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A BRASS MANTEL TIMEPIECE, the dial with enamel chapters and roman numerals, the architectural relief case pierced. Height 12".

A 19th Gothic revival bracket clock the 8 day movement with a silvered dial and Roman numerals, in an architectural oak case with triple cluster columns, the movement stamped 'W & H Sch', 75cm high overall on a bracket.

A Victorian mahogany breakfront linen press, having an architectural cornice over two panelled doors, enclosing slides and two short and three long drawers within full length double panel doors on a plinth base, 2.4m wide x 2.3m high.

French black spelter mantle clock, circa 1870, the chiming movement, with a white enamel face, in an architectural case surmounted by a classical figure. Width 23cm.

Inlaid rosewood and oak bracket clock, circa 1880, the triple fusee movement chiming on coils, brass arched face with silvered chapter ring, chime/silent, eight/four gongs, slow/fast, labelled "Reid & Sons, Newcastle" the architectural case with gilt brass Corinthian columns, raised on brass paw feet. Height 60cm (pendulum, door and winding keys)

Inlaid rosewood chiffonier, circa 1890, the architectural back of two glazed doors on a base of central glazed doors flanked by canted open shelves. Width 107cm 42in

A BIEDERMEIER MAHOGANY HANGING WARDROBE with architectural pediment, panelled doors, half column pilasters on a platform base, 56" wide and 82" high.

A RED SANDSTONE ARCHITECTURAL RELIC, probably Egyptian with carved foliate scroll decoration, 10" high and 11" wide.

AN ITALIAN GILTWOOD AND SIMULATED MARBLE BALDICHINO NICHE of architectural form with foliate sway finial, six ionic columns, 24" high and 18" wide.

Two architectural vents.

A late 19th century walnut bracket clock, the eight-day two-train movement with anchor escapement, striking the hours and quarters on two coiled gongs, the silvered dial with chapter ring and Roman numerals beneath 'chime/silent' and 'slow/fast' subsidiary dials, in an architectural case, 41cm high

A George III mahogany and fiddleback mahogany breakfront bookcase, the later adapted architectural cornice with fretwork friezes, above four astragal glazed doors enclosing adjustable shelves, the base with a double fronted secretaire drawer, the fall front enclosing drawers and recesses around a panelled door, above three long graduated drawers, flanked by two doors to simulate ten short drawers, all with later gilt metal handles, on a plinth base, 262.5 high x 55 deep x 212cm wide.

MARSHALL, David Ryley - Viviano and Niccolo Codazzi and the Baroque Architectural Fantasy, Rome 1993, dust jacket (creased); SESTIERI, Giancarlo & DAPRA, Brigitte - Domenico Gargiulo detto Micco Spadaro, Milan 1994, dust jacket and slipcase, and three other titles (5).

NOVUM TESTAMENTUM, Amsterdam, Joannis Janssonii, 1639, text in Greek and Hebrew, half title and woodcut vignette to front, 'architectural' title to rear, near contemporary black leather and gilt, older restorations, etc., and another title. (2).

A 19th Century mahogany architectural linen press, the sunken centre section with shaped pediment, the arch panelled doors over four graduated drawers, flanked by tall cupboard with cavetto cornice and arch panelled door, the whole upon a plinth base (190x245cm).

'ROSE TRELLIS' A WILLIAM DE MORGAN TILE, Merton Abbey period, impressed mark, 15cms diameter; together with an Architectural Pottery tile of the same design, raised mark Architectural Pottery Poole Dorset. (2)

Triggs, H. Inigo, & Henry Tanner, Some Architectural Works of Inigo Jones 1573-1652, London, B. T. Batsford, 1901, folio (475 x 340mm.), half title, decorative title, frontispiece portrait of Inigo Jones, illustrations, and 40 plates and plans, loose, original cloth gilt, t.e.g., corners bumped

Rowan, Alistair, Robert Adam - Catalogues of Architectural Drawings in the Victoria and Albert Museum, London, Victoria and Albert Museum, 1988, frontispiece, illustrations, original cloth dust-jacket. With a number of other works including Inigo Jones 'Complete Architectural Drawings' (London, 1989), Tim Mowland & Brian Earnshaw's 'John Wood Architect of Obsession' (London, 1988), and Peter Leach's 'James Paine' (London, 1988)

Christian, Ewan, Architectural Illustrations of Skelton Church, Yorkshire, London, George Bell, 1846, folio (375 x 275mm.), tinted lithographed frontispiece, and 17 plates and plans taken from the author's drawings (architect), author's presentation inscription on the front free endpaper, dated July 1855, 'From the Architect to the Builder of St Luke's Church', contemporary green calf backed board, front cover stamped in gilt, t.e.g.. Author's Presentation Copy

Billings, Robert William (1813-1874), Architectural Antiquities of The County Durham: Ecclesiastical, Castellated, and Domestic, Durham, George Andrew, and the Author, 1846, 4to (290 x 230mm.), lithographed frontispiece of Durham Cathedral and 64 plates and plans, lacking front free endpapers, frontispiece and loose, contemporary half calf gilt by Andrews of Durham, g.e., boards detached

Randall, James, A Collection of Architectural Designs for Mansions, Casinos, Villas, Lodges, and Cottages, London, for J. Taylor at the Architectural Library, 1806, folio (405 x 310mm.), 34 aquatint plates by the author, title and plates VII-XI spotted, contemporary half calf, rebacked, extremities rubbed, armorial bookplate of Joseph Neeld.

Heath, Sidney & W. DE C. Prideaux, Some Dorset Manor Houses: with their Literary and Historical Associations, London, Bemrose and Sons Limited, 1907, 4to (310 x 250mm.), half title, title printed in red and black, 20 plates, 35 vignettes, and 10 plates of brass rubbings, original red cloth gilt, partially torn away lot label pasted down onto lower portion of spine. Lloyd, Nathaniel, A History of the English House from Primitive Times to the Victorian Period, London, The Architectural Press, 1949, 4to (310 x 225mm.), half title, title printed in red and black, photographic illustrations, contemporary green cloth gilt. Curzon, The Marquis of Kedleston, Bodiam Castle Sussex, London, Jonathan Cape, 1926, 4to (285 x 220mm.), half title, title within black ruled margin, photographic frontispiece, plates and two folding plans, contemporary cloth, spine lettered in gilt, booksellers label of Exeter Rare Books on verso of front cover and two others, John Steegman's 'The Artist and the Country House', (London, 1949), and Mrs Charles Roundell's 'Cowdray The History of a Great English House', (London, 1884)

Richardson, A. E., & H. Donaldson Eberlein, The Smaller English House of the Later Renaissance 1660-1830. An Account of its Design, Plan, and Details, London, B. T. Batsford, 1925, 4to (285 x 220mm.), half title, photographic frontispiece, 107 plates and plans, illustrations, original green cloth gilt, t.e.g.. Small, Tunstall, & Christopher Woodbridge, Houses of the Wren & Early Georgian Periods, London & New York, The Architectural Press, [1928], large 8vo (325 x 255mm.), half title, title printed in red and black, title vignette, photographic frontispiece of Ormeley Lodge, Ham., plates and plans, original blue cloth gilt. Ramsey, Stanley, C., Small Houses of the Late Georgian Period 1750-1820, New York & London, 1919-1923, large 8vo (320 x 210mm.), two volumes, 2 photographic frontispieces, 160 photographic plates, and 40 plans by J. D. M. Harvey, illustrations, contemporary cloth gilt. Jourdain, M., English Interiors in Smaller Houses, from the Restoration to the Regency, 1660-1830, London, B. T. Batsford, 1923, 4to (310 x 240mm.), half titles, photographic frontispiece, plates and plans, contemporary green cloth gilt. With a duplicate copy of volume I of Ramsey's 'Small Houses of the Late Georgian Period' (London, 1919), and Maurice B. Adams 'Modern Cottage Architecture' (London, 1904)

Oswald, Arthur, Country Houses of Kent, London, Country Life Ltd, 1933, 4to (250 x 185mm.), half title, photographic frontispiece of Leeds Castle, plates, illustrations and a folding map of the county of Kent, original decorative cloth. Cunningham, Colin, Victorian and Edwardian Town Halls, London, Boston and Henley, Routledge & Kegan Paul, 1981, 4to (250 x 190mm.), half title, photographic frontispiece showing the construction of Rochdale town hall, plates, and illustrations, original cloth,and dust-jacket. Harris, John, & Gordon Higgott, Inigo Jones Complete Architectural Drawings, New York, A. Zwemmer Ltd., 1989, 4o (265 x 210mm.), half title, colour and black and white photographic plates and illustrations, original black cloth, and decorative dust-jacket. Together with 17 other works in 17 volumes, including Olive Cooks 'The English Country House (London, 1974), Donald J. Olsen's 'Town Planning in London' (London, 1982), Ian Dunlop's 'Royal Palaces of France' (London, 1985), & Adrian Tinniswood's 'A History of Country House Visiting' (London, 1989)

Sweeting, W. D., Architectural Notice of the Triangular Lodge at Rushton, Northampton, printed and published by J. Taylor and Son, 1868, tall 8vo (225 x 145mm.), advertisement leaves printed on pink paper at end, original decorative yellow paper wrappers. Stowe, Buckingham Sale of the Ducal Estate and Contents of The Mansion Sectional Copy for the Trade only of Part 2 (Furniture Section) of the above Sale Catalogue, Towcester, F. C. Williams, 1921, tall 8vo (250 x 150mm.), contemporary annotations, original paper wrappers. With two other works William George's 'Lytes Cary Manor House' (Bristol, n.d.), and William Bazeley's History of Prinknash Park' (Gloucester, 1890)

James, 2nd Marquess of Salisbury, & Mary, Marchioness of Salisbury (editor), Notes on Hatfield House, Privately Printed, 1886, 12mo (160 x 105mm.), initials, and top-pieces, original paper wrappers. Royce, David, Icomb: Its History, Topography, and Architectural Antiquities, [n.p.], [n.d.], small 4to (205 x 130mm.), lithographed frontispiece, and plates, later paper wrappers, title label pasted down onto front cover. With four other works

Eberlein, Harold Donalds, & Roger Wearne Ramsdell, Small Manor Houses and Farmsteads in France, Philadelphia & London, Lippincott Company, 1926, 8vo (270 x 185mm.), half title, colour frontispiece plate, historiated initials, plates, and plans, original blue cloth gilt, t.e.g., First Edition. With a number of other works including Eileen Harris 'British Architectural Books and Works 1556-1785' (Cambridge, 1990), and Michael I. Wilson's 'William Kent Architect, Designer, Painter, Gardener, 1685-1748' (London, 1984)

Lloyd, Nathaniel, A History of the English House from Primitive times to the Victorian Period, London, The Architectural Press, 1931, large 8vo (310 x 220mm.), half title, title printed in red and black, plates, plans, and illustrations, later ownership inscription on front free endpaper, original green cloth gilt

Amery, Colin, Three Centuries of Architectural Craftsmanship, London, The Architectural Press, 1977, 4to (295 x 210mm.), half title, photographic frontispiece plate, plates, plans, and illustrations, original cloth, dust-jacket. Reilly, Robin & George Savage, Wedgwood the Portrait Medallions, London, Barrie & Jenkins Ltd, 1973, 4to (300 x 210mm.), half title, plates, and illustrations, original light blue cloth, dust-jacket. With eight other works including five volumes from the Country Life published series 'English Country Houses'

Lord Hylton, Some Surrey Manor Houses, Frome & London, Butler & Tanner, [n.d.], 4to (250 x 185mm.), half title, photographic plates, original blue cloth, front cover lettered in gilt. With six other works, including the Oxford Architectural and Historical Society's 'Old Houses in Oxford' (Oxford, 1914)

Architectural Notices of The Churches of the Archdeaconry of Northampton, London, John Henry Parker, 1849, 4o (265 x 165mm.), title vignette, engraved frontispiece, 46 plates, and illustrations, contemporary decorative cloth, spine lettered in gilt

Small, Lunstall, & Christopher Woodbridge, Houses of the Wren & Early Georgian Periods, London & New York, The Architectural Press, ca. 1928, folio (320 x 250mm.), photographic plates, plans, and illustrations, original cloth, spine and front cover lettered in gilt

Gotch, J. Alfred, The Development of House Design in the Reigns of Elizabeth and James, as Illustrated by Contemporary Architectural Drawings, London, Journal Royal Institute of British Architects, 1908, 4to (270 x 210mm.), illustrations, and plans, author's complimentary signature on front bound in wrapper, later red cloth, original paper wrappers bound in, bookplate of John Shaw Firth

Triggs, H. Inigo, Formal Gardens in England and Scotland their planing and arrangement architectural and ornamental features, London, B. T. Batsford, 1902, folio (435 x 340mm.), two volumes, half title, title printed in red and black, 122 plates by the author and Charles Latham, historiated initials, library stamp of Nottingham Free Public Libraries on a few margins, black morocco backed spine, spines lettered in gilt. Subscriber's Copy

Tatham, Charles Heathcote, Etchings, representing The Best Examples of Grecian and Roman Architectural Ornament; drawn from the originals, and chiefly collected in Italy, London, J. B. Nichols and Son, 1843, folio (490 x 305mm.), 129 engraved plates, plate 89 browned, lacking plate 101, later cloth rebacked, original label pasted down, front cover detached, back one partially detached.

A pair of architectural giltwood armorial unicorn finials, each modelled as a horse's head with tall narwhal type horn and lozenge shaped base, 116cm.

A pair of architectural carved wood wall appliques, carved as putti standing in wreaths, flaked white paint, ht 98cm.

F PIRANESI, View of the Paizza del Campidoglio, framed and four 18th Century Italian architectural prints, framed (5)

Two 19th century Russian swing handled baskets, with engraved decoration, each depicting an architectural scene in the centre, one Moscow 1882 the other smaller one Moscow 1880, by different makers, the smaller basket 8in (21.25in ) wide, 18oz.

A 19th century Russian birch bark snuff box, decorated with a bear, a lion, a fox and a bird in pierced vignettes, the cover with architectural features, 3.5in (9cm) long.

An emerald and diamond architectural ring, mounted with an oblong set cut emerald of pleasing colour in a diamond panel frame set with two principal marquse shape stones in a single cut diamond surround, the mount platinum.

Lewis Nockells Cottingham (mid 19th Century), four framed architectural watercolours, Braithwaite Hall - The Gateway, Wharton Hall - The Clock Court, Brougham Hall and Cark Hall, the largest 17cm x 25cm

A needlework sampler by KF 1829, the golden bead initials below alphabet and flower bands and above petit point architectural vignettes, four of flowers and another of a stag, 49 x 26cm

An oak cased mantle clock, the silvered dial with Roman numerals and subsidiary strike/silent dial, within an architectural case, standing on a plinth base with ball feet, 46cm high

A walnut cased architectural mantle clock, the enamelled dial with Arabic numerals, 30cm high

A 19th century German walnut mantle clock, the architectural case with arched brass and silvered dial having Arabic numerals and twin gong striking movement, presentation plaque below, 58cm high

Victorian polished slate and red marble mantel clock, domed architectural case enclosing a white enamel dial with Roman numerals, visible Brocot escapement, the movement striking on a bell, height 33cm

Victorian carved oak aneroid barometer, the dial and thermometer encased within an architectural surround, surmounted with a broken pediment, 95cm

A BLACK MARBLE MANTEL CLOCK movement: drum striking on a bell, the movement contained in an architectural plinth cast with a racing scene, surmounted by a bronzed group of mare and foal, 22in. (56cm.) wide

Dale- 'Furnival's Inn Holborn, Anciently the Mansion of the Lords Furnival', after Schnebbelie, publ. 1st Jan.1819 by Robert Wilkinson, No.125 Fenchurch St.; engraving, 24.6x31.3cm: together with eleven other engravings of architectural scenes in London by different hands, from the same or similar suite, various sizes, (12)

English School, 19th century- Architectural study in Rouen; pen and black ink and wash, signed with initials 'WB' inscribed and dated, 26. 2x14.8cm: together with three watercolours, an oil, a pen and ink drawing and a print, all by different hands, various sizes, (7)

19th century walnut cased regulator wall clock, architectural pediment over single glazed door, enclosing circular enamel dial and pendulum, 105cm long.

A Victorian mahogany cased mantel clock, fitted with 8 day Westminster chime movement. the case with architectural pediment over single glazed door, enclosing brass dial, flanked by pair of fluted columns, on stepped plinth base. 46cms tall.

A Victorian style architectural bird cage on stand, 20thc. 190cms tall x 69cms wide.

A marble head of a bearded Roman style male, framed as an architectural fragment, after the antique, 22cms.

A late 19th Century French mantel clock by Japys Freres, the 4ins black glazed dial with gilt Roman numerals to the eight day two train movement striking on a bell, contained in black slate case of architectural design surmounted by a spelter figure of a seated classical woman, 23.5ins high (See lot 397 for illustration).

A late 19th Century French mantel clock, the 5.75ins gilt dial with Roman numerals to the eight day two train movement, striking on a gong, contained in black slate case of architectural design inlaid with red veined marble panels and gilt line decoration, 16.5ins high

A George IV figured mahogany Secretaire bookcase, the upper part with angled architectural pediment, fitted three adjustable shelves enclosed by a pair of figured and astragal panelled doors, the base with Secretaire drawer with twin dummy drawer front, enclosing interior veneered in birdseye maple, fitted with pigeon holes and eight small drawers, three long drawers under with similar architectural mouldings to drawer fronts and moulded columns to sides, on turned feet, 49ins wide x 97ins high

Three architectural watercolours.

HOLY LAND: An album of 35 full-plate photographs, each 8.75 x 10.75 inches, mostly signed "Bonfils" and captioned within the plate. Together with a panoramic view of Jerusalem, 8.5 x 33 inches, mounted on linen. The photographs depict architectural subjects, landscapes, street scenes, and portraits - "Jeune femme de Bethlehem" etc. Mounted to stout album leaves and with title printed in gold "Photographies de Terre Sainte - F. W. Marroum. Jerusalem". Oblong folio, morocco-backed carved & inlaid olivewood boards. 19th Century.