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A late 19th century oak cased single fusee mantel clock by Charles Frodsham, the architectural case having scroll sides to egg and dart moulded base, the silvered dial engraved 'Charles Frodsham 115 New Bond Street', No.2074, with lockable pendulum and door key; together with a matching oak wall bracket, h.40.5cm, wall bracket w.47cm Condition Report / Extra Information In running order.Dial good.Case good. No damage, minor age wear only.Bracket good.With door key.No winding key.A good, clean example.

A circa 1900 French lacquered brass carriage clock, having an architectural case, visible platform escapement, white enamel dial (with hairline), having Arabic numerals, single barrel going eight day movement, h.13.5cm, in original outer leather carry case with key

A Sheraton Revival fiddleback mahogany and inlaid cabinet by Maple & Co, having an architectural broken pediment above a fine marquetry inlaid frieze over twin astragal glazed doors, the base with arabesque marquetry inlay over stamped blind frieze drawer, h.185cm, w.71cm, d.45cm.Note: Reputedly given to the late vendors father by Mr Maple of Maple & Co as a gift for riding his racehorse. Condition Report / Extra Information Very minor warp to glazed right hand door.2mm x 5cm loss to moulding on same door.Small loss to satinwood banding on drawer.Small veneer chip to one leg on angle.The whole is otherwise very good and original.No apparent breaks or restoration.

A 20th Century architectural oak fire surroundWith a moulded shelf above a plain frieze raised on two substantial carved half columns, the fluted columns terminating in a scrolling leaf bracket, the lower part carved with leaves and berries raised on a plinth base, 170x171cms

A French carved wooden four-branch ceiling pendant The bevelled sconce extending to architectural four pillar stem, and terminating in carved eagle head branches, 60cm long

An early 20th Century mahogany cased wall clockThe architectural case extending to lower glazed door revealing pendulum and housing a silvered seven inch dial with Arabic numerals and stepped lower pediment, 77cm high

A 19th Century German chiming bracket clockThe stained oak case of architectural form with arched cresting and flanked by Corinthian columns, the etched silvered dial with silvered chapter ring and black Arabic numerals, further detailed with two subsidiary slow/fast and chime/silent dials, 46cm high.

A German 19th Century oak cased bracket clock The architectural case with domed top and turned finial, housing a white enamelled chapter ring with black Arabic numerals, striking on a gong, 43cm high.

A mid 20th Century mahogany cased Smith's presentation clockThe architectural case with domed top and applied brass loop handle, the glazed front enclosing silvered chapter ring with black Roman numerals and classical spandrels, 25cm high.

An early 20th Century green onyx mantel clockThe architectural case with domed top, applied with gilt metal columns and finial, the glazed circular dial with white enamelled chapter ring and black Roman numerals, 30cm high.

A rare French gilt-metal Champlevé enamel singing bird clock, in the manner of Blaise Bontems (1814-1893) circa 1880 Of exquisite quality, the large clock, possibly for an exhibition, of architectural form, the domed top, housing a painted scene with central bird automaton with brightly coloured plumage, extending to a case flanked by Corinthian columns, the stepped case raised on four paw and acanthus scroll supports, detailed to lower apron and columns with polychrome foliate enamel designs, the glazed door revealing gilt dial with gilt chapter ring with black Roman numerals and further detailed with two subsidiary dials detailed with fine quality scrolling lotus and chrysanthemum tendrils, the two-train movement striking on a gong, stamped A1, made in France and numbered S888 5.8, 92cm high.

A 19th Century mahogany breakfront wardrobeThe architectural angled pediment above an ogee cornice and a plain frieze, over four panelled doors, the two central doors enclosing an arrangement of sliding trays and drawers raised on a plinth base, 253x218x74cms

A late 19th Century French gilt brass mantel clock by Samuel Mati of Paris, having a two-train movement striking on a coiled gong, the case of elaborate architectural lantern form, 34 cm

A black marble cased mantel clock, the architectural case having contrasting decorative marble panels, flanked by four turned marble columns and surmounted by a dome and finials, white two-piece enamel dial with Roman numerals, fleur-de- lys hands and visible scapement, American open-spring hour and half-past gong strike movement with pendulum - Est £40 - £60

Junghans mantle clock with striking movement in timber architectural case, 40cm high

LATE 19TH CENTURY CHINESE IVORY CARD CASEwith a cross on either side carved with figures in an architectural setting, 11.5cm high, 7.5cm wide

MID 20TH CENTURY CHINESE CARVED WOOD WALL PANEL the central panel depicting an architectural landscape scene, with script either side, 47.5cm x 112cm overall

A pine settle with architectural shaped pediment, shaped sides, two drawers to the seat and shaped apron

A Victorian mahogany chiffonier with architectural pediment and a top shelf supported by barley-twist columns above a single drawer and two cupboard doors in flamed mahogany, raised on a plinth base, together with a box of seven various paintings and prints and an evening bag

VICTORIAN OAK CLOCK BAROMETERcontained within a side-by-side architectural case with gilt brass scroll mounts, with side-by-side enamel dials, the clock dial with Arabic numeral chapter ring, with escapement, 37.5cm wide

LATE VICTORIAN MAHOGANY CASED CLOCK with steel Roman numeral chapter ring and steel blued hands, the two train movement striking on a gong, the backplate signed 'W&H Sch' (Winterhalder & Hofmeier), contained within an arched mahogany architectural case, 37cm high

A MODERN OAK CASED 'GRANDMOTHER' LONGCASE CLOCK, with brass corner spandrels to the archtop dial, in a golden oak architectural case with glazed trunk door, 67.5" high

A 19TH CENTURY FRENCH MANTEL CLOCK, the white enamelled dial with Roman numerals, within a foliate gilt border with decorative pendulum with elaborate bob between ebonised spiral-turned columns and architectural cresting, with all over brass inlay, 19.5" high x 10" wide

AN ORMOLU AND CHAMPLEVE ENAMEL CASED MANTLE CLOCK, the circular dial with Roman numerals against a turquoise ground, with an eight day movement striking on a bell, the architectural case surmounted by a vase ornament, the dial supported on four outswept legs with panel of brightly coloured foliage below, on a plinth base, 19.5" high. See illustration.

A 19TH CENTURY NIELLO WORK RUSSIAN BEAKER of circular tapering form, the body decorated with architectural scenes amidst a geometric panel, Moscow 1872, 3" high, and a baleen handled George III toddy ladle and a sugar scoop with gilt bowl and mother of pearl handle (3)

A pair of large Indian gouaches, both depicting figural festive scenes in architectural and mountainous landscapes, 86 x 60cm, framed and glazed.

A pair of 19th century Chinese porcelain averted vases with squat globular bodies, painted in underglaze blue with architectural landscapes and floral sprays underneath the rim, diameter 12cm (af). CONDITION REPORT: One vase has extensive restoration to the rim, the other has a couple of hairlines and also restoration.

A 19th century Chinese porcelain tea caddy of rectangular form, painted in underglaze blue with continuous architectural landscape, with moulded finial to the associated cover, height 13cm (restored). CONDITION REPORT: Heavily restored, possibly reconstructed. Small nibbles/glaze rubbing to the edges and residues of restoration materials, lid has a major chip underneath.

A good Indian silver 19th century ink stand, the near spherical holder with bird finial on three legs, the tray base decorated with architectural and floral alternating panels, 290g.

A large black marble cased architectural mantel clock, with revealed escapement.

An Indian architectural miniature mounted pin within a gold colour mount.

A pair of Russian St Petersburg silver Kiddush cups with thistle shape bowls, these engraved with architectural views, height 14cm, weight 200g.

An onyx cased architectural mantle clock.

2 pairs of cast iron Victorian painted wall brackets. All of architectural form ( see illustrations )

A 19th century Victorian French slate and marble architectural cased mantle clock. With an eight day movement marked for R. Fage Paris having a roman numeral chapter ring. Measures 35cms high.

20th Century Antigua Guatemalan Watercolor "Archway" Pencil Signed Lower Right. Artist inscribed lower left. Depicts a Guatemalan village view through an architectural archway. Small crack to glass on the corner otherwise good condition. Measures 12-3/4" H x 9-1/4" W, frame measures 20" H x 16" W. Shipping $85.00 (estimate $100-$200)

A pair of framed original architectural drawings dated 1925 for the refurbishment of the Hotel De Bretuil, Paris, 79 x 57cm.

A GERMAN ENGRAVED STAGHORN POWDER-FLASK, LATE 16TH CENTURY of bifurcated form, the inner face left natural, the outer carved with a figure, perhaps St Michael, in an architectural interior, fitted with iron basal caps, iron nozzle with spring cut-off, the inner with belt hook (one screw missing) and four loops for suspension 23.8 cm; 9 3/8 in high

Thomas Kitchin (1718-1784), Fifh (sic) taken at Sierra Leona from Barbot, [London 1745], engraving, 28cm x 18cm; I. Clee (flr.1750), a matching set of three, scientific/technical instruments illustrations, dated 1750, three-fold etched engravings, 25.5cm x 39.5cm; English School (18th century), Section of a Saw Mill at Limehouse, Engrav'd for the Universal Museum, [London c.1767], engraving, 21cm x 26.5cm; English School (19th century), Exhibitions: International Exhibition of 1851, five-fold sectional elevation of the Crystal Palace, 24.5cm x 49cm; other 18th century and later scientific, technological, engineering and architectural engravings and prints (qty)

A large Chinese green jade model, of a three-mast junk, the bow, hull and stern carved as a pair of ferocious dragons with scales and tails, the hull with an arrangement of architectural towers, fretwork rudder, 58cm high, 66cm long, hardwood stand, 63cm high overall, packing case en suite, 20th century

Architectural Salvage - three mahogany doors with glazed leaded lights and three mahogany panelled doors

A FRENCH SLATE AND VERDE ANTICO MARBLE CLOCK GARNITURE, THE ARCHITECTURAL SHAPED CLOCK FLANKED BY A PAIR OF SPELTER EQUESTRIAN STATUETTES ON PLINTHS, CLOCK 32CM H, CIRCA 1880

An Edwardian marble cased mantel clock by Japy et Cie, two train movement hour and half hour striking on a bell, having cream chapter ring, gilt metal centre and in polished black slate and marble architectural case, 26cms high, with presentation plaque to the front and with key

ARCHITECTURE - a small quantity of books of architectural interest to include; TOY, Sidney - Castles, A Short History of Fortifications from 1600 B.C to A.D. 1600; LANDRIEUX - The Castle of Rheim; TIPPING - English Homes Period IV, Volume II: The Works of John Vanbrugh & his School and another English Homes Period III, Volume II: Late Tudor & Early Stuart, together with eight other books (12)

ASSOCIATED ARCHITECTURAL SOCIETIES REPORTS AND PAPERS - a collection of forty-four bound volumes together with indexes from the 1850s and later

ARCHITECTURE - a collection of books of architectural interest to include; An Historical Essay on Architecture - 1840, Third Edition, two vols; A History of Architecture on the Comparative Method - Batsford, 1931; and others

A PAIR OF TALL ARCHITECTURAL PAINTED ENTRANCE DOORS, each door approximate size height 259cm x width 76cm

An early 20th Century Mantle Clock with steel and brass dial, gong strike and in architectural style walnut case. 16" (41cms) high.

A Vienna Wall Clock with white dial in architectural with glazed door. 34" (87cms) high.

A Victorian oak cased stick barometer, retailed by Cotterill, Shrewsbury with architectural pediment glass scale and thermometer with ivory adjusting handles and carved foliate shield centred cistern cover, 110cm high

A Victorian walnut and mahogany hall stand with mirrored panel back and architectural pediment and open fret work panels, the back inset with two Mintons tiles by Moyr Smith titled 'Alfred and Eddie and Elgiva' respectively above a frieze drawer and raised on ring turned front supports, 105cm wide, 210cm high

An impressive pair of Victorian carved oak armorial hall chairs, 19th century, each with a stag crest surmount and pierced arched foliate splat centred by an armorial crest between down-curved arms and flower head and fan cornered panel seat and raised on caryatid carved cabriole front legs and claw and ball feet, with label to the underside of the seat marked 'G Houghton, architectural and general carver, church and antique furniture manufacturer, Frogmore Street, Colver Street, Bristol (2)

Paris PREKASGreek, 1926 -1999Syros, tankers, the shipyardwatercolour on papersigned and dated 15-6-1988 lower right51 x 73 cmPROVENANCEprivate collection, AthensLITERATURE Paris Prekas, ‘My Voyage’, Topio Publications, N. Smyrni, Greece, page 54, illustrated Paris Prekas was born in Athens in 1926.In 1948 he enrolled at The School of Fine Arts, Athens, where he studied under Umbertos Argyros, Dimitris Biskinis and A. Georgiades. A multitalented creator, Prekas worked in the mediums of painting, sculpture and architectural decor both interior and exterior. In painting he worked mainly in oil and watercolor. His work is influenced by the ancient Greek world, the Greek landscape and seascape. He created the series ‘Portraits of Greece’ from the late fifties till 1965, he then painted ‘Ports’ and ‘Horses’ in the 1970s.This work is from the series ‘Tankers’ from the 1980s. Prekas held many solo exhibitions in Athens and participated in a number of prestigious international group exhibitions such as: the 1956 Young Artists of the Near East, USA; the 1959 Paris Biennale; the 1960-1965 Salon de l’Art Libre, Paris; the 1965 Sao Paolo Biennale; the 1967 Alexandria Biennale; the 1970 Osaka Expo; the 1971 at Upper Grosvenor, London; the 1982 Salon Comparaisons, Paris and the 1983 at The Museum of Modern Art, Vienna.His work is found in many public and private collections, notably that of: The National Gallery, Athens; The Athens Municipal Gallery; The National Bank of Greece; The Averoff Gallery and The Greek Embassy, Washington..

Zoe ZENGHELISBritish, born Greece 1937Untitledacrylic on papersigned and dated 86 lower left14 x 20 cmPROVENANCEprivate collection, London Zoe Zenghelis was born in Athens, Greece. She studied painting and drawing with Orestis Kanelis. In the 1960s she left Greece to study stage design and painting at The Regent Street Polytechnic, London.It was a period when many art and architecture students had tutors strongly influenced by the Modernist Movement. Ultimately she and her fellow graduates went on to fly the flag of Modernism themselves, now absorbed seamlessly into the contemporary art and design of the day. Zoe started her painting career as a founding member of OMA (Office for Metropolitan Architecture) and painted for presentations, exhibitions and publications. Gradually she focused more on her own paintings and less on architectural presentations, so that in the 1980s she became known as a painter in her own right, exhibiting in the UK, Europe and the USA. From 1982 to 1993, in partnership with Madelon Vriesendorp, she ran the colour workshop at The Architectural Association, London. Zoe has also taught at: UCLA, Los Angeles, California, UCA CAL, State Polytechnic, Pomona, USA, Plymouth Polytechnic , Brighton Polytechnic and Edinburgh University.Collections holding works by Zoe Zenghelis for OMA include: Museum of Modern Art, New York, Gilman Paper Co., Time Life Building permanent Exhibition, New York, Hans Wagner private Collection, London, Peter Klimt collection, London, Alpha Credit Bank, Athens, Greece, Dr. Andreas Papadakis collection, London, Frankfurt Museum, Germany, Central Bank of Cyprus Art Collection, Bank of Cyprus Cultural Centre Foundation

John Frisks, 1787-1849, early 19th C Gustavian mirror of architectural form, bearing label verso 'John Frisks', 82 x 155cm

Late 19th / early 20th C beechwood and walnut cased Vienna Regulator, the architectural pediment over a glazed panelled door, enclosed a painted enamelled dial with Roman numeral chapter ring, secondary dial and pendulum movement, 124cm h 47cm w

A WWI memorial frame, embossed metal inset with arched aperture surrounded by architectural Ionic columns, angel pediment and riflemen, the motto 'The path of duty was the way to glory', carved oak architectural surround, overall 59x53cms.

6th-7th century AD. A discoid bronze trade weight with low-relief image to one face of a church façade with gabled roofs, windows, door with prominent cross above. Cf. Bendall, S. Byzantine Weights: An Introduction, London, 1996, item 90 for architectural image. 125 grams, 49mm (2"). From a German collection; acquired on the German art market before 1990. [No Reserve]. Fine condition.

1st-3rd century AD. A fragment of a marble head of a young male, with headdress; the lentoid eyes carved deep-set with heavy lids, lower face absent; possibly an architectural finial; mounted on a custom-made stand. 3.4 kg, 19.5cm including stand (7 3/4"). Property of a European gentleman living in London; acquired in the UK before 1980. . Fair condition.

A giltwood and gesso wall mirror,19th century, the architectural crest with scrolled and Masonic motifs over applied squares, the plate within fluted acanthus columns topped with balls,75.5cm high55cm wide