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A LARGE VICTORIAN TRIPLE FUSEE TABLE CLOCK STRIKING ON EIGHT BELLS, the rosewood architectural case with brass inlay, reeded columns with Corinthian capitals, pineapple finial, raised on four fluted gilt squat bun feet, the arched brass dial with silvered chapter ring, Roman numerals and two subsidiary dials above, the 8 day movement with feathered plates, hourly gong strike, overall H 64 cm, W 36 cm, D 28.3 cm

Circle Of: Francesco Cozza, Italian (1605-1682) Oil on Canvas "Architectural Landscape With The Birth Of Christ". Unsigned. Good conserved condition. Measures 28-1/4" x 31-1/2", frame measures 35-3/4" x 39-1/8". Shipping: Third party. (estimate $5000-$8000)

A RUSSIAN ICON OF THE PRESENTATION OF CHRIST [SRETENIE] IN A GILT SILVER AND ENAMEL OKLAD, MOSCOW, 1908-1917depicting Simeon Bogopriymets with the Infant Christ in his arms near the Temple at Jerusalem meeting The Virgin, as well as Prophetess Anna and Joseph. The chased and repousse border of the silver oklad ornately decorated with a pattern of interweaving ivy, the main scene presented in an architectural setting, the haloes of the saints and the Christ Child decorated in shaded cloisone enamel, the oklad marked with 84 standard, and Cyrillic maker`s mark of S.G., Egg tempera, gold leaf, and gesso on wood panel with kovcheg. One insert splint on the back. 26.3 x 22.8 cm. (10 3/8 x 9 in.)

Architecture The Architectural Association Sketch Book (London), 1874-1911, a broken run of fourteen volumes from several series, each volume with approx sixty to seventy litho plates, various bindings (14)

PALLADIO (A.) The Four Books of Architecture … Translated … by Isaac Ware, 4 vols in 2, folio, 1 red/black printed t.p. (fronting vol. 3) 4 engr. pictorial titles, 195 engr. plates, text illus., old half-calf, (worn), London, Isaac Ware, n.d.; POSSO (A.) Rules … of Perspective, fo., engr. by Sturt, lacking a plate, calf (covers off), L.1707; and another architectural work, defective (4)

Photographs A collection of 118 photographs, late 19th century, topographical and architectural views of Wales, Chester, Alnwick, Durham, Newcastle, Winchester, Isle of Man, Isle of Wight, Scotland, Cumbria, Ireland, Yorkshire, France, etc., various sizes, some initialled J.V. or G.W.W., all mounted in worn half Morocco album; A collection of 47 photographs, topographical and architectural views of Scotland, and the Borders, Winchester, etc., various sizes, some initialled J.V. or G.W.W., 34 mounted in worn half roan album, 13 unmounted (2)

An architectural stone rain hopper, the front with carved satyr mask 36 x 34 x 28cm (14 x 13 x 11in)

A pair of 18th century architectural stone masks of Medieval King and Queen (2) 26 x 20 x 30cm (10 x 8 x 12in)

An architectural stone mask of a Medieval female subject 28 x 23 x 24cm (11 x 9 x 9in)

Two 19th century pressed tortoiseshell card cases, one with architectural scenes, the other with an urn of flowers to either side, together with a third scalloped tortoiseshell card case (3)

A reproduction of a Georgian gilt framed and architectural mirror,

An architectural oak cased mantel clock and a 19th Century boulle cased mantel clock for restoration (2).

A pair of 19th Century carved oak Hall or Architectural Chairs, in the style of Pugin, the panel backs carved in relief in the Gothic taste with shaped seat on front and back graduating legs. (2)

An unusual pair of tall square wooden Architectural style Plinths, decorated on all sides with ionic capitals and rosettes over reeded pillars, on moulded bases, approx. 142cms (56") high. (2)Provenance: Private Northern Irish Collection.

*London. Boydell (J. publisher), A View of Westminster Bridge, 1753, hand coloured engraving, title and description repeated in French, 250 x 415 mm, mounted, framed and glazed, together with Higham (Thomas), View of the Architectural Improvements in the Vicinity of the Bank and the Mansion House, circa 1840, hand coloured engraving, 215 x 410 mm, mounted, framed and glazed, with Wallis (Henry), The Bank of England & Royal Exchange Cornhill, with King WIlliam Street, circa 1840, hand coloured engraving, stained, 220 x 415 mm, mounted, framed and glazed, plus Ashworth (G. C.), Pump Court, Temple, circa 1940, uncoloured etching, titled and signed in pencil by artist below image, 240 x 305 mm, mounted, framed and glazed (4)

*Prints & Drawings. A collection of approximately 250 drawings, prints and engravings, mainly 19th century, including approximately 100 architectural studies and typical drawings by Arthur Bourgeois from the 1850s to the 1880s, including plans and elevations, student work, etc., many signed and dated, or with caption, sheet size 60 x 46 cm (23.5 x 18 ins) or similar, a chromolithograph of a horse race by L. Maurer, a quantity of loose maps, mostly with hand colouring, reproductions of paintings, etc., varying condition, all loose, contained in two old portfolios (2)

India. A group of 11 manuscript notebooks compiled by W.H.T., circa 1870-93, containing sporadic diary entries and observations plus architectural and historical notes and inscriptions in various scripts, interspersed with numerous mostly pen and ink sketches and drawings, plus some in pencil and or watercolour, many of the textual notes in pencil over-inked, the albums with manuscript paper labels to covers noting places visited and including tour in the Himalayas, Agra, Delhi, Nynee Tal, Almorah, Faizabad, Sinaitic Range, Toogluck, Venice, tour through Kuk, horse and elephant worship, snake worship, old Dilloo, Simla, Kot, Lahore, Karaon, Kashmir, Tasmania, Ceylon, Mount Sinai, Gibraltar, Granada, Algeria, Tangiers, Norway, etc., plus three further albums of sketches in Italy etc., circa 1907-08, a total of approximately 800 leaves, largely written and illustrated on rectos and versos to most leaves throughout, mostly contemporary leather, some wear, clasps broken, oblong small 8vo An intriguing archive, the travels largely centred on India. Other than the initials W.H.T. the author seems to have kept their identity secret. While some drawings appear more amateur and sketchy, others show good draughtsmanship and observation of architectural details, scenes and people. (14)

*India. A group of 60 mounted gelatin silver print photographs of India by an unidentified photographer, circa 1960s, mostly architectural subjects plus some street scenes and people, approximately 33 x 20cm and similar sizes, individual mounts, versos blank, uncaptioned and uncredited (60)

†HENRY MOORE, OM, CH (1898-1986) SEVENTEEN RECLINING FIGURES WITH ARCHITECTURAL BACKGROUND lithograph, signed by the artist in pencil, dated 63 and numbered 5/75, 54.5 x 69.5cm++In apparently good condition, fresh and unexamined out of what is probably the original 1960s frame

A FRENCH ARCHITECTURAL STYLE BRASS MOUNTED ALABASTRO FIORITO MANTLE CLOCK J W BENSON OLD BOND ST LONDON, C1900 with silvered dial and gong stricking movement, the backplate stamped JWB 300116, 31cm h++In apparently good condition with pendulum, case not chipped or repaired, polish residues to brass parts

A RARE ENGLISH LIMEWOOD CARVING OF THE HEAD AND WINGS OF A CHERUB, ATTRIBUTED TO THE WORKSHOP OF GRINLING GIBBONS, LATE 17TH C 104cm hProvenance: Olive Cook (1912-2002).This newly discovered carving bears close comparison with those in Grinling Gibbons quire of St Paul's Cathedral, London of c1696-7. The quire was reordered in the 1870s, but the cherubs' heads and wings that remain in situ gaze slightly downwards, the face being planted on to the back of the head, which is constructed in at least two parts. The entire head of the present example would appear to be carved of one piece and the gaze is not so angled, but stares straight ahead. The artist and designer Olive Cook collaborated with her husband, photographer Edwin Smith, whom she married in 1954 on a series of articles on architecture, travel and Victorian popular art. Her home in Saffron Walden was gradually filled with salvaged architectural works of art, such as the present lot. It was not included in the sale of her collection at Cheffins, Cambridge, after her death being retained by a member of her family, the present vendor.++Damage and loss but unrestored, the old coat of dark brown paint chipped in places revealing white ground

Cooke and Kelvey, Calcutta, Victorian twin fusee bracket clock in carved mahogany case with architectural top and painted white Roman dial with trefoil hands, the movement striking on a gong. 46cm tall

French 19thC two-train slate mantel clock, the Arabic ivory coloured chapter ring with beetle and polar hands, the architectural case with twin columned decoration, with floral and foliate engraving to facing panels. 37cm tall

Japy Freres 19thC French two-train slate mantel clock, the Arabic ivory coloured chapter ring with beetle design hands, the Roman architectural case with reeded column decoration with bronze capitols and winged end mask feature above and the named movement striking on a gong. 28cm tall

A large French 19thC two-train slate mantel clock with visible escapement. One self-coloured Roman chapter ring with gold coloured numerals and matching beetle and poker hands. The architectural case flanked on either side by masked decoration and the movement stamped 7.10, striking on a gong. Approximately 40cm tall

A Victorian Gustav Becker style Vienna wall clock, of architectural style.

An 18th Century etched title page, by Giovanni Battista Piranesi - Campus Martius Antiquae Urbis..., published in 1762; architectural engravings, by Claude Rene Gabrel Poulleau - depicting corinthian columns; Christopher Wren portraits; and another (all unframed). (8)

An early 20th Century oak umbrella/stick stand, of architectural style, with original metal liners, 89cms wide.

Continental porcelain, architectural design mantel clock with floral and figural transfer printed decoration, enamel Arabic face with back winding movement.(B.P. 24% incl. VAT)

Early 20th Century oak three train architectural mantel clock with brass face and Arabic chapter ring. 39cm high.(B.P. 24% incl. VAT)

Wall clock, walnut case of architectural design, glazed door, silvered dial, approximately 72cm.

Walnut and stained wood Vienna wall clock, white enamelled dial, spring driven movement, architectural pediment piece with spindles, glazed door flanked by split spindles, 106cm

Antique Buddhist metal temple gong with wooden handled striker and gilded wood and glass inset, suspension bracket in the form of two scrolling Nagas and three pieces variously carved, gilded and glass- inset Buddhist temple architectural mouldings

A late Victorian slate mantel clock in architectural type case

A Victorian and black slate and marble mantel clock in architectural case.

An art deco bakelite Ekco A.C 97. radio, of architectural design with central circular speaker, three faceted knobs and green and red illuminated dial, 53 cm x 35 cm x 22 cm deep

A 19th Century slate architectural mantel clock, with painted columns, arched pediment with Classical frieze, 42 cm wide x 30 cm high

A late 19th century quarter chiming bracket clock, the architectural case with 7 inch silvered Roman dial with subsidiary seconds for chime / silent, regulation and chime on eight bells / Westminster chimes, the three train chain fusee movement with deadbeat escapement, rise and fall regulation and maintaining power, chiming on a rack of eight bells and striking the hour on a gong, height 58cm

Japanese wood block print, figures carrying goods across a bridge by Hiroshige, together with two small framed Japanese watercolours, architectural views

A late 19th century Italian polychrome decorated simulated marble framed overmantel mirror, the plate within architectural frame, gilt swags, 162cm wide x 82cm high.

An extremely large pair of oak external doors and frame, each with raised architectural mouldings and wrought iron mounted glazed panels, the doors, 190cm wide x 280cm high, the frame cut.

A folio of Standard large scale examples of Architectural Details by Mervyn and McCartney

CHINESE DAYBED, early/mid 20th century lacquered with ornate architectural, foliate, figural and landscape decoration, 133cm W x 126.5cm H x 94cm D. (with faults)

GARDEN MIRRORS, a pair, Architectural style, 77cm W x 139cm H. (2)

Three framed architectural drawings.

Gayle Matthias - A cast glass architectural prism block, the terraced foot rising to the sleeve body with a cut out section below an applied arch with chequerboard detailing, engraved signature, height 23.5cm, together with a similar smaller example, height 15cm.

Three framed architectural prints Unfortunately we are unable to do condition reports and extra images for our Interiors Sale

Early 19th century mahogany corner display cabinet, architectural features including swan neck pediment, Corinthian column mouldings flanking single astragal glazed door, separate base with similar glazed door, interior with two fixed shelves, width 81cm (32"), depth 50cm (20"), height 155cm (61"). Condition report: Original stand now missing, various alterations. Unfortunately we are unable to do condition reports and extra images for our Interiors Sale

12 ARCHITECTURAL PICTURES

Two Ivory and Bone Handled Embossed Thomason Style Corkscrews:The bone handled example with Gothic architectural pattern, the ivory example with floral grape and vine decoration CONDITION REPORT: Gothic pattern example missing brush, no dents, full working action, minor loss to the worm.Grape and vine example missing brush, cracks to the handle, no dents, full working action and full worm.

A 19th century black slate and rouge marble architectural timepiece, cream dial, Arabic numerals, step shaped case

Clocks - a 19th century Art Nouveau chiming architectural ebonized mantel clock, arched top, cream and gilt dial, Roman numerals; bronzed feet; others (3)

A walnut and parcel gilt wall mirror after the manner of William Kent , late 19th century, with architectural pediment, 120cm high, 70cm wide

A walnut stick barometer, 18th century with architectural pediment and rectangular glazed door enclosing a classical paper label and vernier scale and turned round cistern cover, replaced tube, 97cm high

A mahogany cased Synchronome Electric master wall clock, the architectural pediment above a full length bevelled glazed trunk door, enclosing a seven inch silvered dial, with Roman numerals, marked Synchronome Electric, London, with silvered cylinder pendulum and electric mechanism to the case, 134cm tall

A William IV rosewood waterfall cabinet bookcase, the architectural canted cornice above four graduated shelves spaced by turned pilasters over a rectangular top and two indented panel cupboard doors, enclosing a fix single shelf and raised on a plinth base, 110cm wide, 37cm deep, 197cm high

Cased set of wooden architectural rules and a cased slide rule

δ Ffiona Lewis (British b.1964) - Still Life Floating W. Brush Oil on board Signed with initials – lower right Signed, titled and dated 1996 to backboard 44 x 60cm (17 1/4 x 23 5/8in.) Ffiona Lewis was born in Devon in 1967. She studied at the Polytechnic of Central London to achieve a BA Hons in Architecture and went on to complete her Diploma in 1990 becoming ARCUK registered the same year. Despite her architectural passion Lewis always had a passion for art and took a series of courses at Central St. Martins. In 1999, Lewis joined the Redfern Gallery to pursue her career as a professional artist. She has held regular exhibitions at the Redfern Gallery and The Northcote Gallery in London and is displayed in public collections across the UK and in New York. Lewis is interested by the social nature of the interior and the unregarded more common aspects of the everyday . Lewis uses the term the glimpse to describe her chosen subject matter, working into the surface of the boards onto which she paints scratching and scarifying to create texture. Lewis was influenced by a group of artists working in St. Ives when she met John Wells. Artists such as Patrick Heron and Rachel Nicholson, not only became friends but inspiration to her work. Lewis joined The Redfern Gallery in 1999. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

A SET OF SIX RUSSIAN SILVER-GILT AND NIELLO SPOONS, the underside of each bowl decorated with an architectural scene, probably Moscow, bearing 84 Zolotnik marks, in a case fitted for twelve. 3 troy ounces

An impressive walnut Vienna two train regulator wall clock, the 8" dial with Roman numerals, the architectural case flanked by two mirrored panels and mounted by masks and a winged eagle