We found 35023 price guide item(s) matching your search

19th Century French gilt spelter, porcelain mounted, two train architectural mantle clock with urn shaped finial and brass drum movement.

Victorian black slate architectural clock case. (Case only).

A Persian globular lobed jar, 19th century, painted with panels of figures in architectural alcoves, 15.5cm high

An Indian wooden carving of an Elephant, 19th century or earlier, part of an architectural element, modelled standing on a plinth, 39cm high, together with an Indian wooden carving of a couple in an erotic embrace, modelled on a plinth, with architectural back plate behind, 32cm high(2) Note: the figural carving was featured in - "Tantra - erotic figures in Indian art"- Bernard Soulie , p.28 CONDITION REPORT: signs to surface of scorching/black lacquer

A Moorish geometric marquetry, bone and mother of pearl inlaid chair, 19th century, with beaded back architectural inlaid, elements script panel, red upholstered

A Middle Eastern table, early 20th century, with square top carved with geometrical rope and stylised foliate designs, on a galleried base, pierced with architectural form archways on column supports with under tier on pierced legs, 36cm x 36cm square x 71cm tall CONDITION REPORT: top warped, missing mother of pearl inlay,

A Qajar painting of a Persian woman, late 19th/early 20th century, depicted dressed in a green bejewelled and embroidered jacket and pink floral skirt, within an architectural background, signed to bottom left, later re-lined and mounted, 99.5 x 61cm CONDITION REPORT: later remounted onto canvas, some minor losses, examined under UV, minor retouching in places, sign of possible tear, restored to reasonable quality

A small 19th century oak bracket clock and bracket, the architectural case with carved detail enclosing a broken arch, brass dial with silvered chapter ring and regulator, with eight day ting tang striking mechanism by Winterhalder & Hofneier of Soho

A substantial eastern brass charger of circular form with central embossed star motif, surrounded by trailing bands of further embossed foliage and floral decoration with repeating star shaped medallions, all set within a scripted border and further shaped rim, 65 cm diameter approx together with a framed set of five separate miniature watercolour studies of European architectural and landscape settings, set within a glazed gilt frame of rectangular form with moulded detail, 39 cm long approx together with a vintage Constantia leather clad land tape

A collection of books, all art related, together with a few architectural volumes, mainly mid-20th century and later, seventy five volumes approx

A Guide to Irish Local Government by John Muldoon and George McSweeny. Dublin: Eason & Son Ltd., 1899. Second Edition. With stamp for P.M. Egan Booksellers in Kilkenny. The Law and Practice of Banking in Ireland by Charles MacCarthy Collins. Dublin: James Cornish & Sons, 18 Grafton Street, 1880. Inscribed: 'With...Compliments to Wm Gorman'. And Fitzwilliam Accounts 1560-65 (Annesley Collection), edited by A.K. Longfield, M.A., LL.B.. Dublin: Stationary Office for the Irish Manuscripts Commission, 1960. Gilt lettered maroon cloth-covered boards, no dust-wrapper. Bookplate 'Ex Libris A Martn Freeman 1878-1959'. Six British, Travel Architectural Interest Books: The Night Side of London by J. Ewing Ritchie (London, 1857). A Hand-Book for The Paris of Saint James, Westminster (London, 1850). An Act to Amend the Laws Relating to the Construction of Buildings in the Metropolis by Edward R. Cook (London, 1856). The Loss of the Kent East Indiaman in the Bay of Biscay. by General Sir Duncan MacGregor (London, no date). Unspoiled Dorset: A Book of Photographs by S.W. Colyer. And Urban District of Newcastle, County Down Bye-Laws Relating to New Streets and Buildings (Downpatrick, 1907). Limited Edition Copy of: Lord John Russell by Stuart J. Reid. Sampson Low, Marston & Company. 1895 Quarterbound dark red hardback with a white backstrip. Gilt title on spine. b/w tissue guarded frontis. 9.x6. 381pp. (Limited edition No. 20 of 250) (The Queen's Prime Ministers). And A Large Volume of 'Burke's Peerage and Baronetage or A Genealogical and Heraldic Dictionary of the Peerage and Baronetage...' by Sir Bernard Burke, Edited by his Son. Published by Harrison and Sons (London, 1898, Sixtieth Edition). Red cloth-covered boars with gilt motifs and lettering. (Binding a/f) and Ashford Rectory; or, The Spoiled Child Reformed. Containing a Short Introduction to the Sciences of Architecture and Heraldry; with a Particular Account of the Grecian and Roman Games, Etc. Etc. by France Thurtle (Author of "The History of France" Etc.). London: Printed by N. Hailes, 1818. Second Edition. Pp. 187.

An Architectural Coloured Print, depicting and titled 'Design for the Entrance to the National History Museum, London'. €20-40

A pair of unusual early 19th century framed watercolours depicting architectural style scenes with various notable 18th century figures including Politicians, Artists and Academics

A Limited Edition cased set of five coins European Architectural Heritage Year 1975.

A 19th century South East Asian carved and pierced hardwood architectural element, of floral scroll form, raised on later integral base, h.66cm

A circa 1900 veined marble three piece clock garniture of architectural outline

LATE NINETEENTH /EARLY TWENTIETH CENTURY MAHOGANY CASED VIENNA WALL CLOCK, by Gustav Becker, the roman dial, housed in a typical case with architectural pediment with classical mask, split turnings and shaped under feet, 95cm long

A pair of modern reproductions of architectural etchings, 47 by 35cm. (2)

Orlando Furioso, tutto ricorretto, et di nuove figure adornato Orlando Furioso, tutto ricorretto, et di nuove figure adornato. Con le annotationi di Girolamo Ruscelli, title within woodcut architectural border, 45 only of 46 woodcut plates, woodcut borders to text, historiated initials, title torn and laid down with loss to edges, lacks Z8 and all after u7 at end, numerous tears, some staining, some foxing and browning, ink signature at tail of title, later calf-backed vellum boards, covers splayed,gilt spine, [Adams A1670], 4to, Venice, Vincenzo Valgrisi, 1560; sold not subject to return.

Latin. Biblia Sacra, title within engraved architectural border Latin. Biblia Sacra, title within engraved architectural border, 3 folding engraved maps, thses with short splits at folds, text lightly browned throughout, occasional spotting, contemporary vellum, lacking backstrip, cover detaching, [Not in D ], folio, Frankfurt, M.D.C.XIIX [?1618]. sold not subject to return.

5 albums of photographs, including domestic, rural 5 albums of photographs, including domestic, rural, coastal and architectural views of UK (mostly coastal) and Europe (Alps), both rural and naval portraits and group photographs, various bindings, some worn, some lacking covers or otherwise defective, v.s. [c.1900].

MARCEL AUGIS Four architectural etchings

A 19TH CENTURY FRENCH ROUGE MARBLE AND GILT BRASS 'FOUR GLASS' MANTLE CLOCK, the dial signed J. Sewill, 30 Cornhill, London, with pierced decorative centre and two-train movement, with mercury filled compensating pendulum, the case with architectural marble top with tapering and reeded gilt columns with conforming marble base, 13.5" high

A 19TH CENTURY SCOTTISH ROSEWOOD CASED LONG CASE CLOCK, the circular enamelled dial signed Thomas Dobbie, Glasgow, with subsidiary seconds and date dials, with a two-train movement striking on a bell, the case with an architectural pediment, flanked by heart-shaped piercing's, above a tapering panel door and rectangular base, on turned feet, 80" high

A GEORGE III CABINET with a dental moulded cornice above twin panelled doors enclosing a well fitted interior with central cupboard within an architectural surround, flanked by pigeonholes, folio divisions, and short drawers, 18th century and later, 52.5" x 46"

An early 20th century ebonised eight day architectural mantel clock with arched pediment above circular dial set with Roman numerals, height 44cm.

A collection of Gothic carved architectural mouldings.

Early 20th century oak cased mantel clock, case with architectural detailing, appx 12" high

LArge architectural design black marble mantel clock

Antique Table Top Bronze Mounted Wood Display Cabinet. Architectural Style With Arched Glass Doors, Glass Shelves. Some Age Splits, Wear and Rubbing, No Key or in Good Condition. Measures 27-1/2 Inches Tall, 15 Inches Wide, 10-1/2 Inches Depth. We will not ship this item due to its size. We will happily recommend a list of outside vendors upon request.

A pair of Carter's Tiles, Poole Pottery architectural tiles, probably modelled by William Unwin, each modelled as a classical dolphin either side of an urn, glazed ochre, chips, 31cm. wide

Emily Susan Drummond An album of 36 watercolours and drawings of Bedgebury... Emily Susan Drummond (c.1809-1878) An album of 36 watercolours and drawings of Bedgebury Park and its surroundings Including architectural views of Bedgebury Park House, interior views of rooms in the house, views of cottages and buildings in the Bedgebury Park grounds, and views of the surrounding area Comprising of twenty-eight watercolours over pencil, eight pencil drawings, several heightened with white Several signed and variously dated 1849-1850 All neatly laid onto album leaves, with corresponding manuscript text descripion on reverse of page The majority 23 x 32.5 cm. (9 x 12 3/4 in), or the reverse, some smaller 27 x 18.5 cm. (10 1/2 x 7 1/4 in) Presented in original green calf album, gilt lettering on cover reading ¾dgebury Park' , small folio Provenance: with Louisa (née Beresford, later Hope), Viscountess Beresford (1791-1851) [gifted by the artist, with dedication inscription on flyleaf]; Issac Lewis (who bought Bedgebery Estate from the Beresfords in 1899); Henry D. Lewis, of Combwell Priory; and thence by descent to the present owner. Comparative literature: Susan Lasdun, Making Victorians: The Drummond Children's World , 1983 The Bedgebury Park Estate has a rich and long history of residents, with John de Bedgebury listed as the earliest, who resided in Bedgebury in the fourteenth century. It is recorded that Elizabeth I visited in August 1573. The current house was built in 1688 for Sir James Hayes, and later passed to the Stephenson family who it is said began to improve the plantings of what would later became the pinetum. In the 1840s Viscount William Beresford purchased and developed the estate, creating the village of Kilndown and three lodges (quite possibly one of which Drummond illustrates in the present album). Beresford initiated the development of the pinetum which was later to become the Bedgebury National Pinetum & Forest after being sold by Issac Lewis to the Crown Estate in 1918. It was during the developments made by Beresford that Emily Susan Drummond would have visited and begun her album which she later gifted to Vicountess Beresford. Emily Susan Drummond was the daughter of Lady Emily Charlotte Drummond, neé Percy, (1787-1877) and Andrew Mortimer Drummond (1786-1864). Emily Susan Drummond was one of nine children, who are best known for their illustrations published by Susan Lasdun (op.cit. 1983). The present album not only shows an insight into the development of Bedgebury Estate, but with the views of the surrounding grounds, and the interior views showing the contemporary furnishings and antiques as they were in Bedgebury House, it is also an insightful document into Victorian England.

A pair of large modern framed French architectural pictures, a reproduction map, a print of Oxford, and a portrait print

A VICTORIAN OAK MIRROR-BACK SIDEBOARD having an architectural arched plate within a surround ornamented with florets, an inverted break-front top with geometric and strap moulding and three blind drawers, on two arched cupboard pedestals centred by a recess, the inverted plinth base marked T&F Smith, Glasgow 4120. 198cm(h) x 232cm(w) x 66cm(d) CONDITION: Some minor moulding damage, marks, stains and scratches

Garden Sculpture: A carved Portland stone figure of Plenty holding a cornucopia circa 1900 147cm.; 58ins high, together with a carved stone architectural element carved with a griffin head 30cm.; 12ins high

Garden Urn: A set of three Compton terracotta apple pots early 20th century with small circular manufacturer's stamp 41cm.; 16ins high by 53cm.; 21ins diameter The Compton Potters Art Guild was started by Mary Watts, the wife of G.F. Watts the Victorian allegorical painter. In 1895 work began on the Watts Mortuary Chapel. Designed by Mary Watts, it was to be built from local clay by the villagers of Compton, near Godalming, Surrey. Mr and Mrs Watts were dedicated supporters of the growing Home Arts and Industries Association, a voluntary movement launched by Earl Brownlow in 1885 to revive the dying art of handicraft among the working classes. The idea was that young uneducated artisans should have their eyes opened to the wonders of art. They would be rescued from idleness, gambling and drinking -so the notion ran- during long winter evenings. Uplifted and taught how to use their hands with skill they would acquire a hobby to be proud of and develop this hitherto unknown talent, where possible to professional standards. The Pottery Art Guild continued from strength to strength, winning medals at the Royal Botanical Society and the Home Arts' highest award, the gold cross. They received architectural commissions from Lutyens, Clough William-Ellis and Goodhart Rendel. Recommended by Jekyll, they made miniature versions of their pots for the garden of Queen Mary's dollshouse in the early 1920's. The Guild became a limited company run by George Aubertin and continued to produce works based on Mrs Watts' designs until after her death in 1938. These Apple pattern pots are illustrated in the Art Potters Guild catalogue page 11. Literature: The Watts Chapel, An Arts and Crafts Memorial by Veronica Franklin Gould, Arrow Press, Farnham, Surrey

A pair of fine bronze architectural fittings, possibly door knockers French, 2nd quarter 19th century both indistinctly stamped Brigard, Paris 40cm.; 16ins high

Prints and Pictures - an associated large pair of abstract torn paper and foliage pictures, framed and glazed, 101cm x 81cm and 101cm x 74cm; another decorative modern picture with five architectural prints framed as one, 83cm x 39.5cm (3)

A late 19th century French gilt metal and porcelain mounted mantle clock, the circular dial with Arabic numeral panels and twin train escapement striking on a gong, above a porcelain panel decorated with two cavalier's seated at a table, above a further arcaded section of cavalier's divided by buildings, within an architectural case set with four fruit and acanthus cast finials, 42.5cm high x 25.5cm wide

A late Victorian gilt metal mantle clock, the circular dial with Arabic numerals and pierced fret work centre, the twin train movement striking on a gong, enclosed within an architectural case with pagoda shaped finials, raised on four bun feet, 28cm high x 17cm wide

A 17th/ 18th century walnut, oyster veneered, marquetry inlaid and ebony lined longcase clock Nichs. Bodle East Grinsted, the 10" square brass dial with Roman Numeral chapter ring and pierced spandrels, the four pillar movement striking on a bell, enclosed within an architectural hood supported by reeded columns, the trunk door decorated with panels of flowers and foliage with an oval-shaped bullseye, on a rectangular base and slightly shaped plinth, pendulum and weight present, 207cm high

AN ENAMELLED COPPER PATCH BOX oblong with an architectural scene on the cover, late 18th / early 19th century; 1.6" (4 cms) long

GEORGE II GILTWOOD LOOKING GLASS of architectural form with bevelled rectangular plate, set in a frame with outset corners, the cornice with bold sunflower motifs, broken arch cresting set with feathers and a mask, all on a matted cods roe ground, 62ins. (157.5cms.) high, 37 1/2ins. (95cms) wide

Mid-17th century English School miniature on paper laid on oak panel - portrait of a young noble woman wearing a pearl necklace and earrings and red and white silk dress, within an architectural wreath work surround, 12cm x 9.6cm CONDITION REPORT Probably been cut down at some stage but many years ago. Paint loss visible from images. Some loss to paper lower left corner

19th century wheel barometer with eight inch silver dial signed - Kalabergo Banbury Warranted and separate thermometer, in a mahogany case with inlaid ebony and boxwood stringing and shell paterae, architectural pediment and brass finial, 97.5cm overall height

Walnut and stained wood Vienna wall clock, architectural pediment piece, glazed door with split spindle, spring driven movement, 120cm.

A French carved wood and enamel triptych depicting King John II at the Battle of Poitiers 1356, contained in case of architectural design surmounted by a crucifix, 19ins x 8.25ins overall

A late 19th Century walnut cased "Vienna Regulator" by Gustave Becker, the 6.5ins white enamelled dial with Roman numerals and subsidiary seconds dial to the eight day weight driven two train movement striking on a gong, contained in walnut case of architectural design with angled pediment and arched glazed single trunk door, 83ins high (case wormed and striking mechanism incomplete)

A 19th Century black slate and red veined marble cased mantel clock, the 5ins cream enamelled chapter ring with Arabic numerals to the eight day two train movement striking on a gong, contained in case of architectural design, 17ins high, and a late 19th Century mahogany cased mantel clock with shaped top, 11.5ins high, with key for same

A PINE WARDROBE the architectural pediment above a mirrored door containing hanging rail the base with deep drawer 217cm (h) x 121cm (w) x 53cm (d)

AN EDWARDIAN MAHOGANY AND SATINWOOD CROSS BANDED BUREAU BOOKCASE the architectural pediment above a pair of astragal glazed doors the hinged base containing pigeon holes and drawers with shell inlaid panel above four long graduated drawers on bracket feet 215cm (h) x 90cm (w) x 43cm (d)

A FINE CONTINENTAL GILTWOOD AND GESSO MIRROR the architectural pedament with flowerheads, foliage and ho ho birds above a panel frieze with foliage and cherubs above a rectangular bevelled glass plate within a husk flowerhead decorated frame 212cm x 108cm

A Folder, mostly early 20th Century architectural drawings by E.C. Marriott

THE INDUSTRY OF NATIONS 1851 - THE ART JOURNAL ILLUSTRATED CATALOGUE, George Virtu, 1851; with two other architectural books, three Chinese folding books etc (qty)

Pilasters and Pediments, pair architectural drawings and one other similar print

HAND-PAINTED PART TEA SET of purple and blue floral decoration, comprising five cups, five suacers and six side plates, each piece signed and dated 'M. Collins, 1952' to the base; together with a Tuscan Plant part tea set of colourful hand-finished floral decoration, comprising eleven side plates, ten suacers, five cups and one square bread plate, and another Taylor&Kent hand-finished tea set, the pattern depicting an architectural garden setting, comprising eleven side plates, eight suacers and four cups Overall good condition - generally no major flaws, one or two hairline cracks amongst the items

A 19th C lead insurance plaque depicting an architectural spired building with numbers 77946 below

SIR HENRY RUSHBURY R.A. (1889 - 1968) six architectural etchings, all signed in the plate and then in pencil to the margins, all framed

A 19th C brass lantern clock of architectural form, the dial with Roman numeral and the movement stamped V.A.P Brevete

A collection of early Austrian photographic prints mainly architectural and interior scenes housed in a leather bound album