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A quantity of shaped architectural mahogany rules by STANLEY contained in a rectangular mahogany case with applied brass plaque - inscribed Harold Berridge.

Attributed to ASCANIO LUCIANI An Architectural Capriccio with Figures walking along a quay, oil on canvas, 48 x 36 in

A Victorian black slate cased Clock Garniture, the clock with white enamel dial, 8-day movement in architectural case having gilt highlights and inset grey marble, 21 in, and a Pair of dish top Comports, 10 in

A 19th Century Longcase Clock with painted arched dial having rolling moon movement, corner spandrels of elephants and camels, inscribed Brown ?, Preston 8-day movement in architectural mahogany case, the trunk and hood with turned columns, arched panelled door, turned finials, 7ft 6in high

Georgian mahogany wall barometer with architectural pediment to case, with shell and floral inlays, silvered and engraved dial, maker Jos Aprile, Sudbury, 97cm (1)

A good Edwardian inlaid mahogany display cabinet, architectural pediment with urns, above a pair of astragal glazed doors, enclosing lined interior with two shelves, panelled cupboard base, the pediment and frieze inlaid with acanthus leaves in boxwood and holly, 3ft. wide

A 19th century German walnut wall clock, featuring enamelled dial and eight day movement, within architectural case and eagle crest, 3ft. 2in. high

BRITTON (John) The Architectural Antiquities of Great Britain, 4 volumes 1807-1814, engraved plates (some foxing), half bound (vol 1 with detached spine and boards, vol 4 spine partially detached)

19th CENTURY FRENCH GILDED SPELTER MANTLE CLOCK, of architectural form, the case set with circular white enamelled dial and surmounted by the patinated figure of a gentleman and his dog, complete with Japy Freres two train drum spring driven movement striking on a bell, stamped Masson. 38cm

A late 19th century Seth Thomas Clock Co., mantel clock, having pseudo marble effect architectural case on ormolu effect scroll feet

A late 19th century Sessions Clock Co., American mantel clock having pseudo marble effect architectural case

A large Architectural cased marble and slate mantle clock with visible striking French movement.

A 19th Century Vienna Wall Clock with ivorine dial and twin weight driven movement, in architectural style walnut case. 4'2" (127cms) high.

A German Wall Clock with ivorine dial in architectural style case.

Victorian carved ivory Gothic style table thermometer of architectural spire form by W Lund on ebonised base, 23cm

Early twentieth century Gothic gilt metal mounted oak casket with rising lid and opening front revealing slides with ornate architectural strapwork decoration, 24.5cm

* Frank A Evans, mid 20th century- Architectural study of a housing estate; black crayon, watercolour and gouache, signed and dated 57, 27.5x38cm: together with five other similar and related studies of modernist architectural subjects, three signed and dated 57, two signed dated 52, various sizes, four mounted, two unmounted, (6), (unframed). Note: The architect Frank A Evans exhibited once at the RA in 1961, no 1188 titled 'No 44 Berkeley Square, ceiling of Saloon'. His office is listed as LCC, Room 39, County Hall, Westminster Bridge SE1 (may be subject to Droit de Suite)

English School early 19th century- Study of a Cavalier; black chalk, 34.6x27.3cm: together with two other black chalk studies depicting a study for an heraldic coat of arms and a male nude, standing full-length by the same hand: British School mid-late 18th century- Design for a grand ceiling; pen and black ink with watercolour in monochrome, within an ink lined border, 22x22cm: Sir Jeffry Wyatville RA 1766-1840- "The Warwick Vase"; pen brown ink and watercolour, bears inscription, 20x15cm: together with two further 18th century architectural studies by different hands depicting a Georgian facade with inscription "The Banqueting House, Built by That famous Architect Inigo Jones...."; pen and black ink, 15x32.5cm., (7) (unframed)

* British School mid-late 19th century- Architectural designs entitled "Perth City Hall, Competitive Design"; pen and black ink, a pair, showing detail of the facade, second set showing front, side and back elevations, 50x42cm., (unframed) (2)

* European School mid-late 20th century- Grand architectural interior, possibly a throne room; watercolour, inscribed: 34x21cm: Manner of Peter Becker 1828-1904- Study of a courtyard; pencil, bears inscription verso, 45x28cm: Circle of William Turner of Oxford 1789-1862- "The Crypt, St Peters"; pencil, black crayon and watercolour wash, bears signature and inscription, (4) (unframed)

Circle of Benjamin West PRA 1738-1820- Courting couple; pen and brown ink wash, 24x32cm: Alfred Stevens 1817-1875- Arabesque design; pencil and watercolour. Provenance: with the De Pass Collection; together with other 18/19th century figurative and architectural studies, mainly pen and ink, by and after various hands, (10) (unframed)

British School early 19th century- An architectural design, "Marble Chair of Potaman....."; pen and coloured ink, bears signature for T Rowlandson in ink, 11.2x18.5cm: European School early-mid 18th century- An ornamental designs- depicting fountains; pen and black/brown ink, bears later inscription Grinling Gibbons (1648-1721) 17x11cm, each: together with other 18/19th century watercolour and ink studies by and after different hands to include St Mary's Church and All Souls College, Oxford: Chippendale 18/19th century- Rural wooded path; watercolour: English school late 18th century "The Font at Thorpe Church, Yorksh 1783"; watercolour, inscribed and and dated, 34x23cm: Manner of Richard Cosway RA 1742-1821- Study of Britannia; pencil and brown ink wash, oval, (9) (unframed)

A Victorian bowfront mahogany sideboard, the top section with architectural pediment, cupboards and oval central mirror the base with three drawers, and three cupboards on a plinth foot

Henry G. Walker - Three artists proof coloured etchings - “Butterwalk, Dartmouth”, “Brixham” and “Teignmouth”, 9.5ins x 7.5ins, and two of 6ins x 10ins, signed in pencil to margins, in wood frames and glazed, and after R.B. Brook-Greaves - Print - “The Construction of St. Pauls Cathedral by Isometric Projection”, 48ins x 35ins, published by The Architectural Press (unframed)

An early 20th Century German mahogany cased mantel clock, the 6ins silvered dial with Roman numerals to the eight day three train movement striking on five gongs, contained in case of architectural design inlaid with boxwood stringings and marquetry, 17ins high

Set of four c19th architectural engravings

A ROSENGARTEN: A HANDBOOK OF ARCHITECTURAL STYLES, Trans W Collett-Sandars, 1877, old cf gt, spine in compartments, inner dentelles gt by J Larkins, mor labels

EDWARD JOHNSON: THE FEN AND MARSHLAND CHURCHES A SERIES OF PHOTOGRAPHS WITH SHORT HISTORICAL AND ARCHITECTURAL DESCRIPTIVE NOTES, Wisbech [1867-68], 1st and 2nd series, 32 mntd albumen views, 4to, orig cl gt (2)

EDWARD JOHNSON: THE FEN AND MARSHLAND CHURCHES A SERIES OF PHOTOGRAPHS WITH SHORT HISTORICAL AND ARCHITECTURAL DESCRIPTIVE NOTES, Wisbech [1867], 1st series, 15 mntd albumen views, 4to, orig cl

A SMALL BOX: Britton’s Architectural Antiquities, 5 vols, incompl

Four architectural etchings. Each signed. Unframed.

A Victorian burr walnut dressing mirror, architectural form with fluted columns, central hinged cupboard, a drawer to each side, 2ft. 7in.

A late 19th century German mantel clock, in architectural stained beech case, striking on a gong, 19.5in. high

An early 20th century oak mantel clock, traditional silvered dial, timepiece movement in architectural case, 11in. high

An Ansonia mantel clock, with enamelled dial, in carved architectural oak case, striking on a gong, 17.5in.

Walnut Shelf Clock, architectural form, the painted dial with Roman numerals and eight-day movement and miniature longcase clock with pocket watch, (2).

A late 19th century ormolu and pink porcelain mantel clock the pink chapter ring with roman numerals, with two winding holes, cylinder escapement, striking on a bell, in an architectural frame 37cm high

A Victorian Gothic Revival painted casket the pitched architectural cover with scalloped mouldings, foliate diaper and a frieze of carved rosettes above sides decorated with foliate painted sunken roundels enclosing a central door, on a cavetto moulded plinth base 88cm wide, 60cm high, 32cm deep

A Victorian burr amboyna mantel time piece, the case of architectural pedestal form with white enamel dial, 9" high.

An Oak Striking Table Clock with Half Hour Passing Strike, signed Chas Taylor & Son, London and Bristol, circa 1880, the case with architectural top, fluted side columns, side fret sides, shaped rectangular base with padded feet, 7-inch arched silvered dial with Roman numerals, finely engraved scroll decoration and depicting an eagle and snake, dial signed, twin fusee movement with anchor escapement, half hour passing strike on a bell and striking a gong for the hours, movement backplate numbered "4330", movement secured by brackets, 65cm high see illustration

After Sir Francis Grant P.R.A. The Meeting of Her Majesty's stag hounds on Ascot Heath Engraving by F. Bromley 43 x 72cm; 17 x 28¼in With a large architectural engraving on 4 sheets by a different hand, 24 x 94cm (2) 1. Stained, old damage and creases 2. Minor blemishes and markings

A Victorian Scottish three-piece Tea Set for the Indian Market comprising: Tea Pot, Sugar Basin and Milk Jug, each of circular form, with chased and embossed decoration, with scrolling borders, containing lozenges, depicting Hindu deities, the former with hinged cover and architectural finial, the later with gilt interiors, weight 38 ½ ozs, Glasgow 1881, Makers Mark J Murray, with further makers punch, possibly for J Reid and Diamond registration with retailers mark for J Murray, Glasgow, (3)

A late 19th Century black slate and variegated Marble Mantel Timepiece, the architectural case on a plinth base, to a cast Brass bezel, bevelled glass enclosing an Arabic enamel chapter ring with outside minute track, to a gilt matted centre and black fleur de lys hands and circular Brass movement with anchor escapement, height 10 ¾”

A late 19th Century black slate and rouge marble mounted Mantel Clock, the architectural case with Palladian pediment, and a plinth base to a cast brass bezel enclosing a 4” Roman and Arabic chapter ring, and blued steel fleur-de-lys hands, to a circular brass movement, with anchor escapement and strike on a bell, height 10 ½”

A late 19th Century slate mantel clock with eight day movement striking on a bell, the dial with Arabic numerals, the architectural case with gilt scroll decoration and rouge marble panels, on a plinth base.

A late 19th Century slate architectural mantel clock with eight day movement striking on a gong, the dial with gilt rosette centre within a surround of Roman numerals, inscribed 'W. Lawson, Paris', the slate case inset with two relief bronze panels flanked by Corinthian columns on a pedestal base, height approx 46.5cm.

JACKSON (F. H.), Shores of the Adriatic. The Italian Side, an architectural and Archaeological Pilgrimage, sm. 4to, illus., clo., L., 1906; & misc. other vols. (1 box).

BRITTON (J.), Architectural Antiquities of Great Britain, 5 vols, 4to, 363 plate (of which 2 not conforming to plate list) later half morocco, a.l.s. from author to contributor, (W. Spurdens, his bookplate in each vol.), L., 1807-1826 (5).

A 19TH CENTURY BLACK SLATE AND MARBLE ARCHITECTURAL MANTEL CLOCK, having enamelled face with exposed escapement flanked by half moulded columns on a platform base. C1890. 14” High.

A LATE 19TH CENTURY VIENNA TYPE WALL CLOCK, having architectural pediment with lion mask mount, cream enamel face with Roman numerals and seconds dial flanked by half turned pilasters on a moulded step base. Brass bob pendulum and eight day two weight movement. 54” High.

A LATE 19TH CENTURY VIENNA TYPE WALL CLOCK, having walnut case with architectural pediment above enameled face flanked by half turned mask mounted pilasters and a fluted base with drop finials, two weight eight day movement with brass bob pendulum. 58” High.

ARCHITECTURE & TOPOGRAPHY. – Steven PARISSIEN. Palladian Style. London: Phaidon Press Ltd., 1994. Large 4to (289 x 243mm.) Numerous illustrations, most in colour. Original cloth, dust-jacket. – And eighty-four others of architectural and topographical interest (85).

VINCENT HADDERLEY, screen prints, English rural scenes, signed and numbered in pencil, 27cm x 42cm; WILLIAM BOWYER, lithograph, “Late Summer's Afternoon at Nevill Holt”, signed, titled and numbered 73/150 in pencil; BEN JOHNSON, Lithograph architectural study 63 cm x 97cm, all unframed.(4).

A late Victorian architectural oak hall table, a single drawer at one end.

An eight day oak 19th century long case clock, the twelve inch circular white dial signed J Stephenson, Leeds, the case in Regency architectural style. (See Illustration)

Six copper engraver's plates, church interiors and architectural views

A Victorian mantel clock by HAC, in simulated slate architectural case, and a Victorian strut clock, in gilt metal case

A Northern European walnut, rosewood and marquetry cabinet on a later stand, late 17th century, possibly Augsburg, fitted with an arrangment of architectural drawers and cupboards, 120cm high, 81cm wide, 42cm deep

Circle of Michael Dahl I, Swedish 1659-1743- Portrait study of a young woman, seated three-quarter length; black crayon, bears later inscription and dedication from Hardy Amies, (1909-2003) Christmas 1967, verso, 26x23cm: European School 18/19th century- architectural study; pen and brown ink wash, bears label for the Kranzki Gallery, attached verso: Giueseppe Zocchi 1711-1767- "Eneas going into the Cave, from an Original Drawing of Solimene"; engraving, after Francesco Solimena 1657-1747, 26.5x25.4cm: Charles-Nicolas Cochin 1688-1754- "La Lorraine Reunie A La France"; published 1737, engraving, after Nicolas Delobel 1693-1763, (4)

A slate cased mantel clock of architectural form, circa 1900, the French eight day movement with brocot type escapement, striking on a single gong, width 45.5 cm, with pendulum and key, (a/f).