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An early 19th century waterfall bookcase, the architectural pediment above six stepped open shelves with scrolling cut octagonal supports and with full width base drawer, the whole raised on turned legs. 144cm wide, 210cm high, 40cm deep maximum

A mahogany boxwood and harewood inlaid whell barometer, 19th century, the broken architectural pediment with gilt metal urn finial above an inlaid patera motif and thermometer with blood heat to freezing silvered scale, 8" silvered dial marked J Porry, Warranted, over a futher patera motif, restored, 39" high

A George IV mahogany inverted breakfront sideboard, circa 1830, in Grecian Revival style, with architectural low pediment back and anthemion quarter brackets, above two tablet centred frieze drawers flanked by pedestal cupboard doors, applied with acanthus volute scroll brackets and enclosing a single shelf and cellaret drawer respectively and raised on a plinth base, moulding losses, 85" wide, 29" deep, 49" high

(Megerle (Johann Ulrich)) "Abraham a Sancta Clara". Mercks Wienn, das ist: dess wutenden Todts ein umstandige Beschreibung in der beruhmten Haupt und Kayserl, additional engraved pictorial title, 5 engravings in text, slight stain D3, neat early ownership signature on title, Vienna, bey Peter Paul Vivian, 1680; bound with Losch Wienn, das ist: ein Bewogliche Anmahnung zu der Kayserl, additional engraved pictorial title, small ink stain on engraved title, Vienna, P.P.Vivian, 1680; bound with Oesterreichisches Deo Gratias, engraved frontispiece, Vienna, P.P.Vivian, 1680; bound with Mercks wol Soldat! Vienna, P.P.Vivian, 1680; bound with Grosse Todten-Bruderschafft, additional engraved architectural title, Gedruckt im Jahre Christi, 1681, contemporary vellum, brass clasps, 8vo

Mitterer (Hermann) Anleitung zur burgerlichen Baukunst und Bauzeichnung, third edition, 20 lithographed plates, some foxing and browning to text, original lithographed printed wrappers, Munich, 1824 ~ Fayolle (J., aine) Extrait de la Collection des Dessins d'Interieurs d'Appartement, & d'Objets divers pour l'Ameublement des Palais & l'Ornement des Eglises, lithographed throughout, advertisement leaf and 11 plates, lithographed vignette title printed on upper wrapper bound in, contemporary boards, Paris, (c.1840) ~ Billings (Robert William) Architectural Illustrations and Account of the Temple Church, London, half-title, additional engraved title and 29 plates, publisher's advertisements tipped in at beginning and end, original roan-backed engraved pictorial boards, 1838, folio and 4to (3).

Book Of Hours.- (Horae Beatae Mariae Virginis, Use of Rome), printed on vellum, 84ff., only of 100, 7 full-page miniatures, in architectural borders, only, of 17, 18 smaller miniatures, in gold and colours, many gold initials, and line-fillers, decorated in red or blue, each page in woodcut borders, text of first 8 lines of B4r (start of prayers to St Apolonia) obliterated, little marking elsewhere, later mottled sheep, rubbed, (Bohatta 778), 8vo, Paris, Antoine Verard, (1511).

Glareanus (Henricus Loritus) De Ratione Syllabarum Brevis Isagoge, qua nulla magis succincta esse poterit, woodcut architectural border, early ink marginalia and underlining throughout, slight damp-stain to final few ff., few wormholes with minimal loss, neat library stamp on blank reverse of final f., modern wrappers, (Adams G761), small 4to, Basel, in aedibus A.Petri, 1516.

Josephus (Flavius) Opera, title in red and black within architectural woodcut border, tear in sig.K6 and X8, occasional water-staining, generally a crisp copy in contemporary pigskin-backed wooden boards, decorated in blind, clasps present, early inscription on front pastedown, (Not in Adams), folio, Paris, Francois Regnault & Jean Petit, 1519.

Terentius Afer (Publius) Comedie, title in red and black with architectural woodcut border and woodcut device, another device on verso of final leaf, a few woodcut illustrations, numerous early ink annotations, some marginal staining and slight worming, contemporary pigskin over wooden boards, decorated in blind, clasps intact, some wear to corners, (Not in Adams), small folio, Lyon, Jean Marion, 1520.

Roo (Gerard von) Sapientia Salomonis Carmine elegiaco reddita ... , title within woodcut architectural border, woodcut arms on verso, later ink annotations on front endpapers, contemporary limp vellum, ties, (Not in Adams), small 4to, Aeniponti, Rupert Holler, 1572.

French black slate timepiece, circa 1870, eight day movement, in an architectural case banded in veined marble. 31cms (12") high..

Late 19th century pressed and moulded glass pill box, of circular form, with a white enamel motif of an architectural ruin on an amber ground.5cms (5") diameter.

"Tuscan Order", an antique architectural engraving; and Moths, Victorian chromolithograph. (2)

John Wilson Ewbank. 5.5in. x 7.25in. (14 x 18.5cm). "Old Taymouth Castle, Loch Tay, Morning" - pencil. Signed and inscribed; and Artist Unknown 4in. x 9in. (10 x 22.5cm) 6in. x 5.75in. (15 x 14.5cm) Architectural studies - pencil Indistinctly signed with monograms and dated 1902. (3)

Billings (Robert William) Architectural Antiquities of County Durham, 4to, half-calf, illus. with engravings, Durham 1846.

A black slate and marble inset mantel clock of architectural form with a white enamel chapter ring, 32cm high.

A William IV walnut hall chair in the Gothic style with an architectural cresting rail, later turned urn finials, pad back and arms on bobbin turned supports with a floral seat and with further bobbin turned legs and stretchers, brass caps and castors.

Trissino (Giovanni Giorgio) La Italia Liberata da Gotthi, vol.II only (of 3), folding engraved map, lacks final blank Zz10, Aa8 marginally repaired without loss, slight browning, printer's device slightly stained, contemporary vellum, [Adams T954], Venice, per T.I. da Bressi, 1548 ~ Bible, English. Novum Testamentum. Studio et labore S. Curcelli, contemporary vellum, [Willems 1239], Amsterdam, Louis and Daniel Elzevier, 1658 ~ Justinus (Marcus Junianus) Historiarum ex Trogo Pompeio Lib. XLIV cum notis I. Vossii, engraved pictorial title, ownership signature on reverse of title, front free endpaper restored, lower hinge cracked, contemporary blind-stamped calf, [Willems 1484], Amsterdam, Daniel Elzevier, 1673 ~ Justinian, Emperor. Institutiones sive Elementa D. Justiniani, additional engraved architectural title, printed in red and black, contemporary calf, Amsterdam, ex Officina Wetsteniana, 1710 ~ Cicero (Marcus Tullius) Tusculanarum Disputationum Libri V. cum Commentario J. Davisii, Chatsworth bookplate, contemporary vellum, morocco label, Cambridge, Typis Academicis, 1738; and 7 others, 17th and 18th Century, 12mo & 8vo (12).

Pausanias. Veteris Graeciae Descriptio, engraved pictorial and architectural title border, lacks final (blank?) G4, 17th century calf, raised bands, joints partly split at foot, [Adams P524], Florence, L.Torrentinus, 1551.

AN EARLY 20TH CENTURY GREEN ONYX AND GILT METAL MANTEL CLOCK, with eight day half hour striking movement, the dial with arabic numerals, contained in an architectural case surmounted by a dome. Height 16". Width 13.5".

AN EARLY 20TH CENTURY ARCHITECTURAL POLISHED SLATE AND COLOURED MARBLE MANTEL CLOCK, the eight day movement half hour striking, the dial with exposed escapement and arabic numerals, contained in a drum shaped case above a glazed front enclosing a mercury compensated pendulum, on a rectangular base. Height 18.5". Width 15".

A quantity of architectural photographs circa 1930's mainly depicting works carried out by Wallis, Gilbert and Partners

A large German oak mantel clock, early 20th century, of architectural form, the carved pediment above a pair of fluted plasters within faux brickwork borders, on a plinth base and block feet, the rectangular brass dial with silvered chapter ring and subsidiary silent chime and slow/fast dials, the two train brass movement striking on two gongs, 45cms high

19th century oak cased German bracket clock, the architectural shaped top with turned finials, above a glazed door, gilt brass dial and corner spandrels, the silvered chaper ring engraved R.H. Halford and Sons, Fenchurch Street, London. The 2 train movement, strinking on 2 gongs. Stands 12ins.

Zocchi (Giuseppi, artist) [Bibliotheca Laurentiana], 9 copper-engraved architectural plates and 1 allegorical plate (?frontispiece), some spotting and minor marking, modern bookplate, 19th century half cloth, rubbed, folio, [Florence, c.1756]. *** Nine architectural views taken from the Bibliotheca Laurentiana in Florence, possibly extracted from Ruggieri's Scelta di architetture antiche e moderne della citta di Firenze [see Berlin Katalog 2690].

SKELTON (R.A.) AND JOHN SUMMERSON. A Description of Maps and Architectural Drawings in the Collection made by William Cecil First Baron Burghley now at Hatfield House, 24 plates, some colour, frontispiece, title in red and black, lower margin water-stained throughout, affecting marginally plate captions, original morocco-backed cloth, lower edge peeling, folio, Oxford, printed for presentation to the members of the Roxburghe Club, 1971.

Paolozzi (Eduardo) Underground Design, Introductory Essay by Peter Cook, Conversations between Eduardo Paolozzi and Alvin Boyarsky, and Script by Eduardo Paolozzi, 18 plates specially prepaired for this publication by thermographic printing, 1 original colour lithograph signed by the author, loose as issued in original box, 4to, Architectural Association, 1986.

A Victorian walnut cased Vienna type wall clock, architectural pediment with turned finials and mask cresting, circular ivorine dial with black Roman numerals, enclosed by a glazed door with turned column pilasters, brass pendulum, key wind movement, striking on a gong, 112cm (44")

Two 19th century alabaster architectural carvings; one of the leaning Tower of Pisa inscribed in pencil 'Van Lint Pisa, Proporziona 1-660', the other of the Baptistry inscribed in pencil 'Van Lint Pisa, proporziona 1-460', each in a glass dome with alabaster base, 17cm high overall

A mahogany and crossbanded display cabinet, the cornice centred with an architectural pediment above an astragal glazed door and canted sides, the base with fiddle back mahogany and satinwood lozenges to the door and canted sides, 185 high x 95cm wide

A mahogany secretaire chest on chest in George III style, the architectural pediment above two short and three long drawers flanked by fluted canted pilasters, the base with a secretaire drawer enclosing fittings, above two long drawers, on bracket feet, 213 high x 112cm wide

A late 19th century olive wood davenport type desk, the raised back with a foliate carved and pierced three-quarter gallery centred with an architectural roundel, above two ebony strung hinged top recesses, the writing slope with a parquetry band and painted 'Jerusalem', with a panelled door to each side enclosing six drawers with recessed turned handles, with winged beast, scroll and entrelac supports, on a plinth base and turned feet, the back veneered, 105 high x 60.5 deep x 72cm wide

A burr walnut and feather banded bureau cabinet in George I style, the domed architectural pediment with an ogee moulding, above a shaped door with a bevelled mirror enclosing adjustable shelves and drawers, above a slide, the base with a fall enclosing pigeon holes, drawers and an inset, above three long drawers, on bracket feet, 204.5 high x 66cm wide

A Victorian mahogany mantel clock by Charles Brown, Edinburgh, with a single fusee movement, housed in tapering architectural case, 42.5cm

A Thirty Hour Longcase Clock, B Rippin, Sewstern, the 11 inch white enamel dial with date crescent and foliate detail the spandrels, the movement striking a bell (lacking), the oak and mahogany crossbanded case with architectural hood and pointed arch headed door, 197cm high

India. - Bourne (Samuel) and others. Album of Architectural subjects, landscapes and figure studies, including views of Lucknow, the Taj Mahal and Fort at Agra and Calcutta, 17 albumen prints, each c.230 x 290mm., signed in the negative by Bourne(7), Rust(5) and Stretton (1), 12 unsigned albumen prints each c.140 x 205mm. and 14 smaller views and figure subjects, mounted on one or both sides of leaves, a group of 14 prints loosely inserted, contemporary half roan, rubbed, backstrip torn, 4to, 1860s-70s.

Folo (Giovanni) Divi Andreae Apost. Martyrium, after Dominico Zampieri, depicting the matyrdom of St. Andrew, in a classical architectural setting, engraving, 555 x 765mm., marginal surface dirt and damp-stains, Rome, 1799 ~ Finden (William) The Crucifixion, a triptych after William Hilton, engraving, three plates on one sheet, 835 x 705mm. overall, central panel with arched top, linen backed, on a shaped wooden stretcher, central damp-stain, browning, surface dirt and light abrasions, mostly marginal, mid 19th century ~ Scriven (Edward) The Incredulity of St.Thomas, after Chevalier Adrian Vander Werff, engraving, 395 x 280mm., on laid india paper, surface dirt, creasing, damp-stain to bottom left corner, J. White, Cadell & Davies, and P.W. Tomkins, 1817 ~ Canova (Antonio) Aiace, engraving by Bonato, after Tognoli, 620 x 420mm., large damp-stain to top, some surface dirt and handling creases, c.1825 (4).

Gunst (Philip) Noah's Ark floating upon the Waters of the Deluge and other biblical scenes, architectural reconstructions and genealogical trees by Gunst, Jan Wandelaar and Francois Bleyswyck, from An Etymological Dictionary of the Holy Bible by Augustin Calmet, engravings, 48 single plates each c.325 x 205mm., and 29 folding plates each c.320 x 440mm., slight browning, 1732; and a small quantity of other biblical and Holy Land views, by or after John Martin, William Bartlett, J.D. Harding and others, engravings and lithographs, some hand-coloured, various sizes, generally good condition, occasional spotting, mid 19th century (c.110).

A MAHOGANY MANTEL TIMEPIECE dial: white enamel (chipped), movement: watch style, signed HAMD. NICHOLLS, Canterbury, No. 14475, case: of architectural form flanked by brass ionic colummns and surmounted by displaying eagle, 18in. (46cm.)high

A CONTINENTAL OAK TABERNACLE of architectural form, the arched door flanked by outset corners, the domed "scale" roof set with cherub masks, 35 3/4in. (91cm.) high x 32in. (81cm.) wide

A GEORGE IV BRACKET TIMEPIECE, c.1825 by William Johnson, The Strand London, architectural case of walnut veneered on mahogany, engraved silvered 9cm Roman dial, blued steel hands, eight day fussee movement with holdfast to the signed brass back plate, bun feet, height 20cm

A George III mahogany and boxwood strung stick barometer, 18th century, the architectural pediment centred by an urn finial above a brass register inscribed A Bizzanelo, warranted, Shrewsbury, with circular cistern cover, distressed, 38" high

A George III oak corner cabinet, late 18th century, the architectural pediment above a lattice ribbed glazed door enclosing two shelves, boarded back, door slightly warped, 27" wide, 13" deep, 45.5" high

A William IV mahogany side table, circa 1835, with architectural pediment back above a bevelled rectangular top and raised on ring turned tapering legs, 48" wide, 23.5" deep, 39" high

A William IV mahogany sideboard, circa 1835, in Grecian Revival style, with architectural stepped low gallery back above a crossbanded rectangular top and three cushion moulded frieze drawers over bowed pedestal cupboard doors enclosing a shelf and cellarette drawer respectively, with egg and dart carved moulding and raised on a plinth base, 62" wide, 27.5" deep, 54" high

Baum (Julius, editor) Romanesque Architecture on France, 1928 ~ Newbold (Harry Bryant) House and Cottage Construction, 4 vol., n.d. [c.1930] ~ Camesasca (Ettore, editor) History of the House, London and Glasgow, 1971 ~ Middleton (Robin) and David Watkin. Neoclassical and 19th Century Architecture, New York, 1980; and c.50 others, Architecture, including 21 Weinreb architectural catalogues, v.s. (c.57).

Moule (Thomas) Winkles's Architectural and Picturesque Illustrations of the Cathedral Churches of England and Wales, 3 vol. in 1, 3 engraved additional titles, 177 (of 184) plates, occasional light spotting, contemporary cloth, 8vo, [1838-42].

Willis (Rev. Robert) The Architectural History of the University of Cambridge, 4 vol., including plates vol., plates, illustrations, 29 double-page & folding maps & plans in Atlas, some with overlays, some with original hand-colouring, inner hinges cracked, library bookplate on verso of front covers, small embossed stamp on title, original cloth, 1886.

Large Victorian black slate and marble clock, the architectural shaped case fitted 8 day striking movement with black dial, gilt Roman numerals and a visible Brocot escapement between bronzed figural applied masks on a stepped base. Stands 18ins.

George II style gilt framed wall mirror with architectural swan neck pediment and cartouche shape finial, the square plate mirror glass between egg and dart acanthus leaf borders, the sides decorated scrolled corbels and running oak leaves and acorns 4ft.7ins. high

Fullerton (William) Architectural Examples in Brick, Stone, Wood & Iron, 4to, printed cloth, illus., 1890; Sackhouse (John) The History of Prince Lee Boo, 16mo, illus. with woodcuts, Dublin 1822; Duncan (A.) Life of Horatio Nelson, 16mo, boards, n.d.; Transactions of the Society of Antiquaries of Scotland Volume 1, 4to, calf, illus. with fold-out engravings, Edinburgh 1792; Janamsarhi, an illustrated book in Urdu; and a walnut blotter. (6)

Herbert W. Mole, George Forsyth and others. 18.5 in. x 25.5 in. (47 x 64.5cm) (average) Original architectural designs in pen and ink, All Saints Church, Newcastle upon Tyne, an art gallery, a memorial church, an entrance to a public park, etc., some with colour tinting. Signed and some dated March '08. (22) Together with two albums of antiques engravings depicting architecture in 18th Century Durham.

A GEORGE III PIER GLASS, c.1815, architectural frame, reeded colonettes ball and cavetto cornice, original gilding, replacement plate, height 61cm

A VICTORIAN SLATE MANTEL CLOCK, arched architectural case with inset marble, 14cm enamel Roman dial revealing movement, bell strike, width 60cm (with key and pendulum)

A Rogers Plate with architectural buildings, figures and camel, and eight decorated Plates various patterns

Fourteen sections of 19th Century architectural iron Garden Fencing and three matching Gates

-. Fenton (Roger) Two Views of York Minster: From the South East; The Chapter House with part of the East Front, two albumen prints, 355 x 430mm. and 350 x 420mm., on contemporary card mounts with blindstamps of the Architectural Photographic Association numbered 136 and 139 in ink, late 1850s (2).

-. Wilson (G.W.), J.Valentine, Frith & Co. and others. Mixed Topographical Album of landscapes, street scenes, coastal views and architectural subjects in England, Scotland and Ireland, c.125 albumen, silver and other process prints, average 140 x 190mm., mounted on both sides of leaves, contemporary half morocco, rubbed, oblong 4to, 1870s and later.

-. The Touraine, a series of architectural studies of country houses, castles, streets, cathedral exteriors and interiors, 62 platinum prints, each c.205 x 150mm. or the reverse, on blue card mounts with English titles in ink, loose in a contemporary half roan portfolio, worn, upper cover gilt-lettered "The Touraine 1894", 4to (320 x 265mm.), 1894 (62). *** The subjects include the chateaux of Azay-le-Rideau, Vitre, Montfleaux, Valencay, Usse, Loches, Clisson, Angers and Luynes (illustrated). See lot 78 for another series attributed to the same, unidentified, photographer.

-. Bourne (Samuel) The Mausoleum of Akbar, Sekundra; The Residency, Lucknow, two albumen prints, 230x 285mm. and 205 x 290mm., signed and numbered in the negatives, the first on card mount, 1860s ~ Beato (Felice) Lucknow, the King's Palace in Kaiserbagh, albumen print, 315 x 435mm., on trimmed card mount, some spotting and other defects, 1858 ~ Frith & Co. Agra; the Golden Temple at Amritsar, two albumen prints, 235 x 290mm. and 230 x 290mm., Frith blindstamps at bottom left corners of images, on card mounts, 1860s ~ Deen Dayal (Lala) The Ghats at Benares, albumen print, 200 x 265mm., the photographer's stamp on verso, 1880s; and a large collection of Indian architectural and landscape subjects by Burke, Sache, Payne and other, mostly anonymous, photographers, albumen (the majority) and silver prints, various sizes, some on card mounts, many unmounted, 1860s-c.1920 (c.180).