We found 35023 price guide item(s) matching your search

ARCHITECTURAL WALL MIRRORS, a pair, tall rectangular white with moulded frame and glazing bars, 60cm x 220cm H. (2)

A pair of turned oak architectural table Lamps, with Art Nouveau inspired tops, raised on stepped bases, H  66 cm.

Barockkelch, 18. Jh., mit facettiertem Nodus, geschliffenem Dekor, Abriss, H 19,3 cm; Kelch mit kugelförmigem Nodus, poliertem Abriss, H 17,5 cm; facettierter und rubinierter Biedermeier Becher mit Aufschrift "Wartburg", H 10,8 cm; rubinierter mit Architektur- und Landschaftsdekor, H 11 cm; Orrefors Schälchen, D 11 cm. Baroque goblet, 18th century, with faceted nodus, polished decoration, underneath original rough surface, h 19.3 cm; goblet with spherical nodus, at the bottom polished, h 17.5 cm; faceted and rubbed Biedermeier beaker with inscription "Wartburg", h 10.8 cm; rubbed beaker with architectural and landscape decoration, h 11 cm; Orrefors bowl, d 11 cm.

Unbekannter Maler, 19. Jh., Architekturkulisse, Gartenanlage eines Schlosses, Altersspuren, kleine Besch. im Blatt, 59,5 x 88,5 cm. / Unknown painter, 19th century, architectural backdrop, gardens of a castle, traces of age, small dam. in sheet, 59,5 x 88,5 cm

Supraporte, 18./19. Jh., Rückkehr der Hl. Familie aus Ägypten, aufwändige Architekturkulisse und Blick über das Wasser in eine weite Landschaft, Öl/Lwd. 57 x 174 cm, teils rest., Altersspuren. /Supraporte, Return of the Holy Family from Egypt, elaborate architectural backdrop and view across the water into a wide landscape, oil on canvas. 57 x 174 cm, partly restored, traces of age.

Zwei Tuschezeichnungen, Architekturdarstellungen, 18. Jh., Italien: Von zwei Säulen gesäumter Arkadenbogen, mit Giebelbekrönung sowie zwei Putten, die ein ovales Bild tragen, bez. A ... Palladio 3. ... Tab XIII.", Altersspuren, 42,5 x 24 cm (Blatt); Skizze, wohl für ein Kreuzrippengewölbe, drei der vier Felder mit tromp l'oeil Malerei, 34,5 x 43,5 cm. / Two ink drawings, architectural depictions, 18th century, Italy: arcaded arch lined by two columns, with pediment crowning and two putti carrying an oval image, inscribed A ... Palladio 3rd ... Tab XIII.", traces of age, 42.5 x 24 cm (sheet); sketch for a cross ribbed vault, three of the four fields with tromp l'oeil painting, 34.5 x 43.5 cm.

Late 19th century French gilt spelter and porcelain three-piece clock garniture, the clock with 3-inch cellular Roman dial, the centre painted with martial trophies, the two-train movement striking on a bell, stamped HP & Co., and 31143 beneath within a lozenge, the architectural case, stamped 'CAMUS' to rear, with urn surmount over breakfront body and three further panels, 34cm high, raised on conforming original giltwood plinth and ebonised base beneath glass dome, together with a matching pair of ornamental ewers, 30cm high, on serpentine-fronted giltwood bases, 34.5cm high overall, sold with pendulum and winder

A late 19th century James Powell & Sons (Whitefriars) Venetian style fan-shaped glass vase . With 'thrown' wavy rim. Designed by Harry Powell. Height 31cm. Illustrated: Fig 62, " 'Five simple modifications of one form', Harry Powell. 'Table Glass', The Architectural Review, 1899", in Jackson, L. (1996)Whitefriars Glass: The Art of James Powell & Sons, Somerset: Richard Dennis, p25. No condition issues to report.

Taylor (John) All The Workes, first collected edition, additional engraved title within ornate architectural border (some fraying to fore-edge just touching image), woodcut & typographical head-, tail-pieces and initials, woodcut illustrations, C1 duplicated, C2 lacking but provided from another copy loosely inserted thus text complete, Kkk3 & Kkk4 both duplicated, with Kkk3s mis-bound after Kkk4s, H6, Ff3 & Nn2 with closed marginal tears affecting text, Oo2 small hole loss of letters, a few other small marginal defects but no text loss, seventeenth century calf, repairs to spine ends, lower joint foot chipped, small folio, [Pforzheimer 1006; STC 23725], by J.[ohn] B.[eale] for James Boler, 1630. *** Taylor wrote and published his works without the support of patrons and so dedicated his works "To the most high, most mighty, and most ancient producer, seducer and abuser of mankind, the world."

Procopius of Caesarea. The History of the Warres of the Emperour Justinian in Eight Books, translated by Henry Holcroft, first edition in English, additional engraved architectural title, letterpress title in red and black, woodcut initials and headpieces, without final advertisement, 2N2 with paper flaw affecting 2 or 3 letters text, bookplate to pastedown, contemporary calf, rebacked, upper cover detached, some wear to corners, surface wear to covers, [Wing P3640], folio, Humphrey Moseley, 1653. *** Provenance: Sir Lister Holt of Aston (armorial bookplate).

Turkey.- Knolles (Richard) The Generall Historie of the Turkes, first edition, engraved architectural title by Laurence Johnson, engraved portrait illustrations, lacking A1 (blank) but with final errata f., title with early ownership inscription and some neat repairs to edges, the odd marginal chip or tear repaired, a few times into text without loss, the occasional very small rust-hole within text, 3N4 repaired tear affecting a few words, 3P1 small hole within text, some light browning, some water and other staining, generally light, final few ff. lightly creased and soiled, 5H7 fore-margin reinforced, errata with marginal repairs, modern calf, spine gilt and with six raised bands, covers with central gilt lozenge, [STC 15051; Blackmer 919], folio, Adam Islip, 1603. *** "Knolles spent twelve years on the completion of his great history...Knolles' work was greatly praised by Dr. Johnson and its influence was acknowledged by Byron" (Blackmer). We can trace only two copies of the first edition at auction, the last in 2004. 

Netherlands.- [Le Petit (Jean Francois)] A Generall Historie of the Netherlands, edited and translated by Edward Grimestone, first English edition, engraved architectural title (a little creased with repair to lower corner), 57 engraved illustrations, woodcut initials and headpieces, lacking 4 preliminary leaves (comprising deadications to the Earl of Salisbury and to the reader), 3C1 with tear running into text, 5F3 with internal tear affecting some text, occasional loss or tearing to blank margins, occasional creasing but a clean example generally, contemporay calf, neatly and sympathetically rebacked, [STC 12375], folio, Adam Islip, 1609.

Architectural salvage - A Belfast sink, 25cm high x 58cm x 45cm, and another, smaller, 15.5cm x 52cm x 38cm; garden statuary, a scallop-form lead sculpture / ‘bird-bath’, reconstituted stone planter on plinth 43cm high; etc.

A COLLECTION OF EIGHT ARCHITECTURAL WALL BRACKETS LATE 20TH CENTURY Largest in cream painted wood, double floral volute scrolls, 36cm wide, 29cm high, stepped top 15cm deep Pair gilt plaster, lion masks, 17cm wide, 23.5cm high, tops 15cm deep Set of five gilt plaster, leaf scroll, 11.5cm wide, 10.5cm high, tops 11cm deep

A MAHOGANY BREAKFRONT LIBRARY BOOKCASE IN GEORGE III STYLE, LATE 20TH CENTURY The central architectural pediment, above a dentil and moulded cornice glazed and moulded cupboard doors, arrangement of drawers and panelled cupboards 256cm high, 336cm wide, 43cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and use, As catalogued this appears to be of fairly recent manufacture, no firm maker's have been identified by marks or stamps, it is probably a high-quality maker such as Brights of Nettlebed but Dreweatts cannot make any guarantees as to authorship. Some indentations, knocks, minor lossesOverall with a polished appearance,Some keys are present operating various locks at time of reportBreaks into six pieces, the top section into three along the lines of the breakfront outline (three glazed sections above three base sections)Please see additional images for visual reference to condition Condition Report Disclaimer

An architectural stained wood and wire work bird cage, with finial formed as a dove, measuring approx. 56cm in overall height Condition Report:Available upon request

Wren (Christopher). Parentalia, or Memoirs of the Family of the Wrens, viz. of Matthew, Bishop of Ely, Christopher, Dean of Windsor, etc. but chiefly of Sir Christopher Wren... compiled by his son Christopher Wren, late Surveyor-General of the Royal Buildings, President of the Royal Society, &c. &c. in which is contained, besides his works, a great number of original papers and records; on religion, politicks, anatomy, mathematicks, architecture, antiquities; and most branches of polite literature; Compiled, by his son Christopher; now published by his grandson, Stephen Wren, Esq; with the care of Joseph Ames, F.R.S...., 1st edition, London: Printed for T. Osborn, and R. Dodsley, 1750, mezzotint portrait frontispiece of Christopher Wren by John Faber (trimmed to plate mark and relined on contemporary laid paper), title page printed in red and black, dedication with large armorial crest, list of subscribers, 14 engraved plates (including 3 portraits) and 7 folding engraved plans (including a map of London and its environs) with two additional tipped-in engravings by Samuel Ward: Magnetica Magnalia (frontispiece to The Wonders of the Load-Stone, or, the load-stone newly reduc’t into a divine and morall use, London: 1640) at page 227, and The Monument, The figure of y Columne Erected for ye Perpetual Memory of ye most famous City of London that was almost wast by fire in ye Prodigious year 1666 at page 322, plus an annotated contemporary pen and brown ink drawing of Roman urns at page 267, the other additional plates include prospects and interiors of St Pauls, a view of St Peter's Cathedral Westminster (trimmed and laid on contemporary paper),some closed tears to folds, occasional light spotting to plates, appendix, index and bookbinder instructions bound at rear, rough-trimmed edges, burgundy morocco gilt bookplate of W. A. Foyle, Beeleigh Abbey to front pastedown, modern sprinkled half calf over marbled boards, lower outer corners showing, folioQTY: (1)NOTE:Provenance: W. A. Foyle, Beeleigh Abbey (bookplate).Harris, British Architectural Books 949; Mark J. Millard Architectural Collection II, 97; ESTC T145737.The rare first edition of one of the earliest biographies of the celebrated English architect Sir Christopher Wren, compiled by his son and grandson. This copy extra-illustrated with 11 additional engravings and an annotated original drawing illustrating two Roman urns discovered when the foundations of St. Pauls were being laid.

Terrific Register. The Terrific Register; or, Record of Crimes, Judgements, Providences, and Calamities, 2 volumes, 1st edition, London: Sherwood, Jones, and Co., Edinburgh: Hunter, 1825, titles within wood-engraved architectural borders, wood-engraved illustrations, crimson morocco gilt bookplates of W. A. Foyle, Beeleigh Abbey, all edges gilt, finely bound in later tree calf gilt by Morrell, spines with crimson and green labels and elaborate gilt decoration, 8vo, together with [Borrow, George Henry]. Celebrated Trials, and Remarkable Cases of Criminal Jurisprudence from the Earliest Records to the Year 1825, 6 volumes, 1st edition, London: Knight and Lacey, 1825, 35 engraved plates, including 4 folding, some light offsetting and spotting, crimson morocco gilt bookplates of W. A. Foyle, later green half calf gilt by Bayntun Riviere, Bath, spines with burgundy and green labels and gilt decorated, slightly rubbed at ends, 8vo, plus Rayner (J. L. & G. T. Cook, editors). The Complete Newgate Calendar, 5 volumes, London: privately printed for the Navarre Society, 1926, monochrome plates, partly unopened, burgundy morocco gilt bookplates of W. A. Foyle, top edge gilt, crimson half morocco gilt by Zaehnsdorf, 8voQTY: (13)NOTE:Provenance: W. A. Foyle, Beeleigh Abbey (bookplates).

Architectural drawing, Harry Zeegers (1929) Depicting the Rothenburg Altes Rathausportal. Width 29 cm height 39 cm

An architectural model of a revolving staircase, wood.The first half of the 20th century. Dimensions: (H:47,5 x D:29 cm)

A late Victorian oak & brass-mounted combination desk timepiece/thermometer/barometer in architectural case, 40cm wide x 22cm high x 8cm deep (the dials 8cm dia.).

A George III inlaid mahogany stick barometer, the silvered dial signed “Ronketi Fecit”, with thermometer & vernier, & architectural pediment, 99cm high.

Two Chinese carved boxwood mirrors20th centuryEach with elaborate openwork carved borders featuring figures, dragons, architectural features, and floral motifs, with modern mirror plates, each approx. 56 x 68cm. (2)二十世紀 黃楊木雕鏡框兩件Condition Report: Both with expected scattered nibbles and small losses to extremities and a few reattached chips. Expected areas of age cracks,  particularly a large split to the top crest of one mirror. The same mirror with loose joints which have been re glued, causing the mirror to be slightly loose within the frame. the second mirror also with re gluing to joints but overall less loose. Theo same mirror has extensive paper backing to the reverse, presumably to add stability to the carving.

A Qajar rose and nightingale drawing (gul-o-bulbul), Persia, late 19th century, ink and watercolour on paper, 19.4 x 12.8cm.Provenance: H. Kevorkian Collection label to reverseFootnotes: With oval H. Kevorkian Collection label to reverse, no. 2594The gul-o-bul-bul, or rose and nightingale, motif was employed in both Persian literature and painting. In poetry, the two stood in for the beloved and the loved, entwined in either an earthly or divine union. In art, the motif appeared on all types of objects, and during the Qajar period proliferated to the extent that it came practically to symbolize the country itself. It became especially popular among European collectors, who demanded goods and albums decorated with this motif. Shiraz, where this drawing might have been made, was an important center for the production of architectural tiles in this genre as well.Condition Report: With significant losses to paper particularly to top border; staining thoughout; remains of masking tape, corners cut; reverse 

A William IV mahogany breakfront compactum wardrobe, c.1830, the architectural frieze over seven drawers and twin panelled doors flanked by fluted pilasters,258cm wide68cm deep214cm highProvenance: Bonhams, 26 May 2000, lot 246.Buying this wardrobe at auction could save up to 0.46 tonnes of CO2e compared to buying new.Condition ReportAppears re-finished and re-polished with some loss of colour. General knocks, wear and scratches throughout commensurate with age and use. Some losses to moulding in places. Two pulls lacking, with others misshapen. Pulls appear later. Shelves lacking with later hanging fittings. Drawers run generally smoothly, with a couple of splits and areas of wear to interiors. Joints sound and solid. Overall in fair cosmetic and good structural condition and very usable in its current state.

THREE BOXES AND LOOSE WICKER HAMPERS, METALWARES, WALKING STICKS AND SUNDRY ITEMS, to include two Fortnum and Mason wicker hamper baskets, largest approximately 54cm x 37cm x height 39cm, a GR Dunn & Co Ltd bowler hat with Scott's the Hatters hat box, two wooden framed mirrors - one rectangular with architectural style frame, the other fan shaped, three walking sticks, two of which have antler handles, a copper cooking pot (missing lid), three 'I'm glad you're alive' woodblock prints by Peter Driver, signed and numbered verso, two pairs of Harrods shoe stretchers, a boxed Playboy Club 1966 key ring, etc (3 boxes + loose) (sd)

A BLACK SLATE VICTORIAN MANTEL CLOCK, a late Victorian large black slate cased mantel clock of architectural form with gilt and black dial, height 32.5cm x width 35.5cm (1) (Condition Report: missing key and pendulum, hands are loose, does not appear to be working)

After Joseph Nash (1809-1878, British), Six coloured prints, Five architectural interpretations copied from Mansions of England, to comprise 'Hall, Crewe Hall, Cheshire', 'Inlaid Chamber, Sizergh, Westmoreland', 'The Hall, Speke, Lancashire', 'Bay Window In The Hall, Speke, Lancashire', and another, all framed, mounted, and under glass, the largest measures 28cm x 38cm, & 54cm x 60cm overall

New Kingdom, Ca. 1550 - 1069 BC.An example of an Egyptian faience grape cluster. The piercing at the top would allow attachment to a register of faience tiles representing lotus, rosettes, and grape frieze. These are known to have adorned a wall of a palace of Ramesses III at Tell el Yahudiya in lower (northern) Egypt. Such examples of moulded pendant grape clusters were used as architectural ornaments on palaces, temples and shrines, and are associated with gods and royal scenes. For additional information, see F. Dunn Friedmann (ed.), Gifts of the Nile, Ancient Egyptian Faience, London, 1998, p.189, fig.36. Size: 70mm x 45mm; Weight: 55g Provenance: Prince collection, 1990s-2014; Ex. Guy Weil Goudchaux private collection, acquired in the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 600.An elegant gold finger ring comprising a flat-section hoop with applied beaded wire borders and openwork, pelta-shaped design. Raised, arcaded architectural model with granule detailing supports a trumpet-shaped bezel of inset garnet cloison. Size: D:13.3mm / US: 2 / UK: D; Weight: 7g Provenance: Private London collection pre 2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom, Ca. 1550 - 1069 BC.A deep blue faience inlay of a cluster of grapes; This form of grape cluster were used as architectural ornaments on palaces, temples and shrines, and are associated with gods and royal scenes. They are known to have adorned a wall of a palace of Ramesses III at Tell el Yahudiya in lower (northern) Egypt. For additional information, see F. Dunn Friedmann (ed.), Gifts of the Nile, Ancient Egyptian Faience, London, 1998, p.189, fig.36. Size: 55mm x 45mm; Weight: 50g Provenance: Prince collection, 1990s-2014; formerly in K. Schmidt collection.

WALL MIRROR, architectural cornice cream and scroll painted with arched mirror plate, 86cm W x 127cm H.

A collection of vintage photograph albums to include architectural and topographical scenes

A 19th century black slate and rouge marble mantel clock, of architectural form, the enamelled chapter ring showing Arabic numerals, h.36cm

An antique carved oak architectural panel, 58 x 22cm; together with two others (3)

A selection of architectural salvage curtain Pelmets, gilt and brass rings etc

‡ JOHN PIPER 1962 expansive screenprinted Sanderson fabric in two sections - entitled, 'Stones of Bath', 5.18 x 1.22 metres and 2.44 x 1.22 metresAuctioneer's Note: one of 5 John Piper designs commissioned by and as part of the Arthur Sanderson and Company centenary celebrations in 1960, and manufactured from 1962. Using 19 colours, far more than conventional screenprints on paper, the semi-abstract design was based on the architectural features of the City of Bath. Whilst we have auctioned sections previously, we do not believe such a large expanse has been offered at any auction before. As seen in the V&A collection.Provenance: private collection, consigned via our Cardiff office

Architectural engraving

Horses.- Pluvinel (Antoine de) L'Instruction du Roy, en Exercice de Monter a Cheval, additional engraved allegorical title dated 1668, engraved portrait by C.Hagens to verso of dedication, 54 fine double-page engraved plates by Crispian de Pas within woodcut architectural borders only (of 55), all mounted on stubs, some light browning or water-staining (mostly marginal), a few spots or other small stains, one plate a little damp-stained at fold, old ink stamp to title and verso of a few plates, nineteenth century red morocco panelled with gilt rules and fleurs-de-lys in outline at corners, upper cover inlaid with initials CM/MC surmounted by coronet in green, citron and black morocco, lower cover with initial B in black morocco, spine gilt in compartments and five raised bands, inner gilt dentelles, g.e., rubbed, small gouge to one compartment of spine, a few small holes to lower cover, [Nissen ZBI 3203], folio, Amsterdam, Jean Schipper, 1666. *** Treatise on equestrianism for the Dauphin of France, later Louis XIII.

Strada (Jacopo) Imperatorum Romanorum omnium Orientalium et Occidentalium Verissimae Imagines ex Antiquis Numismatis quam Fidelissime Delineatae, first edition, collation: α6 A-V6, lacking final blank, fine woodcut title, repeated woodcut border to 4 preliminary ff., α6 blank present, 118 superb woodcut medallion portraits by Rudolf Wyssenbach after Rudolf Manuel Deutsch within repeated decorative architectural border, caption beneath, each verso with text and arabesque design by Peter Flötner within same woodcut border as in preliminaries, F4 with clean tear, some slight worming to inner margin, light water-stain at foot to many ff., 19th century sprinkled sheep, a little rubbed, modern cloth slip-case, folio (473 x 359mm.), Zurich, Andreas Gessner, 1559.***A lovely copy with rich impressions of one of the great Renaissance illustrated books, describing the medals in the collection of Jacopo Strada, an antiquary from Mantua.  Strada (d.1588), a goldsmith who had studied antique coins and medals, had a successful career in the service of three Habsburg emperors whom he served as artist and advisor on the acquisition of antiquities. He was also supervisor of the imperial Schatzkammer.Provenance: Nordkirchen, Ferdinand von Plettenberg (his inscription on title); Nordkirchen, Esterházy de Galántha (bookplate, the family owned Nordkirchen Castle from 1833 to 1903); Schweinfurt, Otto Schäfer collection (OS 51), acquired in 1955 from W. Heimann through Adalbert Lauter, Munich.Literature: Adams S1919; Mortimer, French 502 (note); Goldschmidt, The Printed Book of the Renaissance, 1950, p. 76

MONOGRAMMIST 'GBC' An architectural studymonogrammed lower right in a shield, etching, depicting gateposts with orb finials, 18cm x 14.5cm

William Walcot (1874-1943) "The Stadium", a grandiose, architectural study of a Roman stadium with uniformed and other figures populating the arena floor, dry-point etching, signed, titled on label verso, in card mount and ebonised frame under glass, 81 cm x 68 cm overall [Walcot was a painter and printmaker celebrated for his architectural studies. He exhibited at the Royal Academy of Arts and Royal Institute of British Architects.]

William Walcot (1874-1943) "Porch, Queen's College, Oxford", a grand, impressionistic, architectural study of the college's facade, with horse-drawn carriages and figures lining the street, dry-point etching, signed, titled on label verso, in card mount and ebonised frame under glass, 64 cm x 74 cm overall [Walcot was a painter and printmaker celebrated for his architectural studies during the 1920s and 30s. He exhibited at the Royal Academy of Arts and Royal Institute of British Architects.]

After Richard Westall (1765-1836) and Thomas Allom (1804-1872) "Carlisle Castle" and "Llanercost Priory, Cumberland", two architectural studies of historic Cumbrian buildings, watercolour tinted engravings, in pen lined card mounts and moulded frames under glass, 28 cm x 25 cm overall largestQty: 2

Alfred Wainwright (1907-1991)“Ripon Cathedral”, a bold, architectural study of the medieval church and grounds, print, signed in green by the artist, 25.5 cm x 20.5 cm

William Walcot (1874-1943) "The Temple", a towering study of the exterior of an Indian or Egyptian temple with a procession exiting its gates, led by two figures wielding a banner and followed closely by lavishly adorned elephants, dry-point etching, signed, titled on label verso, in card mount and ebonised frame under glass, 72 cm x 83 cm overall [Walcot was a painter and printmaker celebrated for his architectural studies during the 1920s and 30s. He exhibited at the Royal Academy of Arts and Royal Institute of British Architects.]

Alfred Wainwright (1907-1991)“Ripon Cathedral”, a bold, architectural study of the medieval church and grounds, print, signed in green by the artist, 25.5 cm x 20.5 cm

Alfred Wainwright (1907-1991)“Stonyhurst College”, an architectural study of the post-medieval college from the treeline, print, signed in green by the artist, 25.5 cm x 20.5 cm

An early 20th Century walnut cased bracket clock in architectural form with carved corinthian pillars supporting a triangular pediment, resting on rectangular plinth supported by carved walnut disk feet. Bevel glazed door opening to a silvered dial with Roman numerals, brass textured centre and ormolu spandrels with "Chime/Silent"selector above the 12 o'clock. German three train movement striking Westminster Chimes. H 45.5cm, W 34.5cm.

French Four Glass mid 19th Century crystal regulator in a rectangular brass case with sculptured architectural plinth and cornice mouldings. Bevelled glass panels to sides. White enamelled dial with black roman numerals and blued steel moon hands. An 8-day two train movement, stamped Hy Marc Paris,  striking the hours and single strike to the half hour on a bell. Adjustable twin-flask mercury compensated pendulum. Backplate stamped with registration number 60183. With key.

An Early 20th century repeating carridge clock, the case of architectural form having a stepped cornice above reeded columns and stepped base and feet, and having an inscription to the top "Presented To Sergt Maj Godfrey by the of Officers R.A & R.E. Castille 1907", 17.5cm high. *CR with winding key, Functional at the time of writing, but functionality is not guaranteed.

INKTERAKTIV, LINES CHAOTIC paper on card album cover, signed31cm x 31cmINKTERAKTIV, aka Caro Clarke is a London based Urban Paper Artist. She works mostly with fluorescent paper strips using paper quilling techniques, and playing with paper and light. Born in Paris, France in 1976, she has spent most of her life travelling, finally settling in London in 2006. Following a degree in Art History & Fine Art with an emphasis on paper, bookbinding and packaging, Caro went on to receive a BFA in Graphic Design & Photography from SCAD (Savannah College of Art & Design) in 1998. Caro's work emphasises the delicacy of paper versus its architectural structure within a minimalist setting. She draws inspiration for her pieces from the urban landscape and her own travels as well as her love for neon lighting, typography, architecture and geometrical patterns. Instagram: inkteraktiv

A collection of Chinese hook-carved red lacquer and gilt architectural panels, 19th century and later including a pair with central circular apertures, 45 cm x 32 cm the aforementioned pair. (12)

An Anglo-Indian carved wood mirror, the rectangular glass over a lower shelf, 94 cm x 49 cmFirst half 20th Doubt that it was originally a mirror, most probably utilising an architectural element, but remains a decorative piece

Howard & Sons of 26-27 Berners St, London a Victorian walnut open credenza library bookcase of bow-fronted form with a figured top and architectural moulded outline, bearing a Howard & Sons paper label and numbered in ink 8190948, 181 cm wide x 31 cm deep x 88 cm overall height.A private estatePlinth missing

Antique Chinese wooden architectural carving in the form of a dragon. With a stand.Height: 13 1/4 in x width: 24 in x depth: 6 in.Condition:There are numerous splits to the wood throughout. Some areas of white accretions. Areas of flaking pigment; the piece may have once been polychromed. Rubbing along the high points. Some light wear to the metal stand.

A architectural style wall mirror, COLLECT ONLY.

A 19th century mahogany banjo barometer with a architectural pediment above an alcohol thermometer and a silvered dial inscribed Franci Faverie and Co, Lincoln

A late Victorian black slate marble 8-day mantel clock of architectural formLocation:

Two albums of Players' large cigarette cards including Wild Animals 1927 (full set), Dogs 1928 (full set), Gilbert & Sullivan 1928 (full set), Portals of the Past 1930 (full set), Country Sports 1930 (full set), Nature Calendar 1930 (full set), Treasures of Britain 1931 (full set), Characters From Fiction 1933 (full set), Film Stars 1934 (full set), Freshwater Fishes 1935 (full set), Cats 1936 (full set), Old Naval Prints 1936 (full set), Championship Golf Courses 1936 (full set), Zoo Babies 1937 (full set), Famous Beauties 1937 (full set), Wild Fowl 1937 (full set), Old Hunting Prints 1938 (full set), Racing Yachts 1938 (full set), Types of Horses 1939 (full set), Golf 1939 (full set), British Naval Aircrafts 1939 (full set), Dogs (unissued) (full set), Dogs 1926 (x 3), Architectural Beauties 1927 (x 7), Game Birds and Wild Fowl 1928 (x 15), Clocks Old and New 1928 (x 12), The Nation's Shrines 1929 (x 8), Picturesque Bridges 1929 (x 13), History of Naval Dress 1929 (x 12), Picturesque Cottages 1929 (x 7), Ships Figureheads 1931 (x 22), Picturesque London 1931 (x 12), Aquarium Studies 1932 (x 10), Wild Animals 1932 (x 22), Dandies 1932 (x 11), Dogs 1933 (x 2), Kings and Queens of England 1935 (x 16), Aviary and Caged Birds 1935 (x 3), British Regalia 1937 (x 8), an album of Players' extra large cigarette cards including Wooden Walls 1908 (full set), Characters from Dickens 1914 (full set), Artillery in Action 1917 (x 3), British Livestock 1923 (full set), Natural History Second Series 1924 (x 14), Natural History First Series 1924 (full set), Old Sporting Prints 1924 (x 7), Dogs 1924 (x 8), British Pedigree Stock 1925 (x 3), Natural History Second Series 1924 (x 5), Natural History First Series 1924 (x 7) and four Compagnie Liebig - Garibaldi et L'Expedition des Milles, Nos. 1-6