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A tall and impressive puginesque 19th century continental gothic thirteen light floor-standing candelabra, with scrolling arms adorned with acanthus sprigs, cradling pierced rounders, raised on a stepped architectural tabernacle base, with cast acanthus supports, 97cm high From the private collection of a Cotswold gentleman

A small late 19th century alter top ecclesiastical reliquary casket, of architectural form with glazed panelled sides, with pierced scrolling friezes embellished with inset red and green stones, 24cm high, 17 x 11cm, together with a similar smaller example (2)

A tall 19th century ecclesiastical gothic silver plated pricket candlestick, with architectural detail, 67cm high, together with another example in brass (2)From the private collection of a Cotswolds gentleman

A 19th century ecclesiastical brass pricket candlestick of Puginesque form, with pierced hexagonal cradle, raised on an architectural base, 62cm high, together with another example with pierced castellated cradle, wrythen stem with applied floral motifs and pierce apron base, 41cm high (2) From the private collection of a Cotswolds gentleman

A 19th century continental brass ecclesiastical gothic candlestick, with a pointed hexagonal cradle over architectural stem and base with arched niches populated with saints, 61cm high.From the private collection of a Cotswolds gentleman.

A 19th century cast bronze ecclesiastical / gothic pricket candlestick, of architectural form, decorated throughout with niches populated with saints, 59cm high.From the private collection of a Cotswolds gentleman.

A 19th century ecclesiastical gilt brass reliquary casket, of architectural form in the Puginesque style with lancet arches flanked by pointed spires, raised on a plinth base and brass bun feet (lacking two glasses and cover) 30cm high, 29 x 13cm, together with a good pair of 19th century squat cast brass pricket candlesticks, 26cm high (3) From the private collection of a Cotswolds gentleman.

Early 20th Century mantel clock in architectural case

TWO SILVER MOUNTED CLOCK/WATCH STANDS AND A POCKET WATCH (3)Comprising; a rectangular mahogany clock stand, having a silver front and hinged handle, the front Birmingham 1912, a watch stand, of architectural form, with side pillars, by Walker and Hall, Sheffield 1909 and a keyless wind openfaced gentleman's pocket watch, the escapement visible through the front of the dial, detailed 8 jours, detailed 0,800 Galonne within the caseback

Margaret WARDMAN (XX-XXI) St Ives Pastel with graphite Signed and dated '89 25cm x 38cm, 37.5cm x 50.5cm framed Shipping is available from £32.50 to a UK Mainland address. Margaret Wardman (née Shuttleworth) Margret Wardman (1922–2020), born, West Riding of Yorkshire, studied Fine Art at Bradford and Leeds Colleges of Art during WW11. In wartime, she also specialised in weaving at the Ministry of Pensions Hospital, Occupational Therapy Department, Eden Hall, Edinburgh, Scotland. Followed by an appointment at Pinderfields Hospital in Wakefield as an Occupational Therapist whilst fitting in three summers farming in Warwickshire and Worcestershire drawing subject matter for the painting Harvest Group. Post war, teaching art in schools in Accrington and Manchester. Through the strong, professional interconnections with artists in the North of England and its principal art galleries and museums, Margret’s paintings and drawings of the 1940’s and 50’s saw her visual language and modernist, artistic style grow in confidence and maturity. Her paintings were shown and regularly highlighted in reviews in group exhibitions such as the ‘Yorkshire Artists Exhibition’, the Annual West Riding Artists Exhibition’ and ‘Artists with North Country Associations’ at Bradford, Leeds, Manchester and Wakefield City Art Galleries. Painting and family life ran parallel, expecting the first of three children, sketching subject matter for the oil painting, Buck’s Mills whilst on holiday in Devon. Involvement with Otley and Ilkley arts Clubs at that time provided further opportunities to exhibit and develop her talent. The family’s civil engineering business brought about a move and a period of four decades living on the Somerset levels. There a new focus for drawing and recording the architectural specialisms of the level’s historic, Dutch style houses emerged along with commissions for illustrations for local businesses. A more personal, intimate, domestic subject matter flowed through her flower studies integrated with her gardens. Margaret’s later paintings, she settled in Cornwall from 2006, rediscover her own pictorial language and formative experiences. As Barbara Hepworth noted in 1939-40, ‘the deep connectivity with the Cornish landscape and the Yorkshire Moors’ meant, for Margaret, her continued exploration of modernism and strong pictorial form - planar space, structure, composition, line, painted mark with colour which the earlier canvases had produced.

Kienzle Mantle Clock of Architectural Form. Clovers noted to each corner of the face. Height: 31.5cm

A late 18th century engraving of Angel Hill in St Edmunds Bury. Published by I Kendall at Bury, depicting figures before an architectural scene. 46cm x 66cm, framed and glazed. (AF)

20th century Woodford brass chiming mantel clock of architectural form, with gilt chapter ring and black Roman numeraks, the case with four columns, 13 jewels movement, with key. Measures approx 16.5cm high

Two bird book plate engravings, 30 x 24 cm; three engravings depicting classical plaques; two architectural engravings of Baldersby Park and two garden and house perspectives for Castle Howard and Alverston (9)

Straight architectural lines down side with leaf cut design on back. Waterford mark. Issued: 20th centuryDimensions: 3"L x 1.5"W x 4"HManufacturer: WaterfordCountry of Origin: IrelandCondition: Age related wear.

French Art Deco frosted glass architectural form glass pendant light fitting, with faceted chrome fittings, Drop 50cm x W17cm

Avantgarde - Tschechien - Teige, Karel. Stavba a basen. Umeni dnes a zitra 1919-1927. (Bauten und Dichtung. Kunst heute und morgen). Mit Abbildungen auf Tafeln. Prag, Olymp, 1927. 183 S., 20 Bl. 24 x 16 cm. Original-Broschur mit farbiger Deckelillustration nach Entwurf des Verfassers (Deckel mit schmalen Staubrändern, leicht angestaubt und fleckig).Edice Olymp, Band 7/8. - Erste Ausgabe. - Vloemans Avantgarda 84. Mit Aufsätzen von 1919-1927 zu allen Gebieten der modernen Kunst. - Die Tafeln mit Abbildungen zu Architektur und Kunstwerken von Archipenko, Behrens, Le Corbusier, Gropius, Malewitsch, Picasso, Tatlin etc. - "The cover is a beautiful architectural composition, a vintage Teige design." (Vloemans). - Tafellagen teils lose, sonst schönes, unbeschnittenes Exemplar.

AFTER J.G. SCHWENDER (GERMAN 18/19TH CENTURY) FOUR ARCHITECTURAL VIEWS Engraving Variously signed (lower right) Each 27 x 38cm (10½ x 14¾ in.) (4)

BOOKS, GARDENS AND GARDEN DESIGN. A very good, clean group. SHEPHEARD, 'Modern Gardens', Architectural Press; WHALLEY, 'The Great Edwardian Gardens of Harold Peto'. And about thirty others.

BOOKS, BRITISH 20th C. ARCHITECTURE. Including Architectural Press (Stirling etc.). WW2 bunkers. Traffic in Towns. Basil SPENCE, 'Phoenix at Coventry'. And others.

BOOKS, ARCHITECTURE. 20th C., largely. Raymond ERITH, Arts and Crafts etc., and a few Architectural Press eds.

BOOKS, ENGLISH ARCHITECTURAL. A Piper Shell Guide 'Oxfordshire' and books on Lutyens, Edwardian Architecture (Grayson), and others. c. 20.

A painted architectural overmantel mirror, 125x110cm

BOOKS, HOUSES/HOUSING. Architectural Books, mainly British. A variety.

19th century mahogany collectors cabinet, sliding door opens to reveal a fitted interior of drawers some single and others double, architectural in style with a carved pediment and column supports, approx 62 x 55 x 29 d cms.  -

A bronze Architectural Association prize medallion, the obverse reads 'Design with Beauty Build in Truth' the reverse reads presented to JR Stark 1892, 53 x 53mm, TB & YB Wyon in the original presentation box; a bronze Universitas Aberdonensis Practical Materia Medica medallion awarded to H.J McGrigor 1895; three bronze art medallions, the obverse featuring the bust of young Queen Victoria inscribed 'Victoria by the Grace of God' 1856 in Roman numerals the reverse engraved National Medal for Success in Art awarded by the Science and Art Department W.Wyon RA (Her Majesty's Mint) to the truncation, both in the original box.  -

An early 18th century engraving, "A perspective view of the Royal Hospital at Greenwich", in ebonised frame and four other 18th century architectural engravings, in ebonised strip frames and a colour print street scene

A 19th century red marble and belge noir architectural mantel clock, 40cm x 31.5cm; Edwardian inlaid mahogany lancet clock etc (4)

ONE BOX: Antiquarian architectural interst, including JOHN EDWARD: ISCA SILURUM OR AN ILLUSTRATED CATALOGUE OD THE MUSEUM OF ANTIQUITIES AT CAERLON, 1862; CAPTAIN T WHITE: ARCHAEOLOGICAL SKETCHES SCOTLAND, 1873 etc (10)

One packet: Mixed architectural plan and maps of Norfolk interest, to include: Hethersett, Wroxham, Carbrooke, Trunch etc

A collection of 11 framed and glazed copper engraved architectural prints, mostly from Dugdale, 17th and 18th century. Various sizes.

Assorted linen-backed maps of a Paris architectural interest Condition Report:Available upon request

A late Victorian mahogany mirrored back display cabinet with architectural surmount over central bevelled glass mirror flanked by glazed cabinets on base with central drawer over pair of glazed doors flanked by cabinet doors on turned supports joined by shelves, 213cm high x 137cm wide x 42cm deep Condition Report:Available upon request

1874 London International Exhibition bronze medal in contemporary box (Eimer 1633, BHM 2992). Obverse: left facing bust of the Prince of Wales, the future King Edward VII, signed by George T Morgan, 'ALBERT · EDWARD · PRINCE · OF · WALES · PRESIDENT' around. Reverse: architectural scene, view of the Royal Albert Hall with 'MDCCCLXXIV' below and 'LONDON · ANNUAL · INTERNATIONAL · EXHIBITION · OF · ALL · FINE · ARTS · INDUSTRIES · AND · INVENTIONS ·' around. Edge: inscribed 'ROSSER & RUSSELL. CATALOGUE No 6189'. Weight: 75.49g. Diameter: 51.5mm. Packaging: offered in a velvet lined box, logo to interior of lid faded. Rosser & Russell were a firm of heating engineers, founded in 1866.

A distressed painted composition architectural bowl of fruit, H61cm

A 19th century French gilt-metal mantel clock of architectural form, 8-day striking movement, applied decoration, on a giltwood stand, H34cm, complete with key and pendulum

A mid century St Michael case, containing an artist's portfolio, of charcoal and pencil still life sketches, portrait studies, pen and ink sketches, interior and architectural studies, various prints, etc. (1 case)

Architectural plans drawn by Richard Miller circa 1915. Not available for in-house P&P

GORSKI, G.J. & J.E. PACKER. The Roman Forum. A reconstruction and architectural guide. (2016). Prof. ill. 4°-obl. Obrds. w. dust-j. -- A. CARANDINI & P. CARAFA, eds. The atlas of ancient Rome. Biography and portraits of the city. (2017). 2 vols. Prof. ill. 4°. Obrds. In or. slipcase. -- (3).

ARTISTS' MANUALS -- PHILIPS JACOBSZ., C. Uitvoerig onderwys in de perspectiva, of doorzichtkunde. Amst., 1765. (16), xvi, 128 pp. W. 60 fold. engr. Cont. hcf. w. dec. gilt back & red label. (Corners bumped, plates partly misfold. and outer margins a bit frayed). NOTE: First edition of this schoolbook for painters and other artists, on the study of applied perspective by the Amsterdam engraver and architectural historian C.J. Philips (1732-1789). - Bierens de Haan 3759; Kat. Ornamentstichsamml. 4740.

ARCHITECTURE -- BOSBOOM, S. Cort onderwys Vande Vyf Colommen. Amst., J. Carstens, (e.a.), 1688. 59 lvs. numbered 1-51 as follows: [1]-11 pp., incl. engr. ti. (v° of p. 9 blank); plates 12-29 (versos blank); p. 30 (2 sides) & plate 30 (fold., verso blank); plates 31-51 (versos blank) and 8 unnumbered plates. Sm-fol. Cont. vellum. NOTE: Complete copy of an influential Dutch architectural work based on Scamozzi, written by Symon Bosboom (1614-62), Dutch architect and master quarryman. Also with 8 additional architectural drawings. - Cf. Fowler 54; Katalog Ornamentstichsamml., 2222 & 2223 (other eds.).

A 19th century French black slate mantel clock with columns. Ormolu architectural decoration, white dial, Arabic numerals and a visible escapement. Flanked by columns and a copper embossed frieze above. Movement stamped Maple & Co., Paris, S/N 3048:5.3, striking to a gong, pendulum present. H34cm

BLACK SLATE & MARBLE MANTEL CLOCK, late 19th century, of architectural design, circular dial with gilded Roman numerals, eight day movement striking on a gong, 40cms (h)Provenance: private collection Conwy

A 19th Century mantel clock in architectural case with brass and silvered roman numeral dial , stamped W & H to movement

Lydia Corbett ('Sylvette David', b.1934, French), Picasso's muse, watercolour, A still life arrangement with vase of flowers before an architectural backdrop, vibrantly coloured, signed to the corners, framed, mounted, and under glass, measuring 40cm x 50cm, & 58cm x 68cm overall

ARCHITECTURAL GARDEN OBELISKS, a set of nine, in metal, graduated sizes. (9)

ARCHITECTURAL GARDEN MIRRORS, a set of three, with metal frames, 60cm H x 39cm. (3)

ARCHITECTURAL WALL PANELS, a pair, Gothic style, 80cm H x 68cm x 4cm. (2)

ARCHITECTURAL WALL MIRRORS, a pair, Italian style with distressed metal frames, 112cm H x 48cm W (2)

ARCHITECTURAL PERGOLA GAZEBO, Regency style, in metal, 325cm H x 280cm.

ARCHITECTURAL GARDEN MOON ARCH, in metal, 212cm H x 204cm x 38cm.

Two shelves of prints including architectural, COLLECT ONLY.

A 19th century slate mantel clock, the case, of architectural form, with incised gilt floral decoration and inset with malachite panels, enclosing a white enamel dial with Roman chapter ring and visible escapement, eight-day drum movement striking hammer on bell, the back plate impressed G.F, and with mercury pendulum, and flanked by a thermometer and aneroid barometer. H51cm, W57cm, D17cm.

Archibald MacFarlane Shannan A.R.S.A. (Scottish, 1850-1915), "The Idyll", a terracotta maquette, inscribed "A. McF. Shannan, Paris (18)92", (some losses), on a revolving mahogany stand with rectangular top over a column applied with corduroy. Sculpture 53cm, stand 96.5cm. Note: the bronze for which this was the preparatory study is now in the collection of Glasgow Museums and is of the same size as the maquette. Shannan was born in Glasgow, the son of a builder to whom he was apprenticed. In 1884 he decided to attend the National Art School in South Kensington followed by eight years of study in Paris during which time the maquette was created. Having returned to Glasgow in 1894 he opened a studio and became well known as a sculptor of portrait busts and commemorative and architectural works. He exhibited widely including at the Royal Scottish Academy, Glasgow Institute of Fine Arts and the Paris Salon. 

Irian Jaya Central Asmat decorative architectural piece of a men's house in Atsj || INDONESIE / IRIAN JAYA - CENTRAL ASMAT decoratief architecturaal element van de buitenkant van een mannenhuis in Atsj in hout met witte pigmenten - hoogte : 122,5 cm

beautiful 17th/18th Cent. German baroque style armoire with a strong architectural design with flat columns with sculpted capitals and with two drawers and two doors with "cushions" in parquetry || Prachtig zeventiende/achttiende eeuws Duitse barok - meubel met een sterk architecturaal design met platte pilasters met kapitelen en met twee laden en twee deuren met "kussens" in parqueterie

antique Indian architectural element in wood with carved figures || Antiek Indisch architecturaal element in hout met gesculpteerde figuratie - 50 x 20 x 10,5 cm

Ken Clarke (b.1948), life model plaster cast sculptures of a nude female, one titled 'Anna', signed and dated 2014 verso, approx 37cm x 36cm, and two smaller casts. (3)Footnote:Ken Clarke worked in all the major international film studios throughout the world for over forty years. He has worked on many blockbuster films. He moved into life casting in later years but started his career with a five year apprenticeship in architectural plastering in 1964 at Shepperton Studios.

Ansonia Mantle Clock, eight-day movement in green onyx architectural case, 34cm wide.

XIX Century Black Slate and Marble Cased Mantle clock of architectural form L.P Japy 1878 to back plate of eight-day movement, 37.5cm wide.