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A late George III inlaid mahogany stick barometer, Tarone, circa 1800, with architectural pediment and brass urn final above rectangular glazed door enclosing vernier scale calibrated in barometric inches and with the usual observations, beside an alcohol tube Fahrenheit scale thermometer and signed Tarone, Bristol, Fecit, to upper corner, the ebony and box strung trunk with exposed tube over rounded base with chequer inlaid hemispherical cistern cover, 99cm high
Late 19th century walnut bracket clock, in architectural case with carved frieze, square fluted column pilasters with carved capitals, gilt dial with silvered chapter ring, twin train movement stamped 'W.H' for 'Winterhalder & Hofmeier', striking the quarters and hours on coils, H42cm Condition Report Click here for further images, condition, auction times & delivery costs
A Gupta Architectural Panel, Central India, 4th/5th century, red terracotta, modelled in relief, depicting a gandharva within an arch, holding a scarf, 35 x 34.5 x 15.2cm (13 3/4 x 13 1/2 x 6in).Provenance: Collection of the Late Andrew Solomon, London, inv. no. A98. Purchased from Christie's London, 16 June 1987, lot 363. The original auction invoice is sold with this lot.
A Small Terracotta Architectural Relief, Bengal, Eastern India, circa 18th century, of rectangular form, depicting Radha and Krishna in relief, within an arched niche, the Hindu god playing his flute, watched by his companion, 15.2cm (6in) x 9.7cm (3 3/4in) x 3.5cm (1 3/8in).Provenance: Collection of the Late Andrew Solomon, London, inv. no. A24. Purchased on Portobello Road, 19 July 1969
A FRENCH EMPIRE ALABASTER AND ORMOLU PORTICO CLOCK the engine turned dial with white enamel Roman chapter ring, Breguet style hands and swag apron, the eight day duration movement with count wheel strike, anchor escapement and silk suspension with sunburst bob pendulum, the two pillar architectural case with applied mounts, stepped base standing on four turned feet, 40cm high
Late 19th century black and variegated rouge marble mounted mantel timepiece, the architectural case with overhanging cornice and free standing columns on a stepped plinth base to a cast brass bezel with bevelled glass enclosing a 24cms Arabic enamel chapter ring with outside minute track and blued steel fleur de lys to a circular brass movement with anchor escapement, height 29cms
Late 19th century black marble mantel clock, the architectural case with classical frieze panel beneath an arched pediment and with free-standing Corinthian columns on plinth base bearing presentation plaque dated 1889 to a cast and beaded bezel with bevelled glass enclosing a gilt Arabic chapter ring with gilt fleur de lys hands, to a circular brass movement with anchor escapement, strike on a coiled gong, height 32cms
A RARE VICTORIAN ROSEWOOD CASED CABINET PIANO by Thomas Tomkison, London, c.1830, of upright form with architectural pediment above silk pleated curtain concealing vertical strings, the roll top case enclosing ivory keys and labelled with makers mark and retail stamp 'M. Moses, 4. Westmorland Street, Dublin', with fluted upright supports and brass castors. 125cm wide, 188cm highPLEASE NOTE: THIS ITEM CONTAINS OR IS MADE OF IVORYBidders should be advised that importation regulations of several countries, including the US, prohibits the importation of ivory, or any goods containing ivory. Therefore Adams advises prospective purchasers who intend to ship this lot to another country to familiarise themselves with the relevant importation regulations prior to bidding. Adams will not be responsible for shipping items herein and the onus will be on the buyer to organise shipping at their own behest.
Original vintage French railway travel advertising poster: Cheverny. The Château de Cheverny (pronounced "Sheevairny") is located at Cheverny, in the département of Loir-et-Cher in the Loire Valley in France. It is well-known to be part of the châteaux of the Loire valley. The Châteaux of the Loire Valley (French: Châteaux de la Loire) are part of the architectural heritage of the historic towns of Amboise, Angers, Blois, Chinon, Nantes, Orléans, Saumur, and Tours along the Loire River in France. They illustrate Renaissance ideals of design in France. Good condition, small tears and paper losses on margins. Country: France. Year: 1926. Designer: Constant-Duval. Size: 104 x 74 cm.
A Vienna-styled wall clock, walnut case with opening glazed door flanked by geometric decoration, surmounted by an architectural styled pediment, white chapter ring to the two-piece dial with Roman numerals, grid-iron style pendulum with bob marked R/A, German spring driven hour and half past gong strike movement, with key
NO RESERVE Luther (Martin) Der prophet Habacuc, title with woodcut architectural border, 46ff only (of 56, lacking L3 & 4 and all after M4, signatures N & O), browned, water-staining, old half roan, rubbed, spine worn and chipped at ends, [VD 16 B3966], 4to, Wittenberg, Michael Lotter, 1526; sold not subject to return
Petrarca (Francesco) Sonetti, Canzoni e Triomphi, edited by Bernardino Daniello, title within ornate engraved architectural border, woodcut illustrations and historiated initials, title little trimmed, a few marginal repairs, some staining, occasional spotting or light foxing, antiqu style panelled calf, varnished, [Adams P815; Censimento 16 CNCE 32820], small 4to,Venice, Pietro & Gioanmaria Fratelli de Nicolini da Sabio, 1549.
ARTHUR W. SIMPSON OF KENDAL (1857-1922) ARTS & CRAFTS CARVED OAK WARDROBE, CIRCA 1910 the projecting moulded cornice above four doors, each carved with a panel of flowers over two drawers raised on square supports with carved brackets, with applied characteristic patinated brass handles 157cm wide, 190cm high, 63cm deep Note: Arthur William Simpson was born in Kendal, Cumbria 1857 and was apprenticed to Gillows of Lancaster in 1875 and worked at a number of workshops until setting up his own in Kendal in 1885, known as the Handicrafts. He was a follower of John Ruskin and in 1889 one piece was accepted by the Arts and Crafts Exhibition Society. It was there that he would have met the architect Charles Voysey who became a great influence on his work; his designs became more architectural and simpler with less carving; this wardrobe, designed circa 1910, being a good example. By 1912, Simpson was exhibiting alongside Voysey and Walton in the Ideal Home Exhibition at Olympia. His entire stand was sold to one client. He was commissioned to carve panels for Blackwell House, designed by Baillie Scott for Sir Edward Holt and such was his skill he was entrusted by Voysey to make a number of furniture commissions.

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35023 item(s)/page