaid on the left with a large engraved staghorn plaque decorated with a couple riding a monstrous beast, and on the right with patchbox with sliding cover veneered in burrwood and engraved staghorn, the spine of the butt inlaid with further engraved staghorn plaques including the inscription 'Fortunato' and 'XIIII', engraved steel trigger-guard shaped for the fingers, bone butt-plate, engraved staghorn side nail washers, engraved ramrod-pipe, and engraved fore-end cap (ramrod missing, light wear), 85cm; 33 1/2in barrel, Provenance, The Jagdkammer of the Reichsgrafen R. von Kaunitz, part I sold, Galerie Fischer, Luzern, 3 September 1935, lot. 114, illustrated. A double barrelled wheel-lock pistol manufactured in Nuremberg circa 1585 is stamped with a similar mark with the letters IS. See Støckel, p. 1251, nos. 3585 and 3586. See footnote to the previous lot

Benjamin Winkles's Architectural and Picturesque Illustrations of the Cathedral Churches of England and Wales, in three illustrated Volumes, published David Bogue 1851, book plate for John Tilley - Anthony Trollope's brother- in-law.

A French brass architectural mantel clock, the circular dial with Roman numerals, the movement striking on a gong, 27cm high.

A late 19th century walnut mantel clock, of architectural form, 29.5cm high.

A Victorian architectural black slate and red marble mantel clock, circular white enamel Roman numeral dial, 38cm high.

Late 19th century striking mantle clock in architectural style incised slate case, 24 cm

19th century striking mantle clock in architectural style slate case, w. 26.5 cm

A large 19th Century Gilt Overmantel Mirror, with architectural top

Doulton Lambeth stoneware octagonal shaped inkwell by John Broad having a domed shaped cover and with stylised architectural style decoration, 10cm high

19th Century Grand Tour engraved and pierced brass mounted green glass square shaped table scent bottle, each side with a circular watercolour panel depicting an architectural view, the hinged cover with a conforming panel, 12cm high

Follower of Mario Nuzzi - Still Life Study of Summer Flowers including Tulips, Roses and Convolvulus in an Urn, resting on a Stone Plinth within an Architectural Recess, late 19th/early 20th Century oil on wood panel, approx 50cm x 44.5cm, within a gilt wood frame.

An Edwardian oak overmantle mirror, of architectural form. 110cm.

Edwardian Mantel Clock, brass dial, silvered chapter ring, engraved, "Pearce & Sons Ltd., Leicester", cast and embossed spandrels, secondary slow/fast and chime/silent dials, Continental movement and contained within a carved oak architectural case, with a pitched top, carved frieze, glazed doors, fretwork sides, stepped base and bracket feet, 41cms, (16").

A collection of 20th Century lantern slides, to include: sailing vessels, architectural scenes, ornithological subjects, the Rhine Valley, etc.

A collection of late 19th and early 20th Century lantern slides, to include: astronomy, religious and other architectural subjects, contained in two boxes.

A late 19th Century French mantel clock, the 4.25ins circular porcelain dial with circular Arabic numeral cartouches to the eight day two train movement striking on a gong, contained in black slate and bronze mounted case of architectural design, gilt and leaf scroll panels to pediment, and ivy leaf pattern columns to sides, on bronze block feet, 14.5ins high

A Richters Anchor box, containing building stones, and a Baukesten set of wooden architectural bricks, both boxed (boxes faulty).

A Carved Architectural Stone Head of a bearded man. 7 ins (18 cms) in height. 11½ ins x 6 ins (29 cms x 15 cms).

An Antique Architectural Carved Stone Ornamental Block with protruding head, 9 ins (23 cms) high, 9 ins (23 cms) wide and 20 ins (51 cms) deep.

A Pair of Large Antique Carved Architectural Stone Heraldic Lions sat with their front paws resting on armorial shields and measuring 36 ins (91 cms) in height.

An Early 18th Century Miniature Marquetry Coffer of architectural form. The lid above a breakfront facade divided by a band of horizontal moulding into two sections. The upper section inlaid with an arch & faux-brick surround, flanked by Doric columns and subsidiary archways. The lower section having two small breakfront drawers with brass knop handles flanking a recessed centre drawer inlaid with scrolling foliage. Standing on bun feet 14¼ ins (36 cms) high, 23 ins (59 cms ) wide, 13 ins (33 cms ) deep.

A Meissen or Dresden custard cup, saucer and cover of architectural form from Helene Wolfsohn's factory, decorated with coastal scenes, the cover surmounted by a two faced female bust, together with a further two handled cup and saucer with the same mark (2).

Sections of architectural timber.

Architectural and other metal work, including a massive hinge.

A RUSSIAN SILVER AND NIELLO WORK SNUFF BOX, the cover decorated with an architectural scene, the base decorated with figures on a chimney pot, with a gilt interior, an assay masters mark of AK, Moscow 1848, also marked with 84 for fineness and a makers mark, 31/2" long

A Victorian Mantel Clock with Ivorine dial in architectural style black slate case. 16" (40cms) wide.

A Victorian Mantel Clock with white dial in architectural style black marble case. 15" (38cms) high.

A Victorian Garniture comprising mantel clock with ivorine dial in architectural black marble case and a pair of matching mantel vases. Height of clock 17" (43cms).

Three Piranesi prints of Architectural And classical subjects, various sizes (as found); together with Giovanni Battista Piazzetta (Italian, 1682-1754) Head of A Man print

An Art Deco white metal (stamped Plat) cocktail ring, millegrain set with old brilliant cut diamonds, in an elongated architectural design, one diamond missing on shoulder, cased

A series of seven architectural drawings and plans for a prestigious Victorian house build (property now stands in Oak Drive, Colwyn Bay), the plans executed for D Gamble Esquire (believed of Proctor & Gamble)

A half-hour repeating carriage clock, the architectural case with swing handle above a triangular pediment with applied scrolling decoration having bronzed square Corinthian pillars to the sides and applied decoration to the base, the green and blue enamel dial with segmented Roman numerals with pierced chased and engraved silvered surround, the eight-day movement striking on a gong

Of Zulu War , Naval, ethnographical and topographical interest: an important 19th Century photographic album, the former property of the late Sir Henry Norbury K.C.B. M.D. RN, including studies of Naval and Naval Brigade personnel, Naval Vessels, Native Troops, the Camps on the Tugela, a study of ‘Ketshwayo King of the Zulus’, and other related subjects; also various topographical and architectural subjects from the Mediterranean region and elsewhere; in a heavy leather bound album with a dedication in ink “Henry Frederick Norbury from his Loving Wife on his Birthday May 9th 1868”; a card mounted portrait photograph of Sir Henry in dress uniform enclosed. Sir Henry Frederick Norbury (1839-1925) was a prominent Naval Surgeon, who served in the Kaffir War of 1878 and the Zulu War, and held various senior appointments. Extra images at www.georgekidner.co.uk

A VICTORIAN OAK DINNER GONG having an architectural pointed arched top with carved sunburst decoration above eight turned spindles and incised rails with suspended hand beaten gong below, all between incised trestle type ends and sledge feet. 73cm x 131cm

A PAIR OF EARLY 20TH CENTURY HIGHLY DECORATIVE CONTINENTAL VASES of Greek Revivalist influence, the cylindrical body with gilded neck band and architectural motif decoration, the base of four legged censor design, having a gilded ribbed band with applied anthemion leaf decoration and protruding side wings, the body with polychrome painted woodland scenes with cherubs at play. 32cm high.

HALFPENNY, Joseph GOTHIC ORNAMENTS in the CATHEDRAL CHURCH OF YORK drawn and etched by Joseph Halfpenny, MDCCXCV (1795). Dedicated to The Very Reverend the Dean, the Residentiaries and the Prebendaries of the Cathedral Church of York. Contains descriptions for 105 engraved plates illustrating architectural details throughout the cathedral, plates 95 and 96 are hand coloured. Marbled hard boards with leather spine and corners stamped to spine with title. 36cm x 29cm (14" x 11" approx)

A Wadeheath Flaxman Ware jug, moulded as a budgerigar resting on an architectural column plinth with flowers and decorated in a blue palette, 28cm high.

FRENCH BRASS CASED CARRIAGE CLOCK, c.1890, hour and half hour striking on a gong with repeat and alarm, the white dial signed M.D.GER and with Roman numerals, subsidiary alarm dial, the case of architectural form. 21cm overall

FINE NEO-CLASSICAL REVIVAL PAINTED MAHOGANY AND SATINWOOD VITRINE CABINET, c.1900, of architectural form, the moulded dentilled cornice above a boldly fluted frieze centred by a rectangular tablet painted with Classical maidens and putti, above a pair of astragal glazed doors enclosing glass shelves and flanked by scrolling panels painted with stylised acanthus, above a plain frieze inlaid with stylised flowerheads, ribbon-tied bell-flower swags and raised on string-inlaid tapering square-section legs, terminating in spade feet. 1.92m by 1.40m by 0.40m

Two carved wood and painted architectural models of classical arches, with pierced finials and apsidal arches adorned with fleur-de-lys, 40in (101.5cm) h, 14.25in (36cm) w, 18in (46cm) d. Damages and losses, probably part of a larger model. (2)

A Victorian rosewood table top book cabinet, with an architectural pediment and hinged door, glass missing, 7.75in (19.5cm) h, 7.5in (19cm) w, containing ten leather bound volumes, published by John Harris, London.

A late 19th Century mantel clock, the eight day movement striking on a bell, the dial with open Brocot escapement, contained in architectural black marble and malachite inlaid case, 37cm high.

After John Sell Cotman, eight architectural etchings to include scenes in Northern France and Yorkshire, depicting; South Birlingham Church, The Tower of the Church of Treport near Eu, The Church of the Holy Cross at St Lo, The Archway at Rivaulx Abbey Yorkshire, Kirkham Priory York, A Manor House Yorkshire, and two various of The Collegiate Church of St Hildebert at Gournay. (8)

A box of Bassett Lowke rail chair wooden keys, together with 24 metal advertising signs, Whitbreads, 2 Suttons, 3 Schweppes, B/L architectural, Mellins, 4 Swan Vestas, 4 Mazawattee, 2 Oxo, Visit Scotland, Bovril, Worthington, Black & White, Prices & Golden Shred (F-G)

A 19th century ormolu mantle clock. Howell James & Co, architectural case, surmounted by minarets, mounted with Jasper style classical roundels, 36cm high