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An extensive collection of books about Wales and related subjects, including a leather bound edition of The Cambrian Travellers Guide To The Principality of Wales (second edition), published London 1813, Pevsner Architectural Guide for Gwent/Monmouthshire, etc, together with a number of National Museum of Wales booklets and guides, mainly published in the 1930s
A 19th century Antwerp style ebony and tortoiseshell veneered and ebonised cabinet on stand, the plain top over two drawer frieze within carved wavy mouldings, over a pair of tortoiseshell panelled doors enclosing a fitted interior with two banks of five two-panel drawers flanking a central architectural panel with gilt brass mounts and reverse painted glass chinoiserie style plaques, removing to reveal a mirrored interior with gilt columns, ebony and ivory chequered floor and four drawers above and below, over two drawers to the apron beneath, on a stand with ring turned tapered legs and toupie feet, 40½ x 18¼in. (103 x 46.25cm.), 54¾in. (139cm.) high.
Good Example of an oak cased grandfather clock in the 'Architectural' style. Gilded Metal face with Roman Numeral Chapter ring. Along with second face and date. The Hood has original glass blown panel with pillared finial to top. Inscribed to movement at back 'John Pratchett April the 16 1769'.
Original vintage propaganda poster Luftschutz - Air Raid Protection. The air protection office was until 1933 the supreme authority of military aviation. In April, the Reichswehr Minister Werner von Blomberg transferred the air protection office from his division to the Reich Aviation Ministry ( Hermann Göring ). Soon after the seizure of power , the Nazi regime initiated the first governmental measures, thereby preparing the populationto upcoming war. The Reichsluftschutzbund commissioned with the practical implementation (ie training and leadership of the population) also served Nazi propaganda in Germany, air raid protection was of particular importance during the Second World War . Powerful design by Ludwig Hohlwein featuring a Shield bearer holding a chield with a swastika, an important propaganda element in the Third Reich. This image was widely used for display in public placed and became part of the fundraising campaigns. Ludwig Hohlwein (27 July 1874 in Wiesbaden – 15 September 1949 in Berchtesgaden) was a German poster artist. He was trained and practiced as an architect until 1906, when he switched to poster design. Hohlwein's adaptations of photographic images was based on a deep and intuitive understanding of graphical principles. His creative use of color and architectural compositions dispels any suggestion that he uses photos as a substitute for creative design. Very good condition, bumps on corners, small stains on edges, printed on board, two holes on top with a string. Country: Germany. Year: 1940s. Designer: Ludwig Hohlwein. Size: 32 x 21 cm.
William Curtis Green RA 1875 - 1960. Original Pen & Ink Drawing Of A Shop Front Building For Thomas Hesketh Esq. Business Premises, Warrington. Signed W Curtis Green Delt. Gilt Mounted And Framed, 9 x 20 Inches, Overall Size 26 x 16 Inches.English Architect Born In Alton, Hampshire, Studied Engineering At Technical school West Bromwich And Architecture At Birmingham School Of Art, Articled To John Belcher From 1895. He Studied At The royal Academy In 1897 And Joined The Staff At The Builder As The Draughtsman. He Joined The Art Workers Guild And Founded His Own Architectural Practice in 1898, First Commissions Included Several power Stations And Famous Hotels In London And Leeds. In 1910 He Formed The Partnership With Dunn And Watson. In 1942 Green Was Awarded The Royal Gold Medal Of The Royal Institute Of British Architects.
Bible, Dutch. Den Bibel inhoudende dat Oude ende Nieuwe Testament, collation: *8 **10 A-Y8 Z4 Aa-Zz8 Aaa-Bbb8 Ccc10, double column, Gothic type, title with woodcut architectural border, hand-coloured in yellow, 17th century ink ms. notes to inserted ff. at start and end (26pp. in total), tape marks to verso of title, lightly browned, occasional spotting, a few small stains, contemporary calf, gilt, covers with arabesque centre-pieces, lacking silk ties, spine repaired, gauffered g.e., 8vo (172 x 116mm.), [Emden], [Nicolaes Biestkens], 1564.⁂ Rare.Literature: Not in Adams.
Cyprus.- Association copy.- Graziani (Antonio Maria) De Bello Cyprio Libri Quinque, engraved architectural title incorporating the arms of Cardinal Francesco Barberini by Claudio Mellan after Antonio Pomeranci, woodcut decorative initials, water-stained at foot, some light browning, occasional spotting, contemporary red morocco, richly gilt, covers with central arms of the Barberini family, enclosed within double filet borders with inner floral and outer bee corner-pieces, all within a wide floral border, itself bordered by double gilt filets, spine richly decorated with floral and bee tools, rebacked, preserving the original backstrip, upper joint just starting at foot, water-stained, [Blackmer 726], folio, Rome, Alessandro Zanetti, 1624.⁂ First edition of this posthumously published work on the Turkish conquest of Cyprus in 1572. It is dedicated to Cardinal Francesco Barberini, nephew of Pope Urban VIII, and the binding bears the arms of this noble family. Provenance: 17th century Barberini family (arms to binding); John Stafford Reid Byers (armorial bookplate).
Busby (Charles Augustine) A Series of Designs for Villas and Country Houses, 24 engraved plates, of which 14 hand-coloured aquatints and 10 engraved plans, 2 plans on different paper and lightly foxed (one a little shorter at foot), other plates with some marginal soiling, text foxed, old inscription on front free endpaper, bookplates of Rev. Thomas Knox and Robert Edward McLean, with loosely-inserted architectural drawing for house at High Holywood for R.E.McLean Esq. by Thomas Houston Architects of Belfast dated 1907 (3 plans and 2 elevations, pencil with watercolour, on tracing paper, c.525 x 690mm.) and another smaller plan for Arthur Square Development Co. Ltd. of Belfast and a rough pencil plan of the first, original cloth, rubbed and faded, rebacked preserving most of spine, corners worn, [Abbey, Life 10], 4to, 1835.⁂ Originally published in 1808 but with the plates printed in sepia and not coloured.
Syston Park copy.- Catullus, Tibullus & Propertius. Opera, [edited by Arthur Annesley], fine engraved additional architectural title, engraved head- and tail-pieces, occasional spotting, lightly browned, 19th century red straight-grain morocco by Storr of Grantham, gilt, spine faded, corners little worn, rubbed at extremities, g.e., 4to, Cambridge, University Press for Jacon Tonson, 1702.⁂ First edition of Catullus printed in England.
Halfpenny (William) Practical Architecture... or a sure guide to the ... five orders, with their several doors and windows, first edition, 51 engraved leaves, a few ff. corners slightly creased, slightly browned, Finaghy bookplate on front pastedown, contemporary calf, gilt, edges slightly rubbed, [Harris, BABW, 307. Park List 26. Sowerby 4186. O'Neal 53a. Colvin, p. 378], 12mo, Tho: Bowles, and others, [1724].⁂ Halfpenny was the first architectural writer to translate the modular proportions of the orders according to Palladio into feet and inches.
JOHN MERRY RONKETTI, BLOOMSBURYA FINE GEORGE III MAHOGANY AND SHELL INLAID STICK BAROMETER having architectural pediment above a silvered hydrometer with inlays to the corners, the silvered engraved dial with shaped shoulders behind a hinged glazed door, the body with matching glazed door enclosing a silvered thermometer dial with mercury thermometer tube 113cm high.
WILLIAM PORTHOUSE, PENRITH A MID 18TH CENTURY OAK 30HR LONGCASE CLOCK with architectural pediment above an inlaid case with angled long trunk door and box base; standing on bracket feet. The 11" brass dial with silvered chapter ring and rococo spandrels, matted centre with name plaque and date aperture, fronting a countwheel strike 30hr movement with shaped pillars 214cm high.
A LATE 19th CENTURY OAK CASED EIGHT BELL QUARTER CHIMING BRACKET CLOCK the gothic style case with architectural pediment and applied corner columns enclosing a silvered engraved dial with Roman numerals and scrollwork spandrels fronting a three train spring driven eight day movement striking the quarters on a nest of eight bells 51cm high.
GLADING & CO, BRIGHTON A MID 19th CENTURY MAHOGANY REGULATOR LONGCASE CLOCK the flamed mahogany case of architectural style with canted corners and bracket feet enclosing a 14” painted dial with Roman numerals and subsidiary seconds dial fronting an eight day weight driven movement with deadbeat escapement and Harrison maintaining power 211cm high.
ROBERT MILLER, EDINBURGHAN EARLY 19th CENTURY MAHOGANY REGULATOR LONGCASE CLOCK the architectural style mahogany case with canted corners and glazed trunk door enclosing a 12” silvered engraved dial with Arabic numerals and 24 hour observatory layout fronting a substantial A-framed eight day weight driven movement with deadbeat escapement and Harrison maintaining power, original mercurial pendulum and brass cased weight 194cm high.
JOHN DICKMAN, EDINBURGH A WILLIAM IV FLAMED MAHOGANY SCOTTISH EIGHT DAY LONGCASE CLOCK with round dial, cross-banded door and architectural top. The 12" diameter painted dial with Roman numerals, seconds and date dials to the centre, fronting an eight-day weight driven movement striking on a bell 204cm high.
A late 17th century French bracket clock by André Charles Boulle, the boulle work ebonised case of architectural form, the pendant with ormolu mounts, the glazed door flanked by a pair of columns and enclosing the brass dial with Roman and Arabic numerals and twin winding holes 'held' by an ormolu figural relief modelled as Atlas, over a shaped apron, on bun feet the back plate of the brass movement with a visible wheel inscribed 'Torrez Ast. Malo', 48x33 cm CONDITION REPORT: Requires attention. Finials not screwing in correctly. Some losses to boulle work, ebony and mounts. Some veneers missing, One foot replacement. Another foot attached to a piece of timber which is loose on the base. One hand damaged. We believe the bronze figure has been altered and his foot removed. See pictures
Crystalline Arris Coffee Table 152x91cm-Black Glass And Acryllic 152 X 91.6 X 43cm Inspired By The Arris – An Architectural Term For A Sharp Edge Formed By The Intersection Of Two Surfaces. Handcrafted In Sleek Glass Acrylic With Exceptional Clarity, To Accentuate The Bold Symmetry And Clean Lines RRP £7755
Versailles Single Bookcase Black Marble Honed & Iron 90 X 40 X 200cm Fresh Pieces Of European Oak Are Cut To Size And Precisely Fixed At Different Heights To Create An Authentically Textured Surface Finally The Wood Is Lacquered To Help Keep The Finish Looking Good For Years To Come These Handcrafted Pieces Combine The Warmth Of Lightly Distressed Natural Timber With The Architectural Presence Of The Sturdy Iron Frames And Will Bring Character To Contemporary Or Classic Interiors Rrp £1200
Versailles Square Coffee 123 X 123 X 40cm Fresh Pieces Of European Oak Are Cut To Size And Precisely Fixed At Different Heights To Create An Authentically Textured Surface Finally The Wood Is Lacquered To Help Keep The Finish Looking Good For Years To Come These Handcrafted Pieces Combine The Warmth Of Lightly Distressed Natural Timber With The Architectural Presence Of The Sturdy Iron Frames And Will Bring Character To Contemporary Or Classic Interiors Rrp £1075
Versailles Square Coffee 123 X 123 X 40cm Fresh Pieces Of European Oak Are Cut To Size And Precisely Fixed At Different Heights To Create An Authentically Textured Surface Finally The Wood Is Lacquered To Help Keep The Finish Looking Good For Years To Come These Handcrafted Pieces Combine The Warmth Of Lightly Distressed Natural Timber With The Architectural Presence Of The Sturdy Iron Frames And Will Bring Character To Contemporary Or Classic Interiors Rrp £1075
Zazenne Coffee Table Tavern This Architectural Collection Embodies A Truly Modern Aesthetic Designed For The Millennium Zazenne Takes Its Inspiration From The Clean Lines Of Japanese Architecture And Translates It In A Highly Sculptural Range Of Design Cabinets And Lamp Tables Painstakingly Handcrafted And Assembled Demanding Maximum Levels Of Precision And Finesse In A Unique Finishes: Tavern - An All-Wood Finish Produced From Reclaimed Timber Salvaged From Traditional Chinese Doors 130 X 85 X 47.5cm Rrp £1300
A large buff sandstone architectural panel, Rajasthan, Western India, 18th century or later, of rectangular form, carved in relief with a vigorous scrolling iris design in Mughal style, issuing from a rocky mound fringed with acanthus leaves, surrounded by rope twist border, approximately 117cm long x 83cm high x 9cm deep Provenance: Purchased Christie's, unknown auction, 1980s or 1990s
Ω A Flemish ebony and repousse worked silver coloured metal mounted table cabinet , late 17th century style, the hinged cover with mirror within, the twin panel doors opening to an arrangement of ten drawers around a central door, opening to an architectural interior, 58cm high, 56cm wide, 31cm deep Provenance: Purchased Sotheby's, 28th October 2004, lot 351 Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites

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35023 item(s)/page