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Amram Ebgi's color etching of David the Shepherd presents a rich, symbolic composition depicting the biblical figure of David in a dreamlike landscape. Utilizing a vibrant color palette and intricate detailing, Ebgi blends elements of Israeli heritage, Jewish folklore, and spiritual iconography. The scene is framed by lush greenery, architectural motifs, and flocks of golden birds, creating a tapestry of historical and cultural significance. The use of deep blues, warm earth tones, and delicate textures adds to the narrative depth of the piece. Signed in the lower right, this work embodies Ebgi's distinctive fusion of mystical storytelling and fine draftsmanship, making it a compelling addition for collectors of Judaica and contemporary Israeli art.Artist: Amram Ebgi (Israeli, b. 1939)Issued: c. 1980Dimensions: 15"L x 13"HCountry of Origin: IsraelCondition: Age related wear.

A compelling set of three carborundum etchings on embossed paper by renowned French artist James Coignard. These pieces showcase Coignard's signature textured surface techniques, featuring deep embossing, layered pigments, and structured geometric compositions. The works incorporate elements of relief printmaking with bold black and red forms juxtaposed against an aged parchment-like background. Abstract numerals, letters, and diagrammatic structures evoke a sense of ancient scripts or architectural blueprints, adding to the intellectual depth of the compositions. The central artwork is signed and dated in pencil by the artist, underscoring its authenticity. Coignard's works are highly regarded for their blend of painting, etching, and sculptural elements, making this set particularly desirable for collectors of modern and contemporary European art.Artist: James Coignard (French 1925-2008) Issued: 2005Dimensions: 71"L x 33"HCountry of Origin: FranceCondition: Age related wear.

A striking lithograph by Lowell Nesbitt, depicting a male nude in a dramatic foreshortened perspective. Executed in 1979, this work showcases Nesbitt's masterful use of line and shading, emphasizing anatomical precision while exploring themes of the human form and perspective distortion. The composition exudes an almost sculptural quality, highlighting the musculature and naturalistic rendering that are hallmarks of his figurative works. Signed and dated in pencil by the artist in the lower margin, the piece is also hand-numbered 89/175, indicating its place within a limited edition. Nesbitt, widely recognized for his floral and architectural imagery, also created a significant body of work featuring male nudes, challenging conventional representations of masculinity and form. His works are held in major institutions, including the Smithsonian and the Museum of Modern Art. Title in pencil on reverse. Artist: Lowell Nesbitt (American, 1933-1993)Issued: 1979Dimensions: 30"L x 24"HCountry of Origin: USACondition: Age related wear.

Life Line is a striking stencil print by urban artist Logan Hicks, depicting a dramatic London Underground station in a monochromatic palette. This work exemplifies Hicks' signature photorealistic stencil technique, capturing the depth, perspective, and intricate architectural details of the subway tunnel with precision. The scene is marked by its dynamic vanishing point, reflecting the artist's fascination with urban environments and their structural beauty. Signed and dated by Logan Hicks in the lower right corner, this piece is an artist proof (AP), adding to its rarity. Hicks, a leading figure in contemporary stencil art, is recognized for his meticulous layering process that results in hyper-detailed compositions. His work bridges the worlds of street art and fine art, drawing comparisons to photorealism while maintaining an edgy, urban aesthetic.Artist: Logan Hicks (American, b. 1971)Issued: 2010Dimensions: 46"L x 36.50"HCountry of Origin: USACondition: Age related wear.

Vibrant and expressive limited edition print by renowned American artist Wayne Ensrud, known for his lively and colorful compositions. This print captures a dynamic cityscape with architectural elements in a rich palette of warm and cool tones. Hand-signed by the artist in pencil and numbered 215/300. Ensrud’s works have been exhibited internationally, and he is recognized for his contributions to fine art, illustration, and design. Measures 27.25"L x 21"H.Artist: Wayne Ensrud (b. 1934)Dimensions: See DescriptionCondition: Age related wear.

A striking mixed-media artwork on wood panel by artist Stone Henge, titled Spring Equinox. This textured composition incorporates metallic gold, silver, and black elements, forming an abstract architectural structure reminiscent of ancient megalithic monuments. A central silver-toned section is punctuated by a bold red circle, evoking celestial symbolism, possibly referencing the sun at the equinox. The intricate layering and high-relief texture create a dynamic interplay of light and shadow, enhancing the metallic sheen. Signed and titled on the verso, this piece is a compelling example of contemporary abstract mixed-media work.Artist: Stone Henge (20th-21st century)Issued: 21st centuryDimensions: 30"L x 36"HCondition: Age related wear.

Le Projet de San Francisco 1878, Number 18, is a striking mixed media composition in gouache, graphite, and charcoal on paper pasted on cardboard by Romanian-French artist Horia Damian that embodies his signature exploration of architectural and spatial forms. The artwork presents a serene yet imposing structure, rendered in a minimalist palette of muted grays and warm earth tones, set against a softly graded sky. Damian's meticulous precision in form and shading creates a sense of depth and monumentality, evoking his fascination with futuristic and utopian landscapes. The piece belongs to a series of visionary architectural projects that Damian conceptualized, aligning with his broader artistic practice influenced by Suprematism and Constructivism. The number 18 is inscribed on the verso's upper right and upper left, indicating its place within the series. Damian's works often reflect a synthesis of geometry, space, and light, drawing comparisons to Kazimir Malevich and contemporary Minimalists. His projects have been exhibited at the Venice Biennale and commissioned by major institutions, reinforcing his influence in the domain of avant-garde spatial abstraction. Signature, title, and date on lower left: Damian, Le Projet de San Franscisco. distance 250 metres 1978. Artist: Horia Damian (Romanian/French 1922-2012)Issued: 1978Dimensions: 41.50"L x 29.50"HCountry of Origin: Romania / FranceCondition: Age related wear. The back of the board has foxing that does not affect the integrity of the artwork.

A CARVED ARCHITECTURAL WOODEN PANEL WITH DEITIES AND DANCING FIGURES South India, 19th centuryOf long and narrow rectangular shape, the front decorated with three overlapping friezes featuring two rows of dancing figures, most of them repeating similar dance poses and stances, the slightly larger figures possibly representing deities such as Shiva Nataraja (the Dance Lord), the lowest row with figures holding their hands in prayer, the three overimposed friezes flanked by two larger figures, possibly dwarpalas (door guardians), the reverse carved and smoothed, with five narrow rectangular openings at the top, possibly once slotted and fitted onto a larger panel.20.5cm x 119cm x 5.5cm 20.5cm x 119cm x 5.5cm Qty: 1

TWO PENCIL SKETCHES OF ISTANBUL GRAND BAZAAR AND ALI PASHA'S TOMB BY COUNT AMEDEO PREZIOSI (1816 – 1882) Istanbul, Ottoman Turkey, and Greece, second half 19th centuryPencil and white wash highlights on paper, comprising a horizontal-format front view of a crowded market scene in the Grand Bazaar of Istanbul, with typical tall ogival arches, and small boutiques and shops on the sides, signed on the lower right corner; and a larger landscape view of a cemetery, with an inscription identifiying the location as the Tombs of Ali Pasha and his sons in Ioannina, Greece, archaeological ruins in the surroundings, white wash highlights enhancing certain architectural details. The Grand Bazaar folio 23.4cm x 29.5cmThe Cemetery folio 23.2cm x 43.5cm Count Amedeo Preziosi (b. Valetta, 1816, d. Istanbul 1882) was a Maltese painter known for his watercolours and prints of the Ottoman Empire, including the Western Balkan provinces of Greece and Romania. Qty: 2

Photographs.A collection of approximately 129 photographs of Italy, including images of paintings, architecture, architectural features, Ravenna, Verona, Padua, Rimini, etc., by Alinari and others, c. late-19th century, majority with title and number, corner mounted on thin card leaves, some with ink manuscript description beneath, 183mm x 257mm and similar, mounts a little soiled and with some foxing, some photographs with creased corners, together with:Frith's Photo-Pictures, The Lake District. Ambleside: Mason's Art Gallery & Bazaar, album of approximately sixty-three photographs of lake district views, mounted on recto and verso of linen-hinged thick card leaves (some with two to a page), half calf gilt, oblong folio.(qty)

Surtees (Robert).The History and Antiquities of the County Palatine of Durham; compiled from original records, preserved in public repositories and private collections: and illustrated by engravings of architectural and monumental antiquities, portraits of eminent persons, & c.London: printed by and for Nichols, Son & Bentley, 1816-40, four folio volumes, first edition, plates, bookplates of Sir William Browne Ffolkes, scattered spotting, near contemporary half calf gilt, marbled edges and endpapers, a little rubbed, [not collated], together with:Raine (Reverend James). The History and Antiquities of North Durham as subdivided into the Shires of Norham, Island and Bedlington... London: John Bowyer Nichols and Son, Durham: George Andrews, 1852, folio, plates, scattered foxing, near contemporary half calf gilt, marbled edges and endpapers, rubbed, upper board detached, [not collated].(5)

AN OAK PEW END EAST ANGLIA, 15TH CENTURYwith a poppy head terminal, above sloping moulded shoulders, together with two similar architectural oak fragments probably ecclesiastical, each of square section and carved with simple lancet arches (3)64.5cm high (max)

A CARVED STONE ARCHITECTURAL FEATUREwith foliate decoration27.5cm high, 43cm wideProvenanceThe Howard Collection of Oak and Works of Art.

Architecture. A large collection of modern architecture & church architecture reference & related, including The Practical Exemplar of Architecture, 7 volumes, by Mervyn E. Macartney, mixed impressions, London: Architectural Review, circa 1908-27, later quarter calf, folio, English Decorative Plasterwork of the Renaissance, by M. Jourdain, 1st edition, London: Batsford, 1926, original cloth in dust jacket, large 4to, & publications by Yale, Architectural Press, Batsford, mostly original cloth in dust jackets, some paperback editions, G/VG, 8vo/folioQTY: (6 shelves & a carton)

Taylor (I. & J., publisher). Ideas for Rustic Furniture proper for Garden Seats, Summer Houses, Hermitages, Cottages &c, 1st edition, London: I. & J. Taylor, Architectural Library, circa 1790, 25 etched plates, including title, bound with at front [Peacock, James], "Jose Mac Packe" Oikidia, or Nutshells: Being Ichnographic Distributions for Small Villas; chiefly upon oeconomical principles. In seven classes with occasional remarks, 1st edition, London: printed for the author, 1785, 27 engraved plans, some light offsetting and small marginal stains, armorial bookplate of Sir William Forbes of Pitsligo (1739-1806, Scottish banker and co-founder of the Royal Society of Edinburgh in 1783), contemporary half calf, a little rubbed, 8vo, together with:[Carter, John]. The Builder's Magazine: or Monthly Companion for Architects, Carpenters, Masons, Bricklayers, &c...., by a Society of Architects, 1st edition, London: printed for the Authors; and sold by F. Newbery, 1774, 133 engraved plates only (of 185, including 3 hand-coloured and 7 folding), contemporary half calf, joints splitting and some wear, 4toQTY: (2)NOTE:1) ESTC T146494; RIBA 3932; 2) ESTC T42147; Harris 694.The first work is a rare pattern book on rustic furniture, the only one wholly devoted to the style, following on from William Wrighte's Grotesque Architecture (1767).Second item: Goldsmiths' 11121; Harris 67.Originally issued in monthly parts between 1774 and 1778.

Thomson (James). Retreats: A Series of Designs, Consisting of Plans and Elevations for Cottages, Villas, and Ornamental Buildings, 1st edition, London: printed for J. Taylor, Architectural Library, 1827, half-title, 41 engraved plates and plans, of which 31 hand-coloured aquatints, plate 17 detached with adhesive tape repair to verso, rear endpaper detached, stitching a little strained, some light spotting to text (plates generally clean), original boards, some losses and wear to spine, joints cracked, some edge wear and stains, 4to, together with:Atkinson (William). Views of Picturesque Cottages with Plans. Selected from a collection of drawings taken in different parts of England and intended as hints for the improvement of village scenery, 1st edition, London: printed for T. Gardiner, 1805, engraved title with aquatint vignette, 20 uncoloured aquatint and engraved plates and plans, occasional light spotting and offsetting, bookplate of Robert Lionel Foster, original printed boards, upper cover detached, some edge wear and stains, 4to QTY: (2)NOTE:First item: Abbey Life 76: 'A delightful and amusing book in fine grain aquatint skilfully coloured.'Second item: Abbey, Life in England 4; not in Tooley. Scarce.

Shaw (Richard Norman). Architectural Sketches from the Continent, London: Day & Son, [circa 1858], 100 illustrated plates, light spotting, contemporary ownership inscription to verso of front free endpaper, bookplate of George Aitchison, A. R. A. to front pastedown, contemporary half morocco by Riviere & Son, a little rubbed, corners bumped, folio, together with: Brooks (Samual H.). Designs for Cottage and Villa Architecture..., London: Thomas Kelly, [1839], numerous architectural illustrated plates, light spotting throughout, deaccession sticker of Sir John Soane's Museum, Staff Library 2008 to front free endpaper, lower hinge cracked, half purple morocco, covers stained, rubbed and worn, 4to, Weale (John). Quarterly Papers on Architecture, volume 1 (only), London: 59 High Holborn, 1844, coloured frontispiece, numerous architectural illustrated plates, some leaves spotted, contemporary ownership inscription to title, contemporary half calf, rubbed and worn, 4to, plus Divers Works of Early Masters of Christian Decoration: with an introduction containing the biography, Journal of Travel, Contemporaneous Association in Art, and a Critical Account of the works of Albert [sic] Durer..., volume 1 (only), London: W. Hughes, 1846, coloured frontispiece, additional engraved title, numerous illustrated plates (some folding), some spotting throughout, sewing perished and all gatherings loose, contemporary red half calf, rubbed and worn, folio QTY: (4)NOTE:George Aitchison RA (1825–1910) renowned English architect serving as the president of the Royal Institute of British Architects (RIBA) from 1890 to 1892.

Three framed and glazed architectural prints signed J E Francis.

A framed and glazed architectural print.

This antique Batalha Portuguese regulator shelf clock, produced by Fabrica Nacional de Relogios Reguladora, showcases a striking gothic wooden case with a pointed arch design, decorative finials, and a glass panel featuring gold-tone botanical motifs. The Roman numeral dial is marked "Made in Portugal" and bears the Reguladora insignia, with a pendulum movement visible through the open glass panel. Retaining its original maker’s label on the back, this clock is a fine representation of Portuguese craftsmanship, blending functional timekeeping with elegant architectural design.Issued: 19th centuryDimensions: 12"L x 5.25"W x 19.25"HCountry of Origin: Portugal Condition: Age related wear. Untested, functionality not guaranteed.

Exquisite Baccarat Regence crystal decanter stopper, crafted with precision and elegance. This finely cut stopper features a classic tiered design with an architectural silhouette, embodying the refined aesthetics of Baccarat's Regence collection. The clear crystal construction enhances its brilliance, making it a perfect complement to a Baccarat decanter or a standout collectible piece. The stopper bears the Baccarat acid-etched mark on the base and retains its original red Baccarat box, adding to its desirability.Issued: 2011Dimensions: 4"HCountry of Origin: FranceCondition: Age related wear.

This Lladro figurine, titled Meditation (#1005502), portrays a serene nun in a traditional habit, seated in deep contemplation atop an intricately detailed architectural pedestal. Designed with Lladro’s signature elegance, this piece showcases a harmonious blend of glossy and matte finishes, enhancing its delicate facial features and flowing veil. A remarkable representation of peace and devotion, this figurine bears the Lladro backstamp on the underside, ensuring authenticity. Measures 8.25"H.Artist: Jose Puche Issued: 1989 - 1991 Dimensions: See DescriptionCountry of Origin: SpainCondition: Age related wear.

Exquisite Baccarat crystal decanter featuring a sculptural silhouette with a striking geometric diamond-shaped stopper. Crafted in clear, lustrous crystal, this piece rests on a square base, giving it a refined, architectural presence. The decanter bears the etched Baccarat France hallmark on the base. Its faceted stopper adds a bold decorative accent, making it as much a statement piece as a functional one.Issued: c. 2000Dimensions: 14"HCountry of Origin: FranceCondition: Age related wear.

Exquisite set of six Minton ceramic tiles from the renowned China Works in Stoke-on-Trent, featuring detailed transfer-printed and hand-colored depictions from the Shakespearean Series. Each tile showcases a finely rendered scene inspired by the works of William Shakespeare, framed within an intricate geometric border. The monochromatic palette with touches of sepia and gold accentuates the depth and artistry of these historical pieces. Manufactured by Minton, a leading English ceramics company known for its innovation in tile production, these tiles bear the impressed marking: "Mintons China Works, Stoke-on-Trent" alongside "Minton, Stoke upon Trent, Walbrook, London." The back exhibits characteristic ridges, a signature of 19th-century tile production. These collectible tiles were originally used for architectural applications, such as fireplaces and wall paneling, and remain highly sought after for their artistic and historical value.Issued: 19th centuryDimensions: 6"L x 6"HCountry of Origin: EnglandCondition: Age related wear. Some tiles display chipping and residue on the reverse side, consistent with their age and prior installation.

Exquisite Baccarat Regence crystal decanter stopper, crafted with precision and elegance. This finely cut stopper features a classic tiered design with an architectural silhouette, embodying the refined aesthetics of Baccarat’s Regence collection. The clear crystal construction enhances its brilliance, making it a perfect complement to a Baccarat decanter or a standout collectible piece. The stopper bears the Baccarat acid-etched mark on the base and retains its original red Baccarat box, adding to its desirability.Issued: 20th centuryDimensions: 3.5"HCountry of Origin: FranceCondition: Age related wear.

Hadrian (117-138), Hadrian, Æ Drachm, Alexandria [Egypt], yr 17 [132-3], laureate, draped and cuirassed bust right, avt kaic traian ad[pianoc ceb], rev. Isis Pharia advancing right past Pharos Lighthouse of Alexandria, holding sail and sistrum 27.81g/12h (RPC III 5838; Milne –; Köln 1078 var.). Sometime cleaned with resulting porosity and mottled surfaces, otherwise very fine, a scarcer year for this evocative type £200-£260 --- Provenance: Bt M. Hay 1986 The lighthouse of Alexandria, a masterpiece of Greek architecture which pioneered the architectural form of these structures, came to be considered one of the seven wonders of the ancient world. Constructed on the island of Pharos during the reign of Ptolemy Philadelphos, it was designed to help guide merchants and travellers into Alexandria’s two harbours, away from the shallows and reefs that ran along the nearby coastline. Unfortunately, the structure is now lost, having been destroyed by several earthquakes. Reconstructions, based on surviving literary evidence and artistic depictions such as that seen on this coin, indicate that it originally stood around 115 metres above sea level and that its light was visible from some 34 miles distant.

A Victorian black slate mantel clock of architectural form, Roman numerals to a white chapter ring and blue porcelain dial centre. Movement signed A D Mougin and numbered 4329. Height approx 30.5cm. PLEASE NOTE that the clock is very heavy and in house shipping is not available on this item. Buyer to collect or arrange own courrier.

A Late 19th/Early 20th Century French Black Slate and Inlaid Marble Mantel Clock of Architectural Form, Plinth Base 33cms Wide

An antique style waxed pine washstand, on turned legs, 79cm h; 96 x 52cm and an architectural design pine overmantle mirror, with bevelled plate, 97cm h

A late Victorian inlaid rosewood writing table, the architectural design superstructure above a leather lined top, with arrangement of drawers under square tapering supports,107.5cm wide60cm deep144cm highCondition ReportShrikage splits to top, wear and staining to leather, areas of veneer missing.General wear commensurate with age.

An heraldic carved sandstone architectural fragment, 19th century, of square shape, set with an armorial in the form a shield, with a pair of lions rampant and a dog,58cm wide13cm deep46cm highCondition ReportGeneral knocks, wear and weathering commensurate with age and use. Overall appears in fairly good structural and cosmetic condition.

A 20th century wall hanging mirror having a to-scale architectural model archway frame with a dentil moulded pediment and frieze over a pair of fluted pilasters with acanthus leaf capitals raised on stepped square supports. H.58 W.40cm

FIVE LARGE BRASS JAM PANS, comprising five assorted sizes, all with cast iron handles, together with a Victorian black slate clock case, architectural form (missing clock and front plaque)

This Roseville Pottery Freesia basket is a striking example of the company’s signature Art Deco-influenced floral designs. Crafted in the vibrant tangerine glaze, this basket features embossed freesia blossoms in creamy yellow with soft green foliage, set against a warm orange-to-brown gradient background. The sculpted flared panels and arched handle add to its distinct architectural form. The Freesia line was one of Roseville’s later releases and remains highly sought after by collectors for its rich color variations and stylized botanical motifs. The base is impressed with Roseville USA 392-10 for authenticity. A beautiful addition to any American art pottery collection.Issued: c. 1945Dimensions: 10.5"HCountry of Origin: United StatesCondition: Age related wear.

A striking mixed-media artwork on canvas, titled etude No. 1 - Reves, signed by the artist on reverse FL. This contemporary piece presents an ethereal interpretation of Gothic architecture, capturing the grandeur of vaulted arches and intricate stonework with a surreal, dreamlike quality. The composition features a layered effect, with blurred vertical elements suggesting a fusion of photography and digital manipulation. The juxtaposition of sepia-toned structures against a spectral column of iridescent hues creates a dynamic interplay between history and modernity. The title, translating to Study No. 1 - Dreams, aligns with the atmospheric and meditative nature of the work, evoking a sense of movement and altered perception. Presented in a sleek black frame, this piece exemplifies a contemporary approach to architectural abstraction with a strong conceptual underpinning.Issued: c. 2000Dimensions: 21.25"L x 17.25"HCondition: Age related wear. Minor pigment loss on lower right side.

A circa 1900 mahogany freestanding corner cupboard in the Chippendale taste, having pierced architectural pediment, over twin glazed upper doors with interior shelves and lower cupboard doors, height 219cm

A late 19th century Bohemian gilt decorated ruby glass vase, decorated with architectural views within oval cartouches, height 13.5cm, together with another bohemian ruby glass vase

Black slate mantle clock in architectural form H 29cm.

This lot includes two vintage books exploring different aspects of Czechoslovak history and culture. Jižní ?echy (South Bohemia) by Josef and Marie Erhartovi provides a richly illustrated look into the architectural and natural beauty of the region, featuring castles, historical landmarks, and landscapes. The second book, The Jews of Czechoslovakia, Volume II, is a compelling collection of essays documenting Jewish life and contributions between the World Wars, offering a deep historical and sociocultural perspective. Both books are in vintage condition, ideal for collectors of Central European history and culture. Dimensions: 8"L x 2.25"W x 10.25"H.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.

Early 17th century carved painted wooden architectural religious fragment depicting a blue-winged angel in prayer, 16.5cm x 14cm high

An early 20th century brown striped onyx architectural mantel clock, Arabic numerals, twin winding holes, free standing gilt pilasters, stepped plinth base, 28cm high;   Chinese hardwood carving, of  a child on the back of an elephant, her calf at her side, 17cm high;   an ebonised hardwood carving of a fisherman, 28cm high;  an African carving of a lady

A German crimson velvet and print inset three fold screen, late 19th century, Mounted with antique architectural engravings, 160cm high, each panel 48cm wide

A large quantity of sketches, caricatures, engravings, etchings, etc, 18th century onwards, architectural studies, National Gallery, churches, hospitals, etc; many mounted and coloured engravings of country houses, rural towns and villages, etc; some Dorset, maritime, natural history

S. Marti et Cie, 19th century slate mantle clock, architectural case with four brass pilasters, applied copper panels and brass presentation plaque, 4" cream enamel Arabic dial, signed two train movement striking on a gong, H35cm and an Edwardian inlaid mahogany timepiece, H15cmShipping £48.00 plus vat (UK Only)

19th Century Continental figured walnut Vienna wall clock, architectural pediment over full length glazed panel door flanked by half turned fluted pilasters enclosing 7" dial with Roman chapter ring, unsigned two train weight driven movement no. 151718, H144cmShipping POA  https://www.bradleys.ltd/quotation-request-form

A collection of four vintage souvenir spoons, three of which are marked sterling silver. Each spoon features unique designs, including detailed engravings and enameled crests. The set includes a mix of styles, with decorative handles showcasing intricate motifs such as an anchor, heraldic shields, and architectural landmarks. These collectible spoons highlight craftsmanship and historical charm, making them a great addition to any silver or souvenir spoon collection. Largest item measures 4.25"L.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.

Victor Lefebvre (1912-1998) View with different architectural elements, architectural styles and boat masts. Oil on panel. Signed and dated 1975. | 42 x 36 cm.

BIBLE, In English. [The Bible, Translated according to the Ebrew and Greeke: and conferred with the Best Translations in Divers Languages.] London: deputies of Christopher Barker, 1588. Geneva version. NT title with woodcut architectural border, black letter, double-column, with ‘Booke of Common Prayer’ and ‘Two right profitable and fruitful Concordances’, with ‘Apocrypha’. (Lacking OT title, lacking all before D4 of ‘Book of Common Prayer’, lacking 3 leaves from ‘Apocrypha’ and 2 leaves from NT, C6 of OT with a 2.5 inch tear, browning, occasional minor soiling, corner creasing, contemporary ink annotation verso last leaf of ‘Common Prayer’ and also verso title of ‘Concordances’, headlines trimmed in last leaves.) [Bound with:] Whole Book of Psalmes. London: John Wolfe for the Assignes of Richard Day, 1586. (Browning, several leaves damp-stained, lacking leaves from F1, last leaves loose, headlines trimmed.) 4to (208 x 131mm.) Contemporary calf (some loss to spine, heavily rubbed). Provenance: Thomas Mills (ink name to front pastedown); James Gaunt (ink name verso last leaf of ‘Apocrypha’). [Herbert 197].

A late 19th century Maple & Co French champleve enamel mantle clock, the case of architectural form with turned finials, four columns, entwined floral enamel decoration, the 4" dial with Roman numerals and signed 'Maple & Co Paris', the two train 8 day movement striking on a single gong, 44cm high x 25.5cm wideIf there is no condition report shown, please request

A 19th century style architectural pelmet, 191.5cm wide; a curtain pole, 249cm wide overall (2)

Architectural Salvage - a marble sign, Cheshire

A large 19th century style architectural cheval mirror, broken-arch pediment, rectangular mirror plate, cabriole legs, ball and claw feet, 223cm high, 103.5cm wide, 61cm deep

A large folder of mainly 19th century prints, including military interest, landscapes, architectural sketches, portraits, rural scenes, cityscapes, still life, etc (qty)

An Art Nouveau period walnut bracket clock, Roman numerals on silvered chapter ring, twin winding holes, eight day movement striking on a gong, architectural case, 42cm high over handle, c.1900

An early 20th century French brass lacquer carriage clock, enamel dial, Roman chapter ring, gorge case, 14cm to top of handle, cased; a19th century architectural black marble mantel clock, 20cm high overall, c.1880 (2)

A 19th century French alabaster portico 8-day mantel clock, architectural case with column supports, silvered dial with gilt-brass surround and matching pendulum, H51cm (A/F)

19th century carved slate-cased architectural 8-day mantel clock, H42cm, base length 42cm

Pair of beaten brass tea caddies and covers depicting relief architectural building/cottage, together with a rectangular beaten brass box and cover. (3) (B.P. 21% + VAT)

19th century stained glass panel with architectural centre panel. 105x74cm approx. (B.P. 21% + VAT) The decorative panels to the centre are cracked, poor condition.

Architectural Ornament, Female capitel, stone cast. Lightly weathered. 50 x 40 cm.