Two Chinese soapstone carvings, one depicting an architectural landscape, height 22cm, the other depicting fruiting vines, width 30cm and a large mid 20th century baluster vase painted in enamels with continuous garden scene and artist colophon, height 62cm (af). CONDITION REPORT: Vase: Major star crack to the back spreading to the rim, also the vase has a manufacturing imperfection.
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An American Waterbury Clock Company wind up carriage clock, Circa 1880 - 1900 The brass case with scrolling foliate tendril designs, before classical architectural body, further cast with floral spandrels, encircling a white enamel dial with Arabic numerals, surmounted by a rocaille swing handle, 13cm high, inscribed makers mark verso. (illustrated)
A mahogany cased eight day longcase clock, by Thomas Banks, mid 19th Century With 32cm white enamelled dial with Roman numerals and two subsidiary dials, the yellow painted spandrels with floral swags, the architectural casing with reeded columns, extending to a hood flanked by Corinthian columns and surmounted by swan neck pediment with brass orb finial, with eight day two train movement, 218cm high, 55cm wide, 22cm deep, two weights and pendulum. (illustrated)
A 20th French embroidered wall hanging by Rêves du Désert Of rectangular form predominantly yellow hues depicting a central oval vinaigrettes filled with flowering blooms, further detailed with architectural type borders flanked with scrolling swags, canthus tendrils and further foliage, 361x267cms.
A 19th Century French Pinchon Fils Aine' and Boudoir Clock The gilt ormolu case rising on six flower head pad supports extending to a scalloped quatrefoil form base inset with bleu celeste foliate panel extending to Corinthian column designs enclosing the architectural case with sevres style porcelain panel painted with figural designs and a 7cm dial adorned with Roman numerals and foliate chaptering with laurel swags and ribbon cresting adorned with a eagle finial, the movement stamped Pinchon Fils Aine', Paris, together with pendulum. 34cms high. (illustrated)
A five tube musical Westminster style longcase clock The mahogany architectural case raised on bracket feet, the trunk with glazed door revealing five tubular chimes, the hood with swan neck pediment and amphora finials, enclosing a silvered 38cm dial with chapter ring and Arabic numbers below a rolling lunar dial, 240cms high x 56cms wide x 37cms deep. (illustrated)
David Roberts[1796-1864]- 'Granada', old buildings on the Darro:- signed David Roberts and dated 1833 bottom left, inscribed Bridge of the Carbon, Granada Feb.15th 1833 bottom left watercolour over pencil, heightened with white 23.5 x 34.5cm. *Note: An oil painting of this subject and dated 1834 is in the collection of the Victoria & Albert Museum. 44.5 x 59.5cms Ref. 175[0]. The Corral Del Carbon [coal house] is the oldest monument left by the Arabs in Granada [14th Century]. It was used for warehousing. *Biography. Born at Stockbridge, near Edinburgh. Apprenticed for seven years to a house painter, much of his spare time being occupied in sketching local architectural monuments. Engaged as a scene painter in 1822 at Drury lane. He had a full and much respected career in this field until circa 1830 when he abandoned scene painting for architectural painting. He travelled extensively from 1831 visiting France, Spain and Tangier. Between 1838-39 he visited the Holy Land and Egypt, making sufficient sketches to keep him working for the following ten years. Much of his work was produced with the lithographer in mind. In the early 1850s he toured Italy. He became well known as a topographer and for his architectural accuracy. The results of his many travels exist not only in his oil paintings and watercolours but also in numerous prints, which brought him fame and fortune.
A SMALL 19TH CENTURY RUSSIAN NIELLOWORK SNUFF BOX oblong with an architectural scene on the cover, a modern purse in the form of an envelope with suspensory chain, three various vesta cases, an "envelope" card case, initialled, another box (A/F), and a plated tobacco "pebble"; the Russian box 2.2" (5.5 cms) long; 11.3 oz weighable silver (8)
A black slate and green marble mantel clock garniture, Ansonia, early 20th century, the gong striking movement with visable anchor escapement and mercury pendulum, the backplate siged ANSONIA PATENTED NEW YORK , the dial with central Ansonia logo and enamel Roman numeral chapter ring signed Manufactured by The Ansonia Clock Company, New-York, United States of America , within gilt egg and dart border and behind bevel glazed bezel, the case with drum and scroll surrmount above architectural body with columns flanking beval glazed panel, the whole on plinth base with further gilt friezes, 46cm high, the garniture comprising comports in conforming architectural style, each 30cm high

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