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A 17th Century Flemish Carved Oak Architectural Pediment Section. The moulded break-front top above a carved head of an angel; her wavy flowing hair and feathered wings swept up into voluted scrolls either side and swagged in drapery, 16 ins (41 cms) high, 35 ins (89 cms) wide and 10 ins (25 cms) in depth.
Five monochrome photos of Jim Clark taken at Aintree in 1962-1963, one also featuring Graham Hill and Innes Ireland on the winner's rostrum, all mounted in a single glazed frame, 60 by 76cm., 23 3/4 by 30in.; together with a large Autocar magazine monochrome photographic print of the 1955 Grand Prix race and crowd, framed and glazed, 46 by 61cm., 18 by 24in., and an architectural plan of the racecourse, featuring a hand-drawn, pencil impression of a never-instigated, shortening scheme for both horse and motor courses (3)
Alternative proposals for the Aintree motor race circuit, previously unseen architectural plans detailing two completely different track layouts to that eventually adopted, as produced by unsuccessful companies at the tender stage; together with the contract documents and correspondence between A.A.R.C. Ltd and Tarmac Ltd that built the circuit, plus a quantity of architectural & working drawings and bromide prints of the construction project, including many detailed track plans (a qty.)
Aintree racecourse architectural and engineering archive, including an architect's model titled AINTREE PADDOCKS, a 1965 housing estate proposal by Arthur Swift and Partners, in a wooden carrying case, 69 by 90cm., 27 by 35 1/2in.; a wide variety of plans and maps of the racecourse, its structures, its services, management logistics and proposals for re-development in the 1960s; ordnance survey maps, policing plans, approach road maps, car parking, aerial photographs and blown up display photographs of the racecourse facilities, some items framed, various sizes, some large items (a qty.)
A 19th century Austrian mahogany secretaire a abattant, with ebonised moulding, the architectural stepped pediment above a panelled bowfront door flanked by columns, above a drawer and a fall with lead weights to a stepped interior with central cupboard door flanked by pigeon holes and drawers above three further long drawers to block feet, 76in (193cm) h, 39in (99cm) w, 20.5in (52cm) d. Cracks to both sides of the top with veneer loss to cupboard door and below.
An early 20th century French gilt metal mounted alabaster mantel clock, the 9cm dial with Roman numerals, powered by a drum bell striking movement, numbered 8072, housed in an arched top architectural case surmounted by two cherubs, stamped PH Mourey, raised on scroll feet and set on a plush lined shaped plinth base, with key, height of clock 31cm
An early 20th century gilt and patinated metal clock garniture, the classical architectural case with figural finial above an 11.5cm dial with pierced gilt centre, indistinctly inscribed, flanked by columns and classical figures in niches, on a stepped plinth, height 48cm, the conforming circular portico garnitures with classical statues to the centre, height 37cm (3)
FINE WILLIAM IV BIRD'S EYE MAPLE SARCOPHAGUS TEA CADDY OF BOLDLY ARCHITECTURAL FORM, the cover centred by a rectangular gadrooned tablet, the carcass of waisted form, carved with a border of tongue and dart, fitted with ring handles (one detached), the interior with two hinged compartments and a space for a mixing bowl, raised on flattened bun feet. 23cm by 37cm
GRAVES, Algernon, 'A Dictionary of Artists', London, 1895. Fo. 1/2 leather, Tog. with ARMSTRONG, E.A. 'Axel Herman Haig & His Work', The Fine Art Society, 1905, Plus HOLME, Geoffrey, (ed), 'The Old' Water-colour Society 1804-1904', London, 1905. Plus WALCOT, W. 'Architectural Water Colour and Etchings of W. Walcott', Dickins, London, 1919, Ltd. Edn. 130/250. Fo. Plus 3 others. 7.

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