We found 35023 price guide item(s) matching your search

Good 19th century two train brass shelf clock, the architectural case with various Islamic finial's, with floral engraved brass plates, and movement stamped 'A.D. Mougin' 29cm high

Small 20th century walnut cased bracket style clock, inscribed Rotheram, 25cm high; together with an architectural bakelite watch stand and copper mining lantern (3)

Ebonised wooden two train mantel clock in the black slate manner, the 15cm two train dial within an architectural case, 30cm high

Mid 20th century flat weave Kelim type floor rug decorated with architectural type medallions upon a mustard ground (160 x 250 cm); together with a further multi-coloured striped Kelim rug (150 x 210cm) (2)

A leather case containing a large collection of architectural drawings

An interesting and extensive collection of 18th century black and white architectural engravings after Colen Campbell, many engraved by Hulsbergh, including Lowther Hall, Eaton Hall, Chatsworth, Drumlenrig Castle, Cobham Hall, Wilberry House, Longleat, Castle Howard, Blenheim, etc., maximum approximate sheet size 44 x 59 cm (28), five perspective engravings of interiors including staircases, archways, etc., one dated 1604, 36 x 28 cm approx, etc., all unframed.

German oak bracket clock, with stepped architectural case, fitted with a two train 17cm brass dial, the movement inscribed 'D.R.Pat, W & H Sch,' striking on a gong, 61cm high; together with a well matched oak bracket (2)

A collection of five pencil studies by Rodney Hubbuck, all showing architectural subjects with figures including a Romanesque church and monks, Fallen Fell Kirk, Appenine Studio Garden, etc all signed and dated 1972, with Langton Gallery Ltd labels verso, various sizes 32 x 36cm max, in simple wooden frames (together with accompanying literature)

A late 19th century French gilt striking mantle clock of architectural form, the white enamel dial and movement by Henry Marc of Paris, with fast and slow adjustment, the shaped pediment cast with mask and scroll decoration, canted corners cast with mermaid figures, raised on a beaded rectangular base, 25 x 18 x 11cm.

A limited edition Timothy Richards Commissions architectural model or Hardy Amies London 1945-1995,14 Saville Row 116/250 October 1990, signed. H:21cm W:10cm D:7cm

8 framed architectural prints and engravings including one of Goldsmiths hall.

AN IRISH GEORGE III MAHOGANY LONG-CASE CLOCK, by Martin Kirkpatrick of Dublin, the hood surmounted with architectural cornice, above a glazed panel door enclosing a brass dial inked with Roman and Arabic numerals, inscribed with makers name and origin, the body with panelled trunk door between fluted quadrants, and plinth base. 230cm high

GARDEN MIRRORS, a pair, Architectural Gothic style in distressed painted finish, 122cm x 56cm. (2)

TABLE LAMPS, a pair, 20th century of architectural form with blue and white marble columns brass bases and capitals, 48cm H. (2)

TABLE LAMPS, a pair, architectural form, adapted from stone square balustrades, 48cm H. (2) (with faults)

GARDEN MIRROR, Architectural with domed top in a distressed effect metal frame, 158cm x 66cm.

A carved oak architectural style fire surround

Edwardian architectural oak cased mantle clock, circular dial, fluted columns on stepped base, twin train Junghans movement striking the half hours on a coil, W37cm D14cm, H33cm CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs

20th century architectural oak cased mantle clock, silvered chapter, twin train HAC movement striking the half hours on a coil, H39cm CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs

20th century green onyx architectural cased mantle clock with brass columns & finials, circular dial inscribed Street & Co, now with battery movement, H36cm. Condition Report Click here for further images, condition, auction times & delivery costs

A 19th century Russian bronze plaque, with traces of original enamel, 12.5cm x 11.5cm, in later architectural frame, with another similar bronze plaque, 9.5cm x 8.5cm

A late Victorian photograph album, with many mounted photographs and photographic prints of views and architectural scenes in England and Scotland, including Chester, Mould, Dundee Bridge and Dunkeld (Qty) (1)

Japanese prints to include a Festival scene with lanterns from a bridge, Architectural scene with duck pond, Two figure in a boat on a moon lite night, A book seller in a busy street, Two figures crossing a bridge on a stormy night. largest 35 x 23.5cm (5)

Architectural studies, to include sketches of church exteriors, doorways, locks, columns, capitals, etc, (qty)

Architectural designs and plans, 19th Century, some examples by Willam Atkinson, to include designs for the stables at Hermeston Hall, designs for a lodge, floor plans, a manuscript, Churches, Sir Philips Church, (qty)

Early Victorian miniature pot pouri basket Applied blossoms to lid of basket; painted architectural scenes to body. H7cms approx.

19th century Rogers blue and white meat platter with ancient architectural design, 54cm x 40cm

Cotman, John Sell. A Series of Etchings Illustrative of the Architectural Antiquities of Norfolk, 60 engraved plates, rather waterstained, contemporary half morocco, worn, folio, London: Longman & Co., 1818

A picture postcard album containing mainly architectural postcards

A lacquered postcard album containing a selection of Chinese and Japanese black and white and colour postcards to include prisoner of war beheadings, geisha girls and architectural

A Victorian slate mantle clock of architectural form with brass bezel, the enamel dial and Roman numerals flanked by fluted columns

A gilt metal architectural mantel clock

19th Century oak mantel timepiece with an eight day single train fusee movement with fleur de lis hands, the 8' silvered dial engraved with Roman numerals and 'Barraud & Lunds 49 Cornhill London 4867', the oak architectural case with a paper label for Barraud & Lunds 49 Cornhill (pendulum and key).

AN EARLY CARVED STONE ARCHITECTURAL ELEMENT OF A GROTESQUE MASK. H.28, W.46cms.

AN ANTIQUE ARCHITECTURAL FORM PEDESTAL WITH FAUX MARBLE DECORATION. H.107cms.

A Victorian oak bracket clock by John Boyd, Glasgow, the brass and silvered dial with masks and foliate scrolls, chiming on eight bells and chiming on four gongs, chime/silent dial, slow and fast dial within a heavy architectural brass mounted case on a pedestal case with panelled door and spreading plinth base, the clock 85cm high, the case 125cm high

A modern octagonal centre table with marble and brass inlaid top to architectural pedestal on quadraped base with ormolu style mounts

An Edwardian mahogany bedroom suite to include three door wardrobe with architectural pediment above a mirrored central door flanked by panelled cupboard doors, the left hand door enclosing drawers and linen shelves, the central and right hand drawers enclosing hanging space above drawer, raised on a plinth base, together with a matching dressing table, bedside cupboard and double bed frame, together with two similar bedroom chairs

Early 20th century French brass mantel clock of pierced architectural form, with Roman plaque numeral dial and Japy Freres cylinder movement, striking on a bell, 44cm.

Collection Of Framed Prints and Photographs (9) in total to include small gilt framed landscape, three photographic images of Victorian family groups, floral still life and three architectural photographs

Pair Regency style white glass ceiling bowls, bell shaped with beautifully moulded neo-classical figures, bronze original mounts and chains and electrical fittings 35cm diameter 30cm high (glass bowl only). Provenance: Purchased from Montgreenan House 1982, Montgreenan is a Georgian mansion with architectural features by Alexander Thompson and was built by Sir Robert Glasgow in 1817

*Mantel clock. A 19th century French champlev‚ enamel gilt metal mantel clock circa 1880, the elaborate architectural case with urn finial and columns, circular white enamel dial with black Arabic numerals, four bevel edge glass panels on four bun feet, the brass movement stamped 'Japy Freres, Made in France, 4243 48', 40cm high with key and pendulum (1)

*Mantel clock. A 19th century French champlev‚ enamel gilt metal mantel clock, circa 1880, the elaborate circular architectural case with urn finial and columns, circular white enamel dial with black Arabic numerals, with four bevel edge glass panels, the brass movement stamped 'G.H. Paris, JUST, 451 411', 40cm high with key and pendulum (1)

*Table Cabinet. A late 19th century Continental ebonised table cabinet probably Viennese, of architectural form with enamel panels to the top drawer, two front doors, side panels and base depicting Classical figures, enclosing three drawers each similarly decorated, 19cm high x 15cm wide x 12cm deep, missing one brass spiral column and hinges require restoration (1)

Cameron (Katharine, 1874-1965). An original watercolour bound into Lachrym‘ Musarum and Other Poems, by William Watson, 1st edition, Macmillan, 1892, pen, ink, and watercolour drawing of a young couple in a landscape with a cupid, calligraphic title at head and foot 'So light we parted at eve we knew not that love was born', signed and dated 1897 lower right, image size 15 x 6cm (6 x 2.5ins), bound between F5 and F6, latter with an additional pen, ink, and watercolour head-piece of rose stems and flowers by Katharine Cameron, initialled lower right, half-title signed by the author, book ticket of Roderick Gradidge, Architect, top edges gilt, remainder untrimmed, near contemporary red morocco by Maclehose, Glasgow, signed to front turn-in, gilt lettered spine a trifle darkened and rubbed on joints, gilt fillets on edges and turn-ins, 8vo Scottish artist and book illustrator Katharine Cameron exhibited at the Royal Scottish Academy from 1894 to 1965. Prominent British architect Roderick Gradidge (1929-2000) was an apologist for traditional architecture, an author and architectural historian, and a Master of the Art Workers' Guild. (1)

A mixed lot of architectural fittings, industrial brass switches, door knobs, handles and castors etc ( please see illustrations )

An architectural brass or bronze elementOttoman Turkey, 16th - 17th century . . Cm 18,00 x 6,00.

CHARLES RENNIE MACKINTOSH (SCOTTISH 1868-1928) THE ROAD THROUGH THE ROCKS, PORT VENDRES Signed, watercolour 27.5cm x 38cm (10.75in x 15in) Provenance:Dr M Poleres McCunn (Mrs Aiden Thomson) Dr Thomas Howarth, Christie's 17 February 1994, Lot 76 Exhibited:McLellan Galleries, Glasgow, Charles Rennie Mackintosh, Margaret Macdonald Mackintosh, Memorial Exhibition 1933, no. 57 School of Architecture, University of Toronto, Charles Rennie Mackintosh, Works from the Collection of Professor Thomas Howarth, 1967, no. 54 Art Gallery of Toronto, Charles Rennie Mackintosh, Memorial Exhibition, 1978, no. 163 National Galleries of Scotland, Charles Rennie Mackintosh in France, 2005, no.24 Literature:Roger Billcliffe, Mackintosh Watercolours, 1978, ill.p. 140 Note:Roger Billcliffe dates this watercolour c.1926-27 and points out that ' This is probably Mackintosh's earliest surviving view of Port Mailly on the outskirts of Port Vendres.' 'This man ought to be an artist!' - Sir James Guthrie, on seeing Charles Rennie Mackintosh's watercolours at Glasgow School of Art. In Mackintosh Watercolours, Roger Billcliffe indicates that this inferred division between art and architecture was the opposite of how Mackintosh viewed his work, but it is an interesting introduction to the particular artistic talent of a man still known best for his architectural designs. Mackintosh drew throughout his life. Earlier in his career these drawings recorded details to be utilised in his design ideas and work, but as he aged he began to use pencil and watercolour to create finished artistic works in their own right, starting with the imaginative, symbolist pictures of the early 1890s and moving through a focus on botanical subjects in his later works. The Road through the Rocks dates from c. 1926-27, following his move to the South of France on the advice of friends, particularly the Scottish Colourist painter, J.D. Fergusson. Here he turned his unique approach to the countryside, where the interaction between the natural and man-made intrigued him. In the work seen here, this man-made intervention is one of the forts stationed along the coast and border with Spain. Mackintosh captures both its harmonious insertion into the landscape and the smooth, angular contrast it offered against the undulating hills and jagged cliff edges, capturing the seemingly organic pattern of man and nature with an architect's eye. The Road through the Rocks was included in the 1933 Memorial Exhibition dedicated to Charles and his wife, Margaret Macdonald Mackintosh, where nearly all the later watercolours were purchased by personal friends. It was later in the collection of Professor Thomas Haworth, an eminent collector and promoter of Mackintosh's work, who amassed the largest private collection of his work, as well as publishing many works on Mackintosh.

A 19th century Russian silver snuff box, maker's mark JJ, assay master A.K., rectangular, engraved with architectural scenes, 7.8 x 4.5cm detail rather worn, some strain to the hinge

A GEORGIAN ELM STANDING CORNER CUPBOARD of architectural form with inverted breakfront moulded cornice, bold stop fluted pilasters flanking a pair of arched doors with six fielded panels enclosing shaped shelving, two panelled doors below, moulded base and bracket feet, 51 3/4" x 24 1/2" x 81 1/4" (Est. plus 18% premium inc. VAT)

19thC School. Landscape with cottage, figures, etc., oil on canvas, an architectural sketch titled The Erechtheion Athens, watercolour of a church, a double sided oil painting painted with a portrait and still life, etc.

Winterhalter & Hoffmeister oak mantel clock, circa 1910, architectural case with Corinthian pilasters flanking a brass square dial with silvered chapter ring bearing the retailer's name 'Elkington & Co. Liverpool', winged cherub mask spandrels, matted centre, eight day repeating movement, chiming on five gongs, over a stepped base, 42cm x 31cm Please note our special conditions of sale regarding clocks and watches

P Ramas, London, Regency mahogany and inlaid wheel barometer, architectural pediment over a silvered thermometer flanked with shell inlays, over a silvered 9'' main dial, signed and with an inlaid flowerhead beneath, 98cm

German oak cased mantel clock, circa 1900, architectural case enclosing an arched brass dial with silvered chapter ring, Arabic numerals, Junghans movement striking on five gongs, raised on a plinth base with ball feet, height 47.5cm, width 31cmPlease note our special conditions of sale regarding clocks and watches

French cast brass mantel clock, late 19th Century, Rococo style architectural case surmounted with finials and mask applique over a dial with enamelled Arabic numerals, eight day movement striking on a gong, all raised on leaf capped disc feet, height 51cmPlease note our special conditions of sale regarding clocks and watches

George III oak eight day longcase clock by John Rayment, Huntingdon (1751-95), having an architectural pediment, turned columns flanking a brass 12'' dial, with silvered chapter ring with Roman numerals, signed and matted centre, with subsidiary seconds and date aperture, the movement striking on a bell, plain trunk with quarter pilasters and raised panel box base, height 222cm Please note our special conditions of sale regarding clocks and watches

Regency giltwood portico overmantel mirror, circa 1815-25, having double architectural pediments, raised on Corinthian columns backed with bevelled glass mirrors and flanking a central oval mirror, beneath a foliate moulded frieze, width 158cm, depth 22cm, height 93cm

Oak and mahogany eight day longcase clock, the hood with broken architectural pediment over brass capped reeded columns flanking a 12 1/2'' brass arched dial, with silvered chapter ring, Roman numerals, subsidiary seconds, the movement striking on a gong, the trunk with crossbanded door over a similar crossbanded box base, ogee bracket feet, height 232cmPlease note our special conditions of sale regarding clocks and watches

*Architecture & antiquities. A mixed collection of approximately fifty engravings, 18th century, including thirty-three hand coloured folio engravings of architectural details after Paulus Decker, together with eleven hand coloured engravings from Nicolas Ponce's 'Description des Bains de Titus, and ten plates of classical vases including five by Giovanni Battista Passeri, various sizes and condition (approx.50)

*Architecture. A mixed collection of approximately 220 engravings, mostly 18th century, uncoloured engravings of elevations, capitals, prospects, architectural details and floor plans, including some single sheet and some folding plates from 'Vitruvius Britannicus...,' a few mounted, various sizes and condition (approx.220)