We found 35023 price guide item(s) matching your search

Pair of Victorian design cast stone architectural corbel wall brackets, stepped rectangular top over a scrolled bracket with relief acanthus leaf decoration and rosette motifs to the sideDimensions: Height: 49cm 

Pair of late 19th century Continental polished cast iron architectural single column Ventilo radiators, probably Belgian, the entablature tops above six rectangular pilaster columns flanked by crowed putto caryatid draped terms, the figures with crossed arms wearing helmets, the tapering foliate lower sections with monopodium lions paw feet, raised on corresponding rectangular plinth basesDimensions: Height: 92cm  Length/Width: 64cm  Depth/Diameter: 13cm

Tempus Stet - 'The Corinth Architectural' dining table, rectangular glass top on moulded composite end supports inset with bronzed metal panels, united by metal stretchers Dimensions: Height: 72cm  Length/Width: 240cm  Depth/Diameter: 90cm

AN ART DECO  WARING & GILLOWS LTD, LANCASTER ART DECO WRITING BUREAU  with fitted fall front writing compartment over two long drawers, top containing label "Guaranteed designed & manufactured at our Lancaster factory Waring & Gillow Ltd" on square architectural form supports with ebonised banding and feet, 106cm high x 77cm wide x 48cm deep Condition Report:"Bureau is in a good condition relative to age with minor chips to the edge of veneer on top drawerBureau comes with key"

Fête books.- Vicente (Don Joseph) Fiestas Centenarias, con que la insigne, noble, leal, y corona ciudad de Valencia..., additional engraved pictorial title, 21 engraved plates only (of 23; lacking engraved map of Valencia), a couple with tears, lacking i4, additional title and final leaf repaired along inner margin, browning, marginal damp-staining, modern marbled paper-covered boards, manuscript paper label to spine, 4to, Valencia, Antonio Bordazar, 1740 § Cibrario (Luigi) Le Feste Toninesi, 13 plates, a little foxing to peripheral leaves, original  cloth, gilt, Turin, Alessandro Fontana, 1842, 8vo (2) *** First mentioned: Scarce - we can trace only one copy at auction in last decade. The celebration in Valencia on the 500th anniversary of the Conquista, the plates depicting the various architectural apparati erected for the occasion.

Architecture.- Campbell (Colen) Vitruvius Britannicus, or the British Architect, containing the plans, elevations and sections of the regular buildings both publick and private in Great Britain, vol. 1 only, first edition, engraved title and dedication, 84 engraved plates, of which 14 double-page, occasional light spots or finger-soiling, a couple of plates with small marginal tears, contemporary panelled calf, spine gilt, a few gouges and generally a bit worn, folio, [Fowler 76; Millard 10], by the author, 1715.*** Campbell's work set the pattern for English architectural design in the 18th century, up to a further four volumes later following this first.   

CARTIER: ART DECO GEM-SET ROCK CRYSTAL BANGLE, CIRCA 1930Each ruby cabochon within an engraved mount of Persian inspiration, with graduated emerald, ruby and sapphire cabochons in pinched collet settings, atop the tiered rock crystal, with ridges to the spine, tapering to a black lacquer hinge, signed Cartier Paris, maker's mark HL for Henri Lavabre, numbered, French assay marks, inner circumference approximately 15.5cm, Footnotes:If 1920s jewels are characterised by simple, flat and geometric motifs, jewels of the 1930s are distinguishable by their sculptural, much bolder forms. Rainbows of vari-coloured gemstones were replaced with subtle accents of colour, sprinkled against dramatic monochrome themes in onyx, black lacquer, diamonds, platinum and rock crystal. The solid, yet transparent quality of rock crystal creates a unique visual effect with light, sparkling like sunshine through cascading water, allowing jewellers to carve voluminous, architectural forms that retained a sense of delicacy and lightness.This exquisite bangle combines 1930s sculpturesque opulence with Cartier's distinctive use of Persian decorative motifs. Significant archaeological discoveries during the second half of the 19th century led to a rediscovery of civilisations beyond Europe's borders. By the turn of the 20th century, Islamic art had become a field of study and inspiration for museums, artists, musicians, dancers, such as the Ballet Russes, and jewellers, such as Cartier. Jacques Cartier travelled extensively throughout India and the Persian Gulf, and Louis Cartier was equally inspired by Islamic art collections in the Louvre and the Musée des Arts Décoratifs' 'Oriental Rooms'. The resulting relationship between Cartier and the East was longstanding and prolific, with Persian and Mughal-inspired motifs appearing in their jewels from the dawn of the 1900s to the 1930s. Accompanied by a document from IAJA Expertise stating that the bangle is by Cartier. Number XP1731-100424, dated 10 April 2024.Please note, VAT at the prevailing rate is applicable on both the Hammer Price and the Buyer's Premium. An additional duty of 2% plus VAT will also be charged on the Hammer Price.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

Mid 19th century gilt brass gothic double fusee bracket clock, the 5-inch convex dial signed ‘Jacobs, Hull’, the wire-driven twin fusee gong striking movement with shouldered plates, the architectural case with castellations, lancet arches and quatrefoil tracery, 40cm high, sold with pendulum, key, and winder

†Stephen Wiltshire (autistic artist): seven unframed small format original drawings in pencil and pen, all depicting architectural and cityscape studies

A late Victorian black slate cased mantel clock of architectural design with Ansonia gong striking movement

A 19thC French black slate mantel clock, the dial signed Grellier, with tapering architectural case.

A French black slate mantel clock, of architectural form, with bronze caryatids, 36cm high.

A French black slate and malachite mantel clock, of architectural form, 35cm high.

Original hand colored etching by architectural and landscape artist Paul Sollmann who represented a German street scene on a sunny day. A sole woman walks in the street that is beautified by the colorful facades and the red and pink flowers on the windowsills. Pencil signed on the lower right: Paul Sollmann. Location of the street on lower left. Housed in a gild plaster and wood frame with an ecru linen mat. Artwork dimensions: 8.75"L x 7.50"H. Frame size: 9.50"L x 8.25"H x 0.50"W. Sticker on verso: Henry Schultheis Company, NYC. Artist: Paul Van Coberg Sollmann (German 1886-1950)Issued: c. 1920Country of Origin: GermanyCondition: Age related wear.

Architectural photographer John M. Hall has captured an interior space where geometric elements and natural light interact splendidly to form a composition made of subdued colors and shapes. This photograph is housed in a black frame with a white mat. Sight size: 15"L x 19"H. Frame size: 18"L x 22"H x 1"W. Artist: John M. Hall (American 1952-2019)Issued: c. 1990Country of Origin: United StatesCondition: Age related wear. Minor dent on lower left side.

KAUFMANN, Karl(1843 Neuplachowitz - 1905 Wien) Belebte orientalische StadtansichtÖl auf Karton. Pseudonym-Signatur: H. Carnier. 19,5 x 30 cm. Gerahmt : 24 x 34 cm. Schmaler vergoldeter Stuckrahmen. Kaufmann (Carl), Landschafts- und Architekturmaler, studierte an der Akademie in Wien. Bereiste Europa, signierte mit diversen Pseudonymen * Partnerauktion Bergmann. Literatur : Benezit (2006), Thieme-Becker (1907-1950), Fuchs (1973). Aufrufzeit 15. | Juni 2024 | voraussichtlich 18:38 Uhr (CET) KAUFMANN, Karl(1843 Neuplachowitz - 1905 Vienna) An animated oriental city viewOil on cardboard. Pseudonymous signature: H. Carnier. 19.5 x 30 cm. Framed : 24 x 34 cm. Narrow gilded stucco frame. Kaufmann (Carl), landscape and architectural painter, studied at the Academy in Vienna. Traveled Europe, signed under various pseudonyms * partner auction Bergmann. Literature : Benezit (2006), Thieme-Becker (1907-1950), Fuchs (1973). Call time 15 | June 2024 | probably 18:38 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2 + 1 Kelchgläser mit Schliffdekor. 2. H. 19. Jh./20. Jh. 2 Gläser aus farblosem, rot gebeiztem Glas, unterseitig monogrammiert signiert: mit konischer Kuppa, facettiertem Schaft und Rundfuß; mit Kerb- und Linsenschliff sowie gravierten Blumen- und Fruchtbuketts mit Vogel (H 13,5 cm). / 1 Glas aus farblosem, bernsteinfarben gebeiztem Glas mit gravierten Architekturdarstellungen und vegetabilen Ranken (H 17,5 cm). Aufrufzeit 13. | Juni 2024 | voraussichtlich 17:47 Uhr (CET)2 + 1 goblets with cut decoration. 2nd half 19th/20th century 2 glasses of colorless, red-stained glass, monogrammed and signed on the underside: with conical bowl, faceted stem and round foot; with notch and lentil cut and engraved flower and fruit bouquets with bird (h 13.5 cm). / 1 glass made of clear, amber-stained glass with engraved architectural depictions and vegetal tendrils (H 17.5 cm). Call time 13 | June 2024 | presumably 17:47 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Kleine Gründerzeit-Tischuhr. Wohl Junghans. Ende 19. Jh. Gehäuse-Nr. 3050. Ungemarktes Werk mit Halbstundenschlag auf Rundgong. Im Kurzzeittest funktionstüchtig, Revision empfohlen. Facettiert verglastes, elfenbeinfarbenes Emailziffernblatt mit arabischen Zahlen, Minutenkranz und Romaines-Zeigern. Nussbaum, Messing. Ca. 46 x 25,5 x 16 cm. 3,1 kg. Architektonisches Gehäuse mit historistischem Schnitz- und Drechselwerk, Rundbogengiebel mit Zapfenbekrönung. Leichte Alters- und Gebrauchsspuren. Mit Schlüssel, ohne Pendel. Aufrufzeit 12. | Juni 2024 | voraussichtlich 18:13 Uhr (CET) Small Wilhelminian style table clock. Probably Junghans. Late 19th century. Case no. 3050. Unmarked movement with half-hour strike on round gong. Functional in short-term test, revision recommended. Faceted glazed, ivory-colored enamel dial with Arabic numerals, minute ring and Romaines hands. Walnut, brass. Approx. 46 x 25.5 x 16 cm. 3.1 kg. Architectural case with historicist carved and turned movement, round-arched pediment with tenon finial. Slight signs of age and wear. With key, without pendulum. Call time 12 June 2024 | probably 18:13 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Marc Aurel zu Pferde und Sockel. Fürstenberg. F-Marken, 1906-1918. Weiß. 1x Modell-Nr. 208, Entwurf 1772 von Jean Jaques Desoches (vor 1769 - nach 1774): Figur des auf einem Pferd reitenden römischen Kaisers (H 24,5 cm). / 1x archtektonischer Sockel mit Trophäenrelief und dem Monogramm "FR" (= Fridericus Rex), original zu einer Plastik Friedrich II. zu Pferde (H 19 cm). Linkes Pferdeohr minimal bestoßen, Gegenstände in der Hand des Reiters fehlen. Provenienz : Aus Thüringer Adelsbesitz. Restitutionsgut mit Inventarnummer des Residenzschlosses Altenburg, vormals Sammlungsbestand der Familie von der Gabelentz auf Schloss Poschwitz. Aufrufzeit 14. | Juni 2024 | voraussichtlich 10:24 Uhr (CET)Marc Aurelius on horseback and pedestal. Fürstenberg. F marks, 1906-1918. White. 1x model no. 208, design 1772 by Jean Jaques Desoches (before 1769 - after 1774): Figure of the Roman emperor riding a horse (h 24.5 cm). / 1x architectural base with trophies in relief and the monogram "FR" (= Fridericus Rex), original to a sculpture of Frederick II on horseback (h 19 cm). Left horse's ear minimally bumped, objects in the rider's hand missing. Provenance : From Thuringian aristocratic property. Restitution property with inventory number of the Altenburg Residential Palace, formerly part of the von der Gabelentz family collection at Poschwitz Castle. Call time 14 | June 2024 | probably 10:24 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Kleine Gründerzeit-Tischuhr. Junghans. Ende 19. Jh. Gemarktes Werk mit Halbstundenschlag auf Rundgong. Im Kurzzeittest funktionstüchtig, Revision empfohlen. Verglastes, vergilbtes Papierziffernblatt mit arabischen Zahlen, Minutenkranz und Romaines-Zeigern. Buche und Nussbaum, Messing. Ca. 42,5 x 25 x 16 cm. 3,2 kg. Architektonisches Gehäuse mit historistischem Drechselwerk, Walmdach mit Rundbogengiebel und Zapfenbekrönung. Ziffernblatt mit Defekten, Alters- und Gebrauchsspuren, Stundenzeiger locker. Mit Schlüssel und Pendel. Aufrufzeit 12. | Juni 2024 | voraussichtlich 18:14 Uhr (CET) Small Wilhelminian-style table clock. Junghans. End of the 19th century Marked movement with half-hour strike on round gong. Functional in short-term test, overhaul recommended. Glazed, yellowed paper dial with Arabic numerals, minute ring and Romaines hands. Beech and walnut, brass. Approx. 42.5 x 25 x 16 cm. 3.2 kg. Architectural case with historicist turned movement, hipped roof with round-arched gable and tenon finial. Dial with defects, signs of age and wear, hour hand loose. With key and pendulum. Call time 12 June 2024 | probably 18:14 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Friedrich II. zu Pferde mit Sockel. Fürstenberg. F-Marke, 1906-1918, Prägemarke "A.a.M." (= "Aus alten Modellen"). Modell-Nr.: 418. Entwurf: 1779/80 nach einer Skulptur von Emanuel Bardou (1744-1818). SCHUBERT, Carl Gottlieb (1730-1808) Weiß. Plastik des Preußenkönigs Friedrich II. zu Pferd (H 29,5 cm). / Architektonischer Sockel mit Trophäenreliefs und dem Monogramm "FR" (= Fridericus Rex) (H 19 cm). Degen und Kandarengebiss restauriert. Provenienz : Aus Thüringer Adelsbesitz. Restitutionsgut mit Inventarnummer des Residenzschlosses Altenburg, vormals Sammlungsbestand der Familie von der Gabelentz auf Schloss Poschwitz. Aufrufzeit 14. | Juni 2024 | voraussichtlich 10:24 Uhr (CET)Friedrich II on horseback with pedestal. Fürstenberg. F mark, 1906-1918, embossed mark "A.a.M." (= "From old models"). Model no.: 418, design: 1779/80 after a sculpture by Emanuel Bardou (1744-1818). SCHUBERT, Carl Gottlieb (1730-1808) White. Sculpture of the Prussian King Frederick II on horseback (H 29.5 cm). / Architectural plinth with trophy reliefs and the monogram "FR" (= Fridericus Rex) (H 19 cm). Restored sword and curb bit. Provenance : From Thuringian aristocratic property. Restitution property with inventory number of the Altenburg Residential Palace, formerly part of the von der Gabelentz family collection at Poschwitz Castle. Call time 14 | June 2024 | probably 10:24 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KAUFMANN, Karl(1843 Neuplachowitz - 1905 Wien) Belebte orientalische StadtansichtÖl auf Karton. Pseudonym-Signatur: H. Carnier. 19,5 x 30 cm. Gerahmt : 24 x 34 cm. Schmaler vergoldeter Stuckrahmen. Kaufmann (Carl), Landschafts- und Architekturmaler, studierte an der Akademie in Wien. Bereiste Europa, signierte mit diversen Pseudonymen * Partnerauktion Bergmann. Literatur : Benezit (2006), Thieme-Becker (1907-1950), Fuchs (1973). Aufrufzeit 15. | Juni 2024 | voraussichtlich 18:42 Uhr (CET) KAUFMANN, Karl(1843 Neuplachowitz - 1905 Vienna) An animated oriental city viewOil on cardboard. Pseudonymous signature: H. Carnier. 19.5 x 30 cm. Framed : 24 x 34 cm. Narrow gilded stucco frame. Kaufmann (Carl), landscape and architectural painter, studied at the Academy in Vienna. Traveled Europe, signed under various pseudonyms * partner auction Bergmann. Literature : Benezit (2006), Thieme-Becker (1907-1950), Fuchs (1973). Call time 15 | June 2024 | probably 18:42 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

4 Bildtafeln mit barocken Ornamenten4 Kupferstiche. Gerahmt & hinter Glas. 2 Bildtafeln aus Paul-Emile Babels "Suite d'Ornements" (148-1759): "Cartouche decoré", gerahmt & hinter Glas: 19 x 24,5 cm | "A Paris chéz Joullain", gerahmt & hinter Glas: 26,5 x 20,5 cm | 2 architektonische Darstellungen mit Spiegeln von Jean Mansart (1705 - 1783): gerahmt & hinter Glas je: 40 x 22 cm. Je stockfleckig und beschnitten. Aufrufzeit 15. | Juni 2024 | voraussichtlich 10:55 Uhr (CET) 4 plates with baroque ornaments4 engravings. Framed & behind glass. 2 plates from Paul-Emile Babel's "Suite d'Ornements" (148-1759): "Cartouche decoré", framed & behind glass: 19 x 24.5 cm | "A Paris chéz Joullain", framed & behind glass: 26.5 x 20.5 cm | 2 architectural representations with mirrors by Jean Mansart (1705 - 1783): framed & behind glass each: 40 x 22 cm. Each foxed and trimmed. Call time 15 | June 2024 | probably 10:55 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BALZER, Johann (1736 - 1799) 4 architektonische Innenansichten4 Kupferstiche. Gerahmt & hinter Glas : Je 19 x 25 cm. 4 architektonische Innenansichten großer Hallen öffentlicher Gebäude nach Gemälden von Leopold Peucker, wohl aus „87 Abbildungen Böhmischer und Mährischer Gelehrten und Künstler“, in Kupfer gestochen und verlegt von Johann Balzer, Prag 1772. Je stockfleckig und beschnitten. Aufrufzeit 15. | Juni 2024 | voraussichtlich 10:55 Uhr (CET) BALZER, Johann (1736 - 1799) 4 architectural interior views4 engravings. Framed & behind glass : Each 19 x 25 cm. 4 architectural interior views of large halls of public buildings after paintings by Leopold Peucker, probably from "87 Abbildungen Böhmischer und Mährischer Gelehrten und Künstler", engraved in copper and published by Johann Balzer, Prague 1772. Each foxed and trimmed. Call time 15 | June 2024 | probably 10:55 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

A black slate mantle clock, of architectural form with a circular dial and Roman numerals

A black slate and marble mantel clock with gilt dial and Arabic numerals, on stepped plinth base, 14" high, another similar smaller architectural clock with white enamel dial and Roman numerals, 10 1/2" high

WILLIAM CHAPMAN (1817-1879). A set of ten watercolours; nine views at York, including Walmgate Bar; Micklegate Bar; Bootham Bar; Monk Bar; Bedern; York Minster; and one view at Chester, all signed, inscribed, and dated, the majority c. 7 1/4 x 6 1/2 in, all unframed, and unmounted, ten (10) William Chapman was an engraver, landscape and architectural painter in Yorkshire. Born in Sunderland, he moved to York by 1869 where he specialised in scenes of the city.

A 19th century American mahogany wall clock, Jerome & Co, Connecticut, Roman numerals on rectangular dial, over panel decorated with portrait of Saint Joseph, 65.5cm high; an American architectural mantel alarm clock, 37.5cm high (2)

A 17th century style oak blanket chest, hinged top, three panel front, each carved with a Jacobean style full-length portrait within an architectural field, 66.5cm high, 133.5cm wide, 56cm deep

A late 19th century German mahogany architectural mantel clock, "The Greenwich Clock", manufactured in Württemberg, specially for W E Watts, Nottingham, no.21545, 45cm, with key

A pair of rococo revival giltwood wall mirrorsThe rectangular plates framed by architectural pilasters surrounded by scrolling foliage and rocaille work, surmounted by a scroll and foliage cresting.109cm high (some repairs) (2)

Contemporary A pair of prints after architectural drawings Print on paper From the Dr Mohammed S Farsi Collection Dimensions: (Paper) 15 in. (H) x 20 in. (W) (Frame) 21 in. (H) x 16.5 in. (W)

RARE FRAGMENT D'ARCHITECTURE EN MARBRE BLANC SCULPTÉÉpoque Qianlong (1736-1795)A RARE WHITE MARBLE ARCHITECTURAL FRAGMENTQianlong periodCarved on both sides with a rocaille-inspired design comprising C-scrolls and scalloped shells around a central aperture, all between strapwork terminating in a flat top and base. 40.5cm x 12.5cm (16in x 5in) Footnotes:清乾隆 大理石建築殘件Provenance:Acquired from Brandt Asian Art Ltd., London, 21 June 2006.Property of a distinguished German collector來源：於2006年6月21日得自倫敦古董商Brandt Asian Art Ltd.德國顯赫私人珍藏For further information on this lot please visit Bonhams.com

19th century French bronze/brass mantle clock, having two train drum movement within architectural case. 36cm high approx. (B.P. 21% + VAT)

22 S/M/L 19th/20th century buttons specialized to architectural.Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Unless otherwise noted we find no significant condition concerns except for normal age related wear for the age of these items.

32 S/M/L 19th/20th century assorted Architectural buttons.Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Unless otherwise noted we find no significant condition concerns except for normal age related wear for the age of these items.

A DUTCH MARQUETRY INLAID MAHOGANY HANGING WALL CABINET, 18TH CENTURYwith architectural pediment over a single glazed panel door, angled sides and shelved mirror, 98cm high; 112cm wide

A collection of grand tour bronzes, late 19th/early 20th century, comprising three architectural models of the Temple of Vesta, a bronze figure of Silenus, the Temple of Castor and Pollux, and the Temple of Saturn,Silenus 9.5cm diameter21cm high (6)Provenance: The Collection of the late Rosemary and Theo Cutting.

A walnut library clock, 19th century, numbered '4301', the rectangular silvered dial inscribed 'Barraud & Lunds, 41 Cornhill, London', with Roman numerals and an engraved surround, enclosing a single chain fusee movement, the backplate also engraved, with pendulum and locking screw, in a plain architectural walnut case with an ivory escutcheon to the side, 17.5cm wide 15cm deep 28cm high Provenance: The David Morris Collection. IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Condition ReportOverall the clock is in very good condition and ready for placement. The movement ticks quite happily when wound but we can't guarantee accurate timekeeping and would recommend that the clock is seen by a professional restorer if intended to be operational. No winder. One lock key to open back and front doors. Some slight tarnish, small scuffs and surface scratches to the dial. The case in very good condition with only a few small splits to the veneers and a couple of possible repairs to the two front corners of the pediment. Please see additional images for reference.

A collection of grand tour models, 19th century and later, after the antique, comprising a brass temple of Saturn, three architectural models of the Temple of Vesta, the Temple of Castor and Pollux, a bronze Capitoline Wolf and a bronze model of the Uffizi Boar, largest 13.5cm wide4cm deep16.5cm high (7)Provenance: The Collection of the late Rosemary and Theo Cutting.

A Victorian blonde oak side table, second half of the 19th century, of architectural form, with a pointed superstructure, raised on spiral-fluted supports terminating in peg feet, 92cm wide43cm deep95cm highProvenance: The selected contents of Comforts Place, Lingfield, Surrey.Condition ReportOverall in good structural condition with slight wobble to the back gallery. Some polished-in dents and water marks to the top. The top has a slight warp to the front right corner. No obvious signs of restoration, alteration or repair. General wear, small splits and signs of age as expected. Draw runs smoothly. Overall in good condition and ready for use. Height to tabletop 76cm. Please see additional images for reference.

A plaster of Paris model of Maison Carrée, c.1820s, French, attributed to Jean-Pierre and François Fouquet, raised on a mahogany stand with Perspex cover,model 10.08cm wide 23.7cm deep 12.5cm highProvenance: The Collection of Ben Weinreb (1912-1999), thence by descent to the present owner.To find out more about the provenance of this lot, please click here.Built in the 1st century AD in the forum of the Roman colony of Nemausus (modern-day Nîmes), the Maison Carrée is one of the earliest examples of a Roman temple which can be connected to imperial worship in the Roman provinces. It is a pseudoperipteral temple built in the Corinthian order and – according to the description given by the architectural writer Vitruvius - represents a nearly textbook example of a Roman templeA careful reconstruction of a dedicatory inscription on the temple in 1758 led scholars to believe it was built in dedication to Augustus’s two grandsons and intended heirs - Gaius and Lucius Caesar – who, prematurely deceased, were accorded the title Princes of Youth (principes juventutis). It is regarded as one of the best-preserved examples of a Roman temple dedicated to the imperial cult in the provinces of Rome and, as a result, is a testament to the period of Rome’s transition from republic to empire.A set of models by Fouquet can also be found in the collection of Sir John Soane's Museum. According to the records held by the Museum, Sir John Soane purchased twenty models by François Fouquet in 1834 from the architect Edward Cresy (1792-1858) who, from 1829-1835, worked in Paris. Soane paid Cresy the substantial sum of £100. It is likely that Cresy purchased the models directly from Fouquet et Fils.Condition ReportSome small chips and knocks, with a evidence of a few areas of repair. Right-hand lion appears replaced. General light surface wear, dust and dirt commensurate with age and use. A hand-written 19th century paper label beneath. General wear, small knocks and losses to base. General knocks and wear to the Perspex case, which appears to have been slightly crudely re-glued. Please see additional photos.dimensions of plaster model 10.8cm wide, 24cm deep, 12.5cm high. Dimensions including base 16cm wide, 29cm deep, 24cm high.

An icon of the Mother of God, late 19th/early 20th century, Russian, surrounded by saints, with architectural detail, tempera and gold on wood, 39cm wide3cm deep31.5cm high

A set of four etchings from the series 'Perspective Views in Naples and Rome' 'A view of the Piazza del Popolo in the city of Rome';'A view of the Piazza Navona in the City of Rome';'A view of Campo Vaccino at Rome';'A view of the Piazza of St. John de Lateran of the Cardinals College of the Holy'a set of four etchings, by Nathaniel Parr after Martial Desboiseach plate size 20 x 25cm, 25 x 30cm framed and glazed,together with a pair of etchings of architectural fountainseach sheet size 29 x 20cm, glazed and in an ebonised and parcel-gilt frame 35.5 x 26.5cm (6)Provenance: The Collection of the late Rosemary and Theo Cutting.

ARCHITECTURAL FORM OVER-MANTEL MIRROR / SEWING MACHINE / FENDER the three section mirror with gilt surround in the Regency style, 66 (h) x 126 (w) x 10cms (d), together with a brass ire fender and vintage cased Singer sewing machineProvenance: private collection Scotland

Timothy Richards (British), Glasgow School of Art architectural model, originally designed by Charles Rennie Mackintosh. Signed to reverse, dated November 1998. Height 20cm, width 18cm, depth 10cm.

A George II walnut bureau bookcase, the segmental cornice above arched doors with raised and fielded panels enclosing adjustable shelves, above candle slides, the bureau with architectural fitted interior and arrangement of drawers, 228cm h; 55cm x 96cm Minor restorations; repolished

A George III mahogany-stained walnut bureau,  with serpentine architectural fitted interior, 104cm h; 50 x 99cm Some faults and cosmetic restorations

A Southern European carved and painted wood sculpture of Christ, 19th c, 20.5cm h and a miniature polychrome wood relief of St. Augustine in architectural shaped copper frame (2) Some faults

Books. Two and a half shelves of general stock, including Cattermole (George, illustrator), Haddon Hall [Derbyshire], illustrated by lithographs from drawings, London: Bemrose and Lothian, 1867, lithographed architectural and letterpress titles, plates, original black roan over pictorial papered boards, folio; cricket interest, including Wisden Cricketers' Almanack; wine; etc

A 19th CENTURY ARCHITECTURAL STYLE OVERMANTEL MIRROR with pediment and carved decoration, 109 x 125cm

A COLLECTION OF GOOD FACSIMILES OF ALBRECHT DURER'S ENGRAVINGS including 'The monstrous pig of Landser','St Eustace', and others, mostly mounted, small red stamp verso, and a small framed architectural print

A Set of Eight Early 20th Century Oak Gothic Revival Dining Chairs to Include Two Carvers, Having Scrolled Pediments Surmounting Architectural Spindle Backs, Solid Seat to Turned Legs and H Frame Stretcher Supports

3¼in sq Magic Lantern Slides, photographic slides, probably from 1950s lecture series - including copies of Edward Steichen (1879-1973) - 'The Thinker', 1902, 'Self-Portrait', 1901, 'Self-Portrait', circa 1929 and 'Maurice Chevalier', 1929 (4); with Dufaycolor (?) of "Rosemary" by M F Harker (Margaret Harker 1920-1913, photographer and pioneer UK photographic educator, former president of the RPS), and another from same sitting (2), colour still life of candles (1), 'modernist' images of sitters, including dodged images (11), portraits (8), still life (5) and architectural (9) (40)

A Victorian marble cased mantel clock in architectural style case

TWO WALL CLOCKS, comprising a Victorian mahogany school/waiting room clock, black painted Roman numerals 'A.Emler & Son High Wycombe', missing key, together with a late 19th Century walnut Vienna wall clock, with an architectural pediment, half turned pillars enclosing an enamel dial with Roman numerals, height 111cm (2) (Condition Report: marks and missing paint to the circular clock face, loose pediment and scratches on the other clock, it winds, but may need attention)

A pair of elegant Louis XVI 3-light wall sconces. The bracket shaped shaft is crowned with a fluted vase decorated with a garland of laurel leaves. The bottom the shaft has a finial shaped as a stylized flower bud. The "S" shaped branches are decorated with stylized acanthus leaves. The plain drip trays rest on a classical vase. Circa 1760-1770 A remarkable feature in the design is the use of architectural details borrowed from the classics. As a reaction to the lively Louis XV-styles (Rocaille and Rococo), the Louis XVI style after about 1755 developed in a more sleek style. Although this movement was called “Le goût Grèc”, the style elements were mainly derived from then recent archeological finds in Pompei and Herculaneum in what was the Kingdom of Naples, nowadays a southern part of Italy. The sconces are made in the style of Jean-Charles Delafosse (1734-1791). His style is characterized by combined and intertwined architectural forms with a multitude of detail and a wealthy formal idiom. The rich imagination with which these objects are designed give them a unique aesthetic appeal. The designs of Delafosse were published in 1768 as “Nouvelle Iconologie Historique” and have been supplemented in 1773, 1776 and 1785. Literature: Hans Ottomeyer & Peter Pröschel, Vergoldete Bronzen, Die Bronzearbeiten des Spätbarock und Klassizismus, München 1986, p. 151 en p. 186. - Sotheby's, New York, May 20, 2006, lot 65 (sold USD 37.500) - Artcurial, Paris, November 2015, 2015, lot 2 (sold € 11.700) width50.5 cm height33.8 cm

The Italian "Pirellone" Floor Lamp designed by Gio Ponti for Fontana Arte in 1967 is a remarkable piece that reflects Ponti's innovative design approach and Fontana Arte's expertise in lighting craftsmanship. Gio Ponti (1891-1979) was an influential Italian architect, designer, and artist renowned for his contributions to modernist design. Fontana Arte, a prestigious Italian lighting and furniture manufacturer, collaborated with Ponti to create this iconic floor lamp. The "Pirellone" Floor Lamp is characterized by its sleek and minimalist design, featuring a slender metal stem and a large cylindrical diffuser made of blown glass. The lamp's name, "Pirellone, " is a nod to the Pirelli Tower in Milan, one of Ponti's most famous architectural works. One of the distinctive features of the "Pirellone" Floor Lamp is its innovative lighting design. The cylindrical diffuser allows for the emission of soft and diffused light, creating a warm and inviting ambiance in any space. The lamp's height and adjustable diffuser make it suitable for various lighting needs, from ambient illumination to task lighting. width38 cm height184.7 cm

The Mid-Century Modern "Aran" Lounge Chair designed by Oscar Niemeyer is a rare and iconic piece of furniture that exemplifies Niemeyer's innovative approach to design. While Niemeyer is primarily known for his groundbreaking architectural works, his foray into furniture design showcases his talent for creating sculptural and functional pieces. The "Aran" Lounge Chair is characterized by its fluid and organic form, reminiscent of Niemeyer's architectural style. The chair's sculptural silhouette features sweeping curves and elegant lines, evoking a sense of movement and dynamism. This unique design sets the "Aran" Lounge Chair apart from more traditional seating options, making it a statement piece in any interior space. Despite its rarity, the "Aran" Lounge Chair has become highly coveted among collectors and design enthusiasts for its unique design and historical significance. Its association with Oscar Niemeyer, one of the most influential architects of the 20th century, adds to its allure and prestige. Ref.: - For a pair of similar chairs : Phillips, London, April 29, 2014, lot 382 (sold £32,500) (link) width79 cm height76 cm

Includes four large, heavy gilded bronze brackets, crafted in the Gothic Revival style, designed to hold rods, tubes, dowels, or bars for displaying curtains, draperies, tapestries, and more. These antique architectural supports feature intricately modeled dragons with outstretched claws and lengthy, serpentine tails, all set against a backdrop of ornate botanical decorations. Weight: 7Lbs, Each.  Dimensions: 12''L x 6''W x 5.5''H, eachCondition: Age related wear.