We found 35023 price guide item(s) matching your search

A Victorian mahogany rise and fall action buffet, with counter weighted lower tier, raised on architectural style supports, with scroll feet Provenance: Shotover House

MIRRORS, a pair, arched top in a cream architectural frame, 200cm x 90cm. (2)

An early 20th century black painted cast iron architectural finial of impressive size

A George III mahogany and oval crossbanded linenpress, having a broken architectural pediment over twin recessed panel doors to three long graduated drawers (pediment a/f)

"Bracara Augusta": An Architectural Map of a 16th century Portuguese Renaissance Town, black and white engraving; and Eight Portrait Engravings of Persons of Historical Note, including Cardinal Wolsey, Geoffrey Chaucer, Mary Queen of Scots etc, 36cm by 49.5cm and 4cm diameter (oval) respectively (9)

An early 20th century black painted cast iron architectural finial of impressive size

A George III mahogany and oval crossbanded linenpress, having a broken architectural pediment over twin recessed panel doors to three long graduated drawers (pediment a/f)

Garden and Architectural Old Gas lamp shade and pole : a square tapering old gas light lamp with copper canopy and circular breather top, and decorative upper corner decoration (36" high) together with an original cast iron lamp post / pole ( 133" high [11'1"] ) CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.

Garden and Architectural : A pair of gate post pier lions sat in a Lion Sejant , made of moulded composite stone 26" high CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.

Rupprecht Geiger 1908 München - 2009 München522/68. 1968.Acryl auf Leinwand. Geiger 497. Verso auf dem Keilrahmen signiert. 180 x 130 cm (70,8 x 51,1 in). PROVENIENZ: Sammlung Thomas und Maria Lenk, Schloß Tierberg. Rupprecht Geiger wird 1908 als einziges Kind des Malers und Grafikers Willi Geiger in München geboren. Seine Kindheit und Jugend verbringt Geiger in München und den Voralpen Oberbayerns. 1924 geht die Familie für ein Jahr nach Spanien, zwei Jahre später tritt er in die Architekturklasse von Eduard Pfeiffer an der Kunstgewerbeschule in München ein. 1935 absolviert Geiger das Schlussexamen als Architekt und verbringt ein halbes Jahr mit seinem Vater in Rom. Fortan arbeitet Geiger in einem Münchner Architekturbüro, bis er 1940 an die Front in Russland eingezogen wird. In dieser Zeit entstehen dunkeltonige Landschaftsaquarelle. 1942 kommt Geiger für kurze Zeit wieder nach Deutschland und beginnt durch Vermittlung seines Vaters als Kriegsmaler in der Ukraine zu arbeiten. Nach Kriegsende kehrt Geiger nach München zurück. 1948 wird sein erstes abstraktes Bild im `Salon des Réalistes Nouvelles` in Paris ausgestellt. Ein Jahr später gründet Geiger zusammen mit Baumeister, Matschinsky-Denninghoff und Winter die Gruppe `ZEN 49`. In den fünfziger Jahren findet Geiger, einer der bedeutensten Vertreter der deutschen Farbfeldmalerei, den für ihn kennzeichnenden Stil.Sind Rupprecht Geigers Kompositionen der 1950er und frühen 1960er Jahre noch aus differenzierten Blau- und Rottönen aufgebaut und von Kreis- und Rechteckformen gleichermaßen beherrscht, so erreicht die Reduktion und Konzentration von Farbe und Form in den späten 1960er Jahren ihren Höhepunkt. Der Kreis als Sinnbild der Konzentration steht fortan im Zentrum von Geigers Schaffen, welcher durch den verstärkten Einsatz von Leuchtfarben, die keinerlei Bezug zur Natur und damit zur Welt des Gegenständlichen mehr aufweisen, zu einem meditativen Farbraum gesteigert wird. Allein aus der in Neongelb umfangenen Kreisform und dem sanften, horizontalen Farbverlauf im unteren Teil der Komposition gewinnt die uns vorliegende Arbeit, die zu den besonders schönen Beispielen dieser zentralen Schaffensphase im ?uvre Geigers zu rechnen ist, ihre so eigene Spannung. In den Jahren 1959 bis 1977 nimmt Geiger mehrmals an der Documenta in Kassel teil. 1962 gibt er seine Tätigkeit als Architekt ganz auf, um sich ausschließlich der Malerei zu widmen. 1965 wird Geiger als Professor an die Düsseldorfer Akademie berufen; die Professur nimmt er bis 1976 wahr. Ab 1982 ist Geiger Mitglied der Akademie der Schönen Künste in München. 1987 erhält er vom Kulturzentrum Gasteig in München einen Großauftrag für die Skulptur `Gerundetes Blau`. 2009 verstirbt der Künstler in München. Mit seinen abstrakten Farbkompositionen ist Rupprecht Geiger einer der Hauptvertreter der Farbfeldmalerei in Deutschland. [EH]ca. 16.20 h +/- 20 Min.ENGLISH VERSIONRupprecht Geiger 1908 München - 2009 München522/68. 1968.Acrylic on canvas. Geiger 497. Verso of stretcher signed. 180 x 130 cm (70,8 x 51,1 in). PROVENANCE: Collection Thomas and Maria Lenk, Schloß Tierberg. Rupprecht Geiger was born in Munich in 1908 as the only child of the painter and graphic artist Willi Geiger. He spent his childhood and his youth in Munich and in the foot-hills of the Bavarian Alps. In 1924 his family moved to Spain for one year where Geiger attended the `Colegio aleman` in Madrid and accompanied his father on his trips to the Canary Islands and to Morocco. Geiger made his first drawings and water-colors during this period. One year after returning from Spain, in 1926, Geiger attended Eduard Pfeiffer`s architectural class at the Kunstgewerbeschule in Munich. He graduated as an architect in 1935 and spent half a year in Rome together with his father. Geiger then worked in a Munich architect`s

A late nineteenth century chiming mantle clock of architectural form having Arabic Numerals to the silvered chapter ring within a brass dial applied with decorative spandrels and bearing label for Thomas & Son, Cardigan, 18.5ins high (47cms)

A late Victorian mantle timepiece with ivorine dial in an architectural-slate case, h. 27.5 cm *With presentation plaque dated 1899 CONDITION REPORT: No guarantee to working order, minor chips to case

An Edwardian mantle clock in an 18th century walnut and gilt metal cased case of architectural form, h. 48 cm CONDITION REPORT: No guarantee as to working order,

A pair of cabinet makers prints: drawings by M Darly, a Chippendale desk and a Chippendale bookcase, together with an architectural print of a drawing of a mausoleum in the Gardens of Bedfordshire. (3)

A group of four 19th century Indian architectural paintings on ivory, depicting the Taj Mahal, Qutab Minar, Humayun's Tomb, and Lal Qila, each approx 3.5 by 4cm.

AN EARLY 20TH CENTURY OAK CASED MANTEL CLOCK, the architectural case with gilt metal finials and mounts, the movement striking on a gong, pierced grills to the sides raised on four roccoco style feet, key and pendulum, H 41 cm Cost of Shipping to UK Address: POA

A small Victorian slate mantel clock in an architectural classical case, a twentieth century mantel clock in oak domed case, together with eight small clocks, alarms, mantels etc, (10)

A pair of cabinet makers prints: drawings by M Darly, a Chippendale desk and a Chippendale bookcase, together with an architectural print of a drawing of a mausoleum in the Gardens of Bedfordshire. (3)

A group of four 19th century Indian architectural paintings on ivory, depicting the Taj Mahal, Qutab Minar, Humayun's Tomb, and Lal Qila, each approx 3.5 by 4cm.

A 19TH CENTURY FRENCH MANTEL CLOCK with a broad circular white dial with Roman numerals, with an eight-day two-train movement striking on a bell, the movement in a gilt drum with applied hanging swag decoration supported on an architectural white marble support with twin columns and platform base with all over gilt metal mounts, 17"" high and a pair of similar vase-shaped ornaments

A GEORGE II STYLE BRACKET CLOCK with silver chartering and two train movements striking on a coiled gong, the architectural case standing on an associated long case clock style column, 61"" high

A CARVED AND PAINTED ARCHITECTURAL WALL MOUNT of baroque scrolling design, with leaves picked out in red and gold, 25"" high. Provenance: A gentleman`s residence in Kensington, London W8

A MONUMENTAL FLEMISH LIGHT OAK CABINET of 17th century design, the twin panelled and geometric moulded doors flanked by twist columns surmounted by carved architectural cherubs masks surmounted by a wide moulded and stepped pediment, with a baroque shell and acanthus leaf scroll, the base with two drawers on large compressed bun feet, 82"" wide.

AN IMPORTANT ANGLO-SAXON STONE MARKER OR CROSS-SLAB FRAGMENT the front panel carved with a Celtic style cross, the top panel carved with a mythical beast, 10th/11th century, 21.5"" high x 15"" wide x 7.5"" depth. Provenance: Acquired by the vendor from a garden in Wilmslow, Cheshire. Expert opinions differ on the original use for this piece, most scholars believe the piece either formed part of an standing stone cross, or is a grave marker. An architectural usage has also been suggested, possibly forming part of a decoration around an internal doorway or window. It has also been suggested that the carving of the mythical beast is from an earlier date to the cross.

A box of architectural pen, ink and wash studies of buildings and interiors, all inscribed with detailed descriptions

AN EDWARDIAN MANTLE CLOCK the engraved dial with Roman numerals and with chiming movement and contained in a carved architectural style case, 32cm wide

A Chinese white glazed porcelain tile decorated in famille rose palette with an architectural landscape beside a river and amidst trees, signed and with titled inscription, 25 x 38cm, wood framed. Condition Report: No obvious chips or cracks.

A Chinese carved arching architectural section with red lacquered ground, length 202cm.

Three Wedgwood brown printed plates showing Russian architectural views. The border with winter and summer wagon pulled by three horses, and with armorials around the border. Crazing and chips. Condition Report: Plate 1: Relatively good condition. 2 small chips to rim. A few scratches to image. Plate 2: The brown more of a terracotta colour. A pair of small chips to the rim and scratches to the front and back. Plate 3: The brown is lighter in the image. One larger chip to rim (1cm across). Overall relatively good condition.

AN EDWARDIAN MANTLE CLOCK the engraved dial with Roman numerals and with chiming movement and contained in a carved architectural style case, 32cm wide

A LARGE INDIAN AXE, 19TH CENTURY with crescentic head formed with a pierced cusped back-edge, chiselled with foliage and applied with brass plaques chiselled with a crowned figure and two attendants in traditional garb on each face, fitted with central spike, and three architectural spikes at the rear, on a wooden haft with iron basal cap 76 cm; 30 in overall

A pair of Burmantoft`s Faience Architectural panels, cast in low relief with an elaborate urn design, glazed green, framed, 55 x 15cm. Provenance Stephen Wilcock Collection

A William De Morgan Poole Architectural tile, painted with the mid section of a sailing vessel, in blue, green and yellow, a William De Morgan Raised Lion tile and a small raised bird tile impressed marks, damages 15cm. square Provenance Stephen Wilcock Collection

Four William De Morgan Memland Hall tiles on Poole Pottery Architectural blanks designed by William Morris, painted in colours with foliate design in colours on a midnight blue ground, framed in two frames impressed marks, minor chips, each tile 15cm. square Literature Richard & Hilary Myers, William Morris Tiles, Richard Dennis Publications, page 124 figure 221 for the full panel. Catalogue Notes An example of the full panel design is held in the William Morris Gallery, catalogue number C.176, dated to 1876,

A Cantagalli Pottery architectural tile, domed rectangular form, cast in relief with the Madonna and Child, glazed in shades of green, blue and white impressed marks, 48cm. high

A Liberty & Co Tudric Pewter and enamel mantel clock designed by Archibald Knox, model no.0629, architectural form, set with Art Nouveau foliate enamel panel in red blue and green, the copper dial with Roman numerals and green and blue enamel stamped marks, 17cm. high LIterature Stephen A Martin Archibald Knox, ARTMEDIA, page 233 this design illustrated. Victor Arwas Liberty Style, Parco, Japanese exhibition catalogue, page 104 P.39 this design illustrated.

A Liberty & Co Tudric Pewter and copper mantel clock, model 066, architectural form, cast in low relief with a frieze of stylised trees, the circular copper dial with Arabic numerals, stamped marks, 29.5cm. high

Egyptian Revival - A hardstone brooch, set with a carved hardstone scarab within textured gold architectural mount, 4.5cm wide, 15.4g. Bearing Egyptian gold marks.

North Italian, probably Venetian and possibly Circle of Girolamo Campagna A... North Italian, probably Venetian and possibly Circle of Girolamo Campagna (b.1552, d.1623) A pair of bronze models of Apollo and possibly Victory, the former portrayed heroically nude and standing, his head turned to dexter, his weight on his left leg, his right hand resting on his lyre supported below on the upper thigh of his slightly raised right leg, his left hand resting on a quiver hung on a strap across his right shoulder; the female figure standing and also nude, head turned to dexter beneath a laurel crown, a laurel wreath held up to her left in both hands, a sash of drapery hung from her left shoulder to her midriff and descending between her thighs; both figures on integrally cast rectanguler bases; above ebonised wood architectural plinths, each with inset azul sodalite marble or possibly lapis lazuli rectangular panels, flanked by bronze terms at the front angles The bronzes 15.5 cm high, the height overall 27.5cm

J Marti et Cie, French polished slate architectural mantel clock, white enamelled dial with Roman numerals, visible brocot escapement, flanked on either side with masked handles flanking the movement signed and striking on a gong, all raised on a plinth base with bronze appliques and silver presentation plaque, width 49cm, height 46.5cm

John Smith, Chester, oak cased eight day longcase clock, late 18th Century architectural pediment with gilt painted wooden finials over reeded columns flanking a 12 1/2'' brass dial with engraved silvered centre, signed, and with subsidiary seconds and date aperture, silvered chapter ring with Roman numerals, the movement striking on a bell, the trunk crossbanded and with reeded pilasters over a box base with raised panel, height 220cm Please note our special conditions of sale regarding clocks and watches

A Chinese softwood architectural corbel, the front carved with three figures and a vase of flowers, the reverse with carved scroll decoration, length approx 44.5cm, height approx 27cm.

North Italian, probably Venetian and possibly Circle of Girolamo Campagna A... North Italian, probably Venetian and possibly Circle of Girolamo Campagna (b.1552, d.1623) A pair of bronze models of Apollo and possibly Victory, the former portrayed heroically nude and standing, his head turned to dexter, his weight on his left leg, his right hand resting on his lyre supported below on the upper thigh of his slightly raised right leg, his left hand resting on a quiver hung on a strap across his right shoulder; the female figure standing and also nude, head turned to dexter beneath a laurel crown, a laurel wreath held up to her left in both hands, a sash of drapery hung from her left shoulder to her midriff and descending between her thighs; both figures on integrally cast rectanguler bases; above ebonised wood architectural plinths, each with inset azul sodalite marble or possibly lapis lazuli rectangular panels, flanked by bronze terms at the front angles The bronzes 15.5 cm high, the height overall 27.5cm

Animal Puzzle. The shaped animal Jigsaw to be placed over matching picture, with a cow, sheep and donkey. German. Early 20th Century. Sold with a boxed set of turned architectural Building Blocks

The Architectural Antiquities of Wales by Charles Norris Esq., no. 1 St. David's, printed 1810, London.

Late Victorian black slate and marble architectural two train mantle clock.

Late Victorian black slate and marble architectural two train mantle clock.

The Architectural Antiquities of Wales by Charles Norris Esq., no. 1 St. David's, printed 1810, London.

FITZWILLIAM, J.W. Parham in Sussex. A Historical and Descriptive Survey based upon the researches of a number of authorities accompanied by an architectural description. London: B.T. Batsford Ltd., 1947. Limited edition of 250 copies printed for private circulation on hand-made paper, this copy number 200, folio (337 x 245mm). Plates. Original half-vellum over blue/grey cloth-covered boards, cartographical endpapers printed in green and black, t.e.g. (Slight discolouration to the cloth). Provenance: Leslie Weller (presentation inscription, dated 1989, from Veronica Tritton, owner of Parham at the time); The Library Collection of the Late W. Leslie Weller MBE, DL, FSA.

A Victorian carved oak stick barometer by Dolland, London, with architectural cornice above ivory register flanked by flaming finials, ivory thermometer to waist also flanked by flambeau finials, carved cistern cover, 47in. high. See illustration

An unusual late 19th Century Vienna walnut regulator timepiece, the alabaster dial with roman numerals, centre sweep seconds, deadbeat escapement, the case with architectural pediment above a glazed door, slender waist section with glazed front and sides, glazed panel lower section with shaped apron, 62in. high.

A Vienna style walnut and ebonised wall timepiece, with enamelled roman dial, subsidiary seconds dial, single train movement, in architectural style case, late 19th/20th Century, 47 1/2in. high.

A 19th Century gilt breakfront overmantel mirror, of classical architectural form, the central arched pediment with egg and dart moulding, torch and quiver motif above a frieze decorated lion mask and floral scrolls, further swags either side, central circular bevelled mirror plate below with wreath and ribbon design boarder, flanked by a pair of rectangular bevelled glass mirror plates in ebonised reeded slips, leaf pattern corbels, all raised on reeded ionic ribbon twisted columns, on plinth base, 56 1/2 x 8 x 38in.

Circle of Gennaro Greco (Italian 1663-1714) AN ARCHITECTURAL CAPRICCIO WITH SOLDIERS CONVERSING oil on canvas 63 x 89cms; 24 3/4 x 35in. See illustration

A 19th century giltwood and composite framed pier glass, comprising architectural elements the swag hung frieze over a plate flanked by Corinthian top half pillars, 84 x 40 cm

19th Century black slate mantel clock, the architectural case with enamel clock and barometer dials, Roman numerals and two train movement

Mid 20th Century album of Chinese architectural photographs

A BLACK SLATE MANTLE CLOCK of architectural form the frieze embossed with warriors above a circular dial flanked on each side by reeded doric capitals on stepped plinth base 28cm x 40cm x 15cm

A GREEN MOTTLED MARBLE MANTLE CLOCK 19th Century of architectural form with dome capital above a circular dial between cylinderical columns and corinthian capitals raised on a rectangular base with brass feet 43cm x 43cm 15cm

JULES DESSANT Architectural Studys Watercolours Signed Lower Right A Pair 53cm x 73cm