We found 35023 price guide item(s) matching your search

P. Caminda, a mahogany stick barometer: the silvered dial engraved with typical gauge, maker`s name P. Caminda, Taunton and set with a thermometer to the side, with a glazed hinged door, the mahogany case with a visible tube, crossbanding to the sides, a turned cistern to the base and an architectural pediment with a turned brass finial to the centre, height: 97cm. * Peter Caminda is recorded as working in the High Street, Taunton from circa 1820 until at least 1845.

Chinese Antique Prints Two antique prints, China, one a sketch of a Chinese architectural scene, the other a photograph showing figures in a street scene, in a wood frame, largest 13" x 9 1/2". Starting Price: $150

ANIMAL STUDIES, a pair, Trowbridge Gallery, original price £450 each. 53cm x 45cm H and architectural prints, a pair, Trowbridge Gallery, 43cm x 53cm H. (4) (with faults)

AFTER DAVID BATES "Birches by the river", colour print and KNOX (20TH CENTURY) "The harbour, St. Ives", pencil and crayon, dated '73 and a large collection of various other pictures and prints, to include hunting and coaching, architectural prints of Bristol etc

Early 19th Century English School A pair of architectural miniature watercolours

Three architectural etchings, unframed

An Edwardian inlaid mahogany and satinwood wardrobe, with an architectural cornice

An early 20thC eight-day bracket clock, with architectural mahogany case, and eight-day movement striking on two gongs, 48cm high.

*AFTER SAMUEL H. GRIMM. Cowdray House in Sussex, engraving, 7 1/2 x 20 1/2 in; two other prints depicting Cowdray House; and a miscellaneous selection of other prints, mostly of architectural interest (qty)

19th century Continental school, architectural study of the Palazzo Vecchio in Florence, bearing inscription lower left and dated 1901, watercolour on paper. W. 18 cm, H. 38 cm.

A collection of 19th century monochromatic architectural engravings of French and Belgian landmarks, 19cm wide, 15cm high

T. K. Green (19th century school), architectural study of a Continental village on market day, signed lower right and dated 1901, watercolour on paper within gilt frame. W. 17 cm, H. 25 cm.

20th century British school, architectural study of village church, pastel and watercolour on paper, unsigned. W. 40 cm, H. 46 cm.

SECRETAIRE, Swedish pine in two parts with hinged top, fall front and architectural fitted interior above three drawers, 133cm H x 123cm x 50cm. (with faults)

Donaldson, T.L. ARCHITECTURA NUMISMATICA; OR, ARCHITECTURAL MEDALS OF CLASSIC ANTIQUITY: ILLUSTRATED AND EXPLAINED BY COMPARISON WITH THE MONUMENTS AND THE DESCRIPTIONS OF THE ANCIENT AUTHORS, AND COPIOUS TEXT. London: Day & Son, 1859. Crown 4to, later blue cloth, gilt. xxxi, (1), 349, (3) pages; 100 attractive lithographs and woodcuts, mostly depicting coins. Near fine. A fundamental work. Rather scarce. Clain-Stefanelli 4755*. Ex David Bullowa, with his blind stamp; apparently ex Charles E. Lawrence, with his bookplate laid in.

[Pisani and Corraro]. (Mazzoleni, Alberto). IN NUMISMATA ÆREA SELECTIORA MAXIMI MODULI E MUSEO PISANO OLIM CORRARIO. In Monasterio Benedictino-Casinate: S. Jacobi Pontidæ Agri Bergomatis, Apud Joannem Santinum Sumptibus Societatis, 1740 / Venetiis: Apud Jo. Baptistam Albritium, undated. Two volumes. I: (10), 244 pages; title printed in red and black; finely engraved large title engraving of both sides of a Roman medallion, surmounted by two putti; finely engraved and woodcut initials, headpieces and tailpieces. II: 96 leaves, comprising a superbly engraved allegorical architectural frontispiece featuring the arms of Correr and Pisani, respectively supported by two dragons and two lions; title within a handsomely engraved border; finely engraved preface; finely engraved index; 92 finely engraved numbered plates of ancient Roman coins, generally depicting both sides of three coins within elaborately engraved cartouches, each different and often featuring putti, animals and other decorative devices. Large folio [45 by 32 cm], complementary though not matching modern brown leather and marbled boards, gilt. Fine. A monumental production, combining a volume of detailed coin descriptions with this superb series of plates depicting ancient Roman coins within delightful baroque cartouches. Rarely offered complete. Published for the first time in 1740–41, the plates illustrate the fine collection formed by Girolamo Corraro and his son Angelo (Pope Gregory XII, 1406–15), and later completed by Ermolao Pisani. Ex Ferdinando Bassoli (Kolbe Sale 108, lot 206), with his bookplate.; ex June 3, 2006 Kolbe sale, lot 76. Babelon pages 113–114. Hennin 224 and 2922. Lipsius 315. Strandberg 114.

Paciaudi, Paolo M. AD NUMMOS CONSULARES IIIVIRI [TRIUMVIRI] MARCI ANTONII. ANIMADVERSIONES PHILOLOGICAE ACCEDIT EXPLICATIO TABULAE PELOPONNENSIS. Romae: Excudebant Fratres Palearini, Publica Auctoritate, 1757. 4to [28 by 21 cm], contemporary card covers. 126, (2) pages; title printed in red and black with a delightful, finely engraved architectural numismatic vignette; finely engraved historiated headpiece and tailpiece; woodcut tailpieces; fine engravings in the text of ancient coins and two historical scenes; one full page of ancient coin engravings; woodcut printer’s device. Occasional minor spotting. Fine. Ex Richetto, 2004. Ex Ferdinando Bassoli, with his bookplate. Paolo Maria Paciaudi of Turin (1710–81), was a Theatine priest and a well-known authority on numismatics and ecclesiastical archeology. His Philological Observations appears to be quite rare. Correspondence, mainly on antiquarian topics, between Paciaudi and the French writer and noted numismatist, Jean Jacques Barthelemy (1716–95), may be found in the 1877 Correspondance indite du Comte de Caylus by Ch. Nisard. Lipsius 302.

A pair of early 20th Century oak architectural wall brackets or bosses in the form of lions heads with acanthus scroll manes, together with a similar single lions head mount, width 15cm and height 22cm. (3)

Two 19th Century bound volumes to include an album marked Germany 1882 filled with mounted sketches, watercolours and photographs from a tour, various hands, including portraits, architectural and landscape views, and Fifty portraits of Eminent Personages by D.J Pound (active 1842-1877) of various gentleman and ladies from the 19th Century to include the Prince Consort and Queen Victoria, some with fascimile signatures, printing error to back, Empress Eugenie bound at an angle and one gentleman appearing twice.

FREDERICK DONALD BLAKE R.I., R.S.M.A. (1908 - 1997) Framed, signed, mixed media on paper, Contemporary architectural archways, with Gothic window. 69.5cm x 44cm.

JOHN HARDMAN & CO. STUDIO. Two unframed, watercolours on paper, stained glass window designs; one 1920`s Gothic Architectural framework with four lights and twenty three traceries, `St. Joseph`, `Our Lady and Child Jesus`, `St Anne` and `St. Joachim` and a mounted, 1932, with two lights, `Christ with St. Peter` and cinquefoil tracery bearing Papel coat of arms, with John Hardman lozenge. (2) 54cm x 33cm and 48.5cm x 22.5cm.

JOHN HARDMAN & CO. STUDIO. Three unframed, pen, ink and watercolours on paper, 19th Century brass designs; one inscribed, `No. 3`, rectangular architectural brass `Christ saving St. Peter from drowning` beneath Gothic architecture, embellished with two shields, one inscribed, `No.2`, a memorial inscription embellished with Gothic architecture, two angels supporting shield, with two other shields above, and a fleur de lis cross bearing emblems of four `Evangelists`, `Agnes Dei`, the letter `B`, with coat of arms and inscription Gothic Architecture base all encased in a rectangular patterned border. (3) 38cm x 19.5cm, 40cm x 23cm and 38.5cm x 26.5cm.

A large black marble mantel clock, of architectural form, with gilt-brass mounts

An early 20th century German oak cased mantel clock of architectural form, 8 day movement, striking on a gong

Stephen Wiltshire (Contemporary, British), a pair of monochromatic architectural prints of Piazza San Marco and the Doge's Palace in Venice, 41cm wide, 30cm height

G. Huadrel Bly (French, early 20th century) 'City Hall, Cardiff', monochromatic architectural etching, signed in pencil lower right, 25cm wide, 20cm high

An early 20th century European school, architectural study of a gothic castle beyond a village, unsigned oil on canvas, 60.5cm W, 50cm H.

A `Grand Tour` architectural ornament with a `pudding stone` type sphere on a column

Orlando Norie (1832 -1901) ``5th Princess Charlotte of Wales`s Dragoon Guards`` signed, watercolour, together with a collection of equestrian watercolours on silk, prints after Henry Alken, architectural engravings and engraved maps of Somersetshire & ``Environs of Bath and Bristol`` (qty) 14.5cm by 14cm & various other sizes

A quantity of folio architectural plate volumes including Wickes, Illustrations of the Spires and Towers of the Medieval Churches of England 1853-4-8-9 (two sets of 3 vols each), with one other (7)

A late 19th century mantle clock with ivorine chapter ring and twin train striking movement in a variegated marble and slate case of architectural form, h. 32 cm CONDITION REPORT: cannot guarantee working order case with some wear, chapter ring with chips and cracks

A large black slate mantel clock of architectural form, the circular dial bearing Arabic numerals, surmounted by a Classical frieze raised on fluted pilasters

Diego GIACOMETTI (1902-1985) Exceptionnelle applique à cinq lumières en bronze à patine dorée à décor de panthères H : 31 cm - L : 55 cm Cette applique se trouvait au domicile de Diego GIACOMETTI rue du Moulin Vert à Paris. Elle est l`un des deux seuls tirages connus du plâtre original qui fait partie de la donation Giacometti au musée des Arts Décoratifs (1986). Le second tirage de cette applique se trouve depuis le décès de l`artiste dans une collection privée à Genève. Certificat d`authenticité de M. Denis VINCENOT Bibliographie : Michel BUTOR “Diego GIACOMETTI” par Adrien MAEGHT éditeur 1985 p. 49 Revue “Architectural Digest” Août 1983

A Victorian chiming wall clock, with architectural case, silvered dial and glaze door

Quantity of fine bindings, including Tennyson, Kingsley, Priestley, "Veterinary Journal", vol. 18-19, Hartwig "Harmonies of Nature", Macgregor, Robertson "Household Physician", works on and by Livingstone, various ledgers, and from the Eiffel.C.S. Reference Library "Architectural and Perspective Drawing, Sketching and Measuring Shades and Shadows", and various other volumes (2 boxes)

OVERMANTEL MIRROR, Art Deco, of architectural form with blue border plates, 140cm W x 98cm H overall.

SANDEMAN R. and LEIGHTON G.C., Grand Architectural Panorama of London, Regent Street to Westminster Abbey, London 1849, gilt embossed cloth on boards 18 x 15cm, concertina panorama 14 x 680cm approx. (1)

A William Clement (c.1670) ebony longcase clock, having an architectural hood (formally rising) enclosing a 10" square brass dial signed below chapter ring 'Wm Clement Londini Fecit', with further cast gilt brass cherub mask spandrels dispersed with foliate engraving, the silvered chapter ring with Roman numerals enclosing matted centre, pierced steel single hand, twin winding holes for an eight day duration five latched and ringed pillar weight driven movement, with Royal 1¼ second two-piece latch and pillar pendulum, brass cased weights and striking on a bell, the case with three panelled door within ogee mouldings, the boxbase with concealed hinge door for pendulum regulation, later plinth, case h.206cm (81") The whole with restoration - a condition report is available upon request. Footnote: William Clement (circa 1638/39-circa 1709) is recognised as one of the most innovative clockmakers of his time. He is widely co-credited for inventing the anchor escapement and was also possibly the first person to use a spring-suspended pendulum. Little is known about his early history, but he was apprenticed in the Blacksmiths' Company in 1657 and a Freeman of the Clockmakers' Company from 1677. He was rapidly made an Assistant in the Company 'by unanimous consent and approbation and for good reason and especial esteem' in 1678, and in 1694 he became Master.

A Victorian black slate and marble mantle clock, the architectural case enclosing an eight day bell striking movement faced by Roman dial on stepped rectangular plinth, 25.5cm.

A small meat dish, by C.J.Mason and Co., c1828, depicting a classical ruin landscape, framed within a border of architectural fragments, impressed mark “MASON CAMBRIAN ARGYL”, 37cm wide.

An architectural, red veined and black slate, mantel clock with revealed escapement.

An oak cased, 19th century, 30 hour long case clock with thirteen inch, square dial, signed H. Philipson Senior, Alverston and painted with floral, gilt spandrels at the centre and architectural, oval scene, height 194cm.

An architectural wall cabinet with glazed doors over three small drawers, width 61cm.

A Georgian style mahogany display cabinet with broken swan neck architectural fretwork pediment over a tall narrow cabinet enclosed by a pair of astragal glazed panelled doors revealing four shaped velvet lined shelves, raised on a low stand on claw and ball supports

A pair of antique architectural posts with moulded columns and Corinthian carved caps (possibly originally parts/sections of four poster bedstead)

Two Victorian slate mantel clocks, with classical architectural case, and a small slate clock with marble edging.

19thC French Neoclassical black slate mantel clock by AD Mougin. The architectural design case set with Corinthian columns, convex plaques of classical figures and acorn finals, the cast domed top set with a bust of Hermes. The movement with impressed makers marks.

A pair of painted wooden architectural `urns`

A Russian Icon, depicting St George slaying the dragon amongst an abstract architectural landscape. H. 32 cm, W. 23 cm.

A walnut wall clock, with gong-striking movement, in architectural case, no key or pendulum

A late 19th century oak mantel clock, square silvered traditional dial, German movement striking on a gong, with key and pendulum, in architectural oak case, 13in.

A late 19th century walnut bracket clock, traditional arched, brass dial with silvered chapter ring, German movement chiming on rod gongs, architectural case, with pendulum, 16in.

Danish settee, designer unknown, imported by Raymor, architectural teak frame with elongated cross-stretchers, sage green silk upholstery, original finish, signed with "Created in Denmark for Raymor" tag, 48"w x 28"d x 32"h, very good original condition No chips or cracks. No repairs. Sturdy and structurally sound. A round decal is missing–it was likely a Danish Furniture Control tag. A few light stains to the fabric. The seat sags a little; the straps under the seat are intact but are dry and sagging.

Grueby architectural tile, square form, yellow border and central floral medallion on a blue ground, unmarked, 12"sq minor chip to underside corner

Batchelder architectural tile, large rectangular form with a carved medieval scene and geometric border, 13.5"w x 3"d x 18.25"h back with newer poured concrete, tiles all appear to be in good condition

Frank Lloyd Wright single-drawer desk, for the Imperial Hotel, Tokyo, Japan, c. 1916-1922, rectangular top, notched corner, molded Greek-key frieze, shallow drawer with brass pull, refinished, 26"w x 28"d x 28"h, very good condition Provenance: Christie`s, New York, New York, Arts & Crafts and Architectural Designs, Sale 7586, Lot 169, 12 December 1992 re-coated original finish, some brackets added, structurally sound

Charles Atwood designed architectural fragment from the Fisher Building in Chicago, D.H. Burnham & Co. architects, cast by Winslow Brothers foundry, 1895-96, figural elevator floor indicator depicting opposing stylized dolphins centered by a shell, 21.5"w x 24.5"h, very good condition Catalogue note: The Fisher building is listed on the National Register of Historic Places and designated as a Chicago Landmark good original finish

Dankmar Adler & Louis Sullivan architectural block, from the Chicago Stock Exchange Building, c. 1893, organic design in unglazed terracotta, with display base, 24"w x 20"d x 10"h, very good condition with usual wear Catalogue note: The Chicago Stock Exchange was demolished in 1972 some old surface chips and minor losses visible in photo

Early 19th century mahogany breakfront wardrobe with three panel doors and architectural cornice, 188cm wide.

Antique oak livery cupboard with two fielded panel doors, two base drawers and low architectural pediment, raised on small block feet, 134cm wide.