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Click here to subscribeCOTMAN, John Sell (1782-1842) Architectural Antiquities of Normandy with Historical and Descriptive Notices by Dawson Turner, 2 vols in one, printed in London 1822 for John and Arthur Arch Cornhill and J.S. Cotman, Yarmouth, 100 plates, gold tooled red morocco with John Frederick Earl of Cawdor armorial, Fo, (490 x 350mm), bumped and scuffed, Eric Gerald Stanley b/p
TURNER, Dawson, Account of A Tour in Normandy undertaken chiefly for the purpose of Investigating the Architectural Antiquities. London, 1820. 8vo. In 2 vols. Frontis & numerous engrs. a.c.f. ½ bds. Tog.with Mrs Charles Stothard, Memoirs including Journals, Letters…of the late Charles Alfred Stothard, F.S.A. …..and some account of A Journey in The Netherlands. Longman, 1823. 8vo. A Letter pasted to endp, from The Author to Mrs. Dawson Turner. 3 EGS bkpt
Fryer & Co (Nelson) Ltd, Victory "V" - an early 20th century caddy top bracket clock case, embossed with 'jasperware panels' decorated with Classical muses and urns, on a pale turquoise ground, 34cm high, 22.5cm wide, 13cm deep, lithographed to verso, c.1920; late Victorian/Edwardian 'onyx' mantel clock case, triangular architectural pediment, the en tablature embossed with wrapped leafy scrolls, circular aperture flanked by two rows of three columns, plinth base, 24cm high, 32cm wide, c.1900;another similar (3)
Brown, Richard"The Rudiments of Drawing Cabinet and Upholstery Furniture ... illustrated by appropriate diagrams and designs proportioned upon architectural principles, after the manner of the antique on 25 plates, each accompanied with classical remarks", London, printed for and sold by the author 1820, engraved plates, some with handcolouring, light stamp on the top and bottom of the title page and also very light inked initials in the bottom right hand corner, some offsetting from the coloured plates, rebound, full leather, blindstamped boards with gilt rules, shelfwear, the backstrip with red title pastedown, raised bands
FIVE VICTORIAN PLASTER MAQUETTES, angels wings, a roundel, a man's head, architectural pieces. (5 in total) the longest 33 x 30cms Provenance:PLEASE SEE FULL PROVENANCE / BACKGROUND IN LOT 180 Being sold on behalf of stonemasons and structural engineers W Clarke, Llandaff, Cardiff. W Clarke are one of the oldest companies in Cardiff to continue operating. The company has a long working association with Llandaff Cathedral and was involved in the construction and installation of external monuments to the building during nineteenth century restoration projects, led by architect John Prichard
BOX CONTAINING VARIOUS VICTORIAN PLASTER MAQUETTES with architectural designs including acanthus leaf, Celtic bands ETC Provenance:PLEASE SEE FULL PROVENANCE / BACKGROUND IN LOT 180 Being sold on behalf of stonemasons and structural engineers W Clarke, Llandaff, Cardiff. W Clarke are one of the oldest companies in Cardiff to continue operating. The company has a long working association with Llandaff Cathedral and was involved in the construction and installation of external monuments to the building during nineteenth century restoration projects, led by architect John Prichard
COLLECTION OF WOODEN ARCHITECTURAL CARVINGS of acanthus leaves, various roots and flowers Provenance:PLEASE SEE FULL PROVENANCE / BACKGROUND IN LOT 180 Being sold on behalf of stonemasons and structural engineers W Clarke, Llandaff, Cardiff. W Clarke are one of the oldest companies in Cardiff to continue operating. The company has a long working association with Llandaff Cathedral and was involved in the construction and installation of external monuments to the building during nineteenth century restoration projects, led by architect John Prichard
COLLECTION OF VICTORIAN PLASTER & STONE ARCHITECTURAL CARVINGS Provenance:PLEASE SEE FULL PROVENANCE / BACKGROUND IN LOT 180 Being sold on behalf of stonemasons and structural engineers W Clarke, Llandaff, Cardiff. W Clarke are one of the oldest companies in Cardiff to continue operating. The company has a long working association with Llandaff Cathedral and was involved in the construction and installation of external monuments to the building during nineteenth century restoration projects, led by architect John Prichard
THREE VICTORIAN PLASTER MAQUETTES with architectural designs Provenance:PLEASE SEE FULL PROVENANCE / BACKGROUND IN LOT 180 Being sold on behalf of stonemasons and structural engineers W Clarke, Llandaff, Cardiff. W Clarke are one of the oldest companies in Cardiff to continue operating. The company has a long working association with Llandaff Cathedral and was involved in the construction and installation of external monuments to the building during nineteenth century restoration projects, led by architect John Prichard
SIX VICTORIAN PLASTER MAQUETTES of various carved architectural designs, the longest 35 x 24cms Provenance:PLEASE SEE FULL PROVENANCE / BACKGROUND IN LOT 180 Being sold on behalf of stonemasons and structural engineers W Clarke, Llandaff, Cardiff. W Clarke are one of the oldest companies in Cardiff to continue operating. The company has a long working association with Llandaff Cathedral and was involved in the construction and installation of external monuments to the building during nineteenth century restoration projects, led by architect John Prichard
A Crowan Pottery jug with green, black and terracotta glaze, height 18cm.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988. Condition report: Crack to neck, hairline to base
HIBBARD (HOWARD) 'Carlo Maderno and Roman Architecture 1580-1630'. 1971 vg. plus other books on architecture. 2 BOXESFrom the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
An Aesthetic Movement ebonised and gilded writing desk, the drawer stamped 'Gillow & Co. 5730', the leather inset top above two frieze drawers, on turned and fluted tapering legs, joined by stretchers, height 75cm, width 107cm, depth 61cm. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A 19th century cast iron fender, width 114cm.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A collection of twenty-four 19th century architectural and commemorative medals in silver, white metal and bronze.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
CROOK (J. MORDAUNT), 'William Burges and the High Victorian Dream' col & other plts, 1981 vg. plus other books on architecture. 2 BOXES From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A pair of Deakin & Francis silver spiral fluted urn form peppers on stepped square section feet together with a pair of open silver salts in 18th century style and a pair of open silver shell salts, 5.4oz.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A Regency mahogany chiffonier, width 107cm. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A fine mahogany plan chest, 19th century, the removable top fitted with two short drawers, the base with four long drawers on bracket feet, inset brass handles, width 151cm, depth 78cm, height 90cm. (See illustration)From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
PHAIDON PRESS, 6 various, 1937-1949 vg., plus 2 others.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A Japanese brass baluster vase, decorated with fruiting vines, height 36cm. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
Two Fornasetti 'Cortili' plates decorated with monochrome architectural designs, 25.5cm diameter. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A set of six Crowan Studio Pottery bowls, stands and lids. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A set of four Regency ebonised brass mounted sabre leg dining chairs.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A fine Gillows late Victorian centre table, veneered with birds eye maple, ebonised parcel gilt and shallow carved, the oval top on a multi-column base with four curving legs, impregnated mark 4792, the oval top 131 x 105cm. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A harlequin set of nine William IV mahogany dining chairs, each with a wide crest rail carved with scrolling and decanthus. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A British museum plaster bust, height 43cm.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
VALLANCE (AYMER) 'English Church Screens'. 1936, plus other architecture. BOXFrom the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A William IV occasional table on octagonal rosewood pedestal, the concave quadruple base with scrolling feet, the rectangular top 45 x 33cm.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
SHAW-SPARROW (W.). 'Frank Brangwyn and his Work'. 1920, plus other art books. BOXFrom the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A pierced brass fender, 19th century, height 16cm, width 98cm. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his “young fogeyism” was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.Barker's legacy to us as a nation is not what he created, but what he saved. Many historic buildings were lost after the war as schemes to create modern offices and residential tower blocks won favour. In his role as the Surveyor of Historic Buildings at the GLC, Barker fought for preservation and we have him to thank for saving important parts of London that would be unrecognisable today without Barker's intervention. Most notably, the 17th century square and covered market at Covent Garden, which would have become a conference centre and offices.One of his last interventions, in 1987, was to give evidence against a proposed redevelopment of Paternoster Square, near his beloved St Paul's Cathedral, which he regarded as an abomination. The scheme was rejected.Barker was an avid collector of art and antiquarian books. His insatiable appetite could have filled many of the historic buildings he conserved with leather and canvas.We are delighted to be handling this collection of art and antiques from Ashley's Penzance home in South Parade, an elegant, tall and thin town house, so in keeping with his beloved Notting Hill in London where he lived in various similar houses.The house was immensely stylish and clearly decorated by an aesthetic connoisseur.As well as elegant furniture and furnishings the bulk of this collection is contained in the many architectural engravings and works of art. It has been a joy to catalogue and handle the beloved possessions of this quietly remarkable man.
A good high Victorian ebonised occasional table in the manner of Godwin, the frieze with simple stylised incise flower heads and spindle galleries, the whole on six turned slightly tapering supports with bar and bow stretchers on curved feet, the rectangular top 60 x 40cm.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
OWEN JONES. 'The Grammar of Ornament.' 1982 edn, fine; plus 9 others.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
An Arts and Crafts mahogany occasional table, the ring turned legs joined by an undertier, height 65cm, width 60cm. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A British museum plaster bust, height 47cm. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
THE LUTYENS MEMORIAL, 'The Architecture of Sir Edwin Lutyens', 3 vols. limited edition of 1500, 1984, fine.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A cast metal head of an heroic warrior, height 26.5cm. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A Victorian rosewood upholstered salon chair, height 85cm, width 55cm.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A Nic Harrison monochrome baluster vase, height 41cm.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A Victorian coromandel bookslide, with gilt metal mounts, Betjeman's Patent No.7764, length 33.5cm, extended length 43.5cm.Ashley Barker OBE was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his “young fogeyism” was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.Barker's legacy to us as a nation is not what he created, but what he saved. Many historic buildings were lost after the war as schemes to create modern offices and residential tower blocks won favour. In his role as the Surveyor of Historic Buildings at the GLC, Barker fought for preservation and we have him to thank for saving important parts of London that would be unrecognisable today without Barker's intervention. Most notably, the 17th century square and covered market at Covent Garden, which would have become a conference centre and offices.One of his last interventions, in 1987, was to give evidence against a proposed redevelopment of Paternoster Square, near his beloved St Paul's Cathedral, which he regarded as an abomination. The scheme was rejected.Barker was an avid collector of art and antiquarian books. His insatiable appetite could have filled many of the historic buildings he conserved with leather and canvas.We are delighted to be handling this collection of art and antiques from Ashley's Penzance home in South Parade, an elegant, tall and thin town house, so in keeping with his beloved Notting Hill in London where he lived in various similar houses.The house was immensely stylish and clearly decorated by an aesthetic connoisseur.As well as elegant furniture and furnishings the bulk of this collection is contained in the many architectural engravings and works of art. It has been a joy to catalogue and handle the beloved possessions of this quietly remarkable man.
A 19th century black and white marble mantle clock, height 28cm.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988. Condition report: No condition issues. has the pendulum and a key.
An early Victorian mahogany toilet mirror, the bevelled plate swings above a white marble inset.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
An early 19th century black painted cast iron fender, height 24cm, width 119cm. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A steeple single fusee brass skeleton clock with silver chaptering beneath a silver second style on brass inlay rosewood stand, maximum height 47cm including dome (dome cracked).From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A set of three Nic Harrison green-glaze ceramic pouring bowls, height 12cm, diameter 22cm and smaller, together with a St.Agnes studio pottery jug, height 17cm. From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A Victorian spoon back buttoned armchair with cabriole legs, together with a second very similar chair.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
A brass adjustable twin branch candelabra with white glass shades.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
FRIEDMAN (TERRY) 'The Eighteenth Century Church in Britain.' 2011 vg. plus 5 others.From the estate of Ashley Barker OBE who was born in Hertfordshire in 1927.Being unusually bright, he found it difficult to make friends and found solace in architecture and buildings, particularly the simple pastime of walking around buildings on his own. Indeed, his favourite treat as a child was to be taken to St Paul's Cathedral, where he would wander for hours.In 1944 he entered the Architectural Association and qualified at a time of rapid post-war reconstruction, when the lack of building materials forced architects to use industrialised prefabrication techniques and poor design, (in Barker's opinion) prevailed. Frustrated, he drifted into working for MGM, creating film sets. He finally found his niche at the Historic Buildings Division of what was then the London County Council (LCC). After years of working with modernists it was a relief to Barker to find an office where his "young fogeyism" was welcome. He enjoyed working under WA Eden, the Surveyor of Historic Buildings, who was dedicated completing the work of the architect and reformer CR Ashbee, who had listed all the buildings that should be preserved within 20 miles of the Aldgate Pump. This idea became the 'Survey of London' and Barker took over when Eden retired in 1970. The LCC became the GLC and Barker became the head of the Historic Building Commission, working on an advisory committee with notables such as Sir John Betjeman, Sir John Summerson, Sir Osbert Lancaster and Sir Hugh Casson.In 1986, he was appointed head of the London Division of English Heritage. He retired in 1988.
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